{"title":"10.26 18th Century Treasures","description":null,"products":[{"product_id":"george-iii-marble-and-blue-john-dolphin-tazza","title":"George III Marble and Blue John Dolphin Tazza","description":"This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. \u003cbr\u003e\u003cbr\u003e Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. \u003cbr\u003e\u003cbr\u003e Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism with French Neoclassicism, he published several design treatises during his lifetime and built houses for British nobility. The dolphin design of this tazza embodies his complex yet conservative style. Similar dolphin designs can be found in Chambers' \u003cem\u003eThe Franco-Italian Album\u003c\/em\u003e, a large group of drawings by the architect currently held by the Victoria \u0026amp; Albert Museum. Dolphins also appear on the British Royal Family's Gold State Coach, which was designed by Chambers and built in 1762 for George III. \u003cbr\u003e\u003cbr\u003e Hardstone furnishings such as this were popular among the British aristocracy during the 18th century, and connoisseurs actively sought out the most gifted artisans from which to commission these exquisite masterworks. This particular tazza hails from an important titled British estate, for which it was specially designed and commissioned. Today, it stands as a stunning example of both Georgian artistry and the natural beauty of Blue John. \u003cbr\u003e\u003cbr\u003e Circa 1780 \u003cbr\u003e\u003cbr\u003e 18 1\/2\" diameter x 17 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42446739669127,"sku":"30-9161","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9161_1_8e5e9989-71f1-446b-a28c-c0ab6765bb7b.png?v=1743858051"},{"product_id":"wedgwood-pale-blue-jasperware-coffee-cup-and-saucer","title":"Wedgwood Pale Blue Jasperware Coffee Cup and Saucer","description":"Crafted by Wedgwood, this exquisite and rare assembled coffee cup and saucer set are comprised of the firm’s famous pale “Wedgwood blue” jasperware so prized by collectors and connoisseurs alike. A foliate motif of stiff leaves decorate both the cup and saucer in relief, creating a bold white cameo effect characteristic to the English firm’s style. The firm’s characteristically unglazed matte “biscuit” stoneware finish was first developed in a spectrum of colors by Wedgwood founder Josiah Wedgwood in the 1770s. However, the pale blue hue exhibited in these pieces was the firm’s most popular ever produced, earning itself the nickname “Wedgwood blue.” \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e Both pieces stamped \"WEDGWOOD\" \u003cbr\u003e\u003cbr\u003e 5 1\/8\" wide x 5 1\/8\" deep x 2 5\/8\" high \u003cbr\u003e\u003cbr\u003e Provenance: The Starr Collection.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238421733511,"sku":"31-0264","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0264_1_1e5d99a8-f017-4ffb-ba5e-ea25edfa0554.png?v=1712607189"},{"product_id":"wedgwood-pale-blue-jasperware-coffee-cup-and-saucer-set","title":"Wedgwood Pale Blue Jasperware Coffee Cup and Saucer Set","description":"Crafted by Wedgwood, this exquisite and rare assembled coffee cup and saucer set are comprised of the firm’s famous pale “Wedgwood blue” jasperware so prized by collectors and connoisseurs alike. A foliate motif of stiff leaves decorate both the cup and saucer in relief, creating a bold white cameo effect characteristic to the English firm’s style. The firm’s characteristically unglazed matte “biscuit” stoneware finish was first developed in a spectrum of colors by Wedgwood founder Josiah Wedgwood in the 1770s. However, the pale blue hue exhibited in these pieces was the firm’s most popular ever produced, earning itself the nickname “Wedgwood blue.” \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e Both pieces stamped \"WEDGWOOD\" \u003cbr\u003e\u003cbr\u003e 13 1\/2\" wide x 10 3\/4\" deep x 3\" high \u003cbr\u003e\u003cbr\u003e Provenance: The Starr Collection. ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238422749319,"sku":"31-0265","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0265_1_379448b8-4edc-4909-9700-ab7438b05850.png?v=1717922192"},{"product_id":"rouge-de-france-marble-pedestal-18th-century","title":"Rouge de France Marble Pedestal, 18th Century","description":"This elegant Italian pedestal is hewn from a striking piece of Rouge de France marble. Quarried only in France, Rouge de France marble has been hotly sought-after since ancient times for the highly varied, vibrant colors and patterns that naturally occur in the stone. A cultural symbol of tradition and refined taste for centuries, many important monuments, objets d’art and masterpieces have been crafted from this fine, scarlet-hued marble. \u003cbr\u003e\u003cbr\u003e 16 1\/8“ wide x 10 3\/4” deep x 47 1\/4“ high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238307668103,"sku":"30-9253","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9253_1.png?v=1717921755"},{"product_id":"louis-xvi-commode-by-pierre-roussel","title":"Louis XVI Commode by Pierre Roussel","description":"Matchless style and high-quality craftsmanship are the hallmarks of Pierre Roussel's furniture, and this exceptional Louis XVI-era commode epitomizes this master craftsman's skill. Crafted of rosewood veneer with a violet wood frame and intricate parquetry inlay, the cabinet's graceful design is also highly practical. The compact form holds two drawers, one of which can be locked for added security. A specimen of marble provides the perfect surface, while bronze ormolu mounts add an additional hint of luxury to the drawers and body. Elegantly curved cabriole legs with bronze ormolu shoes complete this impeccable piece. \u003cbr\u003e\u003cbr\u003e Known for his superior craftsmanship, Roussel was a highly respected maître ébéniste of the 18th century. His furniture pieces were favored by grand patrons such as the Prince de Condé and the Princess of Monaco, and his furnishings graced the halls of the Palais Bourbon and the Château de Chantilly. He was particularly renowned for creating commodes such as the present piece, which display his mastery over parquetry and marquetry to stunning effect. Signed examples in such exceptional condition as this are rarely found on the market. \u003cbr\u003e\u003cbr\u003e Stamped \"P. Roussel\" \u003cbr\u003e\u003cbr\u003e 31 5\/8\" wide x 18 5\/8\" deep x 33\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238301507719,"sku":"31-0043","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0043_1.png?v=1712605902"},{"product_id":"french-provincial-double-door-armoire","title":"French Provincial Double Door Armoire","description":"This majestic French walnut armoire is a stunning example of the Provincial style. Standing nearly nine feet high, this rare armoire featuring splendid rocaille carvings above its double doors and a wonderfully rich patina. Original mountings, double bolt locking mechanism and large key characterize this brilliant 18th-century furnishing. The first armoires appeared in France during the latter half of the 17th century and were most often the dominant feature of the home. These large cupboards were used to hold a family’s belongings from linens to clothing to silver and even food. Cabinetmakers drew their inspiration from the cupboards of Italy, Germany and Spain, but by the reign of Louis XV, the French armoire had reached its height of popularity and possessed a distinctly French flair. \u003cbr\u003e\u003cbr\u003e Originating in France in the 18th century, the French Provincial style was born of the ornate Louis XV and Rococo. However, it was crafted by furniture makers in the provinces, outside of the cities. By nature, its beauty relies more on form, function and available materials, and less on ostentatious decorative elements, such as gilding or intricate marquetry. Crafted of different kinds of solid wood, depending on the region (oak, walnut, elm, fruitwoods and sometimes mahogany), these pieces were carved with great artistry and skill, yet were made to be functional and long lasting. Though less exuberant than Louis XV and XVI design, French Provincial furniture exhibited a more serene and approachable splendor. \u003cbr\u003e\u003cbr\u003e Late 18th century \u003cbr\u003e\u003cbr\u003e 73\" wide x 30\" deep x 107 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239102881927,"sku":"30-0232","price":48500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0232_1_e041a774-fc8d-47cb-b0c8-a339e23e81b0.png?v=1712738183"},{"product_id":"louis-xv-french-gold-snuff-box-and-watch","title":"Louis XV French Gold Snuff Box and Watch","description":"Gold Snuff and Watch Box\u003cbr\u003e Barnabé Sageret and Charles Dutertre\u003cbr\u003e Circa 1752-3 \u003cbr\u003e\u003cbr\u003e A meticulously hand-engraved pattern envelops the exterior of this remarkably rare Louis XV-period gold snuff and watch box. This exquisite objet d’art was crafted in 18K yellow gold by the distinguished Parisian goldsmith Barnabé Sageret. One end of the cylindrical vessel houses a snuff compartment, while the opposite end opens to reveal an integrated watch created by Charles Dutertre, one of the foremost Parisian clockmakers of the late 18th century. \u003cbr\u003e\u003cbr\u003e Uniting the work of two masters, this box represents an exceptional example of French craftsmanship. Sageret ranks among the most highly regarded makers of luxury gold boxes, with examples of his work held in major institutions including the Metropolitan Museum of Art and the Walters Art Museum. Dutertre’s horological creations were similarly prized, appearing in the collections of prominent aristocrats such as the Marquise de Langeac, Prince Charles de Lorraine and the Comte d’Artois, brother of King Louis XVI. \u003cbr\u003e\u003cbr\u003e Snuff boxes were among the most fashionable luxury accessories of the 18th and early 19th centuries. The finest examples were crafted from precious materials such as gold, porcelain, tortoiseshell, enamel and mother-of-pearl. As symbols of refinement and status, they quickly became some of the most coveted personal objects of their time. \u003cbr\u003e\u003cbr\u003e Gold stamped \"Sageret À Paris\"\u003cbr\u003e Dial inscribed \"Charles Dutertre\"\u003cbr\u003e Bears a partial French charge mark of 1750-56 with date letter M for 1752-3 \u003cbr\u003e\u003cbr\u003e 1 3\/8\" high x 2\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43804277276807,"sku":"30-9266","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9266_1_79fcf0f6-9ed6-433f-b757-2ace30ed2990.png?v=1792172007"},{"product_id":"russian-figural-bronze-candelabra","title":"Russian Figural Bronze Candelabra","description":"The epitome of Russian craftsmanship, this majestic and incredibly rare pair of candelabra would have been fit for the Czar. These superb Louis XVI-style figural bronze candelabra were created in the Neoclassical taste that permeated Russia during the late 18th century. The chiseled gilt bronze work is in a class all its own – a trademark of only the most exceptional Russian ormolu craftsmen. Elegant patinated bronze nudes hold aloft delicate gilt bronze branches accentuated by gilt chains. Elevated atop classical columns crafted of polished gray marble, these lights perfectly express the outstanding grace and luxurious artistry of Russian decorative art. \n\u003cbr\u003e\u003cbr\u003e\nIn France during the late 18th century, Neoclassicism emerged as the most popular style after the exuberance of Rococo during the reign of Louis XV. The emphasis was on simplicity, straight lines and symmetry. Slenderness of proportion was stressed in furniture and decorating, and these patterns extended to other areas of the arts. French design taste has historically spread and influenced styles throughout Europe, and Russia in particular has a long history of adopting foreign stylistic trends considered to be the epitome of grand taste. Catherine the Great and her grandson Alexander I were known admirers of Neoclassical architecture and decorative arts. Numerous French artists over the centuries, such as foundeur Félix Chopin, are known to have found favor in the Russian court. \n\u003cbr\u003e\u003cbr\u003e\n14” diameter x 33 1\/2” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41237881258119,"sku":"30-3318","price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3318_2.png?v=1717921284"},{"product_id":"chinese-canton-enamel-plate","title":"Chinese Canton Enamel Plate","description":"\n This enchanting Chinese plate, known as Canton enamel, evokes the intrigue and exclusivity of the 18th- century Imperial court. Boasting a magnificent \u003cem\u003efamille rose\u003c\/em\u003e background hue, this plate is adorned with a sophisticated floral design of exceptional intricacy. A stylized mark graces the plate’s underside. Almost certainly crafted during the Qianlong period, this piece is a rarity on the market today. \u003cbr\u003e\u003cbr\u003e Chinese painted enamel, or Canton enamel, is so named for the principal place of its manufacture, Canton. Introduced into China in the 18th century, probably by French missionaries, this painted-enamel technique is based on those developed in Limoges, France around 1470, and accordingly is referred to by the Chinese as “foreign porcelain.” This term is also appropriate, in that much of it was made for export. There was a great demand in the West during the 18th and 19th centuries for Chinese porcelain dinner sets, tea services, vases, etc., and Canton enamel helped to fill this demand. Hence, most of the Canton enamels, such as this plate, used the \u003cem\u003efamille rose\u003c\/em\u003e colors peculiar to Europe. To make these wares, a metal object, usually copper but sometimes silver or gold, is covered with a background layer of enamel (often white), fired, and then is painted with colored enamels in much the same way as porcelain. Those crafted during the 18th century are of much finer quality and are much harder to find today. \u003cbr\u003e\u003cbr\u003e 18th century \u003cbr\u003e\u003cbr\u003e 6 3\/8\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43946335174791,"sku":"29-9617","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-9617_1_03432f5e-bb84-4c2b-af62-cef4be764428.png?v=1792178378"},{"product_id":"louis-xvi-bronze-chenets","title":"Louis XVI Bronze Chenets","description":"Two little fawns attempt to keep warm by brazier fire in this enchanting pair of French Louis XVI chenets, or fireplace andirons. Crafted of stunning doré and patinated bronze, these figures’ delightful Neoclassical elegance is characteristic of Louis XVI design. Chenets were a staple of any well-appointed home, serving as both decorative and useful objects. They were placed in front of a fireplace to protect priceless rugs and flooring from rolling logs. Only the grandest homes would have had chenets as beautifully designed as these.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1790\n\u003cbr\u003e\u003cbr\u003e\n10 1\/2” wide x 4\" deep x 8” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239080763527,"sku":"29-5399","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-5399_1.png?v=1712738926"},{"product_id":"hester-bateman-silver-dish-cross","title":"Hester Bateman Silver Dish Cross","description":"This exceptional and rare trivet, or dish cross, was crafted by the famed Georgian silversmith Hester Bateman. Displaying this renowned maker's trademark understated elegance, it is comprised of a central cross with four bracket feet, each adjustable to fit any shape or size dish, and each boasting a boldly pierced design. Also known as a dish stand, this remarkable piece is used to keep hot dishes warm and off a table’s surface, where it could ruin the finish.\u003cbr\u003e\u003cbr\u003e\nBateman’s classical style and expert craftsmanship have translated into some of the most highly collected sterling pieces of all time. Her light and skillful hand characterize her work to this day.\n\u003cbr\u003e\u003cbr\u003e\nHallmarked London, 1789 \n\u003cbr\u003e\u003cbr\u003e\n3 3\/4” high x 12” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874620080263,"sku":"29-5541","price":11850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-5541_1_cfb409c9-5f12-46cf-85f7-bd8a70ad452e.png?v=1792175466"},{"product_id":"wedgwood-bentley-black-basalt-inkstand","title":"Wedgwood \u0026 Bentley Black Basalt Inkstand","description":"This elegant inkwell set by Wedgwood \u0026amp; Bentley is crafted of black basalt, one of Wedgwood’s finest inventions. The set is comprised of two canisters, both held within an intriguing double stand. One is designed to hold ink and features a top with slots for quills or pens, and the other is a powder shaker with a shell-ornamented lid. Black basalt refers to the fine-grained stoneware that Josiah Wedgwood, inspired by the hard, natural stone known as Egyptian basalt, developed in the 1760s. Today, wares crafted of this beautiful pottery are highly desirable and sought by collectors. \n\nAll pieces are marked “Wedgwood \u0026amp; Bentley” \n\nCirca 1780 \n\n6” length x 3 1\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239085416583,"sku":"29-5906","price":4450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-5906_1.png?v=1712738910"},{"product_id":"louis-xv-giltwood-mirrored-girandoles","title":"Louis XV Giltwood Mirrored Girandoles","description":"This incredibly rare pair of Louis XV-period giltwood mirrored girandoles capture the grandeur, grace and opulence of the Rococo movement in the decorative arts. Each opulent mirror is exquisitely framed with voluminous flourishes of naturalistic motifs exemplary of the Louis XV era’s organic, deliberately asymmetrical stylings. Holding four candles each, these outstanding mirrored girandoles would have decoratively flanked a room of the period elegantly, illuminating the giltwood lustrously and providing ambient light reflected in the mirrored glass. \u003cbr\u003e\u003cbr\u003e Mirrors have long played an integral role in decorative design, often serving as focal points of a room. Dating back to the 13th century, the first French looking glasses were very small, yet enormously precious. Because these early mirrors were so valuable, their frames were often of the highest quality and workmanship. Although mirrored glass became more readily available over time, the frame’s importance never waned, and ownership of ornate examples served as a bellwether of wealth. Today, antique mirrors remain highly coveted, and the present examples are particularly rare as few mirrored girandoles dating to the 18th century survive. \u003cbr\u003e\u003cbr\u003e 28\" wide x 13\" deep x 53\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238270312583,"sku":"30-9849","price":54500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9849_1_19150349-1609-4f24-a03e-2ff08ada2658.png?v=1717921739"},{"product_id":"georgian-coconut-cup","title":"Georgian Coconut Cup","description":"This intriguing sterling silver cup features the shell of a coconut mounted into exquisite silver. A sublime example of elegant Georgian design, the cup features delicate scalloped edging as its singular motif. It is extraordinary to find such a beautiful example of this lost art, exhibiting a rare combination of classical beauty and exotic charm. \u003cbr\u003e\u003cbr\u003e The use of rare and exotic materials such as the coconut became popular across Europe during the Middle Ages, when it was believed that these unique materials from distant lands possessed mystical powers. It was held that they could detect, and even deter, the effects of poison and as such were employed as drinking vessels, often mounted with ornate embellishments of silver. As more trade routes opened up during the 16th century, materials such as the coconut became more widely available, though still only afforded to the wealthy minority in Europe and England. And, while they eventually lost their appeal for their magical powers, coconuts proved an ideal material for cups and pots and retained their popularity as such. Very similar silver-mounted coconut cups can be found in the most respected museum collections including the Gilbert Collection. \u003cbr\u003e\u003cbr\u003e Features maker's mark \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e 3 3\/4” diameter x 7 1\/2” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874640035975,"sku":"29-6607","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-6607_1_d5fc7c56-0063-424e-a6e4-84a499e81b7c.png?v=1792175365"},{"product_id":"french-bronze-and-marble-inkwell","title":"French Bronze and Marble Inkwell","description":"Crafted of brilliant doré bronze and fine brocatelle marble, this wonderful Napoleon III-period inkwell is as functional as it is beautiful. In a style reminiscent of Louis XV Rococo, two acanthus leaf urns, an inkwell and powder shaker, are joined by soldierly putto upon the serpentine marble base. This well-balanced design is enhanced by the exceptional quality of materials and skillful execution. A revival of the luxurious Louis XV style took place in France in the mid 19th century. It came about as part of the preference during this period, known as the Second Empire, for a mixture of styles from previous centuries. Largely due to the influence of Emperor Napoleon III, who wished to have his name associated with the classical grandeur of Rome and cement his place in French history. Pieces from this period are highly prized, as artisans exhibited not only an incredible grasp of a wide variety of style, but an immense talent for innovation as well. \n\nCirca 1860 \n\n20 ½” wide x 11” deep x 9 ¼” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42215144521863,"sku":"29-3185","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-3185_1_a74471c6-3cd0-4240-8d35-7beba783c2ff.png?v=1792175266"},{"product_id":"rust-red-and-gold-nanking-cargo-mug","title":"Rust-Red and Gold Nanking Cargo Mug","description":"This rare Chinese porcelain bowl, decorated with a rust-red and gilt floral motif, formed part of the famed Nanking Cargo. It was recovered in 1985 from the Dutch East India Company ship Geldermalsen, which sank in 1752 while returning from the Orient. The vast assemblage of porcelain salvaged from the wreck became known collectively as the Nanking Cargo and was dispersed the following year at a landmark four-day auction held by Christie’s Amsterdam, where this example appeared as lot 1216. Such vessels—often identified as \u003cem\u003espuigpotjes\u003c\/em\u003e—were small Dutch table wares associated with dining and spitting practices of the 17th through 19th centuries, reflecting the intersection of Asian export porcelain with European domestic customs. \u003cbr\u003e\u003cbr\u003e Circa 1752 \u003cbr\u003e\u003cbr\u003e 6 1\/4\" wide x 4 3\/4\" deep x 3 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873317486727,"sku":"30-3445","price":5500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3445_1.png?v=1792171178"},{"product_id":"rococo-silver-candlesticks-by-alexander-johnston","title":"Rococo Silver Candlesticks by Alexander Johnston","description":"An outstanding pair of sterling silver candlesticks by English silversmith Alexander Johnston. Reflecting the mid-18th century Georgian taste for the Rococo style, these candlesticks feature deeply chased decoration, from shells and palms to acanthus and rosettes, as well as an engraved armorial on each pedestal. Their exuberant yet balanced design is characteristic of the sophisticated style brought to England by French Huguenot silversmiths in the 1700s. Alexander Johnston first entered his mark in 1747, and work such as his, as well as that of artists like the celebrated Paul de Lamerie, indicated the adoption of French forms in all of the decorative arts, from furniture to textiles, hailing the dramatic shift from the more restrained Classical manner. Excellent condition. \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1751 \u003cbr\u003e\u003cbr\u003e 4\" diameter x 10 3\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874608480391,"sku":"29-2695","price":34000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-2695_1_b7ad0b0d-acfc-4f86-8928-bd7b76441cc5.png?v=1792175223"},{"product_id":"fine-worcester-wall-period-bowl","title":"Fine Worcester Wall-Period Bowl","description":"A phenomenal example of Worcester porcelain created during the direction of its co-creator, Dr. John Wall. In 1750, Dr. Wall and his partner, the apothecary William Davis, discovered a method for making quality porcelain. With the financial assistance of 13 local businessmen, the pair established a factory at Warmstry House, Worcester, with the understanding by all parties to keep the formula of the porcelain a secret. By 1755, Worcester was making the best blue and white English porcelain wares ever created. This bowl is a rare survivor of this early period and remains in excellent condition. \n\nCirca 1755-1774 \n\nBefore the discovery of Wall and Davis, only the artisans of the Far East, who were masters of the art form, held the secret formula for creating porcelain. In the 1750s, everything Oriental was at the height of fashion in England. Porcelain wares were often imported at a hefty price, which stimulated the desire for English domestic porcelain production. Early attempts to re-create the medium were unsuccessful, often resulting in porcelain-like substances that were highly unstable and could easily crack with changes in temperature. With the recent boost in popularity of tea as the beverage of choice, these inferior precursors proved unsuitable, further fueling the demand for better alternatives. Wall and Davis were able to secure the most talented artisans to decorate their new invention, in the forms popularized by Eastern and German porcelain contemporaries, and their discovery secured England's place among the greatest centers of porcelain production.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239053205639,"sku":"29-0616","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-0616_1.png?v=1712739708"},{"product_id":"royal-silver-gilt-tazze-by-digby-scott-and-benjamin-smith","title":"Royal Silver Gilt Tazze by Digby Scott and Benjamin Smith","description":"Silver-Gilt Tazze\u003cbr\u003e Digby Scott and Benjamin Smith\u003cbr\u003e Hallmarked London, 1803 \u003cbr\u003e\u003cbr\u003e This extraordinary pair of silver gilt tazze was crafted by the famed partnership of Digby Scott and Benjamin Smith. The tazze are exemplary of the superior work produced by Scott and Smith, the most prominent silversmiths of the Georgian era. Each piece boasts an intricately pierced and chased Bacchanalian motif of grapevines around their edges. At the center of each tazza is etched the coat of arms of the Duke of Cumberland, meaning that the pair was specially made for Prince Ernest Augustus (later King of Hanover), the fifth son of King George III and Queen Charlotte of the United Kingdom. A very similar silver gilt tray by Scott and Smith is currently in the collection of the Metropolitan Museum of Art (New York), while a candelabrum made by the firm for the duke is in the collection of Colonial Williamsburg. \u003cbr\u003e\u003cbr\u003e The partnership of Digby Scott and Benjamin Smith produced some of the greatest silver works of the Regency period, and their repertoire often included royal commissions such as these tazze. Scott and Smith jointly ran workshops located in Greenwich from 1802 to 1807, and during their brief partnership they were the principal suppliers of silver masterpieces to Rundell, Bridge \u0026amp; Rundell, the official “Jeweller, Gold and Silversmiths to the Crown.” Working on the cusp of the late Georgian and early Regency periods, the works of Scott and Smith often feature elements of the Neoclassical style, such as the pierced grapevines in these tazze, all crafted in exquisite, sumptuous detail. The firm’s royal commissions also include the Duke of York baskets, created for King George III's second son, Frederick Augustus (1763-1827), which are currently on display at the Powerhouse Museum (Sydney). \u003cbr\u003e\u003cbr\u003e 12” diameter x 3 1\/4” high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316919861383,"sku":"29-2377","price":398500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-2377_1.png?v=1762000742"},{"product_id":"18th-century-silver-inkwell-by-james-young","title":"18th-Century Silver Inkwell by James Young","description":"This superlative, Georgian-period silver inkwell was crafted by 18th-century London silversmith James Young. Of exceptional size and quality, this large inkwell is perfectly appointed to draft important correspondence, complete with a sand shaker and compartments for writing utensils. A masterpiece of the restrained Georgian style, the inkwell bears the marital coat-of-arms of the Gresley and Coventry families with the motto “Meliore fyde quam fortuna,” or “With better fidelity than fortune.” \n\nHallmarked London, 1782 \n\n11 1\/4” wide x 7 1\/2” deep x 5 1\/2” high \n\nThe armorial bearings almost certainly commemorate the marriage of Sir Roger Gresley, the 8th Baronet of Drakelowe, and Lady Sophia Coventry, youngest daughter of the 7th Earl of Coventry, in 1821.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874612117639,"sku":"29-4659","price":49500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-4659_1_15a93305-df78-4fd1-af9d-34b3f110982f.png?v=1792175196"},{"product_id":"wedgwood-and-bentley-medallion-of-aristippus-of-cyrene","title":"Wedgwood and Bentley Medallion of Aristippus of Cyrene","description":"A wonderful Wedgwood and Bentley jasper cameo medallion depicting Greek philosopher Aristippus of Cyrene, a follower of Socrates. Medallions such as these are truly exceptional, as solid jasper was only made by Wedgwood for a short period of time. Set in a brass frame, this plaque is stamped \"Wedgwood\" on the reverse side.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1773\n\u003cbr\u003e\u003cbr\u003e\n1 7\/8\" wide x 2 1\/8\" high\n\u003cbr\u003e\u003cbr\u003e\nSome of Wedgwood's most decorative and meticulous work was executed in cameos and medallions. Using royalty and celebrated personages as subjects, these medallions comprise what is considered to be the largest and most uniquely interesting series of historical portraits ever undertaken in any medium. The invention of the jasper body around 1775 enabled Wedgwood to produce white cameo reliefs on a colored ground in beautiful combinations. The relief was molded separately and so carefully applied that these cameos are often flawless under a magnifying glass. Embodying classical beauty and simplicity, jasper medallions are among Wedgwood's most sought-after wares.\n\u003cbr\u003e\u003cbr\u003e\nReference:\u003cbr\u003e\n\u003cem\u003eWedgwood Jasper\u003c\/em\u003e, 1972, Robin Reilly","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239074308231,"sku":"29-1057","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-1057_1_bb87bd51-0d66-4901-8a25-974c5b9785da.png?v=1712738926"},{"product_id":"wedgwood-dark-blue-jasper-medallion","title":"Wedgwood Dark Blue Jasper Medallion","description":"Exemplifying classical beauty and elegant simplicity, this exquisite Wedgwood dark blue jasper cameo medallion features the profile of the famed Greek poet Demetrios. Some of Wedgwood's most decorative and meticulous work was executed in cameos, which were made from white porcelain bisque and unglazed blue jasperware. The white relief has been molded separately and so carefully applied that this cameo is flawless even under a magnifying glass. Wedgwood was so highly regarded by his contemporaries that kings, princes, and collectors from all over Europe allowed him to study and take molds from their collections. Subjects ranged from the classical Greek and Roman to portraits of philosophers, poets, and heroes. Mounted to use as ornament, the Wedgwood medallion cameos were used as decoration for furniture and were framed for wall ornament or architectural treatment over doorways, fireplaces, and windows. Catherine the Great owned Wedgwood cameos, and Thomas Jefferson's dining room at Monticello had Wedgwood cameos set in walls. Embodying classical beauty and simplicity, these flawless jasper medallions are among Wedgwood's most sought-after wares. \u003cbr\u003e\u003cbr\u003e Circa 1780 \u003cbr\u003e\u003cbr\u003e 2\" wide x 2 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239076470919,"sku":"29-1888","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-1888_1.png?v=1712738924"},{"product_id":"wedgwood-bentley-blue-jasper-medallion-1","title":"Wedgwood \u0026 Bentley Blue Jasper Medallion","description":"An exquisite Wedgwood and Bentley blue jasper cameo medallion depicting a bearded man in profile. This medallion is part of what is considered to be the largest and most uniquely interesting series of historical portraits ever undertaken in any medium. Wedgwood was so highly regarded by his contemporaries that kings, princes, and collectors from all over Europe allowed him to study and take molds from their collections, which included medals, coins, wall paintings, fresco bas-reliefs, sarcophagi, and engravings in books. Subjects ranged from the classical Greek and Roman to portraits of philosophers, poets, and heroes. Mounted to use as ornament, the Wedgwood medallion cameos are called “Applied Wedgwood.” The medallions were used as decoration for furniture and were framed for wall ornament or architectural treatment over doorways, fireplaces, and windows. The famous Amethyst Room, designed for Empress Catherine the Great, and Thomas Jefferson's dining room at Monticello both had Wedgwood cameos set in walls. Embodying classical beauty and simplicity, these jasper medallions are among Wedgwood's most sought-after wares. \u003cbr\u003e\u003cbr\u003e Stamped “Wedgwood and Bentley” on back \u003cbr\u003e\u003cbr\u003e Circa 1780 \u003cbr\u003e\u003cbr\u003e 3 1\/4\" wide x 3 3\/4\" high \u003cbr\u003e\u003cbr\u003e Reference:\u003cbr\u003e Cameos Old and New, 1991, Anna Miller","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239073915015,"sku":"29-2079","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-2079_1_c2bbd93d-d619-4aea-b5f7-5b718573ef3b.png?v=1712738928"},{"product_id":"wedgwood-bentley-blue-jasper-medallion-of-solon","title":"Wedgwood \u0026 Bentley Blue Jasper Medallion of  Solon","description":"A wonderful Wedgwood and Bentley jasper cameo medallion depicting Greek lawmaker Solon, a poet and statesman considered to be one of the Seven Sages of the ancient world. Medallions such as these are truly exceptional, as solid jasper was only made by Wedgwood for a short period of time. \n\nCirca 1773 \n\n3 ¼\" wide x 3 5\/8\" high \n\nSome of Wedgwood's most decorative and meticulous work was executed in cameos and medallions. Using royalty and celebrated personages as subjects, these medallions comprise what is considered to be the largest and most uniquely interesting series of historical portraits ever undertaken in any medium. The invention of the jasper body circa 1775 enabled Wedgwood to produce white cameo reliefs on a colored ground in beautiful combinations. The relief was molded separately and so carefully applied that these cameos are often flawless under a magnifying glass. Embodying classical beauty and simplicity, jasper medallions are among Wedgwood's most sought-after wares. \n\nReference:\nWedgwood Jasper, 1972, Robin Reilly","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239074078855,"sku":"29-1936","price":1885.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-1936_1_e6202bd0-51f0-4399-a29c-a8185e979683.png?v=1712738930"},{"product_id":"louis-xv-silver-tureen-by-jean-baptiste-francois-cheret","title":"Louis XV Silver Tureen by Jean-Baptiste-Francois Cheret","description":"Crafted by French master silversmith Jean-Baptiste-François Chéret, this period Louis XV tureen boasts exceptional decoration, including delicate and refined engraving, shell and acanthus accents, and a remarkably detailed cast finial of cauliflower, celery and carrots. Thanks to a very strict guild system, French silver has always been among the finest in the world. It was also subject to the various fiscal crises of the late 17th and 18th centuries, as both Louis XIV and Louis XV issued edicts demanding that all silver be brought to the mint for melting, with the resulting coin to be used to replenish depleted state treasuries. French silver from this extravagant era survives only in relatively small quantities, and is thus in great demand by collectors.\n\nThe tureen is marked on the interior lid and underside. The large object charge mark identified as a crown over the letter “A” made of a trumpet and vines was used in Paris after 1783. The mark of the Maison Commune, identified as a crown over the number 84 over entwined flora, was used in Paris in the year 1784.\n\nHallmarked Paris, 1784\n\n8” wide x 14”’ length x 10 3\/4” high\n\nJean-Baptiste-François Chéret became a master gold and silversmith in 1759, when he was just thirty-one years old. He later became a tax inspector, testing pieces of silver to ensure that they contained the correct quantity of metals, and rose to become a chief inspector.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874592686215,"sku":"29-3103","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-3103_1_41b75d4f-f5e4-4552-a6ed-952d98df22a7.png?v=1792175106"},{"product_id":"john-bennett-georgian-barometer","title":"John Bennett Georgian Barometer","description":"This exceptional Georgian barometer by the leading London instrument-maker John Bennett strongly reflects the prevalent furniture style and architectural elements of the time in its classical simplicity. Not many barometers from before the 1770s remain, making this example exceptional, especially since it is still in excellent condition. It features an open cistern with silvered brass register plates with engraved weather indications at the apex. The sycamore veneer, an extremely hard to find wood on barometers, is fiddle back (so named because it is commonly found on violin backs), so it has a fine, even ripple along its surface. \n\u003cbr\u003e\u003cbr\u003e\nCirca 1750\n\u003cbr\u003e\u003cbr\u003e\n37 1\/2\" high x 4 3\/8\" wide x 3 1\/4\" deep\n\u003cbr\u003e\u003cbr\u003e\nIn the latter half of the 18th century, Bennett was a popular optical, mathematical, and physical instrument-maker. He held appointments to members of the Royal Family, including the Duke of Gloucester and the Duke of Cumberland. Economic expansion took place in 18th-century England, and with a greater level of prosperity came a considerable increase in the number of barometers manufactured for domestic use among the wealthiest citizens. The straight cistern-tube, or stick, barometer remained the most common form throughout Bennett's lifetime, for they were thought of as the most lasting and dependable.\n\u003cbr\u003e\u003cbr\u003e\nReferences: \n\u003cbr\u003e\n\u003cem\u003eEnglish Barometers: 1680-1860\u003c\/em\u003e, 1977, Nicholas Goodison\n\u003cbr\u003e\n\u003cem\u003eBarometers: Stick or Cistern Tube\u003c\/em\u003e,1985, Edwin Banfield","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42518732636295,"sku":"29-1567","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-1567_1_1c7eec05-d8d6-44e9-a0b4-1907917108b9.png?v=1743858572"},{"product_id":"chinese-cinnabar-lacquer-cuspidor","title":"Chinese Cinnabar Lacquer Cuspidor","description":"  This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure.   \u003cbr\u003e\u003cbr\u003e   Early 18th century (Kangxi Dynasty)   \u003cbr\u003e\u003cbr\u003e   6 ¼” wide x 3 ¼” high   \u003cbr\u003e\u003cbr\u003e   Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard.   \u003cbr\u003e\u003cbr\u003e   The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar lacquer-ware in existence has been coated with a clear protective film, so that mercury is prevented from leaking out of it, especially if handling of it is kept to a minimum.   \u003cbr\u003e\u003cbr\u003e A spittoon of the same type of construction is illustrated in \u003cem\u003eTreasures of the Chinese Scholar\u003c\/em\u003e by Fang Jing Pei, page 151","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42577452761223,"sku":"29-9483","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-9483_1.png?v=1746450240"},{"product_id":"18th-century-french-gold-etui","title":"18th-Century French Gold Étui","description":"A marvelous objet d'art is this exquisite Louis XVI-era étui. Crafted entirely of green and yellow gold, this stunning octagonal vessel bears an exceptional, engraved Neoclassical design punctuated by florals and garlands. Étuis were once carried by affluent members of society to carry tiny toiletries, sealing wax, personal effects, and the more clandestine purpose of concealing correspondence between lovers or other cohorts. Confidential notes would be tucked inside the box, which would then have been sealed with wax for optimal security. Stunning in its artistry and craftsmanship, this étui flawlessly reflects the 18th-century taste for classical ornamentation.  \u003cbr\u003e\u003cbr\u003e This étui bears the maker's mark of master goldsmith Jean François Mancel, 1781. Charge marked by Henri Clavel and the inspection mark, both for 1783-1789. \u003cbr\u003e\u003cbr\u003e 5 1\/8” length x 3\/4\" wide x 5\/8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44512840089735,"sku":"30-7599","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7599_1.png?v=1792171623"},{"product_id":"18th-century-english-agate-snuff-box","title":"18th-Century English Agate Snuff Box","description":"Trimmed in elegant yellow gold is this polished English agate snuff box. Distinguished by the dynamic patterning of the agate, the exquisite vessel features finely chiseled 10K gold foliage, which provides a beautiful contrast. Symbols of luxury and social status, snuff boxes were created using only the finest materials, including gold and silver, and, as is the case in the present example, exquisite agate, which has a long and distinguished history for its use in the decorative arts.  \u003cbr\u003e\u003cbr\u003e The “taking of snuff” was a very social activity among Europe’s elite for centuries. It is said that Queens Anne and Charlotte enjoyed snuff to such an extent, that nearly every member of their courts partook in the habit. Catherine de’ Medici even used snuff to treat her son's persistent migraines, and many credit her belief in its therapeutic properties with the popularization of snuff among the nobility.  \u003cbr\u003e\u003cbr\u003e English, circa 1730 \u003cbr\u003e\u003cbr\u003e 3 3\/8\" wide x 2 11\/16\" deep x 1 5\/16\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873455734919,"sku":"30-7603","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7603_1_8b62deb3-c15b-4c7a-97a4-6b499e2ce306.png?v=1792171647"},{"product_id":"miniature-portrait-by-william-dunlap","title":"Miniature Portrait by William Dunlap","description":"This exceptional early American miniature portrait was composed by the famed artist and actor William Dunlap. The subject is Georgina George Oldmixon, an actress who worked with Dunlap and frequently graced the stages of Philadelphia. An actor himself, Dunlap often painted miniatures of those actresses he worked with, along with important members of society. Other examples of his miniatures can be found in the National Portrait Gallery (Washington D.C.) and the Walters Art Museum (Baltimore).\n\u003cbr\u003e\u003cbr\u003e\nLate 18th century\n\u003cbr\u003e\u003cbr\u003e\n2 3\/4\" high x 1 7\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873549090951,"sku":"30-8576","price":2950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8576_1_2d249d35-5498-4213-9d40-c310fd94f837.png?v=1792171912"},{"product_id":"portable-copying-machine-by-james-watt-co","title":"Portable Copying Machine by James Watt \u0026 Co.","description":"Considered the first step into the world of modern photocopying, the copying machine was among the first widely used devices to successfully produce an exact copy of an original written work. Designed and patented in 1780 by one of history’s greatest inventors, James Watt, the copying machine was the only device in the 18th century that was able to duplicate letters; this particular model was also among the first portable copying machines ever made. \u003cbr\u003e\u003cbr\u003e James Watt (1736-1819) is considered one of the greatest inventors of all time. Legendary today for his work on the steam engine, he spent much of his later life devising small inventions such as this. Anecdotally, the idea for the machine was a result of Watt tirelessly copying correspondence between himself and his business partner, the great silversmith Matthew Boulton. The machine itself was ingenious in its simplicity. The letter to be copied was written in a special gelatinous ink and then placed over a piece of tissue paper. Pressure from the roller impressed upon the tissue paper a mirrored replica of the letter, which could then be reversed and read from the opposite side. \u003cbr\u003e\u003cbr\u003e Patented in 1780, the device was eagerly sought by important businessmen and statesmen alike. By the end of the first year of production, over 630 machines had been sold, and for the next century, Watt’s machine and the replicas it inspired dominated the copying business. Although many were sold in the 18th century, this is the first working model we have ever seen for sale. \u003cbr\u003e\u003cbr\u003e Perhaps the most enthusiastic and well-known user of the machine was George Washington, who utilized this exact version of the copying machine. His device can still be found to this day on display at Mount Vernon. Thomas Jefferson was another avid user, who owned several versions - even one of his own design - and is said to have used it daily. Jefferson extolled the benefits of the copying machine to his friend and eventual presidential successor, James Madison, as well as Charles Willson Peale. One of Jefferson’s machines, a later model, is still held and prominently displayed at his Monticello home. \u003cbr\u003e\u003cbr\u003e The present piece is housed in its original mahogany lap desk, which is in and off itself a remarkable work of craftsmanship. Designed for transport, each piece can be dismantled and stored away in its various storage drawers. These compartments also contain writing tools, including an ink bottle and damping box. Designed down to the smallest detail, the full extent of Watt’s genius is evident in this remarkable machine. \u003cbr\u003e\u003cbr\u003e Silver oval label impressed “J. Watt \u0026amp; Co. Patent”\u003cbr\u003e Circa 1795 \u003cbr\u003e\u003cbr\u003e 6” high x 20 1\/2” wide x 14” deep \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eThomas Jefferson and his Copying Machines\u003c\/em\u003e, 1984, by S.A. Bedini, pp. 10-11 \u0026amp; 26-27\u003cbr\u003e “James Watt and his copying machines” in \u003cem\u003eProceedings of the British Association of Paper Historians\u003c\/em\u003e 4th Annual Conference, 1993, R. Hills\u003cbr\u003e \u003cem\u003eBefore Photocopying. The Art and History of Mechanical Copying 1780-1793\u003c\/em\u003e, 1999, B. Rhodes and W. Wells Streeter, pp.8-11\u003cbr\u003e \u003cem\u003eThe Lunar Men\u003c\/em\u003e, 2002, J. Uglow, pp.306-7\u003cbr\u003e \u003cem\u003eHow James Watt Invented the Copier: Forgotten Inventions of Our Great Scientists\u003c\/em\u003e, 2011, R. Schils, pp. 39-42 \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43692873089159,"sku":"30-6618","price":128500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-6618_1_fce704bf-9b53-4b4f-9e66-7d26b925c669.png?v=1767202061"},{"product_id":"georgian-blue-john-and-silver-urn","title":"Georgian Blue John and Silver Urn","description":"This important George III Blue John urn is attributed to famed Swedish architect Sir William Chambers. The solid piece is carved entirely from rare Blue John Derbyshire spar, taken from the now-extinct Blue John Cavern in Derbyshire, England. Set atop its Ashford marble plinth, the form is mounted with elaborate silver ornament, including scrolling foliage and grotesque masks. \u003cbr\u003e\u003cbr\u003e Blue John spar is a semi-precious mineral recognized by its beautiful radiating crystalline structure, which was only mined at a site near the village of Castleton in Derbyshire. Celebrated for its unique bands of blues, purples, and violets, Blue John was in great demand during the 18th and early 19th centuries. The colorful and decorative stone was even worked into columns in some of the finest houses in Great Britain, most notably Chatsworth, home of the Duchess of Devonshire. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains. This rare Blue John urn, therefore, represents some of the last ornamental wares created of such grand size and proportion. \u003cbr\u003e\u003cbr\u003e The architect and designer Sir William Chambers was born in Sweden and traveled widely throughout his life. Not only did he visit China, but also studied architecture both in Paris and in Italy. Many of his drawings from this period are contained in his important 'Franco-Italian' album, currently held in the Victoria \u0026amp; Albert Museum. Chambers moved to London in 1755 and published his influential \u003cem\u003eTreatise on Civil Architecture\u003c\/em\u003e in 1759. Although a highly trained court architect, Chambers boasted connoisseurship of furniture design including that of silver. Chambers was highly influenced by Continental neoclassicism, and a second visit to Paris in 1774 confirmed the French influence on his own unique blend of Neoclassicism and Palladian conventions. Today, pieces by Chambers are highly sought after and can be found in important collections worldwide, including the Victoria \u0026amp; Albert Museum in London. \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e 12 1\/2\" high x 5 1\/2\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873327317127,"sku":"30-3850","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3850_1_dc7ce024-4178-48de-9f41-3712231174aa.png?v=1792171201"},{"product_id":"18th-century-mahogany-irish-games-table","title":"18th-Century Mahogany Irish Games Table","description":"This exceptional Irish games table is as functional as it is beautiful. Crafted of Cuban mahogany, it serves as a console table when not in use, but the top folds out to reveal a green baize playing surface, supported by a gate leg, perfect for evening card games. Places on the board are designated for cards and chips, and a small drawer offers convenient storage. A gem of the Georgian style, this table 's design is simple and elegant. A shell ornament graces the frieze, and the front cabriole legs are adorned with ornate relief carving at the knees and terminate in lifelike ball-and-claw feet. \u003cbr\u003e\u003cbr\u003e The extreme socio-economic polarity that existed in Ireland for centuries resulted in a large population of poor and a small percentage of elite, with virtually no known middle class. This class structure was reflected in the furniture created during this time. While most did not have access to quality pieces, the privileged class commissioned furnishings, such as this remarkable table, that were unmatched in quality, crafted of the finest materials and exhibited an extraordinary level of artistry. Since few could afford such exceptional furnishings, not many were ever created, making this table an exceptional find. \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e Closed: 36 1\/4\" wide x 18 1\/2\" deep x 29 1\/8\" high\u003cbr\u003e Open: 36\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239105208455,"sku":"30-0595","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0595_1_4ee09820-0bbd-4148-85ad-b14b7a4a7a75.png?v=1712738031"},{"product_id":"queen-anne-walnut-secretary","title":"Queen Anne Walnut Secretary ","description":"This important Queen Anne-period walnut secretary demonstrates exceptional quality and artistry. It boasts a desirable double bonnet, mirrored cabinet doors, later bun feet and its original embossed leather writing surface. The interior is skillfully constructed with a choice of compartments in which to hide one’s important documents and valuables. A secret drawer is also concealed in the side of the bureau interior, and the inclusion of original brass locks and some pulls adds to this secretary's desirability. Queen Anne-period furnishings such as this walnut secretary are incredibly rare and important examples of English cabinetmaking. \u003cbr\u003e\u003cbr\u003e The secretary bookcase, or secretaire, was an innovative piece of writing furniture introduced in the early 18th century. For the wealthiest households, it proved to be the preferred piece of writing furniture. As the demand for these versatile furnishings grew, so did the level of craftsmanship and overall beauty. Secretaries like this treasure soon became the focal point of the manor, serving as statements of culture and education.  \u003cbr\u003e\u003cbr\u003e Circa 1720  \u003cbr\u003e\u003cbr\u003e 36 1\/2\" wide x 24\" deep x 79\" high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790303731847,"sku":"30-0634","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0634_1_9a99e4db-5400-4799-92e9-88e4d89c8025.png?v=1726257562"},{"product_id":"english-porphyry-clock-by-ellicott","title":"English Porphyry Clock by Ellicott","description":"A case of exquisite porphyry and doré bronze houses the verge movement of this rare clock by eminent English clock and watchmaker John Ellicott. Ellicott's creations are considered the finest English timepieces of the 18th century, and his exceptional workmanship earned the artisan the appointment as Official Clockmaker to King George III. \u003cbr\u003e\u003cbr\u003e The mechanism is signed \u003cem\u003e\"Ellicott \/ London\"\u003c\/em\u003e, indicating this clock was created during Ellicott's 12-year partnership with his son, Edward. \u003cbr\u003e\u003cbr\u003e Circa 1760-72 \u003cbr\u003e\u003cbr\u003e 4 1\/2\" high x 2 1\/4\" wide x 1 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43483255799943,"sku":"30-0710","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0710_1_0ea55087-492c-4985-838f-2cfc15d9c979.png?v=1787340020"},{"product_id":"sheffield-silver-plate-rolling-dessert-stand","title":"Sheffield Silver Plate Rolling Dessert Stand","description":"The perfect complement to a fine dining affair, this George III-period rolling dessert stand is crafted of desirable Sheffield silver plate. In this modified version of an epergne, this centerpiece features an urn-form basket encircled by pierced circular dishes supported on four arms that radiate from the center. In between are 10 glass dessert cups so that each guest may dress their sweet treat with a variety of ingredients. The entire form rests upon a raised and beautifully pierced base complete with casters, which allows the entire fixture to be effortlessly rolled from one dinner guest to the next. \n\u003cbr\u003e\u003cbr\u003e\nWhen introduced two hundred and fifty years ago, Sheffield Plate offered consumers a more affordable alternative to sterling silver. At first glance, sterling silver and Sheffield Plate may look identical since Sheffield is plated with sterling. Unlike sterling, which is hammered or rolled from an ingot of silver blended with other metal alloys, Sheffield Plate consists of a sheet of silver, about 1\/8 inch thick, fused on top of an ingot of copper, which is then flattened to a malleable sheet of metal; in this state, the two metals act as one, expanding in unison.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1780\n\u003cbr\u003e\u003cbr\u003e\n18 3\/4\" wide x 18 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239107469447,"sku":"30-1013","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1013_1_4a9c06e5-7258-425c-acfa-7f546eb8f58f.png?v=1712737990"},{"product_id":"18th-century-marble-jardiniere","title":"18th-Century Marble Jardiniere","description":"Beautifully grained rouge marble distinguishes this 18th-century jardiniere. Measuring nearly three-feet wide, this oval-form garden centerpiece features fine carved handles that give the jardiniere an additional decorative touch. \n\u003cbr\u003e\u003cbr\u003e\nCirca 1790\n\u003cbr\u003e\u003cbr\u003e\n33\" wide x 22\" deep x 11 3\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239109795975,"sku":"30-1596","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1596_1_1f2dab2a-a130-4351-873b-30c260c0f166.png?v=1712737917"},{"product_id":"directoire-upholstered-armchairs","title":"Directoire Upholstered Armchairs","description":"The classic sophistication of the Directoire era is on display in this fashionable pair of armchairs. Beautifully upholstered in elegantly striped fabric, the chairs feature reeding, shell adornments and scrollwork reminiscent of the neoclassical style, adding to the richness of the handsome frames.\u003cbr\u003e\u003cbr\u003e\nCirca 1795\u003cbr\u003e\u003cbr\u003e\n22” wide x 17” deep x 35 1\/2” high\u003cbr\u003e\u003cbr\u003e\nDirectoire furniture is so named because it was crafted during the period of the French Directory, just prior to Napoléon’s reign. Pieces in this style take much of their inspiration from ancient Roman artifacts that had been recovered from the Pompeiian excavations in the late 18th century. Elegant lines, sparse detail and ornamentation are all characteristics of this aesthetic, which influenced designers for many years after.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239110156423,"sku":"30-1638","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1638_1_bfe75d8f-f7d1-42f1-864a-d5731cc555e3.png?v=1715330258"},{"product_id":"george-iii-mahogany-footed-knife-boxes","title":"George III Mahogany Footed Knife Boxes","description":"An exceedingly rare and important pair of George III-period mahogany knife boxes of exceptional quality and condition. The boxes are of serpentine form with refined crossbanded and chevron inlay work along the edges and silver mountings on the façade. Great care was taken with the inlay work on the interior of the boxes, with intricate borders encircling each storage slot and an eight-point nautical star beneath the lid. Giving the set an air of lightness is the inclusion of feet upon which each box rests. The fact that they have survived more than 200 years in their superb, original condition, when many knife boxes were converted to suit other needs, is testament to their superior craftsmanship and beauty.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1790\n\u003cbr\u003e\u003cbr\u003e\n9 1\/2\" wide x 13 1\/2\" deep x 17\" high\n ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238350397575,"sku":"30-3010","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3010_1_0535235b-3e69-4b98-b950-b1630299466b.png?v=1717921787"},{"product_id":"louis-xv-settee-by-jean-rene-nadal-laine","title":"Louis XV Settee by Jean-René Nadal l'Ainé","description":"The splendor of the Louis XV period is captured in this incredible settee by the famed ébéniste Jean-René Nadal l'Ainé (1733-1783). Beautifully upholstered in blue and white fabric that complements the white of the wood, the rare sofa reflects the change in style seen in France during the reign of King Louis XV. Relative to the flamboyant Rococo style of the Louis XIV period, furniture became lighter aesthetically in terms of both design and color. Highly ornamental yet elegant, the style evolved to look more feminine and subdued than in previous years, with an emphasis on curving lines. As evident in this set's majestic legs and back, elegant curves provide a romantic deviation from heave Baroque lines. \u003cbr\u003e\u003cbr\u003e Jean-René Nadal l'Ainé was renowned for his high quality and opulently carved furniture in the Louis XV and Louis XVI styles. Born into an important cabinetmaking family, he quickly rose to prominence in his own right, becoming primarily a furniture maker for the Crown as well as for the Comte d'Artois. This exceptional settee, almost certainly made for a client of great importance, bears all of the hallmarks of this celebrated ébéniste. A similar armchair by Nadal that was once held at Versailles is currently in the collection of the Musée du Louvre. \u003cbr\u003e\u003cbr\u003e Signed \"Nadal L'Aine\" under upholstery \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e 82 1\/4\" wide x 36\" deep x 43 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41789880172679,"sku":"30-7987","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7987_1_c39dfa30-d2cd-418c-b949-f3734710e013.png?v=1726233605"},{"product_id":"revolving-old-sheffield-silver-plate-epergne","title":"Revolving Old Sheffield Silver Plate Epergne","description":"This Old Sheffield silver plate epergne showcases a refined Georgian-period scalloped motif embellished with acorns and foliage. It rotates with ease around its base for convenient access to all eight of its small dishes, cruet bottle holders and central basket. The epergne was introduced in France in about 1715, and its name derives from the French \u003cem\u003eepargner\u003c\/em\u003e, meaning to economize. The term is appropriate, as its many silver bowls, suspended by scrolling outstretched arms, carried a variety of delicacies, from pungent relishes, sauces, pickles and condiments to rare nuts and fruits, thus saving space during extravagant dining affairs. \u003cbr\u003e\u003cbr\u003e This example of the epergne is masterfully constructed of Sheffield Silver Plate, a mixture of silver over copper. Although initially invented by accident in 1743, the Sheffield plating technique became a way to offer more affordable silver pieces to the consumer. Its sturdy nature and ease of decoration helped it become the most successful silver substitute in history. \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e 20\" wide x 20\" deep x 22 3\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238181019783,"sku":"30-7714","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7714_1.png?v=1717921622"},{"product_id":"jasperware-covered-vase-by-wedgwood","title":"Jasperware Covered Vase by Wedgwood","description":"This early covered vase by Wedgwood is crafted in the firm’s iconic pale blue and white jasperware. The solid pale-blue body is applied in white relief with neoclassical swags of flowers and stiff leaves. Three legs support the impressive design, with goat masks and hoof terminals upon a shaped triangular base. \u003cbr\u003e\u003cbr\u003e The firm’s characteristic unglazed matte “biscuit” stoneware finish was first developed in a spectrum of colors by Wedgwood founder Josiah Wedgwood in the 1770s. However, the pale cornflower blue hue exhibited in this piece was the firm’s most popular ever produced, earning itself the name “Wedgwood blue.” \u003cbr\u003e\u003cbr\u003e Impressed \"WEDGWOOD\" \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e 6\" wide x 6\" deep x 8 3\/4\" high \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eArs Ceramica\u003c\/em\u003e, 2019, by Edwards, no. 31, p. 54, fig. 7","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672872484999,"sku":"31-0225","price":5450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0225_1_03b4da66-120b-49dc-9dca-1e814234f754.png?v=1767204380"},{"product_id":"georgian-pierced-silver-salver","title":"Georgian Pierced Silver Salver","description":"The elegant oval form of this George III-period footed silver salver is decorated with a beaded rim and pierced foliate border, exuding a neoclassical grace. \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1782 \u003cbr\u003e\u003cbr\u003e 5 1\/4\" wide x 6 3\/4\" deep x 1\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238383689863,"sku":"31-1504","price":2450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1504_1_e0be7bb1-3c23-44b8-b7b4-3586141236c6.png?v=1720512720"},{"product_id":"george-iii-silver-salver","title":"George III Silver Salver","description":"This elegant George III-period oval silver salver is adorned with an understated beaded rim and scrolled feet. Bearing the mark of London silversmith Elizabeth Jones, this salver exemplifies the classical tastes that defined Georgian silver. \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1784 \u003cbr\u003e\u003cbr\u003e 5 1\/4\" wide x 7\" deep x 3\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42904492179591,"sku":"31-1505","price":985.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1505_1.png?v=1752614682"},{"product_id":"duke-and-duchess-of-windsor-gold-snuff-box","title":"Duke and Duchess of Windsor Gold Snuff Box","description":"The Duke and Duchess of Windsor's Louis XV Gold Snuff Box\u003cbr\u003e Dominique-François Poitreau\u003cbr\u003e Date marked 1764\/65 \u003cbr\u003e\u003cbr\u003e This important Louis XV gold snuff box is from the prestigious collection of the Duke and Duchess of Windsor. The engine-turned gold box originally sold at Sotheby’s historic sale \u003cem\u003eThe Jewels of the Late Duchess of Windsor\u003c\/em\u003e, which was held in Geneva in April of 1987. \u003cbr\u003e\u003cbr\u003e The Duke and Duchess remain one of the most romantic and scandalous royal couples of the 20th century, and possessions belonging to them are among the most desirable collectibles. Edward VIII, the fair-haired Prince of Wales, spent most of his youth touring the British Empire in preparation for being crowned King of England. Shortly after accepting the crown in 1936, he abdicated the throne to marry his beloved, Wallis Simpson, a twice-divorced American woman living in London. \u003cbr\u003e\u003cbr\u003e After their marriage in 1937, Edward was granted the title of Duke and Duchess of Windsor for himself and his wife. The Windsors made their home in Paris at the Bois de Boulogne, where they surrounded themselves with royal treasures. It is said that every surface of their home was covered with the finest silver, china and jeweled gold boxes. The couple became the “King and Queen” of high society, running in social circles of movie stars, authors, playwrights and millionaires. They were and remain the epitome of glamour and sophistication. \u003cbr\u003e\u003cbr\u003e The Duke died in 1972, and, following the Duchess’ death in 1987, their jewelry and accessories were sold at one of the most renowned auctions in recent history. Items sold for three times their expected price in Geneva, demonstrating an overwhelming nostalgia for the illustrious couple. \u003cbr\u003e\u003cbr\u003e This important French snuff box from their historic collection is pictured on page 90 of \u003cem\u003eThe Jewels of the Duchess of Windsor\u003c\/em\u003e, New York, 1987, by John Culme and Nicholas Rayner. \u003cbr\u003e\u003cbr\u003e Bears the maker's mark of Dominique-François Poitreau, Paris, 1764\/65 \u003cbr\u003e\u003cbr\u003e 2 1\/2\" wide x 1 1\/4\" deep x 1 1\/4\" high \u003cbr\u003e\u003cbr\u003e Provenance: The private collection of the Duke and Duchess of Windsor\u003cbr\u003e Sotheby’s sale, \u003cem\u003eThe Jewels of the Late Duchess of Windsor\u003c\/em\u003e, 1987\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private collection, US\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44263393132679,"sku":"31-2405","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2405_1.png?v=1792173341"},{"product_id":"silver-soup-tureen-by-paul-de-lamerie","title":"Silver Soup Tureen by Paul de Lamerie","description":"This soup tureen by Paul de Lamerie, considered one of the greatest silversmiths in history, displays the graceful and lavish Rococo detailing that he made famous. Elaborate decorations including shells, scrolling handles and lion’s heads attest to de Lamerie’s artistic genius and skill, as does an intricately engraved family crest on its base. Beautifully representing this master craftsman’s unrivaled ability to create dramatic silver masterpieces, this tureen is extremely rare due to its size, and large pieces such as this are highly sought by collectors.  \u003cbr\u003e\u003cbr\u003e Paul de Lamerie’s work, characterized by technical superiority and ingenious design, was often commissioned by members of the English nobility and the Russian aristocracy. This vessel bears the arms of Baron Lilford, a significant title still held by the Powys family today. One of its most prominent members, Thomas Atherton Powys, 3rd Baron Lilford, served as a Lord-in-Waiting from 1837 to 1841 in the Whig administration of Lord Melbourne. He was the father of Thomas Littleton Powys, 4th Baron Lilford, a prominent British ornithologist and one of the eight founders, and later president, of the British Ornithologists’ Union in 1858. \u003cbr\u003e\u003cbr\u003e An almost identical tureen is pictured in \u003cem\u003eBeyond the Maker’s Mark: Paul de Lamerie Silver in the Cahn Collection\u003c\/em\u003e by Ellenor Alcorn. \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1741 \u003cbr\u003e\u003cbr\u003e 17 1\/2” wide x 10 1\/4\" deep x 11” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43581294444679,"sku":"31-2968","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2968_1_1b643336-1ba0-41a3-9e59-0ae9c6b9496e.png?v=1792172565"},{"product_id":"george-ii-silver-candlesticks-by-paul-de-lamerie","title":"George II Silver Candlesticks by Paul de Lamerie","description":"Set of Four George II Silver Candlesticks\u003cbr\u003e Paul de Lamerie\u003cbr\u003e Hallmarked London, 1741 \u003cbr\u003e\u003cbr\u003e Paul de Lamerie is lauded for his mastery over the Rococo style, and this extraordinarily rare set of four George II-period silver candlesticks is a testament to the artisan's unparalleled eye for design. Embossed with shells and floral decorations that represent the sophistication of the Rococo style, they also boast a baluster form that lends each stick a graceful silhouette. As a whole, they reveal de Lamerie's eye for detail and balance, as well as his high level of precision and craftsmanship. While a pair of de Lamerie candlesticks is considered a rarity, to find a matching set of four in such exceptional condition is to discover something truly special. A similar, though slightly less ornate, set can be found in the collection of the Metropolitan Museum of Art (New York). \u003cbr\u003e\u003cbr\u003e For nearly three centuries, Paul de Lamerie has been revered as one of the most important English craftsmen of all time and certainly the most important silversmith of the 18th century. Born to a Huguenot family, he moved to London before his first birthday and, by the age of 15, was already apprenticing in a fashionable silversmith shop. De Lamerie entered his first maker's mark at the Assay office in 1713. Three years later, he was appointed Royal Goldsmith, and in 1717 was known to all in England as “the King's Silversmith.” He went on to create a 40-year legacy of the finest and most highly sought-after English silver. His innovative talent of combining Rococo style with classic Queen Anne tastes elevated him to a master of his art, and it is argued that none since have matched his dynamic abilities. \u003cbr\u003e\u003cbr\u003e 5 1\/2\" wide x 5 1\/2\" deep x 9\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41347064299655,"sku":"31-3195","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3195_1.png?v=1787930435"},{"product_id":"paul-de-lamerie-silver-soup-tureen","title":"Paul de Lamerie Silver Soup Tureen","description":"This outstanding silver soup tureen crafted by Paul de Lamerie stands as a shining example of this artisan's famed skill, formed in the elaborate Rococo style of which he was a master. It is decorated with the crest of Trinity College in Dublin, signifying that it was made by special commission for the esteemed university. Adorned with a stylized shell motif, scrolling handles and \"bun\" feet, this tureen is both sophisticated and exuberant, confirming the work’s place among the finest English silver ever created. \u003cbr\u003e\u003cbr\u003e The works of master silversmith Paul de Lamerie have been widely admired for their beauty and craftsmanship for almost 300 years. Regarded by many to be the greatest English silversmith of the 18th century, de Lamerie was renowned for his technical proficiency and innovative designs. Numerous museums and decorative art collections boast pieces by de Lamerie, including Victoria \u0026amp; Albert Museum (London), the Royal Museum of Scotland (Edinburgh), the Metropolitan Museum of Art (New York), the Art Institute of Chicago and The Frick Collection (New York). \u003cbr\u003e\u003cbr\u003e An identical version of this tureen, with Trinity College's crest, resides in the Virginia Museum of Fine Arts, and an almost identical tureen is pictured in \u003cem\u003eEnglish Silver\u003c\/em\u003e by Joseph R. Bliss.  \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1749 \u003cbr\u003e\u003cbr\u003e 17 1\/2\" wide x 10 1\/2\" deep x 11\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42215061192839,"sku":"31-2969","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2969_1.png?v=1792172548"},{"product_id":"silver-salver-by-paul-de-lamerie","title":"Silver Salver by Paul de Lamerie","description":"This George II silver salver by Paul de Lamerie exhibits a quiet beauty. Its simple yet elegant serpentine-lobed oval form features a gadrooned edge, a recessed oval plateau and a delicately engraved coat of arms on the rim. The reverse is engraved with the initials C.L.T. above the original scratch weight of 33.15 troy ounces. Without question, de Lamerie's reputation for creating some of the finest Georgian silver ever made is unrivaled, with works ranging from the elegant simplicity of the Queen Anne style to the elaborate Rococo. His creations rank among the most extraordinary and recognized silver works in history.  \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1741 \u003cbr\u003e\u003cbr\u003e 14 7\/8\" wide x 11\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873750909063,"sku":"31-2970","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2970_1.png?v=1792172518"},{"product_id":"hester-bateman-george-iii-silver-salver","title":"Hester Bateman George III Silver Salver","description":"Crafted by one of the premier silversmiths of the Georgian era, Hester Bateman, this George III silver salver features the beaded edge that was a Bateman hallmark. Elevated on shell feet that lend a lightness to the design, the tray is also centered by a highly detailed, bright-cut armorial, a technique for which Bateman is especially regarded.  \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1775 \u003cbr\u003e\u003cbr\u003e 17\" diameter x 1 5\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42215061651591,"sku":"31-2999","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2999_1_a0668d2a-a1f3-44cf-9da1-9cf8a721c77d.png?v=1736119380"}],"url":"https:\/\/rauantiques.com\/collections\/10-26-18th-century-treasures.oembed","provider":"M.S. Rau","version":"1.0","type":"link"}