{"title":"7.26 18th Century Furniture","description":null,"products":[{"product_id":"rouge-de-france-marble-pedestal-18th-century","title":"Rouge de France Marble Pedestal, 18th Century","description":"This elegant Italian pedestal is hewn from a striking piece of Rouge de France marble. Quarried only in France, Rouge de France marble has been hotly sought-after since ancient times for the highly varied, vibrant colors and patterns that naturally occur in the stone. A cultural symbol of tradition and refined taste for centuries, many important monuments, objets d’art and masterpieces have been crafted from this fine, scarlet-hued marble. \u003cbr\u003e\u003cbr\u003e 16 1\/8“ wide x 10 3\/4” deep x 47 1\/4“ high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238307668103,"sku":"30-9253","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9253_1.png?v=1717921755"},{"product_id":"louis-xvi-commode-by-pierre-roussel","title":"Louis XVI Commode by Pierre Roussel","description":"Matchless style and high-quality craftsmanship are the hallmarks of Pierre Roussel's furniture, and this exceptional Louis XVI-era commode epitomizes this master craftsman's skill. Crafted of rosewood veneer with a violet wood frame and intricate parquetry inlay, the cabinet's graceful design is also highly practical. The compact form holds two drawers, one of which can be locked for added security. A specimen of marble provides the perfect surface, while bronze ormolu mounts add an additional hint of luxury to the drawers and body. Elegantly curved cabriole legs with bronze ormolu shoes complete this impeccable piece. \u003cbr\u003e\u003cbr\u003e Known for his superior craftsmanship, Roussel was a highly respected maître ébéniste of the 18th century. His furniture pieces were favored by grand patrons such as the Prince de Condé and the Princess of Monaco, and his furnishings graced the halls of the Palais Bourbon and the Château de Chantilly. He was particularly renowned for creating commodes such as the present piece, which display his mastery over parquetry and marquetry to stunning effect. Signed examples in such exceptional condition as this are rarely found on the market. \u003cbr\u003e\u003cbr\u003e Stamped \"P. Roussel\" \u003cbr\u003e\u003cbr\u003e 31 5\/8\" wide x 18 5\/8\" deep x 33\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238301507719,"sku":"31-0043","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0043_1.png?v=1712605902"},{"product_id":"french-provincial-double-door-armoire","title":"French Provincial Double Door Armoire","description":"This majestic French walnut armoire is a stunning example of the Provincial style. Standing nearly nine feet high, this rare armoire featuring splendid rocaille carvings above its double doors and a wonderfully rich patina. Original mountings, double bolt locking mechanism and large key characterize this brilliant 18th-century furnishing. The first armoires appeared in France during the latter half of the 17th century and were most often the dominant feature of the home. These large cupboards were used to hold a family’s belongings from linens to clothing to silver and even food. Cabinetmakers drew their inspiration from the cupboards of Italy, Germany and Spain, but by the reign of Louis XV, the French armoire had reached its height of popularity and possessed a distinctly French flair. \u003cbr\u003e\u003cbr\u003e Originating in France in the 18th century, the French Provincial style was born of the ornate Louis XV and Rococo. However, it was crafted by furniture makers in the provinces, outside of the cities. By nature, its beauty relies more on form, function and available materials, and less on ostentatious decorative elements, such as gilding or intricate marquetry. Crafted of different kinds of solid wood, depending on the region (oak, walnut, elm, fruitwoods and sometimes mahogany), these pieces were carved with great artistry and skill, yet were made to be functional and long lasting. Though less exuberant than Louis XV and XVI design, French Provincial furniture exhibited a more serene and approachable splendor. \u003cbr\u003e\u003cbr\u003e Late 18th century \u003cbr\u003e\u003cbr\u003e 73\" wide x 30\" deep x 107 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239102881927,"sku":"30-0232","price":48500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0232_1_e041a774-fc8d-47cb-b0c8-a339e23e81b0.png?v=1712738183"},{"product_id":"18th-century-mahogany-irish-games-table","title":"18th-Century Mahogany Irish Games Table","description":"This exceptional Irish games table is as functional as it is beautiful. Crafted of Cuban mahogany, it serves as a console table when not in use, but the top folds out to reveal a green baize playing surface, supported by a gate leg, perfect for evening card games. Places on the board are designated for cards and chips, and a small drawer offers convenient storage. A gem of the Georgian style, this table 's design is simple and elegant. A shell ornament graces the frieze, and the front cabriole legs are adorned with ornate relief carving at the knees and terminate in lifelike ball-and-claw feet. \u003cbr\u003e\u003cbr\u003e The extreme socio-economic polarity that existed in Ireland for centuries resulted in a large population of poor and a small percentage of elite, with virtually no known middle class. This class structure was reflected in the furniture created during this time. While most did not have access to quality pieces, the privileged class commissioned furnishings, such as this remarkable table, that were unmatched in quality, crafted of the finest materials and exhibited an extraordinary level of artistry. Since few could afford such exceptional furnishings, not many were ever created, making this table an exceptional find. \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e Closed: 36 1\/4\" wide x 18 1\/2\" deep x 29 1\/8\" high\u003cbr\u003e Open: 36\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239105208455,"sku":"30-0595","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0595_1_4ee09820-0bbd-4148-85ad-b14b7a4a7a75.png?v=1712738031"},{"product_id":"queen-anne-walnut-secretary","title":"Queen Anne Walnut Secretary ","description":"This important Queen Anne-period walnut secretary demonstrates exceptional quality and artistry. It boasts a desirable double bonnet, mirrored cabinet doors, later bun feet and its original embossed leather writing surface. The interior is skillfully constructed with a choice of compartments in which to hide one’s important documents and valuables. A secret drawer is also concealed in the side of the bureau interior, and the inclusion of original brass locks and some pulls adds to this secretary's desirability. Queen Anne-period furnishings such as this walnut secretary are incredibly rare and important examples of English cabinetmaking. \u003cbr\u003e\u003cbr\u003e The secretary bookcase, or secretaire, was an innovative piece of writing furniture introduced in the early 18th century. For the wealthiest households, it proved to be the preferred piece of writing furniture. As the demand for these versatile furnishings grew, so did the level of craftsmanship and overall beauty. Secretaries like this treasure soon became the focal point of the manor, serving as statements of culture and education.  \u003cbr\u003e\u003cbr\u003e Circa 1720  \u003cbr\u003e\u003cbr\u003e 36 1\/2\" wide x 24\" deep x 79\" high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790303731847,"sku":"30-0634","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0634_1_9a99e4db-5400-4799-92e9-88e4d89c8025.png?v=1726257562"},{"product_id":"directoire-upholstered-armchairs","title":"Directoire Upholstered Armchairs","description":"The classic sophistication of the Directoire era is on display in this fashionable pair of armchairs. Beautifully upholstered in elegantly striped fabric, the chairs feature reeding, shell adornments and scrollwork reminiscent of the neoclassical style, adding to the richness of the handsome frames.\u003cbr\u003e\u003cbr\u003e\nCirca 1795\u003cbr\u003e\u003cbr\u003e\n22” wide x 17” deep x 35 1\/2” high\u003cbr\u003e\u003cbr\u003e\nDirectoire furniture is so named because it was crafted during the period of the French Directory, just prior to Napoléon’s reign. Pieces in this style take much of their inspiration from ancient Roman artifacts that had been recovered from the Pompeiian excavations in the late 18th century. Elegant lines, sparse detail and ornamentation are all characteristics of this aesthetic, which influenced designers for many years after.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239110156423,"sku":"30-1638","price":8850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1638_1_bfe75d8f-f7d1-42f1-864a-d5731cc555e3.png?v=1715330258"},{"product_id":"louis-xv-settee-by-jean-rene-nadal-laine","title":"Louis XV Settee by Jean-René Nadal l'Ainé","description":"The splendor of the Louis XV period is captured in this incredible settee by the famed ébéniste Jean-René Nadal l'Ainé (1733-1783). Beautifully upholstered in blue and white fabric that complements the white of the wood, the rare sofa reflects the change in style seen in France during the reign of King Louis XV. Relative to the flamboyant Rococo style of the Louis XIV period, furniture became lighter aesthetically in terms of both design and color. Highly ornamental yet elegant, the style evolved to look more feminine and subdued than in previous years, with an emphasis on curving lines. As evident in this set's majestic legs and back, elegant curves provide a romantic deviation from heave Baroque lines. \u003cbr\u003e\u003cbr\u003e Jean-René Nadal l'Ainé was renowned for his high quality and opulently carved furniture in the Louis XV and Louis XVI styles. Born into an important cabinetmaking family, he quickly rose to prominence in his own right, becoming primarily a furniture maker for the Crown as well as for the Comte d'Artois. This exceptional settee, almost certainly made for a client of great importance, bears all of the hallmarks of this celebrated ébéniste. A similar armchair by Nadal that was once held at Versailles is currently in the collection of the Musée du Louvre. \u003cbr\u003e\u003cbr\u003e Signed \"Nadal L'Aine\" under upholstery \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e 82 1\/4\" wide x 36\" deep x 43 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41789880172679,"sku":"30-7987","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7987_1_c39dfa30-d2cd-418c-b949-f3734710e013.png?v=1726233605"},{"product_id":"king-george-i-ambassadorial-secretaire-cabinet","title":"King George I Ambassadorial Secrétaire-Cabinet","description":"This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exceptional artistry, it is a work of royal and historic significance that exudes power in each and every detail. The broken pediment at its apex features the simplified royal coat of arms bearing the king’s crown, while the interior is adorned by portraits of the British Royal Family. Placed within the ambassador’s St. Petersburg home, this entirely unique piece of furniture would have been a potent reminder of England's grandeur and political importance. \u003cbr\u003e\u003cbr\u003e Relations between England and Russia during this period were at an all-time high. Peter the Great had traveled to England in 1698 as part of his widely known “Grand Embassy” tour, wherein he attempted to gain foreign support against the Ottoman Empire. He spent a period of nearly four months there, meeting with King William III and his court on numerous occasions. Noted academic Arthur MacGregor wrote concerning the impact of the trip, “For two decades following Peter's visit, British influence in Russia reached a peak. It manifested itself in social custom, in craft practice and in ships and naval organization... it reached a significant sector of the population before relations cooled once again and the two nations pulled back from this era of unprecedented cordiality.” \u003cbr\u003e\u003cbr\u003e First and foremost, however, it is a reminder of British might and influence. By the reign of King George I, England had come into its own as a world power. Unique in its design, this cabinet is a reflection of the country’s might. It is crafted from the highest-quality solid walnut and burr walnut adorned by gilded lock plates and engraved hinges. The presence of ormolu at its apex and lining the doors was a rarity for this period, and its addition makes manifest the importance of the design.  \u003cbr\u003e\u003cbr\u003e The outer doors open to reveal multiple interiors, including fifteen separate drawers around a central cupboard; the cupboard doors each bear mezzotint portraits of George I and his father, Ernest Augustus, Elector of Hanover. An etching after the portrait of George I dating to circa 1716 is in London’s Royal Academy. A second, inner pair of doors are adorned by mezzotints of the Prince and Princess of Wales (later Queen Caroline and George II), which are both after portraits by Sir Godfrey Kneller dated 1716 in the Royal Collection. A final portrait is revealed on the very interior of the cabinet, where a mezzotint of Frederick, Anne, Amelia and Caroline, children of the Prince of Wales, resides. An etching (circa 1715-1720) after this portrait can be found in the National Portrait Gallery (London). \u003cbr\u003e\u003cbr\u003e Apart from its abundance of royal portraiture, the cabinet features stunning painted decoration, including floral designs as well as clouds, birds and trees in a bucolic motif reminiscent of Eden. Its lower portion is a study in both form and function, featuring a fitted secrétaire-drawer above three additional drawers for storage. The cabinet appears in \u003cem\u003eThe Shorter Dictionary of English Furniture\u003c\/em\u003e by R. Edwards from 1964, a text that is regarded as the bible of British furniture design. Edwards describes it as a “writing cabinet...given by George I to the British Ambassador at the Russian court.” \u003cbr\u003e\u003cbr\u003e The cabinet was likely made for the 18th-century German diplomat and writer Friedrich Christian Weber, who represented English interests at the Russian court from 1714 until 1719. Although Weber’s tenure as ambassador was relatively short, while in St. Petersburg, he authored his account entitled \u003cem\u003eDas veraenderte Russland (The Present State of Russia)\u003c\/em\u003e, which was published in three volumes in 1721, 1739 and 1740. It may, however, also have been made for George Douglas, 2nd Earl of Dumbarton, who served as ambassador alongside Weber in 1716. Diplomatic relations ceased between the two countries in 1721. \u003cbr\u003e\u003cbr\u003e In 1928, the cabinet appeared for sale at the International Exhibition of Antiques \u0026amp; Works of Art in Olympia. It had previously been in the collection of the Woltner family of Bordeaux, the celebrated vintners who owned the estate Château Laville Haut-Brion and produced wine of the same name. According to the family, Monsieur Woltner was given the cabinet as a gift from an aunt who lived in Russia for many years. After leaving the Woltner collection, the cabinet was acquired by William Berry, 1st Viscount Camrose, a Welsh newspaper publisher of significance. \u003cbr\u003e\u003cbr\u003e Circa 1716-1721 \u003cbr\u003e\u003cbr\u003e 42 1\/4\" wide x 21\" deep x 89 3\/4\" high \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eThe Dictionary of English Furniture\u003c\/em\u003e, London, rev. ed., 1954, by P. Macquoid and R. Edwards, vol. 1, p.141, fig 41\u003cbr\u003e \u003cem\u003eThe Shorter Dictionary of English Furniture\u003c\/em\u003e, London,1 964, by R. Edwards, p.79, fig 25 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Gifted by King George I to the Ministers Resident (Ambassador) to Russia\u003cbr\u003e Monsieur Woltner, Château Haut Brion, Bordeaux, France\u003cbr\u003e Edwards \u0026amp; Sons, 157 Regent Street, London\u003cbr\u003e Sold at the International Exhibition of Antiques \u0026amp; Works of Art, Olympia, 1928\u003cbr\u003e William Berry, 1st Viscount Camrose (d.1954)\u003cbr\u003e Thence by descent\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans, 2003\u003cbr\u003e Private collection, Ohio\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44521776644231,"sku":"31-3643","price":348500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3643_1.png?v=1780146893"},{"product_id":"pair-of-louis-xvi-console-tables","title":"Pair of Louis XVI Console Tables","description":"These classic Louis XVI-era console tables epitomize the grace and sophistication this celebrated style is renowned for. The elegantly tapered legs feature gold gilt detail and a beautiful patina, while the slender aprons display finely carved sunburst and foliate details, which are complemented by gorgeously veined gray marble tops. To find a single console table in this condition is remarkable, to a perfectly matched pair is truly exceptional.   \u003cbr\u003e\u003cbr\u003e Late 18th century \u003cbr\u003e\u003cbr\u003e 55 1\/4\" wide x 24 5\/8\" deep x 34 7\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44313052708999,"sku":"31-3402","price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3402_1_f12f0859-c169-4b17-ae9e-98cded0d6766.png?v=1775056985"},{"product_id":"george-ii-secretary-cabinet","title":"George II Secretary Cabinet","description":"This classic English secretary cabinet is adorned with expertly carved naturalistic elements that predominated the early Georgian style. The towering cabinet features a drop-front writing desk that opens to reveal a spacious writing surface and an array of compartments. Below, four lockable drawers provide even greater space for one's most important papers and correspondence, while behind the central, mirrored section, the interior is equipped with several bookshelves. The piece is surmounted by a broken pediment centered by a finely carved cartouche containing an armorial shield, designed in an asymmetrical Rococo fashion. The expert craftsmanship of such a complicated item required the skill and attention of the finest cabinetmakers, to which its high level of quality can attest. Finishing touches such as elaborate Rococo brass pulls, locks and carved bracket feet bring the design of this practical yet beautiful Georgian piece to completion.  \u003cbr\u003e\u003cbr\u003e The secretary bookcase, or secrétaire, was an innovative piece of writing furniture introduced in the early 18th century. For the wealthiest households, it proved to be the preferred piece of writing furniture. As the demand for these versatile furnishings grew, so did the level of craftsmanship and overall beauty. Secretaries such as the current offering soon became the focal point of the manor, serving as statements of culture and education.  \u003cbr\u003e\u003cbr\u003e Circa 1750  \u003cbr\u003e\u003cbr\u003e 50\" wide x 25\" deep x 112 1\/2\" high ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790099325063,"sku":"31-5642","price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5642_1_7080a934-6872-42d5-875a-8d92ba755cc0.png?v=1728290017"},{"product_id":"table-a-la-tronchin-by-pierre-garnier","title":"Table à La Tronchin by Pierre Garnier","description":"This Louis XVI-era table à la tronchin designed by Pierre Garnier and crafted of fine mahogany exudes the finest qualities of the early neoclassical movement. Named after Swiss physician Théodore Tronchin, a table à la tronchin was intended to embrace the ideals of its namesake, who argued against sedentary lifestyles and excessive sleep. This particular example can be positioned to allow a user to read, draw or write from both standing and seated positions, encouraging movement throughout the day. Its novel design is completed by a tooled leather writing surface and original brass hardware. \u003cbr\u003e\u003cbr\u003e An innovator in the neoclassical style, Pierre Garnier began producing signature designs inspired by Greek architectural elements as early as 1761, while many of his contemporaries continued developing Rococo furniture. His visionary creations led to relationships with important clients, including the Marquis de Marigny, minister of arts under Louis XV and early proponent of the neoclassical style, who commissioned Garnier originals for his Parisian and countryside homes. \u003cbr\u003e\u003cbr\u003e The functionality and beauty of tables à la tronchin are still celebrated today, and a comparable table currently resides in the \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MpJQ\/xg4nwkFQSCsdM1SabMj7vRBol15WYbWm6S1FM25bVuU\" target=\"_blank\"\u003eMetropolitan Museum of Art\u003c\/a\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1780 \u003cbr\u003e\u003cbr\u003e 38 3\/8\" wide x 24\" deep x 30 1\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672930713735,"sku":"31-5455","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5455_1_a2304452-8f1d-4bb9-a7de-b6b239c45951.png?v=1767202881"},{"product_id":"george-iii-pembroke-table-attributed-to-ince-mayhew","title":"George III Pembroke Table attributed to Ince \u0026 Mayhew","description":"This extraordinary George III-period Pembroke table by London cabinetmakers Ince \u0026amp; Mayhew displays the understated sophistication of the late Georgian era. The surface of the table — including both the central panel and the signature Pembroke hinged flaps — is beautifully detailed with satinwood marquetry, inlaid with a fan medallion and foliate motifs executed with the greatest precision and craftsmanship. The table is set upon slender, tapering legs. The design is indicative of the rising influence of and interest in Neoclassical patterns, favoring motifs from nature or Classical antiquity over the extravagance of the Rococo style. \u003cbr\u003e\u003cbr\u003e William Ince and John Mayhew joined their skills as furniture designers and cabinetmakers, opening a firm together on Broad Street in 1759. Over the next forty years, the duo would execute many commissions, and develop a volume of engraved designs entitled \u003cem\u003eThe Universal System of Household Furniture\u003c\/em\u003e — an effort to compete with the success of Thomas Chippendale's \u003cem\u003eDirector\u003c\/em\u003e. The firm's output is often described as a balance between Chippendale's heavy constructions and Hepplewhite's slender forms, frequently utilizing natural colored woods embellished with inlay and engravings. Those stylistic signatures are present in this Pembroke table, placing it as an excellent example of the cabinetmakers' timeless aesthetics. \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e 28 1\/8\" high x 30\" wide x 39 3\/8\" deep \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790197858439,"sku":"31-5999","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5999_1.png?v=1728290008"},{"product_id":"mahogany-bureau-cabinet-after-thomas-chippendale","title":"Mahogany Bureau Cabinet after Thomas Chippendale","description":"This extraordinary Irish bureau cabinet was crafted based on a design for a desk and bookcase drawn from Thomas Chippendale’s famed 1762 edition of \u003cem\u003eThe Gentleman and Cabinet-Maker's Director\u003c\/em\u003e. Chippendale’s revolutionary designs came to define the Georgian style, and this mahogany George II cabinet is exquisitely adorned with carved acanthus leaves, cartouches and billowing bows. Behind the later mirror plate, three interior shelves offer ample storage. Conservative, yet imposing, Chippendale's innovative furniture reflected the English return to a more neoclassical sensibility. He was the first craftsman to boast such a strong following that an entire style bears his name and not that of a monarch. \u003cbr\u003e\u003cbr\u003e Furthered distinguished by prestigious provenance, the exceptional mahogany creation was once owned by Sir Gordon White, Baron White of Hull. The magnate was a Royal Air Force pilot during the Second World War, and served as the co-founder of British multinational corporation Hanson Trust. His business endeavors amassed the Baron an expansive wealth, and he is remembered for his lasting legacy on British corporate acquisition and economy. \u003cbr\u003e\u003cbr\u003e The son of a Yorkshire cabinetmaker, Chippendale quickly excelled in the family business. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, Chippendale published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Subsequent publications of the text throughout Europe and North America included many neoclassical designs, serving to propel Chippendale into the international spotlight. Soon, this modest craftsman counted among his distinguished clientele countless members of nobility and society. \u003cbr\u003e\u003cbr\u003e P.J. Walsh \u0026amp; Sons operated from around 1870 to 1922, and counted wealthy elites and nobility among their clients. More than a cabinetmaker, P. J. Walsh also served as an upholsterer, auctioneer and furniture dealer. This bureau cabinet bears their label, indicating they restored and sold the item during their illustrious tenure in Dublin’s furniture market. Throughout the 1890s, the firm was the primary furniture supplied to Edward Guinness, the first Earl of Iveagh, and a mahogany pedestal table bearing their label is housed in the Iveagh Bequest at Kentwood House, Hampstead. \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e Drawers marked with label “P. J. WALSH \u0026amp; SONS Cabinetmakers, Upholsterers, Auctioneers, Valuators, and Undertakers, Warehouse and Showrooms 20 Bachelor's Walk, Dublin Valuations and Funerals particularly attended to and conducted with respectability \u0026amp; economy” \u003cbr\u003e\u003cbr\u003e 92\" high x 48” wide x 22 1\/4\" deep \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Thomas Chippendale, \u003cem\u003eGentleman \u0026amp; Cabinet-Maker's Director\u003c\/em\u003e, Third Edition, 1762, plate CVIII. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Sale, Sotheby's New York, 7 April 1990, lot 111\u003cbr\u003e Private Collection of Sir Gordon White, Baron White of Hull (1923-1995)\u003cbr\u003e Sale, Christie's, New York, 22 April 1999, lot 154\u003cbr\u003e Sale, Bloomsbury Auctions, New York, 23 March 2010, lot 57\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43434913595527,"sku":"31-6717","price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6717_1.png?v=1764592602"},{"product_id":"gate-leg-spider-table-by-thomas-chippendale-1","title":"Gate Leg Spider Table by Thomas Chippendale","description":"This highly important gate or \"spider\" leg table was crafted by the iconic Thomas Chippendale and is counted as one of the few rare examples made by his hand that is still in private hands. The table, crafted of mahogany, has a rectangular drop-leaf top that is supported by the pull-out gate legs of the spindle base. The straight, slender \"spider\" legs are the epitome of grace, and the light supports are designed for easy extension by moving outward. Taken together, the unique thinness of all its components lends the design a delicacy and elegant simplicity that is quintessential Chippendale. \u003cbr\u003e\u003cbr\u003e While today Chippendale is celebrated as the greatest cabinetmaker of his era, and perhaps of all time, his business life was far from financially stable. He valued perfection in his work above all else, seeking exceptional quality in each and every one of his pieces and spending painstaking hours on even the most minute details. While this slowed his production and resulted in him dying penniless, the outcome was some of the most exquisite pieces of furniture ever constructed. This table is one such example. The incredible attention to detail, impeccable proportions and highest-quality materials are evidence of Chippendale's commitment to pursuing perfection. \u003cbr\u003e\u003cbr\u003e The talent and genius of Thomas Chippendale's designs defined the furniture styles of the 18th century. His designs became so prominent and highly desirable during his lifetime that his entire style came to bear his name, a first in history that did not take the name of the reigning monarch. In 1754, he published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, which became the most important text on furniture design in its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Soon, this modest craftsman counted numerous members of nobility and society among his clientele, including Catherine II of Russia and famed actor David Garrick. He also obtained substantial contracts with the noble houses of Nostell Priory, Harewood House, Burton Constable, Ayrshire and Kent, some of which still house many of his finest pieces in their private collections. Today, the name Chippendale invokes images of refined taste and unparalleled elegance. It is no wonder masterpieces such as this table are so treasured by collectors.  \u003cbr\u003e\u003cbr\u003e A very similar table is pictured in \u003cem\u003eThe Life and Work of Thomas Chippendale, Vol. II\u003c\/em\u003e by Christopher Gilbert, page 224. The table further comes with a letter of authenticity that verifies this exceptional piece. \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e Closed: 27 1\/4\" wide x 10 1\/2\" deep x 27 3\/8\" high\u003cbr\u003e Open: 27 1\/4\" wide x 30 1\/8\" deep x 27 3\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239024992391,"sku":"31-7226","price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7226_1.png?v=1712740414"},{"product_id":"george-iii-chippendale-period-serpentine-commode","title":"George III Chippendale-Period Serpentine Commode","description":"This rare 18th-century serpentine chest of drawers was crafted in the style of the iconic Thomas Chippendale. The George III mahogany dresser is complete with its original brass handles and features four graduated, lockable drawers with keyholes resting upon bracket feet. The top drawer slides to reveal a green baize writing surface, adding to the functionality of the exquisitely crafted commode. \u003cbr\u003e\u003cbr\u003e The talent and genius of Thomas Chippendale’s designs defined the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, he published \u003cem\u003eThe Gentleman and Cabinetmaker’s Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Soon, this modest craftsman counted numerous members of nobility and society among his clientele, including Catherine II of Russia. Today, the name Chippendale invokes images of refined taste and unparalleled elegance. It is no wonder masterpieces such as this rare chest are so treasured by collectors.  \u003cbr\u003e\u003cbr\u003e Circa 1770 \u003cbr\u003e\u003cbr\u003e 32 3\/4\" high x 42 3\/4\" wide x 24 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41541301928071,"sku":"31-5263","price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5263_1.png?v=1717920642"},{"product_id":"george-iii-mahogany-and-satinwood-sideboard","title":"George III Mahogany and Satinwood Sideboard","description":"This magnificent demi-lune Georgian sideboard displays the pinnacle of the era’s refined craftsmanship and boasts a distinguished provenance. Crafted of the finest mahogany, the era's timber of choice for well-appointed manor homes, the sideboard is inlaid with satinwood marquetry and crossbanded with tulipwood, one of the most coveted species of rosewood. Tulipwood is prized not only for its durability but also for its innate beauty. The sideboard features its original brass pull handles and knobs. \u003cbr\u003e\u003cbr\u003e Illustrating the caliber of its exquisite craftsmanship, this large demi-lune sideboard was once housed in one of the most illustrious grand manor homes of the era, Hackwood Park. The luxurious piece of furniture served as a focal point in the incredible grand dining room of the impressive Hampshire estate.  \u003cbr\u003e\u003cbr\u003e The incredible 22-bedroom home was first constructed during the reign of Charles II (1630–85), and the main house has been improved and extended over the centuries. Covering over 260 acres, Hackwood Park was occupied by various noble families of the years, most notably the Bolton family. In fact, Jane Austen herself once danced in the halls of Hackwood Park at a gala hosted by the Duke of Bolton. The Austen connection remains ever prevalent as the home’s designer Lewis Wyatt also designed the Lyme Park estate, which served as the setting for Mr. Darcy's Pemberley in the BBC film adaptation of \u003cem\u003ePride and Prejudice\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e A design for a similar large-scale demi-lune sideboard appears in Plate 5 Fig 1 of Thomas Shearer's The Cabinetmakers' London Book of Prices published in 1788. \u003cbr\u003e\u003cbr\u003e Circa 1790 \u003cbr\u003e\u003cbr\u003e 36 1\/2\" high by 107 5\/8\" wide by 37 1\/2\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Hackwood Park, Hampshire, UK\u003cbr\u003e Christie's London, 20-22 April 1998, lot 102\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41731299606663,"sku":"31-6719","price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6719_1.png?v=1728290013"},{"product_id":"louis-xv-armchairs-by-jean-rene-nadal-laine-2","title":"Louis XV Armchairs by Jean-René Nadal l'Ainé","description":"This impressive pair of French armchairs displays the splendor and elegance of the Louis XV period. Crafted by the famed ébéniste Jean-René Nadal l'Ainé (1733-1783), the chairs are exquisitely constructed with graceful, curving lines and elegant Neoclassical ornamentation. With their blue and white fabric that complements the white of the wood, they perfectly reflect the style in France during the reign of King Louis XV. It is rare to find two matching armchairs from this period, particularly by such an exceptional maker, making this set a remarkable find.  \u003cbr\u003e\u003cbr\u003e Jean-René Nadal l'Ainé was renowned for his high quality and opulently carved furniture in the Louis XV and Louis XVI styles. Born into an important cabinetmaking family, he quickly rose to prominence in his own right, becoming primarily a furniture maker for the Crown as well as for the Comte d'Artois. This exceptional settee, almost certainly made for a client of great importance, bears all of the hallmarks of this celebrated ébéniste. A similar armchair by Nadal that was once held at Versailles is currently in the collection of the Musée du Louvre. \u003cbr\u003e\u003cbr\u003e Signed \"Nadal L'Aine\" under upholstery \u003cbr\u003e\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e 27\" wide x 27\" deep x 39\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41789881745543,"sku":"30-8631","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8631_1_54a2a49e-c304-4b07-a84c-3bf20a871484.png?v=1728289282"},{"product_id":"pair-of-thomas-chippendale-armchairs","title":"Pair of Thomas Chippendale Armchairs","description":"This set of two carved mahogany chairs was crafted by the inimitable and famed Thomas Chippendale. The yellow upholstered seats complement the deep mahogany beautifully, creating an elegant balance. The talent and genius of Thomas Chippendale's designs dominated the furniture styles of the 18th century. He was the first person to boast such a strong following that an entire style bears his name and not that of a monarch, and sets such as this demonstrate his lasting influence on English cabinetmakers. \u003cbr\u003e\u003cbr\u003e The son of a Yorkshire cabinetmaker, Thomas Chippendale quickly excelled in the family business. By the age of 36, he owned a series of workshops throughout England and an expansive timber yard for harvesting the finest woods. In 1754, Chippendale published \u003cem\u003eThe Gentleman and Cabinetmaker's Director\u003c\/em\u003e, considered the “bible” of furniture design of its day. The book contained over 161 plates with an astounding range of furniture in the Gothic, Chinese and Rococo styles. Subsequent publications of the text throughout Europe and North America included many Neo-Classical designs, serving to propel Chippendale into the international spotlight. Soon, this modest craftsman counted among his distinguished clientele countless members of nobility and society.  \u003cbr\u003e\u003cbr\u003e 18th century \u003cbr\u003e\u003cbr\u003e 35 1\/2“ high x 24” wide x 18“ deep each","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42438188892295,"sku":"31-7519","price":94500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7519_1.png?v=1743857960"},{"product_id":"george-ii-mahogany-pembroke-table-by-thomas-chippendale","title":"George II Mahogany Pembroke Table by Thomas Chippendale","description":"Pembroke Table\u003cbr\u003e Thomas Chippendale\u003cbr\u003e Circa 1760 \u003cbr\u003e\u003cbr\u003e This highly significant Pembroke table is a rare example of Thomas Chippendale's exceptional craftsmanship, showcasing his legacy's unparalleled artistry. Its architectural elegance is evident in the exquisite front drawer and rear panel fluting, details consistent with Chippendale's documented works. The table's legs, adorned with supremely detailed fluting, exemplify Chippendale's mastery of neoclassical design. Gilded brass handles—hallmarks of his creations—add a further touch of opulence. Nearly identical in design and refinement to the renowned Pembroke table at Nostell Priory (1769), this masterpiece stands as one of the most exquisite and architecturally significant examples of Chippendale’s work still in private hands. \u003cbr\u003e\u003cbr\u003e The table has elegant proportions and meticulous detailing, from the symmetry of its fluting to the lustrous brass fittings, revealing Chippendale's pursuit of perfection. Thomas Chippendale remains one of the most revered cabinetmakers in history, credited with revolutionizing furniture design in the 18th century. His style was the first in history to bear the name of an individual rather than a reigning monarch. Chippendale's groundbreaking publication, The Gentleman and Cabinetmaker’s Director (1754), solidified his influence, with its 161 plates offering designs ranging from Gothic to Rococo. His clientele spanned royalty and notable figures, with commissions for grand estates such as Nostell Priory, Harewood House and Burton Constable. Despite his immense talent, Chippendale's commitment to perfection often came at a financial cost, resulting in a legacy defined by unparalleled artistry rather than wealth. This Pembroke table embodies the elegance, craftsmanship and historical importance for which the Chippendale name is celebrated. \u003cbr\u003e\u003cbr\u003e 28 1\/2“ high x 36 1\/4” wide x 29“ deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42633880174727,"sku":"31-9712","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9712_1_925b9b0f-07af-4107-b5fb-769777c2805f.png?v=1746746814"},{"product_id":"mahogany-kneehole-desk-by-thomas-chippendale","title":"Mahogany Kneehole Desk by Thomas Chippendale","description":"Mahogany Kneehole Desk\u003cbr\u003e Thomas Chippendale\u003cbr\u003e Circa 1775 \u003cbr\u003e\u003cbr\u003e This exceptional kneehole desk represents the work of Thomas Chippendale and his workshop, and reflects the disciplined craftsmanship that made him the most influential cabinetmaker of the 18th century. Constructed from select Cuban mahogany, the desk displays the dense figure and rich luster prized in the period and favored by Chippendale for his most sophisticated commissions. \u003cbr\u003e\u003cbr\u003e Chippendale’s meticulous approach to construction is evident throughout. A finely carved band of narrow guilloche beading runs beneath the upper drawer, a hallmark of his refined ornamental style. The original fire-gilded buckle drop handles remain intact and contribute to the desk’s distinguished presence. The bracket feet are carved with a pronounced key motif, another detail associated with Chippendale's signature hand. Underneath, the red wash typical of his workshop and laminated oak corner blocks reinforce its authenticity. \u003cbr\u003e\u003cbr\u003e The interior is executed with the same level of precision. The top drawer is lined in mahogany, a feature encountered only in Chippendale’s highest-tier work, and the remaining drawers retain their blue paper bottoms. Together, these elements correspond to known practices documented in pieces from his St. Martin’s Lane estate. Chippendale’s monumental career undeniably reshaped British furniture design. The publication of \u003cem\u003eThe Gentleman and Cabinet-Maker’s Director\u003c\/em\u003e in 1754 disseminated his models across Europe and North America, cementing his authority in Gothic, Chinese and Rococo styles before he later advanced Neoclassical forms. His clientele included prominent aristocratic families and major country houses, many of whose furnishings remain in historic collections. A work of both aesthetic clarity and technical rigor, this kneehole desk stands as a distinguished example of Chippendale’s mature production. \u003cbr\u003e\u003cbr\u003e 30 1\/2\" high x 43 3\/4\" wide x 22 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44214666297479,"sku":"32-1789","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1789_1_49a7c89f-0b03-4c92-9f11-c614873564e4.png?v=1774963213"}],"url":"https:\/\/rauantiques.com\/collections\/7-26-18th-century-furniture.oembed","provider":"M.S. Rau","version":"1.0","type":"link"}