{"title":"7.26 Rembrandt","description":"","products":[{"product_id":"woman-bathing-her-feet-in-a-brook-by-rembrandt-van-rijn-1","title":"Woman Bathing Her Feet in a Brook by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eWoman Bathing Her Feet in a Brook\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Etching on paper\u003cbr\u003e New Hollstein's 309, second state of II\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. \u003cbr\u003e\u003cbr\u003e The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his art in a mere six months. Now 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own. \u003cbr\u003e\u003cbr\u003e Though known today primarily for his paintings, Rembrandt's fame spread outside the Netherlands thanks to his etchings. He made hundreds of etchings throughout his career from 1626 until 1660, the year he was forced to sell his presses. He created etchings of many subjects, including self-portraits, biblical subjects, saints and allegories, and his work was avidly admired and collected, even during his lifetime. \u003cbr\u003e\u003cbr\u003e Versions of this etching reside in numerous museums, including the Metropolitan Museum of Art in New York, the Art Institute of Chicago and the Cleveland Museum of Art, among many others.  \u003cbr\u003e\u003cbr\u003e Plate created 1658 \u003cbr\u003e\u003cbr\u003e Etching: 6\" high x 3 1\/8\" wide (15.24 x 7.94 cm)\u003cbr\u003e Frame: 17 7\/8\" high x 14\" wide x 1 1\/4\" deep (45.40 x 35.56 x 7.94 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Unknown collection stamp: cross in oval, not in Lugt.\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e F. W. H. Hollstein \u003cem\u003eDutch and Flemish Etchings, Engravings and Woodcuts.\u003c\/em\u003e vols. 1-64, Amsterdam, 1954–2010, cat. no. B200, p. 97.\u003cbr\u003e F. W. H. Hollstein \u003cem\u003eDutch \u0026amp; Flemish Etchings, Engravings and Woodcuts, 1450-1700\u003c\/em\u003e, 2008, cat. no. 309, p. 297, ill.\u003cbr\u003e David Maskill, 'Rembrandt van Rijn 1606-69 Netherlands', in William McAloon (ed.), \u003cem\u003eArt at Te Papa\u003c\/em\u003e(Wellington: Te Papa Press, 2009), p. 33.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875488301191,"sku":"32-0126","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0126_1.png?v=1772363607"},{"product_id":"jan-cornelis-sylvius-preacher-by-rembrandt-van-rijn","title":"Jan Cornelis Sylvius, Preacher by Rembrandt Van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606–1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eJan Cornelis Sylvius, Preacher\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e New Hollstein Dutch and Flemish (Rembrandt) 235, state 2\/2\u003cbr\u003e Bartsch 280\u003cbr\u003e Printed by Rembrandt\u003cbr\u003e Signed and dated \"Rembrandt 1646\" (top center)\u003cbr\u003e Etching on paper \u003cbr\u003e\u003cbr\u003e Renowned among the Old Masters, the Dutch artist Rembrandt van Rijn is widely regarded as the greatest etcher in the history of art. As the foremost Dutch printmaker, his body of work includes nearly 300 authenticated prints, distinguished by groundbreaking techniques that redefined the medium. This remarkable 1646 etching was printed by Rembrandt himself and captures the esteemed Dutch minister Johannes Cornelis Sylvius seated at his desk, holding a closed book in one hand and gesturing thoughtfully with the other. \u003cbr\u003e\u003cbr\u003e A luminous and lifelike portrayal, the oval-framed composition underscores Rembrandt’s mastery of etching, with his characteristic ability to bring a subject to life through dramatic contrasts and meticulous detail. The expert shadowing of Sylvius's extended right hand makes it appear to reach beyond the surface of the paper. The surrounding Latin inscriptions celebrate Sylvius’s eloquence, piety and steadfast dedication to his pastoral duties. The lengthy text below the image, composed by poets Caspar Barlaeus and Petrus Sylvius, extols his spiritual leadership, virtuous life and profound impact on the communities he served across Friesland and Amsterdam. See translations below. \u003cbr\u003e\u003cbr\u003e The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his art in a mere six months. Now 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own. \u003cbr\u003e\u003cbr\u003e Now considered one of the greatest artists of all time, almost every major institution has examples of his etchings. Additional second-state etchings of this portrait reside in esteemed collections worldwide, including the Metropolitan Museum of Art, the National Galleries of Scotland, the Cleveland Museum of Art, the Philadelphia Museum of Art and the Art Institute of Chicago, among others. \u003cbr\u003e\u003cbr\u003e Dated 1646 \u003cbr\u003e\u003cbr\u003e Etching: 11\" high x 7 1\/2\" wide (27.94 x 19.05 cm)\u003cbr\u003e Frame: 19 1\/2\" high x 15 1\/2\" wide x 1 1\/8\" deep (49.53 x 39.37 x 2.86 cm) \u003cbr\u003e\u003cbr\u003e Inscription:\u003cbr\u003e Below the image, 16 lines of Latin text by Caspar Barlaeus and Petrus Sylvius:\u003cbr\u003e \"His eloquence taught adoration of Christ,\u003cbr\u003e And revealed to the people the true way to the heavens.\u003cbr\u003e Such was the face of Sylvius; we heard him\u003cbr\u003e Speak to these citizens of Amsterdam with his voice.\u003cbr\u003e He gave instruction to the Frisians: piety\u003cbr\u003e And religion long stood protected by his stern defense.\u003cbr\u003e His venerable age shone with its virtues,\u003cbr\u003e And weary old age rendered learned men.\u003cbr\u003e A lover of simplicity, he scorned the pretense of outward appearance,\u003cbr\u003e Nor did he wish to please good men merely with his looks.\u003cbr\u003e Thus he determined: Jesus is better taught by life,\u003cbr\u003e And the thunder of words is less effective.\u003cbr\u003e Amsterdam, remember him who has passed,\u003cbr\u003e Who shaped this city with his morals,\u003cbr\u003e He shone here by the very presence of God himself.“\u003cbr\u003e — C. Barlaeus \u003cbr\u003e\u003cbr\u003e \"No longer do I extol his virtues,\u003cbr\u003e Which I admire and vainly pursue in verse.\"\u003cbr\u003e — P. S. \u003cbr\u003e\u003cbr\u003e Around the oval:\u003cbr\u003e \"Christ is my hope. Johannes Cornelij Sylvius. From Amsterdam, having served as minister of the Word of God for 45 years and 6 months, in Friesland at Tyemarum and Phridgum for 4 years, at Balk and Harich for a single year, in Minnertsga for 4 years, at Slot for 6 years, and in Amsterdam for 28 years and 6 months, where he died in the year 1638, November 19th, aged 74 years.\" \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, United States\u003cbr\u003e Private Collection, The Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Catalogue Raisonné of the Works of the Principal Dutch and Flemish Painters, 280\u003cbr\u003e Erik Hinterding, Jacob Rutgers, and Ger Luijten, New Hollstein: Rembrandt, Vol. I, cat. no. 142","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875575562375,"sku":"32-0479","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0479_1.png?v=1772364844"},{"product_id":"christ-returning-from-the-temple-by-rembrandt-van-rijn","title":"Christ Returning from the Temple by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChrist Returning from the Temple\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Etching on paper\u003cbr\u003e New Hollstein 276, state 1\/1\u003cbr\u003e Signed \"Rembrandt\" (lower right) \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChrist Returning from the Temple\u003c\/em\u003e is an intimate and masterful etching by the legendary Rembrandt van Rijn. Referencing an episode in the Gospel of Luke, the etching depicts Mary and Joseph walking with a 12-year-old Jesus, returning to Nazareth after the young Christ had gone missing in Jerusalem during Passover. This exceptionally rare composition demonstrates the Dutch master's unparalleled ability to transform biblical text into a narrative of extraordinary human complexity. \u003cbr\u003e\u003cbr\u003e In this strikingly intimate scene, the Holy Family walks along the road holding hands, with a small dog racing past their feet. The relief on Mary's face is palpable, and the rocky landscape that surrounds them foreshadows the long journey ahead. Rembrandt's technical mastery is evident at every turn, with thousands of precise lines creating a dramatic interplay between light and shadow that is quintessentially Rembrandt. \u003cbr\u003e\u003cbr\u003e This intricate etching is the final scene in a series of six prints Rembrandt produced in 1654 depicting moments of Christ’s youth. The subject matter may also reflect Rembrandt’s own family circumstances around this time, as his son Titus had turned 12 just one year before and his companion Hendrickje Stoffels gave birth to their daughter Cornelia in 1654. \u003cbr\u003e\u003cbr\u003e Rembrandt van Rijn remains the most celebrated artist of the Dutch Golden Age and one of history's greatest printmakers. His etchings revolutionized the medium through innovative techniques and unprecedented psychological insight, elevating printmaking to the level of his celebrated paintings. Working primarily in Amsterdam, Rembrandt produced approximately 290 etchings throughout his career, each demonstrating his mastery of light, shadow and human emotion. His biblical scenes, in particular, transformed religious narrative into intensely personal human drama, influencing generations of artists who followed. Other examples of this etching are held in the world's most prestigious collections, including the Metropolitan Museum of Art, the National Gallery of Art, the British Museum and many more. \u003cbr\u003e\u003cbr\u003e Dated 1654 \u003cbr\u003e\u003cbr\u003e Etching: 4“ high x 6” wide (10.2 x 15.2 cm)\u003cbr\u003e Frame: 20“ high x 16 1\/4” wide x 1\" deep (50.8 x 41.3 x 2.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e With P. \u0026amp; D. Colnaghi \u0026amp; Co., London; A Catalogue of Fine Prints, 1496-1956, 1979, no. 40\u003cbr\u003e Sam Josefowitz (Lugt 6094); acquired from the above in 1979\u003cbr\u003e Thence by descent\u003cbr\u003e Private collection, The Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Hollstein 60\u003cbr\u003e Hind 278\u003cbr\u003e New Hollstein 276 (this impression cited)\u003cbr\u003e Stogdon 25","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45063648051335,"sku":"32-2627","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2627_1_b4dc0215-af86-4ad2-a3aa-46d984458d91.png?v=1784128819"},{"product_id":"the-blindness-of-tobit-by-rembrandt-van-rijn","title":"The Blindness of Tobit by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Blindness of Tobit\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Etching on paper\u003cbr\u003e The New Hollstein Dutch 265, state 1 (of 2)\u003cbr\u003e Signed and dated \"Rembrandt f. 1651\" (lower right) \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Blindness of Tobit\u003c\/em\u003e is an extraordinary etching and drypoint by the master Rembrandt van Rijn, created in 1651. This work captures a poignant moment from the apocryphal Book of Tobit (Tobit 11: 5-11), where the blind Tobit knocks over a spinning wheel in his anxious rush to greet his long-lost son. This etching exemplifies Rembrandt's unparalleled ability to convey deep emotion and narrative complexity through the etching technique. \u003cbr\u003e\u003cbr\u003e In this finely detailed etching, Rembrandt uses light and shadow to heighten the emotional impact of the scene. The dark ink behind Tobit emphasizes his isolation, while the brightness of his beard, untouched by ink, draws attention to his anguished expression. The careful composition, with everyday objects such as the spinning wheel and fish hanging from the hearth, adds depth to the narrative, illustrating Tobit's impoverished life. The small dog nestled into Tobit's garment symbolizes his son's approaching return. \u003cbr\u003e\u003cbr\u003e The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his art in a mere six months. Then 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own. \u003cbr\u003e\u003cbr\u003e Though known today primarily for his paintings, Rembrandt's fame spread outside the Netherlands thanks to his etchings. He made hundreds of etchings over the course of his career from 1626 until 1660, the year he was forced to sell his presses. He created etchings of a number of subjects, including self-portraits, biblical subjects, saints and allegories, and his work was avidly admired and collected, even during his lifetime. \u003cbr\u003e\u003cbr\u003e Dated 1651 \u003cbr\u003e\u003cbr\u003e Etching: 6 7\/8“ high x 5 5\/8” wide (17.5 x 14.3 cm)\u003cbr\u003e Frame: 20“ high x 16 1\/4” wide x 1\" deep (50.8 x 41.3 x 2.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, the Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Adam, Le Peintre-Graveur, Vol. 1. Leipzig: C.G. Boerner, 1922, No. 42\u003cbr\u003e Hind, Arthur M, A Catalogue of Rembrandt’s Etchings. London: Methuen, 1923, No. 42\u003cbr\u003e Hollstein, F.W.H, Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450-1700, Amsterdam: Menno Hertzberger, 1949, No. 265, First State (of II)\u003cbr\u003e Nowell-Eusticke, G.W., The Later Work of Rembrandt, London: Constable, 1960, No. C1 \u003cbr\u003e\u003cbr\u003e Plate not in existence","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45063882997895,"sku":"32-2629","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2629_1.png?v=1782789697"},{"product_id":"the-holy-family-by-rembrandt-van-rijn","title":"The Holy Family by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Holy Family\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Etching on paper\u003cbr\u003e New Hollstein 114, state 1\/1\u003cbr\u003e Signed \"RHL\" (lower right) \u003cbr\u003e\u003cbr\u003e A strikingly intimate and masterful etching by the legendary Rembrandt van Rijn, \u003cem\u003eThe Holy Family\u003c\/em\u003e depicts an infant Jesus suckling his mother while a contemplative Joseph reads behind them. This exceptional and expressive composition reflects the Dutch master’s extraordinary talent for creating tender family scenes with technical precision. \u003cbr\u003e\u003cbr\u003e The exhaustion of a new mother is visible on Mary’s face as she holds Jesus to her chest, her slipper lazily kicked off her foot and her reverent gaze fixed squarely in front of her. The modestly decorated interior reflects Rembrandt’s fascination with everyday life, depicting the Holy Family as a regular domestic environment rather than a monumentalized setting. \u003cbr\u003e\u003cbr\u003e Each line in \u003cem\u003eThe Holy Family\u003c\/em\u003e reflects Rembrandt’s technical genius, demonstrating the medium’s remarkable capacity for expressive modeling and dramatic shadows. The resulting interplay of light, emotion and atmosphere is quintessentially Rembrandt and reveals the enduring sophistication of the Dutch etching tradition. \u003cbr\u003e\u003cbr\u003e Rembrandt van Rijn remains the most celebrated artist of the Dutch Golden Age and one of history's greatest printmakers. His etchings revolutionized the medium through innovative techniques and unprecedented psychological insight, elevating printmaking to the level of his celebrated paintings. Working primarily in Amsterdam, Rembrandt produced approximately 290 etchings throughout his career, each demonstrating his mastery of light, shadow and human emotion. His biblical scenes, in particular, transformed religious narrative into intensely personal human drama, influencing generations of artists who followed. Other examples of this etching are held in the world's most prestigious collections, including the Metropolitan Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1632 \u003cbr\u003e\u003cbr\u003e Etching: 4 3\/4“ high x 3 1\/2” wide (12.1 x 8.9 cm)\u003cbr\u003e Frame: 20“ high x 16 1\/4” wide x 1\" deep (50.8 x 41.3 x 2.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, The Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Hollstein 62\u003cbr\u003e Hind 95\u003cbr\u003e New Hollstein 114 (this impression cited)\u003cbr\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45147791884423,"sku":"32-2628","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2628_1.png?v=1783380090"},{"product_id":"the-triumph-of-mordecai-by-rembrandt-van-rijn","title":"The Triumph of Mordecai by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Triumph of Mordecai\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Etching on paper\u003cbr\u003e New Hollstein 185, state 3\/4 \u003cbr\u003e\u003cbr\u003e Among the greatest artists in history, Rembrandt van Rijn transformed printmaking into a medium of extraordinary psychological depth, drama and artistic innovation. \u003cem\u003eThe Triumph of Mordecai\u003c\/em\u003e is a compelling example of Rembrandt’s genius as a printmaker, uniting biblical narrative with the powerful chiaroscuro and human insight that define his finest works. \u003cbr\u003e\u003cbr\u003e The scene depicts the climactic moment from the Book of Esther, in which the Jewish statesman Mordecai is honored by the Persian king. In a dramatic reversal of fate, Haman, who had plotted Mordecai’s death, is forced to lead his rival in a royal procession proclaiming the king’s favor. Rembrandt captures the episode with masterful restraint and theatrical force: Mordecai sits calmly at the center of the composition atop his stately steed, his ceremonial headdress and dignified bearing underscoring the gravity of the moment. \u003cbr\u003e\u003cbr\u003e A brilliant demonstration of Rembrandt’s command of etching, the work reveals his unmatched ability to create atmosphere, movement and spiritual meaning through line alone. Dense crosshatching in the architecture and gathered crowd give the scene dramatic depth, while the open passages of light across the foreground and background lend the composition a luminous vitality. \u003cbr\u003e\u003cbr\u003e Rembrandt van Rijn remains the most celebrated artist of the Dutch Golden Age and one of history's greatest printmakers. Working primarily in Amsterdam, Rembrandt produced approximately 290 etchings throughout his career, each demonstrating his mastery of light, shadow and human emotion. His biblical scenes, in particular, transformed religious narrative into intensely personal human drama, influencing generations of artists who followed. Other examples of this etching are held in the world's most prestigious collections, including the Metropolitan Museum of Art and the Art Institute of Chicago. \u003cbr\u003e\u003cbr\u003e Circa 1641 \u003cbr\u003e\u003cbr\u003e Etching: 6 3\/4“ high x 8 1\/8” wide (17.2 x 20.6 cm)\u003cbr\u003e Frame: 20“ high x 16 1\/4” wide x 1\" deep (50.8 x 41.3 x 2.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, The Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Hollstein 40\u003cbr\u003e Hind 172 New Hollstein 185\u003cbr\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45150532337799,"sku":"32-2630","price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2630_1.png?v=1784056846"},{"product_id":"jan-uytenbogaert-preacher-of-the-remonstrants-by-rembrandt-van-rijn-2","title":"Jan Uytenbogaert, Preacher of the Remonstrants by Rembrandt van Rijn","description":"Rembrandt van Rijn\u003cbr\u003e 1606-1669 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eJan Uytenbogaert, Preacher of the Remonstrants\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Rembrandt f.” in the plate (upper left)\u003cbr\u003e Dated “1635” in the plate (upper right)\u003cbr\u003e Etching, drypoint and burin on wove paper\u003cbr\u003e New Hollstein 153, state VIII of IX \u003cbr\u003e\u003cbr\u003e Among the greatest of the Old Masters was the revered Dutch artist Rembrandt van Rijn, arguably the greatest etcher in the history of art. The most important Dutch printmaker of all time, his oeuvre features close to 300 known prints, and his innovative techniques in the medium are without precedent. This composition is regarded as Rembrandt’s first commissioned portrait print and stands among his most sophisticated achievements in etching. It depicts Jan Uytenbogaert, one of the most influential religious and political figures of the Dutch Golden Age. \u003cbr\u003e\u003cbr\u003e Bedecked in elaborate garb, Jan Uytenbogaert, a Remonstrant preacher, sits in his study, an open book in front of him. Rembrandt highlights his subject by illuminating him in light, creating a strong contrast against the dark, draped background. Intricate lines convey the feel of rich fabric, particularly in Uytenbogaert’s collar and the fur-lined coat thrown over his shoulders. \u003cbr\u003e\u003cbr\u003e Jan Uytenbogaert was a leading figure of the Remonstrant movement and formerly served as chaplain to Prince Maurice of Orange and tutor to the future stadholder Frederick Henry. Banished from the Netherlands following the Synod of Dort, he later returned from exile and resumed preaching in Amsterdam. The Latin verse beneath his portrait, composed by the renowned scholar Hugo Grotius, celebrates his return and resilience after years of political and religious persecution. \u003cbr\u003e\u003cbr\u003e Rembrandt was one of history’s greatest printmakers, transforming etching through his unrivaled command of light, atmosphere and human emotion. His prints traveled more widely than his paintings and played an essential role in establishing his international renown during his lifetime. New Hollstein records nine states of this portrait, with the fifth representing the final state worked by Rembrandt himself. The eighth state was subsequently retouched with delicate lines, likely during the 18th century. Printed on wove paper, this posthumous impression reflects the enduring demand for Rembrandt’s graphic masterpieces generations after his death. \u003cbr\u003e\u003cbr\u003e Earlier examples of this impression are unobtainable—Hinterding and Rutgers record only five impressions of the first three states in total. Impressions of this etching reside in numerous museums, including the Rijksmuseum in Amsterdam, the British Museum and the Saint Louis Art Museum. \u003cbr\u003e\u003cbr\u003e Plate created 1635\u003cbr\u003e Likely printed in the 18th century \u003cbr\u003e\u003cbr\u003e Paper: 17 1\/2\" high x 13 3\/4\" wide (44.45 x 34.93 cm)\u003cbr\u003e Frame: 19\" high x 16\" wide x 1\" deep (48.32 x 40.64 x 2.54 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Switzerland\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45237789130887,"sku":"32-2496","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2496_1_62e88537-1fb4-46c1-bc25-fe18bbd424f0.png?v=1784150443"}],"url":"https:\/\/rauantiques.com\/collections\/7-26-rembrandt.oembed","provider":"M.S. Rau","version":"1.0","type":"link"}