{"title":"7.26 The Collector's Odyssey","description":null,"products":[{"product_id":"italian-panel-of-orpheus-and-eurydice","title":"Italian Panel of Orpheus and Eurydice","description":"Greek mythology comes to life in this extraordinary gouache and oil on canvas. The exceptionally rare work likely depicts the tragic myth of Orpheus and Eurydice. Orpheus, a legendary great hero renowned for his musical skills, was the son of the Thracian king Oeagrus and the Muse Calliope, the patron of epic poetry. According to legend, Orpheus was gifted his first lyre by the god Apollo, who was impressed by his superhuman musical talents.\n\u003cbr\u003e\u003cbr\u003e\nThe tale for which Orpheus is best remembered, however, is the one likely depicted in this panel, wherein he rescued his wife, Eurydice, from the underworld. On the day of her wedding, Eurydice was set upon by a satyr, and in her efforts to escape, she was bitten by a snake. Overcome by grief, Orpheus traveled to the underworld with his lyre in order to appeal to Hades and Persephone to return his wife. Hearts softened by his song, they agreed to allow Eurydice to return to earth, on the condition that he not turn to look at her until they escaped the underworld. Tragically, Orpheus was unable to comply with this condition - he turned back to catch a glimpse of her, and his wife vanished forever.\n\u003cbr\u003e\u003cbr\u003e\nOne of the most popular of the Greek myths, Orpheus' story is brilliantly recreated in this gouache and oil on canvas, which captured the musician as he plays for the god and goddess of the underworld. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837390471,"sku":"30-9010","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9010_1_42c3eaca-8071-43c3-bdee-516c992787fa.png?v=1769761361"},{"product_id":"victorian-parcel-gilt-vase-by-d-c-houle","title":"Victorian Parcel Gilt Vase by D \u0026 C Houle","description":"  This exceptional Victorian parcel-gilt silver vase by Daniel and Charles Houle depicts scenes from the Greek fable the Judgment of Paris, in which Trojan youth Paris chooses Aphrodite as the fairest goddess resulting in a tragic consequence, the Trojan War. Appropriately crafted in the shape of a Greek amphora, this vase’s intricately engraved figures stand out against the soft gold background, while classical Greek accents, such as a large anthemion and Greek key and rolling wave border frame their mythic proceedings. \u003cbr\u003e\u003cbr\u003e The sons of noted silversmith John Houle, Daniel and Charles Houle first went into business with their father for a year in 1844. Maintaining their joint partnership for 40 years, the brothers supplied high-quality silver articles in a large variety of styles to a number of retailers. Some of their finest work included exquisite items boasting gold inlay and parcel-gilding such as this magnificent urn. \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1868 \u003cbr\u003e\u003cbr\u003e 22 ½” high \u003cbr\u003e\u003cbr\u003e 156.25 Troy ounces","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42552764956807,"sku":"29-8986","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-8986_1.png?v=1744212428"},{"product_id":"wedgwood-black-basalt-and-encaustic-enamel-rum-kettle","title":"Wedgwood Black Basalt and Encaustic Enamel Rum Kettle","description":"Crafted by Wedgwood, this rare, round-shaped rum kettle is comprised of black basalt and features a molded bail handle and glazed interior. Referred to as “the widow,” a “Sybil” figure of a seated woman covered head-to-toe in a shroud sits atop the kettle lid and serves as its knob finial. Terra-cotta red and white encaustic enamel bands of anthemion, or palms, decorate the entire piece in a clear homage to Classical motifs of Ancient Greek pottery. During the Georgian era, rum was mixed with hot water, lemon and sugar to create a libation known as “Grog.” This fine kettle would have been used to serve this body-warming tipple in chilly English weather. \u003cbr\u003e\u003cbr\u003e Circa 1800 \u003cbr\u003e\u003cbr\u003e Stamped \"WEDGWOOD\" \u003cbr\u003e\u003cbr\u003e 11\" wide x 8 1\/2\" deep x 10 1\/2\" high \u003cbr\u003e\u003cbr\u003e Provenance: The Starr Collection.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873677836423,"sku":"31-0218","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0218_1.png?v=1770667527"},{"product_id":"a-pompeian-lady-by-john-william-godward","title":"A Pompeian Lady by John William Godward","description":"John William Godward\u003cbr\u003e 1861-1922 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eA Pompeian Lady\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"J.W. Godward 1904\" (lower right, partially covered by frame)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled \u003cem\u003eA Pompeian Lady\u003c\/em\u003e, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. \u003cbr\u003e\u003cbr\u003e Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pelt. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. \u003cbr\u003e\u003cbr\u003e Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops, was a direct reflection of this pervasive view. \u003cbr\u003e\u003cbr\u003e Godward debuted at London’s Royal Academy exhibition in 1887 at the age of only 26. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton and Sir Edward John Poynter, Godward quickly adopted, if not rivaled, their style. He envisioned similar scenes of the ancient world, seamlessly blending antiquity and beauty in breathtaking compositions and attracting fans across Europe. In 1889, he was elected to the Royal Society of British Artists, and, ten years later, Godward debuted at the Paris Salon, where again he was heaped with critical praise. However, the 20th century brought rapid artistic change, and he was faced with the painful reality that the classical world he loved was being overshadowed by modern art movements. His devotion to the classics never waned, and he moved to Rome in 1912 to surround himself with the physical remnants of the classical world, where he stayed for the major part of his remaining career. \u003cbr\u003e\u003cbr\u003e Dated 1904 \u003cbr\u003e\u003cbr\u003e Canvas: 25“ diameter (63.5 cm)\u003cbr\u003e Frame: 45 3\/4” high x 44 3\/8” wide (116.21 x 112.71 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-3739.pdf%20target=\" new\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Thomas McLean, art dealer, London, 1904\u003cbr\u003e Purchased by Sir Alfred Bird, Tudor Grange Solihull\u003cbr\u003e Cooling Galleries, London and Toronto, Canada\u003cbr\u003e The collection of Maurice and Louella Brown, Toronto and Calgary, Canada\u003cbr\u003e By descent to Keith C. Brown and L. Joan Brown, Calgary, Alberta, 1982\u003cbr\u003e Hodgin’s Art Auctions, Calgary\u003cbr\u003e Fred and Sherry Ross, New Vernon, New Jersey\u003cbr\u003e Sotheby’s, New York\u003cbr\u003e Private collection, New Orleans\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e J.W. Godward: The Eclipse of Classicism, 2018, Vern Swanson, page 290, no.12 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Thomas McLean Gallery, London, 1904","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050790613127,"sku":"31-3739","price":1250000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3739_1_96367abf-d12d-4f22-9c18-fc2d4b326df3.png?v=1774967315"},{"product_id":"clio-by-studio-of-romanelli","title":"Clio by Studio of Romanelli","description":"Studio of Raffaello Romanelli\u003cbr\u003e Early 20th Century | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eClio\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Inscribed \"Executé sous la Direction du Prof. Romanelli\" (on base)\u003cbr\u003e Marble \u003cbr\u003e\u003cbr\u003e Clio, the muse of history from Greek mythology, is the subject of this compelling neoclassical marble sculpture that hails from the studio of Raffaello Romanelli. Romanelli was the son of the celebrated Pasquale Romanelli, a collaborator of Lorenzo Bartolini who assumed control of his studio following the master's death. He was renowned for his marble studies of the female form, and both his masterful eye and studio were inherited by his son Raffaello. Where Raffaello differed from his father was in his use of multi-colored marbles, a design choice that is displayed in the present work, which was executed by a student in his atelier.  \u003cbr\u003e\u003cbr\u003e The stark, pure white of this Clio is perfectly complemented by her robes carved from Siena marble, lending texture and visual interest to her overall form. Her tablet is inscribed \"\u003cem\u003eHistoria non assentationi, sed fidei veritatique componitur. Pinius\u003c\/em\u003e,\" a quote from the letters of Pliny the Younger that roughly translates to \"History is written not for display but in the interests of strict truth.\" The quote was the perfect choice for the mythological figure, who was heralded as \"the Proclaimer\" of historical truths. \u003cbr\u003e\u003cbr\u003e Early 20th century \u003cbr\u003e\u003cbr\u003e 22 1\/4\" wide x 15\" deep x 52 1\/8\" high\u003cbr\u003e Base: 23\" wide x 23\" deep x 27 1\/4\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238685614215,"sku":"31-3877","price":124500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3877_1.png?v=1717923109"},{"product_id":"ancient-roman-carved-emerald-brooch","title":"Ancient Roman Carved Emerald Brooch","description":"An ancient Roman emerald carved with the features of a man's face is the center stone of this 19th-century brooch. The art of gem carving takes years to learn and master, and emeralds are notoriously difficult to carve. They polish well, but the artist must be extremely careful not to break the stone or carve away too much of the gem during the process. To find a carved emerald dating to antiquity, when gem carving was in its infancy, is an exceptional rarity. \u003cbr\u003e\u003cbr\u003e The museum-quality, Roman-period stone is displayed in an impeccably crafted Victorian-era silver and silver gilt setting. Emeralds, diamonds and rubies complement the carved emerald, while a single Baroque pearl dangles from the center. Even the reverse features carvings that mimic the motif of the front, including the details of a man's face at the center. \u003cbr\u003e\u003cbr\u003e 2 1\/2\" wide x 3 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874118664327,"sku":"31-5581","price":58500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5581_1.png?v=1772354635"},{"product_id":"micromosaic-snuff-box","title":"Micromosaic Snuff Box","description":"This exceptional micromosaic snuff box represents the heights of this ancient art form. Depicting four doves sitting atop a bronze dish, the inset micromosaic captures one of the most famous and highly desirable classical motifs. Known as Pliny’s doves, the design comes from a Roman floor mosaic at Hadrian’s Villa in Tivoli, which is believed to be a copy of a lost ancient Greek mosaic at Pergamon that Pliny describes in his \u003cem\u003eNatural History\u003c\/em\u003e. Here, the popular image is intricately rendered from hundreds of tiny glass and ceramic tiles known as tesserae, each piece perfectly matched for color, size and placement. The plaque is mounted within a gilt bronze and ebonized wood box. \u003cbr\u003e\u003cbr\u003e Strongly evocative of classical antiquity and the monumental decorative mosaics of ancient Greece and Rome, micromosaics were composed of small pieces of glass and precious stone. The craft flourished in Rome throughout the nineteenth century, largely driven by the influx of wealthy tourists on the Grand Tour seeking luxurious souvenirs to send home. One of the most demanding ventures undertaken by early 19th-century artisans, these pieces are rare treasures today. \u003cbr\u003e\u003cbr\u003e Early 19th century \u003cbr\u003e\u003cbr\u003e 3 1\/8\" wide x 2 1\/4\" deep x 1\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44263394967687,"sku":"31-4085","price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4085_1.png?v=1784316227"},{"product_id":"ancient-roman-medusa-intaglio-earrings","title":"Ancient Roman Medusa Intaglio Earrings","description":"Displaying two carved Medusa gemstones over 1800 years old, these dangle earrings are exceptional examples of the ancient Roman intaglio technique. Paired with a 19th-century gold setting and accented by two additional Victorian cameos, these one-of-a-kind, museum-quality intaglio earrings remain a prized discovery, as coveted today as it would have been at their creation. \u003cbr\u003e\u003cbr\u003e The art of intaglio, also known as gem carving, dates to as early as the 14th century B.C.E. and was practiced by ancient civilizations in Mesopotamia, Assyria, Phoenicia, and later in Greece and Rome. In fact, the gemstone intaglio was one of the most popular jewelry designs in ancient Rome, as Roman men of social standing commonly wore intaglio rings in order to mark wax seals. \u003cbr\u003e\u003cbr\u003e Set in 22K gold \u003cbr\u003e\u003cbr\u003e 2“ length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44568994152583,"sku":"31-6616","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6616_1.png?v=1778116888"},{"product_id":"micromosaic-plaque-of-the-roman-forum","title":"Micromosaic Plaque of the Roman Forum","description":"This impressive micromosaic shows a panoramic view of the Roman Forum, the epicenter of ancient Rome's religious, judicial and commercial life. Intricately crafted from perfectly placed pieces of stone and glass, the mosaic captures some of the most important monuments of the ancient city center. The imposing facade of the Temple of Saturn stands to the right, and the Temple of Castor and Pollux, Arch of Septimius Severus and the Central Piazza are all visible. Executed with an exceptional level of detail, it is a truly outstanding example of the art of micromosaic. \u003cbr\u003e\u003cbr\u003e The Roman Forum is regarded as one of the most important remaining ancient sites in the world. Yet, it was not until the early 19th century that the process of clearing the Forum after centuries of neglect began in earnest. Soon thereafter, the Forum quickly became a must-see destination for wealthy travelers on their Grand Tour, and this micromosaic captures two of these visitors relaxing among the ruins. In fact, the plaque itself was almost certainly created as a souvenir from a Grand Tour enjoyed by a well-to-do traveler; it is a beautiful reminder of the grandeur of ancient Rome. \u003cbr\u003e\u003cbr\u003e 19th century \u003cbr\u003e\u003cbr\u003e 2 1\/4\" high x 3 3\/8\" wide x 1\/8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874254061703,"sku":"31-6599","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6599_1_ceaf2dc5-12ed-4489-9076-bf684d359943.png?v=1772352361"},{"product_id":"ancient-greek-dionysus-cameo-ring","title":"Ancient Greek Dionysus Cameo Ring","description":"This exceptionally rare and large ancient Greek sardonyx cameo dates to the late Hellenistic period, and features a carving of Dionysus, the god of wine and festivities. According to mythology, Dionysus is the son of Zeus and Semele. Associated with fertility, ecstasy, art and literature, the Dionysian festivals of ancient Greece included performances of tragedy and comedy. Though in early Greek art he was frequently depicted as a bearded man, his likeness on this ring is more consistent with later interpretations of the god, where he is youthful, virile and effeminate. \u003cbr\u003e\u003cbr\u003e Circa 1st century BCE \u003cbr\u003e\u003cbr\u003e Set in 14K yellow gold","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44568995397767,"sku":"31-7016","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7016_1_88391b84-b6d5-4c43-8679-e3b6766f7132.png?v=1778116897"},{"product_id":"roman-jupiter-and-victoria-carnelian-intaglio-ring","title":"Roman Jupiter and Victoria Carnelian Intaglio Ring","description":"Exceptionally rare and dating back to the 2nd or 3rd century CE, the carved carnelian gemstone at the center of this ring originates from the Roman Empire. Displaying a rich red hue, the intaglio ring features an intricate carving of the god Jupiter as an eagle, flanked by two depictions of the goddess of victory, Victoria. This historic ring exudes the grandeur of late antiquity. The millennia-old crimson carnelian is beautifully set into a high-carat yellow gold 18th-century mounting, a stunning fusion of ancient and Neoclassical craftsmanship. \u003cbr\u003e\u003cbr\u003e Also known as gem carving, the art of intaglio dates back to the 14th century B.C.E. and was practiced by ancient civilizations such as those in Mesopotamia, Assyria, Phoenicia and later in Greece and Rome. The art of gem carving takes years to learn and master, and gem-carved pieces were among the most coveted accessories of ancient civilizations, used to personally mark wax seals. \u003cbr\u003e\u003cbr\u003e Intaglio: Circa 2nd-3rd century CE\u003cbr\u003e Setting: 18th century","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875334258823,"sku":"31-9416","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9416_1_70a601e6-9050-4801-a001-9075ddf18816.png?v=1772361350"},{"product_id":"theseus-french-empire-mantle-clock-by-andre-antoine-ravrio","title":"Theseus French Empire Mantle Clock by André Antoine Ravrio","description":"\u003cem\u003eTheseus\u003c\/em\u003e French Empire Mantel Clock\u003cbr\u003e André Antoine Ravrio\u003cbr\u003e Circa 1800 \u003cbr\u003e\u003cbr\u003e This monumental Empire mantel clock by André Antoine Ravrio, whose case is crafted entirely of gilded bronze, is quite exceptional. It is one of only four known examples. Of the other three, one is held in a private collection, another resides in the Mobilier National in Paris, and the third belongs to the museum collection of the Prince de la Moskowa. \u003cbr\u003e\u003cbr\u003e Commissioned during Napoleon's reign, the case was crafted by the emperor's personal bronzier, André Antoine Ravrio, and the mechanism by the Emperor’s clockmaker, Bazile-Charles Le Roy. The clock seamlessly marries the grandeur of Napoleon's modern empire with the timeless glory of Ancient Greece. The case itself is a work of art, as Ravrio masterfully presents one of ancient Greece’s most iconic tales. To the left, the ingenious inventor Daedalus is shown drafting his plans for King Minos’s labyrinth, built to contain the fearsome Minotaur. To the right stands the hero Theseus, captured at the pivotal moment when Ariadne, the king’s daughter, offers him a ball of thread—the key to finding his way out after confronting the monster. Sword in hand, he prepares for his fateful encounter. \u003cbr\u003e\u003cbr\u003e Their pivotal exchange unfolds atop a pedestal adorned with a bronze frieze depicting Theseus’s triumph over the Minotaur. In this enduring myth, the Athenian hero enters the labyrinth to defeat the creature that demands human sacrifice, ultimately freeing Athens from its cruel tribute. Together, these scenes narrate the timeless story of courage, love and liberation. \u003cbr\u003e\u003cbr\u003e Every element of this clock is a work of art, the result of a collaboration between the finest bronzier and clockmaker of the period. The enameled clock dial, signed \"Le Roy br. de Madame\/A Paris,\" features Roman numeral hour markers and minute graduations. Bazile-Charles Le Roy, founder of the prestigious Le Roy company in 1785 at the Palais Royal, relocated to Rue de la Egalité after 1789, later becoming the official clockmaker to Napoleon's mother. \u003cbr\u003e\u003cbr\u003e André Antoine Ravrio (1759–1814), renowned for his lamps, girandoles, clocks and bronze mounts, was awarded a Silver Medal at the 1806 Exposition de l'Industrie in Paris. By 1810, he had been appointed bronzier to Napoleon, working at several imperial residences, including Saint-Cloud, Compiègne and the Tuileries. At the height of his career, Ravrio's workshop employed as many as 100 artisans, producing designs coveted for their ingenious integration of form and exceptional quality, and this clock is the very finest example known on the market. \u003cbr\u003e\u003cbr\u003e 25\" high x 23 1\/8\" wide x 9\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Mrs. E.P. Corbin, from 1949 in New York\u003cbr\u003e Private collection, Bath, England\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43349735211143,"sku":"31-8659","price":54500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8659_1_61e65abb-9791-463a-8859-96d1fd2ad0a0.png?v=1762002681"},{"product_id":"the-balneator-by-sir-lawrence-alma-tadema","title":"The Balneator by Sir Lawrence Alma-Tadema","description":"Sir Lawrence Alma-Tadema\u003cbr\u003e 1836-1912 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Balneator\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and inscribed \"L Alma Tadema. op CLXXVI.\" (lower right)\u003cbr\u003e Pencil and watercolor with scratching out on paper on board \u003cbr\u003e\u003cbr\u003e This exceptional work by Sir Lawrence Alma-Tadema depicts a Roman bath attendant, executed with the meticulous accuracy and technical brilliance that established the artist as the preeminent painter of classical antiquity in Victorian Britain. Created circa 1876 during Alma-Tadema's mature period, \u003cem\u003eThe Balneator\u003c\/em\u003e demonstrates his remarkable ability to achieve oil painting effects in the challenging medium of watercolor. \u003cbr\u003e\u003cbr\u003e Historically, a balneator was a bath attendant in Ancient Rome who assisted bathers in the caldarium, the hottest room of Roman bath complexes. Using sponges, strigils and specialized instruments, these attendants applied oils to bathers' skin and scraped them clean—an early form of cleansing that preceded modern soap. Alma-Tadema's fascination with Roman baths intensified around 1875 following his acquisition of extensive photographs documenting Pompeii and the archaeological treasures of its museum in Naples. \u003cbr\u003e\u003cbr\u003e Executed in pencil and watercolor with a unique scratching out technique, this work showcases Alma-Tadema's legendary skill in rendering splendid interiors. Through subtle gradations of color and tone, he contrasts different types and colors of marble, creating a convincing architectural environment. The lifelike texture of the figure's costume tassels is a result of the artist's innovative technique of scratching horizontal lines directly into the paper, achieving remarkably convincing textile detail. \u003cbr\u003e\u003cbr\u003e This work was first exhibited at the Society of Painters in Water-Colours winter exhibition of 1876-1877 alongside its accompanying work \u003cem\u003eThe Balneatrix,\u003c\/em\u003e depicting a female bath attendant. Critics praised the work for achieving the same highly finished quality as Alma-Tadema's oil paintings and for his \"consummate ability in the depiction of marbles and interiors.\" Reviews appeared in major London publications, including \u003cem\u003eThe Art Journal, The Globe, The Spectator\u003c\/em\u003e and \u003cem\u003eIllustrated London News\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e The work's provenance traces directly from the artist through respected London dealers Pilgeram \u0026amp; Lefèvre in 1877, subsequently passing through important private collections. The painting has been extensively documented in literature, including Vern Swanson's definitive catalogue raisonné and Robert Barrow's comprehensive monograph.  \u003cbr\u003e\u003cbr\u003e Sir Lawrence Alma-Tadema was one of the most influential artists of the 19th century and perhaps art history’s greatest Neoclassical painter. During a career that spanned more than 60 years, he painted distinctive and “real to life” depictions of classical Greek and Roman antiquity. In 1852, he entered the Royal Academy of Antwerp in Belgium, and he devoted himself to thoroughly researching his subjects, striving for accuracy down to the smallest detail. It was a habit that would persist throughout his career and earn him great success during his lifetime. \u003cbr\u003e\u003cbr\u003e In 1870, Alma-Tadema settled in England, where his Neoclassical works were particularly prized. He earned gold medals and highest honors in Amsterdam, at the Royal Academy, the Paris Salon and the 1867 Exposition Universelle, among countless others. Widely celebrated and admired, Queen Victoria herself awarded him British citizenship in 1873 and granted him knighthood in 1899. Today, his works are heralded as a significant part of art history, with his works gracing the walls of many major international museums, including Tate Britain, the Rijksmuseum and the Metropolitan Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1876 \u003cbr\u003e\u003cbr\u003e Paper: 14 3\/4“ high x 10 3\/4” wide (37.47 x 27.31 cm)\u003cbr\u003e Framed: 21 1\/2“ high x 17 1\/8” wide x 2“ deep (69.75 x 54.61 x 5.08 cm)  \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The artist\u003cbr\u003e With Pilgeram \u0026amp; Lefèvre, London, acquired directly from the above, 1877\u003cbr\u003e Private collection, acquired in 1997\u003cbr\u003e Private collection, California\u003cbr\u003e Private collection, California\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \"Society of Painters in Water Colours,\" The Globe, London, 5 December 1876, p. 6.\u003cbr\u003e \"Art Exhibition in London,\" The Glasgow Herald, Glasgow, 7 December 1876, p. 3.\u003cbr\u003e \"Society of Painters in Water Colours,\" The Daily News, London, 8 December 1876, p. 2.\u003cbr\u003e \"Art,\" The Spectator, London, 9 December 1876, p. 1541.\u003cbr\u003e \"Fine Arts,\" Illustrated London News, London, 9 December 1876, no. 1950, vol. LXIX,p. 562.\u003cbr\u003e \"Society of Painters in Water Colours,\" The Graphic, London, 9 December 1876, p. 578.\u003cbr\u003e \"Winter Exhibition of the Society of Painters in Water-Colours,\" The Athenaeum, London, 9 December 1876, p. 767.\u003cbr\u003e \"Water-Colour Exhibitions,\" The Saturday Review, London, 16 December 1876, p. 756.\u003cbr\u003e E. W. Godwin, \"Afternoon Strolls,\" The Architect, London, 23 December 1876, p. 364.\u003cbr\u003e C. H. Ross, ed., \"Winter Exhibition of the Society of Painters in Water Colours,\" Judy, vol. XX, London, 27 December 1876, p. 108.\u003cbr\u003e L. Robinson, \"Correspondance D'Angleterre,\" La Chronique des arts, Paris, 24 February 1877, p. 74.\u003cbr\u003e \"Fine Arts,\" Illustrated London News, London, 1 December 1877, no. 2003, vol. LXXI, p. 534.\u003cbr\u003e C. E. Pascoe, \"London Exhibitions,\" The Art Journal, vol. 3, London, 1887, p. 60.\u003cbr\u003e \"Winter Exhibitions,\" The Art Journal, vol. 8, London, 1887, p. 55.\u003cbr\u003e R. Dircks, \"Sir L. Alma-Tadema O.M., R.A., R.W.S.,\" The Art Journal, London, December 1910, p. 30.\u003cbr\u003e V. G. Swanson, \u003cem\u003eSir Lawrence Alma-Tadema\u003c\/em\u003e, London, 1977, p. 138.\u003cbr\u003e R. Borger, \u003cem\u003eDrei Klassizisten: Alma Tadema, Ebers, Vosmaer\u003c\/em\u003e, Leiden, 1978, p. 11, no. 176.\u003cbr\u003e V. G. Swanson, \u003cem\u003eThe Biography and Catalogue Raisonné of the Paintings of Sir Lawrence Alma-Tadema\u003c\/em\u003e, London, 1990, p. 196, under no. 217.\u003cbr\u003e R. J. Barrow, \u003cem\u003eLawrence Alma-Tadema\u003c\/em\u003e, London and New York, 2001, pp. 99, 102, no. 95, illustrated.\u003cbr\u003e B. Massabò, \u003cem\u003eAlbingaunum: itinerari archeologici di Albenga\u003c\/em\u003e, Genoa, 2004, p. 102, illustrated. \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e London, Society of Painters and Water-Colours, Winter Exhibition, 1876-1877, no. 332.\u003cbr\u003e London, Dudley Gallery, Winter Exhibition, December 1877.\u003cbr\u003e Los Angeles, The J. Paul Getty Museum, \u003cem\u003eLuminous Paper: British Watercolors and Drawings\u003c\/em\u003e, 19 July-23 October 2011, no. 27.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43990871343239,"sku":"32-1372","price":175000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1372_1.png?v=1772377072"},{"product_id":"ancient-roman-stele-relief-fragment","title":"Ancient Roman Stele Relief Fragment","description":"Ancient Roman Stele Relief Fragment\u003cbr\u003e Circa 1st Century BCE–1st Century CE \u003cbr\u003e\u003cbr\u003e This rare marble stele relief fragment is a remarkable artifact of ancient history. Dating to the 1st century BCE–1st century CE, it offers a direct connection to the grandeur of Ancient Rome. Carved in fine white marble, possibly of Greek origin, this fragment exemplifies the Roman refinement of Classical Greek ideals. \u003cbr\u003e\u003cbr\u003e A stele is a carved stone slab used in antiquity, typically as a commemorative monument, often decorated with relief figures or inscriptions. The quality and refined execution of this example suggest that it once belonged to an individual of considerable social standing. \u003cbr\u003e\u003cbr\u003e The female figure is shown mid-motion, with her right hand gracefully crossing the body to her left shoulder, suggestive of adjusting or clasping a himation cloak. Her left arm extends downward, grasping the drapery in a composed gesture. The stele fragment retains the full expressive power of Roman classicism seen in the fluid contrapposto stance and elegant drapery lines that emphasize movement and femininity. \u003cbr\u003e\u003cbr\u003e A statue in a similar pose, \u003cem\u003eThe Small Herculaneum Woman\u003c\/em\u003e, housed in the Skulpturensammlung of the Staatliche Kunstsammlungen in Dresden, Germany, dates to the 1st century BCE. Unearthed in 1711 at the ancient city of Herculaneum, it represents one of the earliest significant discoveries at the site. Similar stylistic choices can also be found in a pentelic marble stele from the Archaeological Museum in Elefsina. \u003cbr\u003e\u003cbr\u003e On stand: 37 1\/2 high x 23 1\/2\" wide x 12\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43894037905543,"sku":"32-1243","price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1243_1.png?v=1772377015"},{"product_id":"rebecca-rau-fire-fortune-ring","title":"Rebecca Rau Fire \u0026 Fortune Ring","description":"A compelling union of antiquity and contemporary design, this two-stone ring showcases Rebecca Rau’s distinctive aesthetic and approach to historical gems. At its center is an authentic Roman lapis lazuli intaglio dating to approximately 100 BCE–200 CE, carved with the figure of Fortuna or Abundantia, the goddess associated with prosperity and divine favor. The deep ultramarine stone retains the elegant outlines of the robed figure holding her cornucopia and vessel—important symbols of abundance since the classical world. \u003cbr\u003e\u003cbr\u003e Paired with this ancient carving is a vibrant 3.24-carat elongated emerald cut Spessartite garnet from Tanzania, ablaze with orange brilliance and framed by approximately 0.40 carat of single cut diamonds. Set in 18K yellow gold, the ring reflects Rebecca Rau’s interpretive reimagining of the historic \u003cem\u003etoi et moi\u003c\/em\u003e form. Her offset composition allows the modern gemstone and ancient intaglio to stand in deliberate dialogue, honoring the past while asserting a boldly modern point of view.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44024093671559,"sku":"32-2022","price":29500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2022_1_e8b54ac4-29a0-4df4-ac86-9810176c9e86.png?v=1774960956"},{"product_id":"tyrian-half-shekel-coin-pendant","title":"Tyrian Half Shekel Coin Pendant","description":"A tangible connection to the ancient world, this rare Tyrian half shekel coin is transformed into a striking pendant, set within its 18K yellow gold bezel. Struck in antiquity, the coin bears the laureate bust of the god Melqart on the obverse and an eagle perched upon a rudder on the reverse, symbols deeply tied to the identity and maritime strength of ancient Tyre. \u003cbr\u003e\u003cbr\u003e The city of Tyre was among the most influential Phoenician centers of the ancient Mediterranean, renowned for its trade, resilience and cultural legacy. Its coinage, particularly the silver shekels and half shekels, remained in circulation for centuries and is historically associated with major events of the ancient world, including the Roman and early imperial periods. Revered for its artistic continuity and symbolic imagery, the Tyrian minting tradition reflects both Greek and Near Eastern influences at a pivotal crossroads of civilization. \u003cbr\u003e\u003cbr\u003e Circa 126 BCE–56 CE","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44528248881287,"sku":"32-2463","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2463_1.png?v=1777554036"},{"product_id":"jesus-christ-follis-coin-pendant","title":"Jesus Christ Follis Coin Pendant","description":"Dating back over 1,000 years, this rare Byzantine coin is set into an 18K yellow gold bezel to become an elegant pendant. The obverse of the coin bears a portrait of Jesus Christ holding a Book of the Gospels with a nimbus cross halo. The reverse features four lines of Greek inscription that read “Jesus Christ, King of Kings.” Both sides feature decorative adornments or borders, enhancing the coin’s ancient beauty. \u003cbr\u003e\u003cbr\u003e This coin is part of a grouping called “Anonymous Folles,” a type of coin so named for their lack of specific ruler markings. The Anonymous Folles were struck between the beginning of John I Tzimiskes’s reign in 969 and the monetary reform of Alexios I Komnenos in 1092. Before this period, portraits of Christ were typically reserved for gold coins rather than copper. \u003cbr\u003e\u003cbr\u003e Circa 976-1025 CE","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44528249438343,"sku":"32-2464","price":6850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2464_1.png?v=1777554024"},{"product_id":"greek-soldier-brooch","title":"Greek Soldier Brooch","description":"This artful figural brooch takes the form of an Evzone, an elite soldier of the Greek army, in traditional uniform. Today, Evzoni are best known as Greece's Presidential Guard, but historically they were infantry units in the Hellenic Army. They can still be seen in Athens, standing guard at the Presidential Palace and the Tomb of the Unknown Soldier. \u003cbr\u003e\u003cbr\u003e Finely crafted of 14K yellow, white and rose gold, the brooch also brings the soldier's elaborate garb to life with 0.75 carat of diamonds, along with sapphires and rubies. \u003cbr\u003e\u003cbr\u003e 2 1\/2“ width x 2 1\/2” length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44727027335303,"sku":"32-2683","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2683_1_82d12331-411e-4973-a231-66cbd159c4bf.png?v=1781220092"}],"url":"https:\/\/rauantiques.com\/collections\/7-26-the-collectors-odyssey.oembed","provider":"M.S. Rau","version":"1.0","type":"link"}