{"title":"9.26 In an Embrace","description":null,"products":[{"product_id":"young-mother-contemplating-two-embracing-children-by-william-adolphe-bouguereau","title":"Young Mother Contemplating Two Embracing Children by William-Adolphe Bouguereau","description":"William-Adolphe Bouguereau\u003cbr\u003e 1825-1905 | French\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cem\u003eJeune mère contemplant deux enfants qui s'embrassent\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(Young Mother Contemplating Two Embracing Children)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “W-Bouguereau” (bottom right, 1861 date now obliterated)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e William Bouguereau's influence on 19th-century art is profound, earning him a cherished place in the French Academy. His frequent exhibitions at the Paris Salon led to the event being colloquially known as “Le Salon Bouguereau.” \u003cem\u003eYoung Mother Contemplating Two Embracing Children\u003c\/em\u003e stands out as an extraordinary work among his oeuvre, epitomizing the pastoral ideal and the classical grandeur inherent in Bouguereau’s oeuvre. \u003cbr\u003e\u003cbr\u003e Bouguereau’s unparalleled ability to depict the moods and personalities of his subjects within classical settings is evident in this work. Influenced by the great Neoclassical artist Ingres, Bouguereau’s technique demonstrates an exceptional degree of finish and luminous coloration, characteristics of his prestigious education at the École Royale des Beaux-Arts. His portraits, especially those of young women and cherubs in idyllic natural settings, are among his most cherished works, with this being a particularly exquisite example. \u003cbr\u003e\u003cbr\u003e In this composition, a classical beauty lounges in a mossy grove accompanied by her twin children, one fair and the other dark. Bouguereau displays his extraordinary mastery of dramatic lighting, with the mother cast in a cool shadow beneath the trees while the cherubs shine under a bright light in the foreground. The intricate rendering of the fabrics and the radiant skin of the figures imbues the scene with a luminous vitality that seems to leap off the canvas. \u003cbr\u003e\u003cbr\u003e The classical ideal and the wonderment of a childhood spent in nature are themes celebrated across Bouguereau's oeuvre, making him an exceptional commercial success in his day. Collectors on both sides of the Atlantic had to wait two to three years to purchase one of his prized paintings. In the 19th century, no American collection would have been complete without a portrait by the French Academic master. Today, his works reside in prestigious museum collections such as the Musée d'Orsay, the Metropolitan Museum of Art and the J. Paul Getty Museum. \u003cem\u003eYoung Mother Contemplating Two Embracing Children\u003c\/em\u003e is included in the Bouguereau catalogue raisonné as 1861\/03.  \u003cbr\u003e\u003cbr\u003e Dated 1861 \u003cbr\u003e\u003cbr\u003e Canvas: 32 1\/4” high x 39 3\/4” wide (81.92 x 100.97 cm)\u003cbr\u003e Framed: 49 3\/8” high x 57” wide x 6“ deep (125.41 x 144.78 x 15.24 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Sold by the artist to Paul Durand-Ruel\u003cbr\u003e Private Collection of John. T. Martin, New York, before 1909\u003cbr\u003e Martin Estate sale by American Art Association of New York, 1909, lot 40 (no illustration, listed as \u003cem\u003eThe Twins\u003c\/em\u003e\u003cbr\u003e C. K. G. Billings, New York, purchased from the above\u003cbr\u003e Beverly Wilshire Hotel, Beverly Hills, CA\u003cbr\u003e Private Collection of Jozeph Szymanski, Pasadena, CA, from 1971\u003cbr\u003e Sale, Sotheby's New York, Nov. 3 1999, catalogue no. 7373, lot no. 55\u003cbr\u003e Private Collection\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Galerie Durand-Ruel stock books\u003cbr\u003e Charles Vendryès, \u003cem\u003eCatalogue illustré des œuvres de W. Bouguereau\u003c\/em\u003e, Librairie d'Art, Paris, 1885, p. 21\u003cbr\u003e Amable Charles Franquet de Franqueville, \"William Bouguereau\" in \u003cem\u003eLe Premier Siècle de l'Institut de France\u003c\/em\u003e, Vol. I, J. Rothschild, Paris, 1895, p. 370 as \u003cem\u003eJeune mère contemplant enfants\u003c\/em\u003e\u003cbr\u003e Marius Vachon, \u003cem\u003eW. Bouguereau\u003c\/em\u003e, A. Lahure, Paris, 1900, p. 147\u003cbr\u003e Mark Steven Walker, \"A Summary Catalogue of the Paintings,\" in \u003cem\u003eWilliam Adolphe Bouguereau: L'art Pompier\u003c\/em\u003e, New York, 1991, p. 66\u003cbr\u003e Damien Bartoli and Frederick C. Ross, \u003cem\u003eWilliam Bouguereau: Catalogue Raisonné of his Painted Work\u003c\/em\u003e, New York, 2010, p. 67, no. 1861\/03 (illustrated","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542028095623,"sku":"31-9611","price":1650000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9611_1.png?v=1743859263"},{"product_id":"the-penance-of-st-chrysostom-by-albrecht-durer","title":"The Penance of St. Chrysostom by Albrecht Dürer","description":"Albrecht Dürer\u003cbr\u003e 1471-1528 | German \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Penance of St. Chrysostom\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Monogrammed in the plate lower center \"AD\"\u003cbr\u003e Copper engraving on laid paper  \u003cbr\u003e\u003cbr\u003e \u003cem\u003e“Whatever was mortal in Albrecht Dürer lies beneath this mound.” — Albrecht Dürer’s epitaph\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e This exceptionally rare copper engraving of St. Chrysostom is one of the very few nude engravings ever created by Albrecht Dürer, a master of the Northern Renaissance. With extraordinary precision and a synthesis of Northern humanism and Italian Renaissance ideals, this engraving is a striking convergence of religious tradition, artistic mastery and an infamous saint's complex narrative. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Penance of St. Chrysostom\u003c\/em\u003e is based on a medieval legend surrounding John Chrysostom, an early Christian theologian and hermit saint. According to the tale, an emperor’s daughter sought refuge in his cave during a storm, but in a moment of weakness, he broke his vow of chastity. Wracked with guilt, he cast the woman from a cliff before retreating into the wilderness, where he crawled like a beast in penance for years. Miraculously, the woman survived and gave birth. Later, she was found with her child, and St. Chrysostom was ultimately absolved. \u003cbr\u003e\u003cbr\u003e This is the scene Dürer captures with remarkable precision—the woman sits in an alcove, breastfeeding her child, while the saint, seen crawling in the distance, repents in exile. Set against a quintessential medieval German town, Dürer’s engraving is a masterclass in depth, perspective and anatomical perfection. His ability to render human figures in idealized proportions—influenced by Italian Renaissance principles—demonstrates his pioneering approach to the nude form. \u003cbr\u003e\u003cbr\u003e Albrecht Dürer, born in Nuremberg in 1471, is regarded as the most influential artist of the Northern Renaissance. Early in his career, Dürer apprenticed with his father, a goldsmith, and later with Michael Wolgemut, whose workshop introduced him to woodcut illustration. Fascinated by the Italian Renaissance, Dürer made two formative visits to Italy, where he absorbed the classical techniques of masters like Pollaiuolo, Mantegna and Michelangelo. The stay marked a turning point in his career, and this engraving reveals Dürer's deepened understanding of classical form, as well as his mastery of naturalistic effects in light and shade. His ability to merge these Italian influences with the Northern tradition of intricate detail established Dürer as a leading figure in Renaissance art. \u003cbr\u003e\u003cbr\u003e Throughout his career, Dürer created works that transcended the boundaries of woodcuts, engravings and paintings, demonstrating unmatched intellectual and artistic depth. Dürer was the most influential German artist of his time, serving as court artist to both Holy Roman Emperor Maximilian I and his successor Charles V. The few known examples of this particular work are held in the permanent collections of the Metropolitan Museum of Art, the National Gallery of Art in Washington, D.C. and the Clark in Williamstown, MA.  \u003cbr\u003e\u003cbr\u003e Paper: 6 7\/8\" high x 4 1\/2\" wide (17.46 x 11.43 cm)\u003cbr\u003e Frame: 17 1\/2\" high x 13 1\/2\" wide x 1 1\/2\" deep (44.45 x 34.29 x 3.18 cm) \u003cbr\u003e\u003cbr\u003e Circa 1497 \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Bartsch, Adam von. \u003cem\u003eLe Peintre-Graveur\u003c\/em\u003e. Vol. 7. Vienna: J.V. Degen, 1808, no. 63\u003cbr\u003e Holzschnitte, und Zeichnungen. \u003cem\u003eVienna: Gilhofer \u0026amp; Ranschburg\u003c\/em\u003e, 1932, no. 54 d\/e (from f)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875571204231,"sku":"32-0468","price":42500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0468_1.png?v=1772364816"},{"product_id":"leternel-printemps-by-auguste-rodin","title":"L'Éternel Printemps by Auguste Rodin","description":"Auguste Rodin\u003cbr\u003e 1840-1917 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL'Éternel Printemps\u003cbr\u003e (The Eternal Spring)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Bronze with brown patina\u003cbr\u003e Signed \"Rodin\" (on base), with Barbedienne foundry mark \u003cbr\u003e\u003cbr\u003e Perhaps one of the most well-known and celebrated sculptures of his oeuvre, Auguste Rodin's passionate bronze \u003cem\u003eL'Éternel Printemps\u003c\/em\u003e is the embodiment of this artist's rare genius. Conceived in 1884, the bronze is regarded as one of the masterpieces of his mature output, conveying a sensuality and aura of passionate love from every angle. \u003cbr\u003e\u003cbr\u003e This work was conceived at the height of Rodin's career in 1884, during an intense period of work on his pivotal \u003cem\u003eGates of Hell\u003c\/em\u003e commission. It tells the age-old narrative of forbidden love, depicting the affair of Francesca da Rimini and Paolo Malatesta, who famously appear in Dante's \u003cem\u003eInferno\u003c\/em\u003e for their transgression. Highlighting the lovers' bliss rather than their ultimate punishment, Rodin felt the bronze was too joyful and removed it from his \u003cem\u003eGates of Hell\u003c\/em\u003e. Instead, he executed it as a stand-alone sculpture that would become one of his most acclaimed and beloved works. \u003cem\u003eThe Kiss\u003c\/em\u003e, another masterpiece by the sculptor, shares a similar origin and subject, though \u003cem\u003eL'Éternel Printemps\u003c\/em\u003e is more dynamic in its pose. \u003cbr\u003e\u003cbr\u003e Rodin's technical mastery was unmatched in his day, and by the turn of the century, he was regarded as the best sculptor since Michelangelo. His composition is dynamic from every angle, utilizing negative space in the arch of the woman's back and her lover's outstretched arm to create movement and feeling. Like many of his major works, Rodin looked back to one of his previous models in order to develop his amorous lovers. The female figure is based on his sensuous \u003cem\u003eTorso of Adèle\u003c\/em\u003e (Musée Rodin, Paris), which appears in the upper left-hand corner of the tympanum of his \u003cem\u003eGates of Hell\u003c\/em\u003e. \u003cem\u003eL'Éternel Printemps\u003c\/em\u003e is also believed to resemble Camille Claudel, a sculptor with whom Rodin began a passionate affair after she joined his studio in 1882. The autobiographical element of Rodin's own forbidden love perhaps accounts for the work's intimacy and intensity. \u003cbr\u003e\u003cbr\u003e After its successful showing at the \u003cem\u003eSalon\u003c\/em\u003e of 1897, Rodin awarded the casting of this bronze to the Barbedienne foundry in 1898. This sculpture is from the founder's second reduction, meaning it is the second largest of four versions they produced. It was also importantly cast during Rodin's lifetime and thus under his supervision, between 1905-1910. Other versions of this bronze can be found in museums worldwide, including the Musée Rodin (Paris), the Metropolitan Museum of Art (New York), the Museum of Fine Arts (Boston) and others. \u003cbr\u003e\u003cbr\u003e Auguste Rodin is counted among the greatest artists of the late 19th and early 20th centuries, along with names such as van Gogh, Monet and Renoir. In the history of sculpture, he occupies a place even more important than his painterly contemporaries, for he alone revived the art of sculpture, returning it to prominence among mainstream art. During the mid-1870s, after two decades of struggling as an artist, Rodin visited Italy and studied the works of Michelangelo, who inspired his first major work, \u003cem\u003eThe Bronze Age\u003c\/em\u003e. Exhibited in Brussels in 1877, it was so well received that the State purchased the work in 1880, which led to the commission of Rodin's \u003cem\u003eThe Gates of Hell\u003c\/em\u003e. His works, so naturalistic and expressive in detail, were far removed from conventional, decorative sculpture and ultimately transformed the history of art. Today, he is widely regarded as the father of modern sculpture. \u003cbr\u003e\u003cbr\u003e This important work is accompanied by a letter from the Comité Auguste Rodin confirming it will be included in the forthcoming \u003cem\u003eCatalogue Critique de l’Oeuvre Sculpté d’Auguste Rodin\u003c\/em\u003e by Jérôme Le Blay. \u003cbr\u003e\u003cbr\u003e Conceived in 1884; cast between 1905-1910  \u003cbr\u003e\u003cbr\u003e 20 1\/4\" high x 26\" wide x 13\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, Argentina, acquired in the 1910s\u003cbr\u003e Private Collection, France\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private Collection, Texas\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44218370883719,"sku":"32-1428","price":1285000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1428_1_71ef979d-528b-4ae6-b255-cfbf2912b420.png?v=1774963983"},{"product_id":"family-grace-after-caravaggio-by-louis-carreon","title":"Family Grace—After Caravaggio by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFamily Grace—After Caravaggio\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Louis Carreon” (lower right)\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e This powerful painting by Louis Carreon holds deep personal significance for the artist, reflecting 13 years of sobriety and renewal. \u003cem\u003eFamily Grace—After Caravaggio\u003c\/em\u003e engages in a creative dialogue with Caravaggio’s \u003cem\u003eThe Entombment of Christ\u003c\/em\u003e, the composition reimagines the prodigal son holding an alcohol bottle, while his family surrounds him with concern. This imagery resonates broadly, reflecting the challenges many families face across generations. \u003cbr\u003e\u003cbr\u003e Through oils, charcoal and aerosol, Carreon transforms personal experience into a universal story of struggle, resilience and hope. By blending historical reference with contemporary issues, the painting invites viewers to connect, fostering awareness and inspiring conversations around healing and wellness. \u003cbr\u003e\u003cbr\u003e Louis Carreon, a contemporary artist rooted in street art and urban culture, is celebrated for transforming personal and spiritual themes into raw, impactful works. As a significant voice in contemporary art that bridges street culture and gallery spaces, he continues the tradition established by Jean-Michel Basquiat and Keith Haring. Carreon’s ability to merge graffiti influences with profound symbolism positions him among the leading voices in modern spiritual art. \u003cbr\u003e\u003cbr\u003e Canvas: 58 1\/2\" high x 51 1\/2\" wide (148.59 x 130.81 cm)\u003cbr\u003e Frame: 66 1\/2\" high x 59 5\/8\" wide x 3\/4\" deep (168.91 x 151.45 x 1.91 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43044309958791,"sku":"32-1140","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1140_1_61218fd9-2e57-47b1-8315-8cc4568d5573.png?v=1755091489"},{"product_id":"couple-devant-buisson-by-marc-chagall","title":"Couple devant buisson by Marc Chagall","description":"Marc Chagall\u003cbr\u003e 1887-1985 | Russian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eCouple devant buisson\u003cbr\u003e (Couple in front of a bush)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Chagall Marc\" (lower right)\u003cbr\u003e Gouache, India ink and graphite on paper \u003cbr\u003e\u003cbr\u003e An extraordinarily vibrant gouache from the great Marc Chagall, \u003cem\u003eCouple devant buisson\u003c\/em\u003e captures the artist's most iconic and coveted motif: his lovers. Painted circa 1950, this stunning work embodies why Chagall is widely regarded as one of the greatest colorists of all time. \u003cbr\u003e\u003cbr\u003e Chagall’s iconic embracing couple floats against the dark night sky, enveloped in a radiant burst of florals—another of his most famous subjects. The artist’s electric palette evokes the great power of love, a theme that occupied Chagall throughout his entire career. His most important compositions blend dynamic color with his recognizable repertoire of characters, and \u003cem\u003eCouple devant buisson\u003c\/em\u003e is an exceptionally vivid example of this. \u003cbr\u003e\u003cbr\u003e Famously, Chagall’s lovers were connected to the artist’s personal life. These amorous figures mirrored his affection for his first wife, Bella Rosenfeld, who tragically died the same year his beloved hometown was pillaged during WWII in 1944. Instead of dwelling on his grief following her passing, Chagall embraced vivid, emotive colors and surreal settings to express the complexities of his experiences. Painted just a few years after Bella’s death, \u003cem\u003eCouple devant buisson\u003c\/em\u003e embodies Chagall’s profound ability to capture the joyous memory of his first love. \u003cbr\u003e\u003cbr\u003e Marc Chagall was born in Vitebsk, Russia, to a large, close-knit Jewish family of herring merchants. He began studying painting in 1906 under the famed artist Yehuda Pen. In 1907, he moved to St. Petersburg and joined the school of the Society of Art Supporters. In 1910, Chagall relocated to Paris to be near the art community of the Montparnasse district, and he would eventually become a French citizen. Amongst the turmoil of the 20th century, including the Soviet regime and the outbreak of WWII, Chagall would continue to move between Russia, France and the United States throughout his life. \u003cbr\u003e\u003cbr\u003e Chagall died at the age of 97 in Saint-Paul de Vence, France, in 1985, leaving behind an incredible body of work, as well as an entire museum dedicated to his legacy, the Musée National Marc Chagall in Nice, France. His works also belong to the collections of prestigious museums around the world, including the Museum of Modern Art in New York, the Centre Pompidou in Paris, Tate Modern in London and the Art Institute of Chicago. \u003cbr\u003e\u003cbr\u003e This work is accompanied by its certificate of authenticity issued by the Comité Marc Chagall. \u003cbr\u003e\u003cbr\u003e Circa 1949-50 \u003cbr\u003e\u003cbr\u003e Paper: 12 1\/2\" high x 8 3\/4\" wide (31.75 x 22.23 cm)\u003cbr\u003e Frame: 27 1\/4\" high x 23 1\/2\" wide x 3\" deep (69.22 x 59.69 x 7.62 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43996878340231,"sku":"32-2046","price":685000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2046_1.png?v=1782163373"},{"product_id":"madonna-and-child-by-henry-moore","title":"Madonna and Child by Henry Moore","description":"Henry Moore\u003cbr\u003e 1898-1986 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMadonna and Child\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Moore\" (on reverse)\u003cbr\u003e Bronze \u003cbr\u003e\u003cbr\u003e Henry Moore was the preeminent British sculptor of the modern era, whose works blended abstraction, figuration and non-Western influences in a way that revolutionized the medium. One of his most celebrated and enduring motifs was the mother and child, and in 1943, Moore would receive his most significant commission on this subject: the \u003cem\u003eMadonna and Child\u003c\/em\u003e for St. Matthew's Parish Church. This exceptionally rare bronze is tied to that iconic work, a world-famous cornerstone of British sculpture. \u003cbr\u003e\u003cbr\u003e In 1943, the Reverend Walter Hussey invited Moore to create a Madonna and Child sculpture for his church, a proposal the artist accepted with hesitation. Moore felt the immense weight of depicting such a religious subject, wondering if he could distinguish the sacred Madonna and Child from his long‑standing mother and child theme. Of the commission, he said: \"This is one of the most difficult and heart-searching sculptures that I ever tried to do.”  \u003cbr\u003e\u003cbr\u003e He began cautiously, completing many drawings and modeling a series of 12 small maquettes in clay. Only then did Moore fully commit to the commission. This bronze was cast from one of these final clay models, which Moore returned to after completing his version in Hornton stone for St. Matthew’s. In our bronze, the statuesque seated Madonna envelops the child tenderly, embodying quiet strength and emotional protection. \u003cbr\u003e\u003cbr\u003e Cast in an edition of 7 with an artist’s proof, this bronze is an extraordinarily rare link to one of Moore’s most pivotal commissions. Other examples of these bronzes reside in prestigious museums worldwide, including the Tate Modern in London and the Museum of Fine Arts, Boston. Importantly, this bronze was signed by the artist and is accompanied by a copy of the letter from the Henry Moore Foundation, confirming the work is recorded in their archives as LH223.  \u003cbr\u003e\u003cbr\u003e Moore was born in Castleford, England in 1898, and after some brief artistic training in his early years, he volunteered for army service in the First World War. After the war, Moore resumed his sculptural practice and gained notoriety as well as prestigious teaching posts at the Royal College and the Chelsea School of Art. At the height of his career, Moore achieved widespread international recognition, with major exhibitions such as his 1946 retrospective at the Museum of Modern Art in New York and by winning the International Prize for Sculpture at the 1948 Venice Biennale. \u003cbr\u003e\u003cbr\u003e Cast circa 1945 \u003cbr\u003e\u003cbr\u003e 5 1\/2\" high x 2 1\/4\" wide x 3\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Jeffrey Coria, NYC \u0026amp; FL, acquired in 1968\u003cbr\u003e Gallery Moss, Toronto\u003cbr\u003e Private collection, acquired from the above\u003cbr\u003e Private collection, Florida\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e David Sylvester, ed., \u003cem\u003eHenry Moore Complete Sculpture 1921-48\u003c\/em\u003e, vol. 1, London, 1988, no. 223, illustration of the terracotta version p. 138","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050685952135,"sku":"32-2307","price":188500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2307_1_6a368170-4a49-4302-95c7-4fd3dbbcec1f.png?v=1780145668"},{"product_id":"mother-and-child-by-diego-rivera","title":"Mother and Child by Diego Rivera","description":"Diego Rivera\u003cbr\u003e 1886-1957 | Mexican \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMother and Child\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"Diego Rivera 1934\" (lower right)\u003cbr\u003e Tempera on plaster \u003cbr\u003e\u003cbr\u003e In this intimate masterwork, \u003cem\u003eMother and Child\u003c\/em\u003e, the great Diego Rivera illustrates all of his genius in a depiction of profound tenderness. Created after Rivera's return from the United States, this work reveals the artist at the peak of his powers. The luminous palette reflects Mexico's brilliant light and cultural vibrancy, while his masterful composition draws us into the sacred space between mother and child. \u003cbr\u003e\u003cbr\u003e Though best known for his monumental public art, Rivera uses his innovative \"portable mural\" technique here, applying it to plaster for exceptional color stability and vibrancy reminiscent of traditional fresco methods. Measuring nearly three feet high, the composition's emotional force is profound, allowing the bond between mother and child—one of Rivera's most significant motifs—to become the painting's singular focus. \u003cbr\u003e\u003cbr\u003e Most works by Rivera of this caliber already reside in prestigious institutional collections around the world, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art and the Art Institute of Chicago. Additionally, Rivera’s masterpieces have been declared national artistic monuments of Mexico since 1959, making it illegal to export them from the country. It is thus exceedingly rare to find such a monumental masterwork as this one, which has been well documented as having left Mexico in 1934 and remaining in important American and Canadian private collections ever since. \u003cbr\u003e\u003cbr\u003e Diego Rivera, born in Guanajuato City, Mexico in 1886, demonstrated an extraordinary aptitude for drawing at a young age. He embarked upon his formal art education at the Academy of San Carlos in Mexico, before relocating to Paris in 1907 to immerse himself in the rich artistic milieu of Montparnasse. It was there that he was steeped in the burgeoning movement of Cubism, and his oeuvre fully embraced the revolutionary artistic movement. His works attracted the attention of the world’s most prestigious art patrons, including Nelson Rockefeller, for whom he painted a controversial mural in 1934. Rivera frequently selected children as the primary subjects of his portraiture, casting them as symbols of hope for Mexico's bright future. The young sitters, like this mother and child, embodied the hope of the improved social climate that emerged in the aftermath of the Mexican Revolution of 1910. Through the perceptive gazes of his subjects, Rivera explores the tension between the purity of youth and the austere realities of life in rural Mexico. \u003cbr\u003e\u003cbr\u003e Dated 1934 \u003cbr\u003e\u003cbr\u003e Plaster: 30 3\/4” high x 23” wide (78.1 x 58.4 cm)\u003cbr\u003e Frame: 39 1\/8” high x 31 1\/8” wide x 3 3\/8” deep (99.4 x 79.1 x 8.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Collection of Aline Rhonie Hofheimer Brooks (1909 - 1963), New York, acquired from the artist\u003cbr\u003e Sale: New York, Parke-Bernet Galleries, Inc., Modern Paintings, Drawings, and Sculptures, Sale 2214, October 17, 1963, lot 130, p. 35, illustrated\u003cbr\u003e Collection of Abraham David Braun, Milwaukee, Wisconsin\u003cbr\u003e Sale: Palm Beach, Florida, Trosby Galleries, Inc., February 6, 1968, lot 31\u003cbr\u003e Collection of Maxwell Cummings, Canada\u003cbr\u003e By descent from the above\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Instituto Nacional de Bellas Artes, \u003cem\u003eDiego Rivera Catálogo General de Obra de Caballete\u003c\/em\u003e, Mexico, 1989, no. 1080, p. 143\u003cbr\u003e Diego Rivera and Bertram D. Wolfe, Portrait of Mexico (New York: Covici-Friede Publishers, 1937), plate 38.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44850425168007,"sku":"32-2631","price":885000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2631_1.png?v=1787671519"},{"product_id":"cafe-scene-by-gerardus-hendrik-geert-grauss","title":"Café Scene by Gerardus Hendrik Geert Grauss","description":"Gerardus Hendrik “Geert” Grauss\u003cbr\u003e 1882-1929 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eCafé Scene\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated “Grauss ’16” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A lively cabaret scene unfolds in a vibrant swirl of color, gesture and movement in \u003cem\u003eCafé Scene\u003c\/em\u003e by Gerardus Hendrik Grauss. Elegantly dressed figures gather around a crowded table, drinking, dancing and engaging in flirtatious conversation as the artist captures the excitement and intimacy of an evening spectacle. Through loose, expressive brushwork and bold flashes of yellow, red, black and white, Grauss transforms a bustling café into a celebration of nightlife and theatrical energy. \u003cbr\u003e\u003cbr\u003e The composition draws the viewer into the atmosphere of the scene, where wine bottles, goblets and oranges fill the table while figures emerge through a dynamic interplay of light and color. Grauss’s confident brushwork conveys both movement and mood, balancing the glamour of the gathering with a sense of lively spontaneity. The richly dressed figures and animated gestures capture the allure of early 20th-century café culture. \u003cbr\u003e\u003cbr\u003e Born in the Netherlands, Gerardus Hendrik “Geert” Grauss was a painter, draftsman and lithographer known for his figure compositions, genre scenes and floral still lifes. He studied at the Royal Academy of Fine Arts in Antwerp and the Royal Academy of Fine Arts in Brussels before traveling throughout the Mediterranean, including Italy and Algeria, where he continued to refine his artistic vision. A member of Arti et Amicitiae and the Sint Lucas Artists Association in Amsterdam, Geert Grauss received the Willink van Collen Prize in 1917 and later represented painting in the 1928 Amsterdam Olympic Games art competition. \u003cbr\u003e\u003cbr\u003e Dated 1916 \u003cbr\u003e\u003cbr\u003e Canvas: 29\" high x 39\" wide (73.66 × 99.06 cm)\u003cbr\u003e Frame: 39\" high x 48 3\/4\" wide x 3 3\/4\" deep (99.06 × 123.83 x 9.53 cm)\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Florida\u003cbr\u003e Private collection, London\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":45208725454983,"sku":"32-2876","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2876_1_69e56b86-a643-4c1d-9551-8a8194ac7b43.png?v=1786728288"}],"url":"https:\/\/rauantiques.com\/collections\/9-26-in-an-embrace.oembed","provider":"M.S. Rau","version":"1.0","type":"link"}