{"title":"EVENT - 2026 San Francisco Show","description":null,"products":[{"product_id":"silver-gilt-portland-vase-by-elkington-co","title":"Silver Gilt Portland Vase by Elkington \u0026 Co.","description":"This magnificent silver-gilt Portland vase was crafted by the pioneering silversmithing firm of Elkington \u0026amp; Co. The iconic classical scenes are chased upon a textured background with the utmost precision and are strikingly accurate to the original antiquity. Known primarily for their electroplate wares, sterling silver crafted by Elkington \u0026amp; Co. is a precious find, especially one of the quality and form of this Portland vase. The vase is hallmarked near the rim by Elkington \u0026amp; Co. The base is stamped “Elkington \u0026amp; Co. Ltd. 22 Regent St. London.”  \u003cbr\u003e\u003cbr\u003e The original Portland Vase, which resides in the British Museum of Art, is the most famous cameo glass vessel from Roman antiquity. In the late 18th century, Josiah Wedgwood received the vase from the Duke of Portland and began to create his famed jasper versions. According to the British Museum, the relief scene is most likely a mythological theme of love and marriage, and it is believed that the original Roman vase may have been created \nas a wedding gift.  \u003cbr\u003e\u003cbr\u003e 9 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42578025939079,"sku":"29-6403","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-6403_1.png?v=1746450326"},{"product_id":"chippendale-style-mahogany-dining-chairs","title":"Chippendale-Style Mahogany Dining Chairs","description":"This outstanding set of Chippendale-style dining chairs was created from designs by Thomas Chippendale, one of history's most celebrated artisans. A testimony to the incredible workmanship inspired by Chippendale, these chairs not only display marvelous pierced back splats and intricately carved legs, but also feature fine cushioned seats upholstered in supple leather. Fashioned from handsome mahogany, the set is comprised of 10 side chairs and two armchairs. To find an original, unbroken set of this caliber is exceptional. \u003cbr\u003e\u003cbr\u003e Very similar designs are featured in Chippendale's definitive text \u003cem\u003eThe Gentleman \u0026amp; Cabinet-Maker's Director\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1860 \u003cbr\u003e\u003cbr\u003e Armchairs: 25” wide x 20” deep x 36 1\/2” high \u003cbr\u003e Sidechairs: 22 1\/4” wide x 20” deep x 36 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42628627824775,"sku":"28-9185","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/28-9185_1_f1283807-e710-4be4-acd1-a0ce586fe558.png?v=1746566813"},{"product_id":"mechanical-desk-by-alfred-emmanuel-louis-beurdeley","title":"Mechanical Desk by Alfred Emmanuel Louis Beurdeley","description":"This superb mechanical desk by famed French \u003cem\u003eébéniste\u003c\/em\u003e Alfred Emmanuel Louis Beurdeley is both an artistic and engineering achievement. Enhanced with classical inlays featuring muses and putti engaged in the study of astronomy and the arts, this exquisite table features ornate cast gilt bronze embellishments. These range from the refined border along the top to the intricate acanthus mounts adorning the corners and friezes, as well as the laurel leaf designs on the legs and the ball feet's decorative caps. \u003cbr\u003e\u003cbr\u003e With a special turn of a key, the center panel emerges from the desk's interior, revealing the table's hidden, beautifully constructed second nature. This hidden drawer is comprised of three sections, each with its own expertly inlaid surface. With a pull of a bar located underneath, these latched sections are released. The two side sections unfold outward to reveal two large storage spaces and four small drawers with gilt bronze laurel leaf pulls. The center section rises at an angle for reading or writing. Adjustment of the bar underside locks it in place, and the velvet-lined inset holds a mirror on its reverse side. \u003cbr\u003e\u003cbr\u003e After working alongside his father for many years, Alfred Beurdeley became the successor to his family’s prosperous furniture manufacturing enterprise in 1875. The company specialized in high-quality, 18th-century revivals and his extravagant style captured the attention of wealthy Parisians eager to decorate their estates with rare and important Louis XV and Louis XIV-style furnishings. Beurdeley exhibited his works at the International Exposition of 1878, the Amsterdam Exposition of 1893, after which he was appointed Chevalier de la Légion d’Honneur and the Paris Exposition Universelle of 1889. Shortly after obtaining the prestigious honor of the Gold Medal in Paris, Beurdeley closed his shop in 1895, sold his famous collection, and spent the remainder of his life in seclusion. In the short span of 20 years, Beurdeley made an indelible mark on the history of 19th-century French furnishings, for his creations remain among the finest of the period. \u003cbr\u003e\u003cbr\u003e A similar table is featured in \u003cem\u003e19th-Century European Furniture\u003c\/em\u003e by Christopher Payne, page 54. \u003cbr\u003e\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e Closed: 42 3\/4” wide x 24 1\/2” deep x 29 3\/4” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41347119087751,"sku":"29-1724","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-1724_1_e049c3c5-9be1-463a-9f42-969658bb0686.png?v=1715329196"},{"product_id":"silver-and-copper-niello-pitcher-by-tiffany-co","title":"Silver and Copper Niello Pitcher by Tiffany \u0026 Co.","description":"This exceptional and desirable sterling silver and copper inlay pitcher is the work of the iconic Tiffany \u0026amp; Co. The intricate wave motif is a prime example of the Asian-inspired influence of Edward C. Moore, the notable head of Tiffany's silver department for over two decades. The darkened coloration of the copper is thanks to the inlay technique known as niello, where a blackened copper mixture is added as a powder or paste between the engraved silver, creating the desired contrasting effect.  \n\u003cbr\u003e\u003cbr\u003e\nBears full Tiffany \u0026amp; Co. silver marks with the date letter \"M\" for Edward C. Moore, dating this pitcher between 1869 and 1891.\n\u003cbr\u003e\u003cbr\u003e\n7\" wide x 6\" deep x 7 1\/4\" high\n\u003cbr\u003e\u003cbr\u003e\nReference:\u003cbr\u003e\n\u003cem\u003eTiffany Silver,\u003c\/em\u003e, 1978, Charles H. Carpenter, Jr. with Mary Grace Carpenter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873581891719,"sku":"30-9351","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9351_1_61f66e9b-7d62-4766-8a9d-57aaad980d9f.png?v=1770666867"},{"product_id":"fancy-yellow-diamond-ring-20-28-carats","title":"Fancy Yellow Diamond Ring, 20.28 Carats","description":"This monumental 20.28-carat natural fancy yellow diamond ranks among the rarest and most coveted of all gemstones. The rare stone is certified by the Gemological Institute of America (GIA) as natural fancy yellow, and its exceptional hue displays even color distribution that is enhanced by its modified brilliant cut. It also earns a VVS2 clarity grade, meaning its natural color is virtually unmarred to the naked eye - a rare achievement for a stone of this size. \u003cbr\u003e\u003cbr\u003e Colored diamonds are among the scarcest of all gemstones, and the designation of natural fancy is one given to only a small number of stones. For nearly every 10,000 colorless diamonds that are mined, only one natural fancy colored diamond will be discovered, and the majority of these weigh less than a carat. A natural colored diamond of such remarkable size, color, and clarity as this is a true treasure. \u003cbr\u003e\u003cbr\u003e The extraordinary stone is flanked by two trilliant-cut white diamonds of G color weighing 4.56 total carats in its platinum and 18k yellow gold setting. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_30-8564.pdf\" target=\"_blank\"\u003eDownload the GIA Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231053381767,"sku":"30-8564","price":985000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8564_1_b9041085-9282-450b-b5a7-415fb877f6c6.png?v=1758655514"},{"product_id":"colombian-emerald-ring-untreated-4-17-carats","title":"Colombian Emerald Ring, Untreated, 4.17 Carats","description":"This exceptional 4.17-carat untreated Colombian emerald embodies the extraordinary color, clarity and rarity that have made Muzo emeralds among the most coveted gemstones in the world. Displaying a rich, light-filled green hue and remarkable eye-clean clarity, the square emerald cut gemstone is accompanied by AGL and GRS reports confirming its Colombian origin and unenhanced status. No-oil emeralds of this size and quality are exceedingly rare, as almost all emeralds undergo treatment to minimize natural inclusions and enhance their appearance. Encircling the emerald are brilliant white diamonds totaling 3.27 carats, all set in platinum. \u003cbr\u003e\u003cbr\u003e Hailing from the legendary Muzo mines of Colombia, this emerald represents the pinnacle of one of the world’s most revered gemstone traditions. Celebrated alongside Burmese rubies, Kashmir sapphires and Golconda diamonds, Muzo emeralds are prized for their extraordinary color and rarity. Distinguished by its impressive spread, exceptional clarity and coveted deep green hue, this no-oil emerald is a rare example of natural beauty preserved in its purest form. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Report_30-8207.pdf\" target=\"_blank\"\u003eDownload the Reports\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40499807355015,"sku":"30-8207","price":750000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8207_1.png?v=1784733633"},{"product_id":"fancy-vivid-yellow-diamond-dragonfly-brooch","title":"Fancy Vivid Yellow Diamond Dragonfly Brooch","description":"Enveloped in a sea of 60.26 carats of fancy vivid yellow diamonds is this tour de force creation from jewelry legends Fred Leighton and Carvin French. Made for Patricia Kluge, then-wife of the billionaire founder of Metromedia John Kluge, this monumental brooch is crafted \u003cem\u003een tremblant\u003c\/em\u003e, allowing the dragonfly to flutter with the movements of the wearer. Rubies totaling 5.40 carats punctuate the eyes and torso of this awe-inspiring brooch.  \u003cbr\u003e\u003cbr\u003e While it is quite difficult to gather and match over 20 carats of yellow diamonds, 60 carats of matching stones is nearly impossible. Even more impressive is that these diamonds bear the most desired and valued color grade: vivid, which is given to the small number of colored diamonds that display the very best color saturation.  \u003cbr\u003e\u003cbr\u003e Signed “Fred Leighton”  \u003cbr\u003e\u003cbr\u003e 4 1\/4\" length x 6 1\/2\" wide \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43423522881671,"sku":"30-7565","price":985000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7565_1_cd81fc4e-21c2-4f2a-81c9-221302fa4156.png?v=1764574635"},{"product_id":"flare-gun-cane-1","title":"Flare Gun Cane","description":"This very rare and intriguing cane has the ability to launch rocket flares high into the air with a flick of the lever. An ebonized wood shaft and brass knob handle add a handsome touch to this system cane. \u003cbr\u003e\u003cbr\u003e 19th Century \u003cbr\u003e\u003cbr\u003e 34 7\/8\" length ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874717532295,"sku":"30-1689","price":4450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1689_1_7a54378c-4ed3-4198-b5ca-3c422c578784.png?v=1772358718"},{"product_id":"albatross-cameo-glass-perfume-by-thomas-webb-sons","title":"Albatross Cameo Glass Perfume by Thomas Webb \u0026 Sons","description":"This exceptionally rare cameo glass perfume bottle by Thomas Webb \u0026amp; Sons takes the form of an albatross. The upper layer of opal glass is expertly carved to reveal the brilliant yellow glass beneath, lending the bottle an impressive amount of depth and detail. Each feather is intricately rendered, bringing life to the avian masterpiece. \u003cbr\u003e\u003cbr\u003e A silver gilt cap by the Parisian silversmith Gustave Keller seals the bottle; it is cleverly decorated with a band of birds, while a locking hinge mechanism keeps the contents secure. The perfume bottle comes complete with its original Keller retail case. \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Bottle: 7\" length x 1 5\/8\" deep x 1 1\/2\" high\u003cbr\u003e Case: 8 1\/8\" length x 2 5\/8\" deep x 2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43897093488775,"sku":"31-1575","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1575_1_84db58c1-2c09-42dd-8622-eddd91480ef6.png?v=1784056817"},{"product_id":"paul-storr-silver-tea-urn","title":"Paul Storr Silver Tea Urn","description":"This extraordinarily rare and masterfully crafted tea urn is by the hand of the master Georgian silversmith Paul Storr. Created by Storr while working for Rundell, Bridge and Rundell, Jewelers and Goldsmiths to the King, this magnificent piece truly represents the sophisticated style of the renowned firm and the enormous talents of Paul Storr. Applied and engraved decoration envelop this masterpiece equipped with a carved handle, lion's head spigot and spectacular lion's paw supports. The piece bears the arms of the Neave Baronetcy and those of Digby, for Sir Thomas Neave and his wife Frances Caroline, daughter of the Hon. William Digby, the Dean of Durham. \u003cbr\u003e\u003cbr\u003e Though he held no formal title, Storr enjoyed patronage from the most important and powerful figures of the period, including King George III and the Prince of Wales, the future King George IV. His first major work was a gold font commissioned by the Duke of Portland in 1797, and in 1799 he created the “Battle of the Nile Cup” for Lord Nelson. Many of Storr’s successes were partly due to the influence of Philip Rundell, of the popular silver retailing firm of Rundell, Bridge, and Rundell. Rundell’s firm nearly monopolized the early 19th-century market for superior silver, having obtained the Royal Warrant in 1806. A shrewd businessman, Rundell recognized the unique talents of Paul Storr and began pursuing him in 1803, but it wasn’t until after declining many offers that Storr finally joined the firm in 1806. Due to his remarkable talent, Storr was allowed to retain his own mark while working for Rundell. \u003cbr\u003e\u003cbr\u003e Without question, Paul Storr is considered among history's finest smiths and he is known for perfecting the works, styles, and designs of the Regency period. His legacy is an extraordinary body of work of superior craftsmanship and quality that has seldom been seen since. Today works by this amazing smith are highly regarded and collected by museums and silver connoisseurs from around the world, though pieces are increasingly scarce.  \u003cbr\u003e\u003cbr\u003e Hallmarked London, 1809 \u003cbr\u003e\u003cbr\u003e 17 1\/2\" wide x 16\" deep x 16\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40499739459719,"sku":"30-6179","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/30-6179_1_7376999f-7ed7-440f-a893-9fc289843286.png?v=1699778613"},{"product_id":"enamel-swan-vase-by-camille-faure-and-alexandre-marty","title":"Enamel Swan Vase by Camille Fauré and Alexandre Marty","description":"A pair of graceful swans adorn the form of this vibrant vase by the great Camille Fauré. The French enamel artist is best known for his highly sculptural creations that layer enamel atop a copper base form. The result is a luminosity and brilliance of color that set them apart from other decorative vases of the period. He created the present example in collaboration with the artist Alexandre Marty, who, along with his daughter Henriette, worked with Fauré between 1919 and 1925. Together, they developed new enamel production methods that involved both flamed and frosted enamels. Today, those works signed by both artisans are highly prized. \u003cbr\u003e\u003cbr\u003e Signed \"Fauré. Marty. Limoges\" \u003cbr\u003e\u003cbr\u003e Circa 1920 \u003cbr\u003e\u003cbr\u003e 5\" diameter x 8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873793802375,"sku":"31-3427","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3427_1.png?v=1770672553"},{"product_id":"temple-of-vespasian-and-titus-roman-micromosaic","title":"Temple of Vespasian and Titus Roman Micromosaic","description":"The ruins of the ancient Roman Temple of Vespasian and Titus are the subject of this Italian micromosaic. Crafted in intricate detail, the scene is composed of thousands of tiny glass tiles that have been painstakingly chosen and placed to create a painting-like effect. A bucolic landscape surrounds the ruins, lending a sense of romance to the scene that is further enhanced by the presence of a mother and child seated near the temple's columns. It is an extraordinary example of this ancient art form that experienced a surge in popularity in the 18th and 19th centuries. \u003cbr\u003e\u003cbr\u003e Vespasian was the Roman Emperor from 69 AD to 79 AD and the founder of the Flavian dynasty, which ruled the empire for 25 years. This temple was constructed to honor Vespasian and his older son and successor Titus (ruled 79-81 AD); it was completed by Titus’ brother, Domitian, around 87 AD. Titus and Vespasian were each deified through the ceremony of apotheosis. Thus, tradition dictated that they be honored by Roman citizens and subjects as Roman deities. This imperial worship was as much a sign of allegiance to the emperor of Rome as it was a formal religion. \u003cbr\u003e\u003cbr\u003e The temple suffered significant damage during medieval times, particularly circa 1300 under Pope Boniface VIII and in Pope Nicholas V's remodeling of the Forum. All that survives today is the podium's core, parts of the inner chamber, and the three Corinthian columns depicted in this classic micromosaic. The architrave surmounting the capitals displays the last few letters of an inscription, [R]ESTITVER[UNT] (meaning \"they restored\"), commemorating the restoration of the temple by Septimius Severus and his son, Caracalla, around 200 AD.  \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Micromosaic: 10 1\/2\" high x 12 5\/8\" wide\u003cbr\u003e Frame: 12 1\/2\" high x 14 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873807597703,"sku":"31-3659","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3659_1.png?v=1770672650"},{"product_id":"a-pompeian-lady-by-john-william-godward","title":"A Pompeian Lady by John William Godward","description":"John William Godward\u003cbr\u003e 1861-1922 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eA Pompeian Lady\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"J.W. Godward 1904\" (lower right, partially covered by frame)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled \u003cem\u003eA Pompeian Lady\u003c\/em\u003e, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. \u003cbr\u003e\u003cbr\u003e Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pelt. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. \u003cbr\u003e\u003cbr\u003e Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops, was a direct reflection of this pervasive view. \u003cbr\u003e\u003cbr\u003e Godward debuted at London’s Royal Academy exhibition in 1887 at the age of only 26. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton and Sir Edward John Poynter, Godward quickly adopted, if not rivaled, their style. He envisioned similar scenes of the ancient world, seamlessly blending antiquity and beauty in breathtaking compositions and attracting fans across Europe. In 1889, he was elected to the Royal Society of British Artists, and, ten years later, Godward debuted at the Paris Salon, where again he was heaped with critical praise. However, the 20th century brought rapid artistic change, and he was faced with the painful reality that the classical world he loved was being overshadowed by modern art movements. His devotion to the classics never waned, and he moved to Rome in 1912 to surround himself with the physical remnants of the classical world, where he stayed for the major part of his remaining career. \u003cbr\u003e\u003cbr\u003e Dated 1904 \u003cbr\u003e\u003cbr\u003e Canvas: 25“ diameter (63.5 cm)\u003cbr\u003e Frame: 45 3\/4” high x 44 3\/8” wide (116.21 x 112.71 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-3739.pdf%20target=\" new\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Thomas McLean, art dealer, London, 1904\u003cbr\u003e Purchased by Sir Alfred Bird, Tudor Grange Solihull\u003cbr\u003e Cooling Galleries, London and Toronto, Canada\u003cbr\u003e The collection of Maurice and Louella Brown, Toronto and Calgary, Canada\u003cbr\u003e By descent to Keith C. Brown and L. Joan Brown, Calgary, Alberta, 1982\u003cbr\u003e Hodgin’s Art Auctions, Calgary\u003cbr\u003e Fred and Sherry Ross, New Vernon, New Jersey\u003cbr\u003e Sotheby’s, New York\u003cbr\u003e Private collection, New Orleans\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e J.W. Godward: The Eclipse of Classicism, 2018, Vern Swanson, page 290, no.12 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Thomas McLean Gallery, London, 1904","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050790613127,"sku":"31-3739","price":1250000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3739_1_96367abf-d12d-4f22-9c18-fc2d4b326df3.png?v=1774967315"},{"product_id":"french-dueling-pistols-by-deboubert","title":"French Dueling Pistols by Deboubert","description":"This handsome pair of .45-caliber percussion cap pistols, complete in their original case, was crafted by Deboubert of Paris. The octagonal muzzles are rifled with eight grooves, giving an accurate and lethal edge to these genteel weapons. Positioned in their fitted, velvet-lined case and with their accompanying accessories, these pistols are of exceptional quality and condition. Accouterments housed in the case include a mallet, cap box, ball box, cleaning rods, screw drive\/nipple wrench, flask and bullet mold. The mechanism on each pistol is engraved “DEBOUBERT A PARIS.” \u003cbr\u003e\u003cbr\u003e In the 1770s, gunsmiths, chiefly in England and France, began to produce purpose-built dueling pistols. These were usually made as \"cased pairs\" with two identical pistols in a box with powder flasks, bullet molds and other accessories. Many pistols were made with the flintlock mechanism, but this system had some deficiencies, including a vulnerability to weather and a significant delay between the trigger pull and actual firing of the gun. By 1815, gunsmiths were switching to the percussion-cap system, which proved to be much more reliable and less prone to misfire. \u003cbr\u003e\u003cbr\u003e Dueling was a privilege of the upper class. Gentlemen were expected to defend their honor and duels were conducted with exquisite politeness. Dueling developed in southern France during the Renaissance and flourished in Europe and North America in the 18th century. In the mid-1700s, the traditional dueling weapon, the sword, fell out of fashion in favor of the pistol. There were detailed guidelines for the conducting of duels, the most notable being the Rules and Articles of War, which governed not only how countries would interact when in conflict, but also an officer's behavior. Not behaving as a gentleman meant a loss of social standing. \u003cbr\u003e\u003cbr\u003e Circa 1830 \u003cbr\u003e\u003cbr\u003e Pistols: 16” length\u003cbr\u003e Case: 18 7\/8” wide x 10 1\/2” deep x 3 1\/8” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40499747913863,"sku":"30-3923","price":39850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/30-3923_1_66ce5276-e553-4f0d-80a4-39726f14ab3c.png?v=1702369096"},{"product_id":"graduated-ethiopian-opal-necklace-436-00-carats","title":"Graduated Ethiopian Opal Necklace, 436.00 Carats","description":"Thirty-three monumental Ethiopian opal beads totaling approximately 436.00 carats comprise this mesmerizing necklace. The graduated gems are not only impressive in size, but each exhibits a high level of translucence and extraordinary play of color. Opals are not cut into beads often, as they are usually found in thin layers; deposits that are large enough to be shaped into a bead are extremely rare. Therefore, 33 matching beads of this size and exceptional quality are almost never found. \u003cbr\u003e\u003cbr\u003e The mining of Ethiopian opals only began relatively recently in the 1990s. In this region, the stones are generally found beneath a 3-meter layer of welded volcanic ash. Though plentiful, most opals found are quite dull; only about 1% of these nodules contain any color at all, let alone the striking rainbow of hues that these beads exhibit. \u003cbr\u003e\u003cbr\u003e The gems are set with emerald beads totaling approximately 28.00 carats and black onyx roundels. \u003cbr\u003e\u003cbr\u003e 24\" length \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316890304647,"sku":"31-4143","price":188500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4143_1_0489a7b9-1452-4fe4-b3fb-687faa8e6cd2.png?v=1791998397"},{"product_id":"victorian-colombian-emerald-bracelet","title":"Victorian Colombian Emerald Bracelet","description":"A trio of untreated Colombian emeralds totaling 5.88 carats is set in this exceptionally rare Victorian-period bracelet. The gemstones are certified by the American Gemological Laboratories as being both Colombian in origin and untreated, meaning no oil has been used to improve their clarity. The coveted gemstones are set in 18K yellow gold with diamonds totaling approximately 8.50 carats. \u003cbr\u003e\u003cbr\u003e Victorian jewelry reflects the romance, richness and craftsmanship of the 19th century, an era defined by Queen Victoria’s long reign and her enduring influence on fashion and design. Jewels from this period often feature bold goldwork, intricate engraving, symbolic motifs and richly colored gemstones, combining sentiment with remarkable artistry. This bracelet is a striking example of this highly collectible style, uniting the grandeur of Victorian design with the exceptional rarity of untreated Colombian emeralds. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-4456.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231063343239,"sku":"31-4456","price":360000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4456_1.png?v=1791300094"},{"product_id":"regency-style-mahogany-leather-topped-table","title":"Regency-Style Mahogany Leather-Topped Table","description":"Crafted of rich mahogany, this library table displays all of the sophistication Regency-era furnishings are known for. This table features a straightforward design with beautifully carved details on the legs and frieze. A tooled and gilded red leather surface tops the desk, and lockable drawers with brass pulls provide storage for one's confidential documents. \u003cbr\u003e\u003cbr\u003e 42\" wide x 42\" deep x 31 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238164734087,"sku":"30-7867","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7867_1.png?v=1717921563"},{"product_id":"tiffany-co-peridot-pendant-brooch","title":"Tiffany \u0026 Co. Peridot Pendant Brooch","description":"This early 20th-century pendant by Tiffany \u0026amp; Co. features a mesmerizing emerald-cut peridot weighing 5.50 carats embellished with 120 Old European-cut diamonds totaling 3.75 carats. The elegant pendant also features two lustrous pearls set in 18K gold and platinum. Embodying Belle Époque beauty and romance, this stunning piece also doubles an elegant brooch for a variety of styling options. \u003cbr\u003e\u003cbr\u003e Circa 1900 \u003cbr\u003e\u003cbr\u003e Marked \"Tiffany \u0026amp; Co.\" \u003cbr\u003e\u003cbr\u003e 1 4\/5\" wide x 1 3\/4\" length \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44505450872967,"sku":"31-4878","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4878_1_72123d1f-1f1b-41cf-8614-9c7f75ffb040.png?v=1784560944"},{"product_id":"brazilian-alexandrite-ring-6-67-carats","title":"Brazilian Alexandrite Ring, 6.67 Carats","description":"The 6.67-carat Brazilian alexandrite at the center of this ring possesses the remarkable ability to change color. Unlike their Russian counterparts that change from green to red, those alexandrites that hail from the mines of Brazil display a stunning bluish-green hue under white light and change to a rich, deep purple when viewed under incandescent light. This brilliant-cut example is certified by the Gemological Institute of America as being a natural alexandrite of Brazilian origin. It is beautifully set in platinum with 2.21 total carats of diamonds. \u003cbr\u003e\u003cbr\u003e While the alexandrite was first discovered in the Ural Mountains of Russia in the 1800s, many of the finest examples of these stones have been found in Brazil. For example, the 17.08-carat stone known as the Whitney alexandrite can be found in the Smithsonian Museum of Natural History, having been gifted to the National Gem Collection by Carolyn Wright Whitney. Like the present stone, the Whitney alexandrite changes from bluish-green in daylight and fluorescent light to an intense purple in incandescent light. In terms of both rarity and originality, these Brazilian alexandrites outrank nearly every other gemstone known. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-5280.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231071010951,"sku":"31-5280","price":685000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5280_1_3836810f-95ec-4e1a-a707-388b7ce2107a.png?v=1758656145"},{"product_id":"buste-dhomme-barbu-by-pablo-picasso","title":"Buste d'homme barbu by Pablo Picasso","description":"Pablo Picasso\u003cbr\u003e 1881-1973 | Spanish \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBuste d'homme barbu\u003cbr\u003e (Bust of a Bearded Man)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Picasso\" (upper right) and dated \"8.4.65\" (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Pablo Picasso and his work transcend art history: they have achieved global celebrity within both academic circles and popular culture. More than any other artist, his ever-evolving, evocative style has come to define modern art of the 20th century, and to this day he continues to gain recognition. The most compelling of his works offer a glimpse into the psyche of the master himself, and the present work can be counted among these. Combining saturated color with a jarring simplicity, \u003cem\u003eBuste d'homme barbu\u003c\/em\u003e represents an important series of bearded men portraits that the artist composed during the last few years of his life. These works are among the most highly personal and intimate of his career, and they serve as remarkable examples of his mature style with their highly modern expressivity. \u003cbr\u003e\u003cbr\u003e Many of Picasso's works from his last years capture the visage of his wife Jacqueline, who was his chief model during this period. In April, however, at his home studio in Mougins, France, Picasso changed direction and produced a series of individual portraits of men. His male subjects derive from various sources. Often they were self-referential portraits; often they referenced his father, Spanish painter José Ruiz y Blasco. Picasso once said, \"Every time I draw a man, I find myself thinking of my father… To me a man means 'Don José,' and it will always be so, all my life… He wore a beard… All the men I draw I see more or less with his features.\" \u003cbr\u003e\u003cbr\u003e While his father’s dark mustache and beard are clearly distinguished in \u003cem\u003eBuste d'homme barbu\u003c\/em\u003e, Picasso's portraits of men from the mid-1960s served more as composite, archetypal figures representing vitality and virility. Although he would live eight more years after this work was created in April of 1965, at the age of 84, Picasso was preoccupied with thoughts of aging and mortality. He was suffering from an ulcer that would require surgery later that year. He seemed to combat these thoughts with a burst of youthful, creative energy, and the mid-1960s witnessed an outpouring of productivity from Picasso, with his subjects such as this displaying that same vitality. \u003cbr\u003e\u003cbr\u003e Highly modern and expressionistic, this painting explores an extreme simplification of form, breaking the figure down to its basic essentials. Remarkably, though, Picasso still managed to capture the most expressive features of his subjects in just a few choice brushstrokes. His male portraits from this period employ a particular set of facial traits delineated with decisive swoops of color to suggest a nose or a cheekbone, built up upon fields of white paint. Composed with a highly simplified palette and sparsity of line, \u003cem\u003eBuste d'homme barbu\u003c\/em\u003e successfully evokes a striking sense of vigor. This character is also endowed with a powerful, hypnotic gaze, the \u003cem\u003emirada fuerte\u003c\/em\u003e, that Picasso included in many of his portraits. These wide eyes allude both to ancient portraiture and to the artist himself, who was known personally for his strong gaze, an indication that he has projected himself onto the figure. \u003cbr\u003e\u003cbr\u003e Born in 1881 in Málaga, Spain, Picasso spent his childhood studying drawing and painting under his father, Jose Ruíz, who taught at the local art school. Picasso spent a year at the Academy of Arts in Madrid, before traveling to Paris in 1900. Landing in the center of the European art world, Picasso began to mingle in the company of other artists, quickly establishing himself as a critical figure in the thriving Parisian art scene. Critics have often divided Picasso’s artistic output into distinct phases based on his color scheme and style of painting. It was around 1907 that Picasso became very influenced by African masks and art which began making their way into Parisian museums following the expansion of the French Empire into Africa. The faces and simplified, angular planes of the women in Picasso’s \u003cem\u003eLes Demoiselles d’Avignon\u003c\/em\u003e clearly derive their style from African masks and sculptures, and this painting is often heralded as the beginning of Cubism. Pushing the boundaries of his own creativity throughout his long career, Picasso devoted himself to artistic production. The result was one of the richest and most important oeuvres in art history. \u003cbr\u003e\u003cbr\u003e Other examples of late portraits by Picasso reside in important museums worldwide such as the Metropolitan Museum of Art, the Museé Picasso in Paris and the Museu Picasso in Barcelona. \u003cbr\u003e\u003cbr\u003e Dated 1965 \u003cbr\u003e\u003cbr\u003e Canvas: 31 1\/2\" high x 25 1\/2\" wide (83.82 x 68.90 cm)\u003cbr\u003e Frame: 33\" high x 27 1\/8\" wide (80.01 x 64.77 cm)  \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-5479.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galerie Louise Leiris, Paris\u003cbr\u003e Private collection\u003cbr\u003e Christie’s New York, November 14, 1990, Impressionist and modern paintings, and sculpture (part 1), lot 47\u003cbr\u003e Private collection\u003cbr\u003e Christie’s New York, May 13, 1998, 20th Century Art, lot 238\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \u003cem\u003ePablo Picasso\u003c\/em\u003e, Volume 25, 1971, by C. Zervos, p. 57, no. 101 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44310043066503,"sku":"31-5479","price":7950000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5479_1_868e6025-6577-4332-9b57-9eea547e4e7d.png?v=1793301558"},{"product_id":"fancy-vivid-yellow-diamond-mesh-bracelet-28-40-carats","title":"Fancy Vivid Yellow Diamond Mesh Bracelet, 28.40 Carats","description":"This exquisite bracelet includes an array of beautifully matched fancy vivid yellow diamonds totaling 28.40 carats. The sunny yellow diamonds are bordered by 7.43 carats of white diamonds. These brilliant jewels are meticulously fit together within a highly flexible mesh-like setting, allowing the bracelet to flow gracefully around the wrist. The work of a highly skilled jeweler, this bracelet moves with the wearer, reflecting an abundance of light with every step. Fancy vivid yellow diamonds are extremely rare and only a tiny fraction of all gem-quality diamonds in the world possess the richness of color to bear this exclusive color grade. Set in 18K yellow and white gold. \u003cbr\u003e\u003cbr\u003e 7\" length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44263397851271,"sku":"31-5604","price":348500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5604_1_0bd8d6b0-9f92-4c32-9dbb-75a52335e128.png?v=1784316333"},{"product_id":"orange-ceylon-sapphire-ring-38-07-carats","title":"Orange Ceylon Sapphire Ring, 38.07 Carats","description":"This classic ring centers a fancy orange Ceylon sapphire, one of the rarest of all fancy colored sapphires. Weighing a monumental 38.07 carats, the octagonal step cut jewel displays a vibrant orange hue and is graded by the Gemological Institute of America (GIA) as Ceylon in origin. The rare stone is set in 18K white gold with a halo of white diamonds totaling approximately 12.00 carats. \u003cbr\u003e\u003cbr\u003e Orange sapphires are among the most unique and highly prized of all colored sapphires, particularly those that exhibit such vivid, highly saturated color as the present example \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-5779.pdf\" target=\"_blank\"\u003eDownload the Report\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874141864071,"sku":"31-5779","price":268500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5779_1_c8fa573e-1ad8-42ca-80e0-a6082d4ec676.png?v=1772354800"},{"product_id":"camille-faure-enamel-flora-vase","title":"Camille Fauré Enamel Flora Vase","description":"A cascade of pink blooms sit against an ombre ground in this enameled vase by Camille Fauré. Executed using his signature technique, the vase's copper form is covered in the silver leaf and richly colored enamel that give Fauré's pieces their unique luster. One of the most celebrated enamelers of the Art Deco era, Camille Fauré was among the most innovative designers of his age. Today, his coveted vases can be found in museum collections around the world, including the Victoria and Albert Museum (London) and the Corning Museum of Glass (New York). This example embodies his highly unique style. \u003cbr\u003e\u003cbr\u003e This vase is pictured in Alberto Shayo's book \u003cem\u003eCamille Fauré Limoges Art Deco Enamels: The Geometry of Joy\u003c\/em\u003e, page 86. \u003cbr\u003e\u003cbr\u003e Marked \"C. Fauré \/ Limoges\" \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e 4 5\/8\" diameter x 6 1\/8” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44527739076743,"sku":"31-6174","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6174_1_7ef362fe-2c49-4de4-9395-c36b787f9387.png?v=1777556103"},{"product_id":"camille-faure-enamel-chrysanthemum-vase","title":"Camille Fauré Enamel Chrysanthemum Vase","description":"Delicate orange chrysanthemum flowers bloom in this enameled vase by Camille Fauré. Executed using his signature technique, the vase's copper form is covered in silver leaf and richly colored enamel that give Fauré's pieces their unique luster. A celebrated enameler of the Art Deco era, Camille Fauré was among the most innovative designers of his age. Today, his coveted vases can be found in museum collections around the world, including the Victoria and Albert Museum (London) and the Corning Museum of Glass (New York). This example embodies his highly unique style. \u003cbr\u003e\u003cbr\u003e This vase is pictured in Alberto Shayo's book \u003cem\u003eCamille Fauré Limoges Art Deco Enamels: The Geometry of Joy\u003c\/em\u003e, page 85. \u003cbr\u003e\u003cbr\u003e Marked \"C. Fauré \/ Limoges \/ France\" \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e 5 7\/8\" diameter x 11” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874188099719,"sku":"31-6202","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6202_1_bbc0702f-e89b-463b-a12c-6847e7119849.png?v=1772355088"},{"product_id":"blue-pink-canterbury-bell-vase-with-cover-by-camille-faure","title":"Blue \u0026 Pink Canterbury Bell Vase with Cover by Camille Fauré","description":"Delicate pink flowers seem to burst forth from this blue Limoges enameled vase by Camille Fauré, decorated with vibrant Canterbury Bell motifs. Layers upon layers of brightly hued enamel with expertly etched lines were applied to a copper vase form to create Fauré's signature raised design, resulting in both visual and tactile beauty. Heralding a revolution in the decorative arts, this vase exemplifies the innovative importance of this renowned firm. \u003cbr\u003e\u003cbr\u003e A celebrated enameler of the Art Deco era, Camille Fauré was among the most innovative designers of his age. Today, his coveted vases can be found in museum collections around the world, including the Victoria and Albert Museum in London and the Corning Museum of Glass in New York. This example embodies his highly unique style. \u003cbr\u003e\u003cbr\u003e Signed \"C. Fauré \/ Limoges \/ Made in France\" \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e 7 1\/8\" diameter x 13 1\/2” high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43894005563527,"sku":"31-6203","price":29850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6203_1_5a234d51-fb80-42ad-a366-9d68eeac21de.png?v=1774943057"},{"product_id":"fancy-deep-blue-diamond-ring-1-50-carats","title":"Fancy Deep Blue Diamond Ring, 1.50 Carats","description":"An exceptional marvel of nature reminiscent of the Hope Diamond, this beautiful and highly rare fancy deep blue diamond is certified by the Gemological Institute of America as Internally Flawless. Fancy colored diamonds are extremely rare natural specimens, and the different colors are the result of the presence of various elements during the diamond's formation. Blue, which connotes the presence of Boron, is among the rarest of these coveted diamonds. Colored diamonds over one carat are almost never found, and often they exhibit color zoning. At 1.50 carats, this fancy deep blue diamond with perfectly even color distribution is simply unparalleled. Like the famed Hope Diamond, this gem exhibits red phosphorescence, a rare optical phenomenon caused by boron and nitrogen interacting within the diamond’s structure, producing a striking red glow under UV light. \u003cbr\u003e\u003cbr\u003e The beauty of this oval brilliant-cut deep blue diamond is multiplied by the two fancy vivid purplish pink diamonds that flank either side of the central diamond. Totaling 0.59 carats, the quality of these pear-shaped diamonds is certified by the GIA. While one fancy colored diamond is a coveted rarity, setting three in a single ring is truly exceptional. Set in platinum and 18K rose gold. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Report_31-6682.pdf\" target=\"_blank\"\u003eDownload the Reports\u003c\/a\u003e \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43566328709255,"sku":"31-6682","price":1785000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6682_1_00ae1afa-ffbf-4ded-af1d-2f6c0343a745.png?v=1793106802"},{"product_id":"ruby-ring-6-67-carats","title":"Ruby Ring, 6.67 Carats","description":"Displaying the striking crimson hue for which the stones are so beloved, the ruby at the center of this ring weighs a remarkable 6.66 carats. The gemstone is certified by Gübelin as originating in the Didy Mines of Madagascar, the site of exceptional ruby discoveries in recent decades. Further, the ruby is certified as completely natural, with no heat treatments to enhance its bold color. Further accented by 1.31 carats of glittering white diamonds, the cushion-shaped ruby shines in its platinum settings. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-5757.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672938545287,"sku":"31-5757","price":498500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5757_1_71e1eacc-8ce5-4371-84a1-cde549b78356.png?v=1791480015"},{"product_id":"ancient-roman-medusa-intaglio-earrings","title":"Ancient Roman Medusa Intaglio Earrings","description":"Displaying two carved Medusa gemstones over 1800 years old, these dangle earrings are exceptional examples of the ancient Roman intaglio technique. Paired with a 19th-century gold setting and accented by two additional Victorian cameos, these one-of-a-kind, museum-quality intaglio earrings remain a prized discovery, as coveted today as it would have been at their creation. \u003cbr\u003e\u003cbr\u003e The art of intaglio, also known as gem carving, dates to as early as the 14th century B.C.E. and was practiced by ancient civilizations in Mesopotamia, Assyria, Phoenicia, and later in Greece and Rome. In fact, the gemstone intaglio was one of the most popular jewelry designs in ancient Rome, as Roman men of social standing commonly wore intaglio rings in order to mark wax seals. \u003cbr\u003e\u003cbr\u003e Set in 22K gold \u003cbr\u003e\u003cbr\u003e 2“ length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44568994152583,"sku":"31-6616","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6616_1.png?v=1778116888"},{"product_id":"faberge-red-guilloche-enamel-cane","title":"Fabergé Red Guilloché Enamel Cane","description":"This elegant walking stick is topped by an exquisite Fabergé handle enveloped in crimson red guilloché enamel and yellow gold mounts. Crafted with undeniable charm and taste during the iconic tenure of Carl Fabergé, this luminescent handle is emblematic of Fabergé's most spectacular work. Topped with a beautiful peridot and lined with delicate bands of pearls, the cane demonstrates the pinnacle of refinement. \u003cbr\u003e\u003cbr\u003e The House of Fabergé was founded in 1842 in Saint Petersburg, Russia, by Gustav Faberge. In 1872, Peter Carl Fabergé took over his father's small jewelry atelier and transformed it into the world's largest decorative arts enterprise of its kind. The firm built a devoted clientele, including members of the Romanov Imperial family, for whom they crafted their most precious pieces and the firm’s celebrated Easter eggs. In 1917, the Russian Revolution brought an end to the Romanov dynasty, the exile of Peter Carl Fabergé to Switzerland and a definitive halt to the original House of Fabergé. In the wake of the Revolution, many Fabergé treasures were lost or destroyed. This walking stick is exemplary of the high-quality, luxury creations of the firm that remain prized by collectors. \u003cbr\u003e\u003cbr\u003e Further marked by prestigious provenance, this cane hails from the renowned collection of William Kazan and is pictured in his book \u003cem\u003eObjets de vertu par Fabergé\u003c\/em\u003e, 1996, page 209. \u003cbr\u003e\u003cbr\u003e Circa 1890 \u003cbr\u003e\u003cbr\u003e 37 3\/8\" length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874418524295,"sku":"31-7011","price":38850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7011_1.png?v=1772353682"},{"product_id":"ancient-greek-dionysus-cameo-ring","title":"Ancient Greek Dionysus Cameo Ring","description":"This exceptionally rare and large ancient Greek sardonyx cameo dates to the late Hellenistic period, and features a carving of Dionysus, the god of wine and festivities. According to mythology, Dionysus is the son of Zeus and Semele. Associated with fertility, ecstasy, art and literature, the Dionysian festivals of ancient Greece included performances of tragedy and comedy. Though in early Greek art he was frequently depicted as a bearded man, his likeness on this ring is more consistent with later interpretations of the god, where he is youthful, virile and effeminate. \u003cbr\u003e\u003cbr\u003e Circa 1st century BCE \u003cbr\u003e\u003cbr\u003e Set in 14K yellow gold","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44568995397767,"sku":"31-7016","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7016_1_88391b84-b6d5-4c43-8679-e3b6766f7132.png?v=1778116897"},{"product_id":"cartier-playing-card-brooches-and-gold-cuff","title":"Cartier Playing Card Brooches and Gold Cuff","description":"Exuding the decadence of a bygone era, this pair of playing card clip brooches hail from the revered French jeweler Cartier. Each pin is crafted of red, white, blue and black enamel to form the iconic designs of the Queen and King of Hearts, and the duo's crowns are encrusted with glittering accent diamonds. The retro set is further elevated by a gold bangle, allowing for a multitude of styling options. For over two centuries, playing cards have been perhaps the most popular societal pastime, and this lovely set of brooches would have been a glamorous addition to any well-appointed ensemble.  \u003cbr\u003e\u003cbr\u003e Synonymous with luxury and refinement, Cartier has remained one of the most famous purveyors of jewelry and \u003cem\u003eobjets d'art\u003c\/em\u003e for over 100 years. Items like these brooches showcase the breadth of the firm's creativity and its aptitude for combining the finest jewels with Cartier's renowned artistry. \u003cbr\u003e\u003cbr\u003e Circa 1938 \u003cbr\u003e\u003cbr\u003e Set in 14K gold \u003cbr\u003e\u003cbr\u003e Signed \"Cartier Paris\"\u003cbr\u003e Stamped \"MADE IN FRANCE\" \u003cbr\u003e\u003cbr\u003e Brooch: 1 1\/2\" length\u003cbr\u003e Cuff: 6 3\/4\" length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874406695047,"sku":"31-6915","price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6915_1.png?v=1772353578"},{"product_id":"fancy-vivid-yellow-and-white-diamond-bypass-ring-1","title":"Fancy Vivid Yellow and White Diamond Bypass Ring","description":"Forming an elegant bypass design, a 3.58-carat yellow diamond and a 3.03-carat white diamond find harmony in this ring. Both emerald-cut stones are certified by the Gemological Institute of America as displaying very good polish and symmetry, and the yellow diamond is certified as natural fancy vivid yellow — the highest color grade in the realm of fancy colored diamonds. It showcases even color distribution and a VS1 clarity grade, while the white diamond exhibits desirable G color and VVS1 clarity. Joined by 126 melee diamonds totaling 3.40 carats, the diamonds shine in their platinum setting. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-7139.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231100600455,"sku":"31-7139","price":398500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7139_1_da060c42-a660-4036-b715-f04e647b7c33.png?v=1758655555"},{"product_id":"art-deco-trombone-cocktail-shaker","title":"Art Deco Trombone Cocktail Shaker","description":"Charming and whimsical, this Art Deco silver-plated cocktail shaker takes the form of a stylized slide trombone. In the glamorous \"Roaring Twenties,\" new musical styles including jazz, blues and ragtime were reaching grand heights of popularity. Instruments like the trombone were an essential part of the upbeat and syncopated rhythms that kept the nightclubs of the era dancing. \u003cbr\u003e\u003cbr\u003e Originally manufactured by Napier, USA for Alfred Dunhill of London, the shaker's cover and fitted pump are analogous to the trombone's \"mouthpiece,\" while its spout forms the slide. Pumping the mouthpiece allows the cocktail to be mixed thoroughly, while the swiveling slide dispenses the perfect pour. \u003cbr\u003e\u003cbr\u003e Circa 1925 \u003cbr\u003e\u003cbr\u003e Stamped \"NAPIER \/ PAT.PEND.\" and \"DUNHILL, LONDON\" on base \u003cbr\u003e\u003cbr\u003e 15 1\/4\" high x 4 3\/8\" diameter","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874249244807,"sku":"31-6558","price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6558_1_f9d6fd12-4e05-4d6e-b63e-49e3ab2ca290.png?v=1772352328"},{"product_id":"boucheron-untreated-burma-sapphire-ring-7-11-carats","title":"Boucheron Untreated Burma Sapphire Ring, 7.11 Carats","description":"An exceptional 7.11-carat royal blue sapphire forms the focal point of this ring. The gemstone is certified by Gübelin as hailing from Burma and being completely untreated, with no gemological evidence of heat treatments to enhance the stone's hue. The brilliant-cut sapphire is flanked by approximately 5.80 carats of white diamonds and is set in a classic 18K yellow gold setting. \u003cbr\u003e\u003cbr\u003e For centuries, Burma has been associated with the world's finest sapphires and its history is rich with intrigue. Burma was a bountiful source of both sapphires and rubies for more than 1,000 years, though the best stones were never allowed to leave the kingdom. Until the middle of the 19th century, the Burmese king commanded that any and all gemstones weighing more than 5.00 carats would become the possession of the kingdom of Burma. Miners, anxious to sell their gems, broke many magnificent sapphires into pieces smaller than 5.00 carats so as to bypass the king's law. Sapphires such as this, weighing over 5.00 carats, are exceptionally rare and precious. In 1962, the borders of Burma were closed, further limiting the mining of the gems. The opportunity to acquire a Burma stone of such substantial size and perfect color, is indeed, a rarity. \u003cbr\u003e\u003cbr\u003e One of the most revered names in jewelry, Boucheron has attracted the most affluent clientele, counting royalty and celebrities among its list of devotees since 1858. This ring represents the style and artistry for which the firm is renowned across the globe. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-7409.pdf\" target=\"_blank\"\u003eDownload the Certifications and Appendix Letter\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874798207111,"sku":"31-7409","price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7409_1.png?v=1772359248"},{"product_id":"tiffany-co-woven-gold-bracelet","title":"Tiffany \u0026 Co. Woven Gold Bracelet","description":"Featuring an enchanting woven design that moves elegantly across the wrist, this gold bracelet was designed by Buccellati for Tiffany \u0026amp; Co. Combining the warmth of 18K yellow gold with the cool tones of 18K white gold, the bi-color bracelet showcases the expert craftsmanship and discerning eye of Tiffany \u0026amp; Co. \u003cbr\u003e\u003cbr\u003e Founded in 1919, the Buccellati jewelry house is famed for creating luxurious, Renaissance-inspired jewelry. Drawing upon period techniques to craft jewelry in a lacy, textural style, the Buccellati name is one of the most recognized jewelers in the world. Their collaboration with the inimitable Tiffany \u0026amp; Co. produced exquisite creations, such as this gold bracelet. Tiffany's tradition of excellence continues to this day, and both antique and contemporary Tiffany jewelry remains highly coveted. \u003cbr\u003e\u003cbr\u003e Stamped \"Tiffany \/ Italy \/ 18K\" \u003cbr\u003e\u003cbr\u003e 7 1\/2\" length","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874791096455,"sku":"31-7385","price":36500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7385_1.png?v=1772359184"},{"product_id":"brazilian-paraiba-ring-3-73-carats","title":"Brazilian Paraiba Ring, 3.73 Carats","description":"A monumental marvel, this breathtaking ring features the elusive and rare Brazilian Paraiba. The exquisite 3.73-carat gemstone displays the glowing greenish-blue hue for which this variety of tourmalines are renowned. The gemstone's unique triangular cut and expertly cut facets emphasize the brilliance and sparkling beauty of this vibrant blue stone. The Paraiba is accompanied by a report from the Gemological Institute of America, certifying its coveted Brazil origin. The blue jewel is encircled by a halo of pink diamonds with white diamonds accenting the band, together totaling 0.90 carat and set in 18K rose and white gold. A coveted rarity, this gem is in a class of its own. \u003cbr\u003e\u003cbr\u003e In 1981, the gem miner Heitor Dimas Barbosa, commonly known among the local villagers as “Heitor the Fool,” began tunneling in the hill behind São José de Batalha, Paraíba, Brazil. Barbosa was determined that his hunch would lead to finding a new gemstone. Despite having no electricity or dependable water, Barbosa persevered with faith for over six years through the rugged and arid landscape on his quest. In 1987, his efforts were rewarded by the discovery of the first Brazilian Paraiba, a stunning gem that was unlike any stone ever found. Soon after their discovery, production began to dwindle; over 90% of the tourmaline production occurred between 1989 and 1992. It is thanks to their rare chemical composition that these gems owe their spectacular coloring and neon-bright glow that appears to light the stone from within. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-7440.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44263413678215,"sku":"31-7440","price":448500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7440_1.png?v=1784316650"},{"product_id":"argyle-fancy-vivid-pink-and-white-diamond-ring","title":"Argyle Fancy Vivid Pink and White Diamond Ring","description":"One of nature’s rarest treasures, the 0.32-carat natural fancy vivid pink diamond at the center of this ring displays a romantic pink hue. While pink diamonds come in an array of hues and tones, the very best are graded “fancy vivid” and display the intense saturation of this stone. The present example, which hails from the famed Argyle mines of Australia, is certified by the Gemological Institute of America (GIA) as being a natural fancy vivid pink diamond with VS2 clarity and even color distribution. Its rich, rosy hue is enhanced even further by an additional twenty-eight pink diamonds totaling 0.21 carat and forty glittering white diamonds totaling 1.21 carats. Set in platinum with 18K rose gold details. \u003cbr\u003e\u003cbr\u003e Pink diamonds are counted among the most precious and desirable gemstones in the world today, and their rarity has only increased in recent years. Ninety percent of the world’s supply of pink diamonds derive from the Argyle mines in Australia, and, of those, only one percent are graded “fancy pink.” The Argyle mines were decommissioned in 2020, causing the demand for pink diamonds to soar. Additionally, of those found, natural pink diamonds that weigh over a carat are extremely difficult to come by. To find a pink diamond of such singular hue, clarity and overall quality for its size is simply extraordinary. \u003cbr\u003e\u003cbr\u003e  \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-7258.pdf\" target=\"_blank\"\u003eDownload the GIA Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44263406370951,"sku":"31-7258","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7258_1.png?v=1784316539"},{"product_id":"pair-of-blue-john-and-bronze-cassolettes","title":"Pair of Blue John and Bronze Cassolettes","description":"Blending natural wonder and artistic prowess, this magnificent pair of cassolettes is a symphony of craftsmanship. The intricate gilt bronze decor, only made possible by the finest craftsmen of the 19th century, is further elevated by the bodies, formed from stunning examples of Blue John. The Blue John specimens are not only remarkable in size but also stunning in the natural patterns of the hardstone. The translucent crystalline layers of the stone radiate outwards in bands of deep blues, rich purples and golden yellows. It embodies all of the best attributes of this highly coveted material. Only the most gifted of artisans were charged with crafting exquisite masterworks such as this, as Blue John demands a great deal of skill in its handling. A soft and brittle stone, it responds very quickly to heat and must be carefully dried to retain its original color.  \u003cbr\u003e\u003cbr\u003e The term \"cassolette\" is from the French word \u003cem\u003ecassole,\u003c\/em\u003e meaning \"small container.\" While the word has other meanings in culinary respects, in the decorative arts, cassolettes are small covered vases meant to hold perfumed substances or incense. Popular during the 18th and 19th centuries, these objets d'art were crafted from all manner of materials, including marble, porcelain and bronze. The most coveted examples were formed from desirable stones such as Blue John, amethyst or chalcedony, as seen in the present pair. \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Each: 11\" high x 5 7\/8\" wide x 4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42508351897735,"sku":"31-8348","price":68850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8348_1.png?v=1743858789"},{"product_id":"burma-ruby-and-golconda-diamond-bypass-ring","title":"Burma Ruby and Golconda Diamond Bypass Ring","description":"This ring pairs two exceptionally rare gems working together in perfect harmony—the pièce de résistance of any collection. The stunning, unheated Burma ruby weighs 5.70 carats, and the remarkable Type IIa Golconda diamond weighs a breathtaking 4.54 carats. Individually these stones represent the finest of their kind, coalescing here into a truly extraordinary duo. \u003cbr\u003e\u003cbr\u003e The pear-shaped ruby is certified by the American Gemological Laboratories as being Burmese in origin and all natural, with no indications of thermal treatment to influence the stone's color. The rich red gemstone exhibits the coveted hue for which the best Burma rubies are prized. Political unrest caused the closure of the mines in the early 1960s, making these gems exceedingly rare and sought-after. \u003cbr\u003e\u003cbr\u003e The matching pear-shaped Golconda diamond is equally remarkable, certified by the Gemological Institute of America as a highly desirable type IIa diamond with VVS1 clarity. As the GIA notes in its accompanying letter, \"Type IIa diamonds are the most chemically pure type of diamond and often have exceptional optical transparency.\" Together, the jewels create a unique and stunning interplay in their classic platinum setting, accented by 1.50 carats of marquise, pear and round cut white diamonds. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-8545.pdf\" target=\"_blank\"\u003eDownload the Certifications\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231113773191,"sku":"31-8545","price":1485000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8545_1_89db53c9-1c51-44f6-b785-4de5400331b2.png?v=1758656006"},{"product_id":"the-royal-boulle-marquetry-commode-by-blake","title":"The Royal Boulle Marquetry Commode by Blake","description":"This monumental Boulle commode was crafted by Robert Blake, one of the finest and most important English cabinetmakers of his time. It is modeled after the legendary pair of commodes made for France’s King Louis XIV by master ébéniste André-Charles Boulle, which is perhaps the most famous and esteemed of all the treasures now housed at the Palace of Versailles. Constructed of ebony and enveloped on all sides with phenomenal tortoiseshell and doré bronze marquetry and ormolu mounts of undeniable skill and artistry, this commode is the pinnacle of furniture craftsmanship. \u003cbr\u003e\u003cbr\u003e The original commodes made by Boulle inspired re-interpretations by history’s most esteemed craftsmen. First created and supplied in 1708 by Boulle for Louis XIV’s bed chamber at Versailles, the original pair was one of only four furnishings deemed worthy enough to be rescued from both destruction and sale after the French Revolution. They were placed in the Bibliothèque Mazarine at the Institut de France, where they became known as the Mazarine Commodes, but have since been returned to Versailles.  \u003cbr\u003e\u003cbr\u003e The commode’s top features a striking example of rare Campan marble, sourced from quarries in the French Pyrenees. This exceptional stone exhibits a refined blend of green, pink, red and white veining—distinguished by its subtler red tones compared to Italian varieties. Reflecting Boulle’s masterful innovation, the marble top is designed to be removable, resting securely within a slightly recessed edge on the wooden frame. This meticulous construction ensures stability without the use of glue, preserving the integrity of the piece. \u003cbr\u003e\u003cbr\u003e The Blake family of cabinet makers was known for their breathtakingly executed Boulle-style marquetry. Blake’s signed works are housed in the Victoria \u0026amp; Albert Museum, the Metropolitan Museum of Art and the Frick Collection, at which one of the few similar pairs of commodes signed by Blake resides. \u003cbr\u003e\u003cbr\u003e Signed Blake London inside a winged sphinx \u003cbr\u003e\u003cbr\u003e Circa 1850 \u003cbr\u003e\u003cbr\u003e 35“ high x 47 1\/2” wide x 24“ deep (88.90 x 120.65 x 60.96 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Important French Estate\u003cbr\u003e Private Collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42332240576647,"sku":"31-6676","price":398500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6676_1.png?v=1741267642"},{"product_id":"place-de-la-bastille-by-edouard-leon-cortes-3","title":"Place de la Bastille by Edouard Léon Cortès","description":"Edouard Léon Cortès\u003cbr\u003e 1882-1969 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePlace de la Bastille\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Edouard Cortès” (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A glowing warmth radiates from this bustling street scene by the renowned \"Parisian Poet of Painting,\" Edouard Léon Cortès. With a virtuosic talent for capturing the vibrant energy of the City of Lights in the 20th century, Cortès imbues his canvases with luminosity and romantic beauty. This composition depicts the iconic Place de la Bastille on an overcast autumn evening, as the blazing lights, orange haze of the sky and damp streets create an alluring atmospheric effect. Alive with Cortès's masterfully gestural brushwork, the busy pedestrians and vehicles hum with the energy of this metropolis. Through his unique ability to portray the very essence of his city, Cortès crafts an enduring epic poem to his love, Paris. \u003cbr\u003e\u003cbr\u003e Born just outside of Paris, Cortès enjoyed a rich artistic heritage. His father, Antonio Cortès, was an artist in the circle of the Barbizon school, having moved to France after serving as a painter at the Spanish Royal Court. Cortès' elder brother and sister were also artists and followed the \u003cem\u003eplein air\u003c\/em\u003e tenets of the Barbizon style alongside their father. Other famed artists flocked to the picturesque town of Langly where Cortès was born, including Maximilian Luce, Camille Pissaro and Lucien Pissarro, among other celebrities of the Impressionist period. Personal friends of the family, these painters would have a profound influence over the young Cortès, who flourished in this richly creative environment. \u003cbr\u003e\u003cbr\u003e He exhibited his first work in 1899 at the \u003cem\u003eSociété des Artistes Francaise \u003c\/em\u003ein Paris where he was met with excellent reviews. Capturing the magic of Paris during the Belle Époque, his canvases soon garnered worldwide attention, particularly in Canada and America. Though he painted the same streets time and time again, each work is unique in its narrative, perspective and atmosphere. Just as his Parisian scenes brought him success during his lifetime, they continue to captivate art lovers today. \u003cbr\u003e\u003cbr\u003e 20th century \u003cbr\u003e\u003cbr\u003e Canvas: 17\" high x 21\" wide (43.18 x 53.34 cm)\u003cbr\u003e Frame: 29\" high x 33\" wide x 4\" deep (73.66 x 83.82 x 10.16 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Kodner Gallery, St. Louis\u003cbr\u003e Private collection, St. Louis\u003cbr\u003e Private collection, Philadelphia\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673051070599,"sku":"31-9437","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9437_1.png?v=1767195660"},{"product_id":"multicolor-sapphire-mesh-bracelet-65-53-carats","title":"Multicolor Sapphire Mesh Bracelet, 65.53 Carats","description":"An astonishing 494 round multicolor sapphires adorn this luxurious mesh bracelet totaling 65.53 carats. Cascading in a mesmerizing rainbow across the design, the blue, purple, pink, orange, yellow and green sapphires are all certified by C. Dunaigre as hailing from coveted origins in Sri Lanka and Madagascar. Fancy sapphires, showcasing the full spectrum of the rainbow's hues, are exceptionally rare. Achieving a harmonious blend of such vibrant colors is possible only through the discerning eye and meticulous craftsmanship of a master jeweler. With its elegant mesh setting crafted of 18K yellow gold, the bracelet has a satin-soft feel as well as an irresistibly vibrant look on the wrist. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-9139.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e 7\" length x 1 1\/4\" width","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875135389831,"sku":"31-9139","price":138500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9139_1.png?v=1772358261"},{"product_id":"thomas-webb-sons-cameo-luna-vase-by-george-woodall","title":"Thomas Webb \u0026 Sons Cameo Luna Vase by George Woodall","description":"Of all the glassworks created in the second half of the 19th century, the most difficult to perfect were those done in cameo. Very few artisans ever achieved success in hand-crafting cameo glass, and by far, the most accomplished of these craftsmen was the firm of Thomas Webb and Co. Webb’s cameo masterpieces were far finer than those of any of their major French contemporaries. The most important cameo artisan at Webb was George Woodall, and his greatest creations were his cameo vases done in the neoclassical style, depicting young maidens. These creations are exceptionally rare and seldom come on the market. \u003cbr\u003e\u003cbr\u003e This intricately crafted figural vase exemplifies why Woodall is credited with elevating the art of cameo glass to new heights. The central figure, the goddess Luna, is rendered with stunning precision. As she sits amongst the clouds, her ethereal nature is enhanced by the contrast between her delicate opaque white figure and the rich amethyst-colored glass beneath, creating extraordinary depth. \u003cbr\u003e\u003cbr\u003e Born into a lineage of glassmakers, Thomas Wilkes Webb founded Thomas Webb \u0026amp; Sons in 1837, revolutionizing the market with high-quality engraved crystal and colored glass. His significant contributions earned him the title of Chevalier of the Legion of Honor, and the company gained renown as \"The Crystal King of England.\" After his death in 1869, his sons Thomas, Charles, and Walter further elevated the company by improving working conditions and fostering creativity among their craftsmen. They hired notable artisans George and his brother Thomas Woodall, as well as art director James O’Fallon, who played pivotal roles in developing new cameo glass designs. George Woodall, the master cameo artist, was instrumental in the success of Thomas Webb \u0026amp; Sons. Renowned for his intricate and refined cameo work, Woodall’s pieces are highly sought after by collectors and connoisseurs, solidifying his legacy within the world of fine glassmaking. \u003cbr\u003e\u003cbr\u003e Similar examples have sold in auction for over two-hundred thousand dollars. \u003ca href=\"https:\/\/msrauantiques2022.my.salesforce.com\/sfc\/p\/8c000000eEg1\/a\/Vb000000Xxm6\/O3T9di_kfv69rh58tYyJv08tScuCe_LlwB7SkbUfSto\" target=\"new\"\u003e\u003cb\u003e See link here\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Incised \"Geo. Woodall \/ Luna \/ Thos. Webb \u0026amp; Sons\" \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e 9\" high x 4\" diameter \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Geoffrey W. Beard, Nineteenth Century Cameo Glass, Newport 1956, p. 85, cited \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44518927499399,"sku":"31-9571","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9571_1_077b1839-1568-4975-885e-afd492acb95b.png?v=1777555758"},{"product_id":"thomas-webb-sons-syrena-cameo-vase-by-george-woodall","title":"Thomas Webb \u0026 Sons Syrena Cameo Vase by George Woodall","description":"Of all the glassworks created in the second half of the 19th century, the most difficult to perfect were those done in cameo. Very few artisans ever achieved success in hand-crafting cameo glass, and by far, the most accomplished of these craftsmen was the firm of Thomas Webb and Co. Webb’s cameo masterpieces were far finer than those of any of their major French contemporaries. The most important cameo artisan at Webb was George Woodall, and his greatest creations were his cameo vases done in the neoclassical style, depicting young maidens. These creations are exceptionally rare and seldom come on the market. \u003cbr\u003e\u003cbr\u003e This intricately crafted figural vase exemplifies why Woodall is credited with elevating the art of cameo glass to new heights. The central figure, a siren playing the harp, is rendered with stunning precision. Her ethereal nature is enhanced by the contrast between the opaque white figure and the rich underlying colors, creating a serene yet powerful composition. \u003cbr\u003e\u003cbr\u003e Born into a lineage of glassmakers, Thomas Wilkes Webb founded Thomas Webb \u0026amp; Sons in 1837, revolutionizing the market with high-quality engraved crystal and colored glass. His significant contributions earned him the title of Chevalier of the Legion of Honor, and the company gained renown as \"The Crystal King of England.\" After his death in 1869, his sons Thomas, Charles, and Walter further elevated the company by improving working conditions and fostering creativity among their craftsmen. They hired notable artisans George and his brother Thomas Woodall, as well as art director James O’Fallon, who played pivotal roles in developing new cameo glass designs. George Woodall, the master cameo artist, was instrumental in the success of Thomas Webb \u0026amp; Sons. Renowned for his intricate and refined cameo work, Woodall’s pieces are highly sought after by collectors and connoisseurs, solidifying his legacy within the world of fine glassmaking. \u003cbr\u003e\u003cbr\u003e Similar examples have sold in auction for over two-hundred thousand dollars.\u003ca href=\"https:\/\/msrauantiques2022.my.salesforce.com\/sfc\/p\/8c000000eEg1\/a\/Vb000000Xxm6\/O3T9di_kfv69rh58tYyJv08tScuCe_LlwB7SkbUfSto\" target=\"new\"\u003e\u003cb\u003e See link here\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Inscribed “Geo. Woodall \/ Syrena” \u003cbr\u003e\u003cbr\u003e Circa 1914 \u003cbr\u003e\u003cbr\u003e 8 1\/2\" high x 4\" in diameter \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Arthur Churchill Ltd., Glass Notes, no. 8, London 1948, pp. 22-24, fig. 15\u003cbr\u003e Geoffrey W. Beard, Nineteenth Century Cameo Glass, Newport 1956, p. 91, cited\u003cbr\u003e E Barrington-Haynes, Glass Through the Ages, pl. 43, fig. C\u003cbr\u003e Christopher Woodall Perry, The Cameo Glass of Thomas and George Woodall, Shepton Beauchamp 2000, p. 91, illus. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Arthur Churchill Glass, bearing label\u003cbr\u003e Dr. M. Mitman, Dartford (by 1956)\u003cbr\u003e Sotheby's London, November 14th, 1995, lot 428\u003cbr\u003e Private Collection, New York\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875379740807,"sku":"31-9572","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9572_1_9fb4f0fe-3d96-4d9f-a375-73fbb9331443.png?v=1772362310"},{"product_id":"thomas-webb-son-two-handled-cameo-amphora-vase-by-thomas-woodall","title":"Thomas Webb \u0026 Son Two-Handled Cameo Amphora Vase by Thomas Woodall","description":"Of all the glassworks produced in the late 19th century, cameo glass was the most challenging to perfect. Only a handful of artisans succeeded in mastering this intricate craft, with the firm of Thomas Webb and Co. standing out as the most accomplished. Webb’s cameo masterpieces surpassed those of their major French contemporaries in finesse and artistry. At Webb, the renowned brothers Thomas and George Woodall managed the cameo glass operations, ensuring the creation of glassworks that are exceptionally rare and rarely seen on the market today. \u003cbr\u003e\u003cbr\u003e This intricately crafted amphora vase exemplifies Thomas Woodall’s expertise as a designer. The two-handled vase stands gracefully, overlaid in opaque white, and carved through to the light brown glass underneath with foliate \u003cem\u003eBerainesque\u003c\/em\u003e ornament, leaf garlands and delicate flowers. \u003cbr\u003e\u003cbr\u003e Born into a lineage of glassmakers, Thomas Wilkes Webb founded Thomas Webb \u0026amp; Sons in 1837, revolutionizing the market with high-quality engraved crystal and colored glass. His significant contributions earned him the title of Chevalier of the Legion of Honor, and the company gained renown as \"The Crystal King of England.\" After his death in 1869, his sons Thomas, Charles, and Walter further elevated the company by improving working conditions and fostering creativity among their craftsmen. They hired notable artisans Thomas and his brother George Woodall, as well as art director James O’Fallon, who played pivotal roles in developing new cameo glass designs. The Woodall brothers, the master cameo artists, were instrumental in the success of Thomas Webb \u0026amp; Sons. Renowned for their intricate and refined cameo work, Woodall’s works are highly sought after by collectors and connoisseurs, solidifying his legacy within the world of fine glassmaking. \u003cbr\u003e\u003cbr\u003e Circa 1884 \u003cbr\u003e\u003cbr\u003e 7 1\/2” high x 3 1\/4” wide x 3 1\/4” deep \u003cbr\u003e\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875376988295,"sku":"31-9569","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9569_1.png?v=1781889696"},{"product_id":"thomas-webb-sons-two-color-cameo-vase","title":"Thomas Webb \u0026 Sons Two-Color Cameo Vase","description":"Of all the glassworks produced in the late 19th century, cameo glass was the most challenging to perfect. Only a handful of artisans succeeded in mastering this intricate craft, with the firm of Thomas Webb \u0026amp; Sons standing out as the most accomplished. Webb’s cameo masterpieces surpassed those of their major French contemporaries in finesse and artistry. At Webb, the renowned brothers Thomas and George Woodall managed the cameo glass operations, ensuring the creation of glassworks that were exquisite and exceptionally rare on the market today. \u003cbr\u003e\u003cbr\u003e This intricately crafted vase exemplifies the expertise and ingenuity for which Thomas Webb \u0026amp; Sons became so revered. The vase's petite ovoid shape curves gracefully, overlaid in translucent red and opaque white that is carved through to the light pink glass beneath. The beautifully detailed hand-carved pattern includes masterful trompe l'oeil drapery around the neck along with an array of blossoming flora and fauna. On each side, majestic birds dive for fish in the water below them, framed by flowering chrysanthemums and lifelike gnarled branches. \u003cbr\u003e\u003cbr\u003e Born into a lineage of glassmakers, Thomas Wilkes Webb founded Thomas Webb \u0026amp; Sons in 1837, revolutionizing the market with high-quality engraved crystal and colored glass. His significant contributions earned him the title of Chevalier of the Legion of Honor, and the company gained renown as \"The Crystal King of England.\" After his death in 1869, his sons Thomas, Charles, and Walter further elevated the company by improving working conditions and fostering creativity among their craftsmen. They hired notable artisans Thomas and his brother George Woodall, as well as art director James O’Fallon, who played pivotal roles in developing new cameo glass designs. The Woodall brothers, the master cameo artists, were instrumental in the success of Thomas Webb \u0026amp; Sons. \u003cbr\u003e\u003cbr\u003e Circa 1885-90 \u003cbr\u003e\u003cbr\u003e 7 1\/2” high x 6 3\/4” wide x 3” deep \u003cbr\u003e\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43875382067335,"sku":"31-9575","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9575_1_97f8700b-6664-4e9f-ba57-99e70b47f3e6.png?v=1783632143"},{"product_id":"unheated-ceylon-sapphire-ring-3-02-carats","title":"Unheated Ceylon Sapphire Ring, 3.02 Carats","description":"The magnificent 3.02-carat Ceylon sapphire at the center of this ring is a rare wonder of the natural world. Certified by the Gemological Institute of America (GIA) as completely untreated and originating from the prestigious mines of Ceylon, this sapphire radiates with its deep magenta hue. Surrounded by 0.65 carat of round white diamonds and set in platinum, this ring is a beacon of classic elegance. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-6478.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231085887623,"sku":"31-6478","price":45000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6478_1_11c524d1-b185-4941-b14c-971445cf2232.png?v=1793106706"},{"product_id":"natural-fancy-intense-pink-diamond-ring-1-50-carats","title":"Natural Fancy Intense Pink Diamond Ring, 1.50 carats","description":"This spectacular 1.50-carat natural fancy intense pink diamond displays a beautiful color saturation and a fantastic color grade. This gorgeous diamond is certified by the Gemological Institute of America as a natural fancy pink diamond, meaning its light pink hue is completely natural and untouched by treatments. The color distribution is even, and it has exceptional SI2 clarity. A GIA-certified D-color white diamond weighing 1.00 carat perfectly matches the pink diamond, balancing out the ring's bypass design with elegant harmony. For added brilliance, approximately 0.84 carat of white diamonds are set into the classic platinum and 18K rose gold band. \u003cbr\u003e\u003cbr\u003e Pink diamonds hold a unique position among fancy-colored diamonds due to their exceptional rarity. Representing only about 0.03% of all diamonds mined annually, they are significantly less common than their white counterparts. These extraordinary gemstones are so rare that a pink diamond can command a value 10 to 100 times greater than a white diamond of similar carat weight and clarity grade. As a result, pink diamonds often grace some of the most exquisite and sought-after jewelry creations in the world. \u003cbr\u003e\u003cbr\u003e \u003ca href=\"http:\/\/library.rauantiques.com\/Cert_31-7544.pdf\" target=\"_blank\"\u003eDownload the Certification\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231108694151,"sku":"31-7544","price":385500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7544_1_172779fa-7b7c-49c5-ba19-76303166acb7.png?v=1793395230"},{"product_id":"la-carmencita-by-john-singer-sargent","title":"La Carmencita by John Singer Sargent","description":"John Singer Sargent\u003cbr\u003e 1856-1925 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa Carmencita\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Stamped by artist's estate (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e John Singer Sargent, widely regarded as one of history's most distinguished portraitists, created this captivating oil on canvas titled \u003cem\u003eLa Carmencita\u003c\/em\u003e in 1890, the height of his astonishing career. This portrait masterfully captures the dynamic energy and magnetic allure of the renowned Spanish dancer Carmen Dauset, known as La Carmencita. The painting exemplifies Sargent’s unparalleled ability to combine his technical virtuosity with profound emotional depth. \u003cbr\u003e\u003cbr\u003e In this remarkable composition, Sargent masterfully employs light and shadow to create a sense of movement and vibrancy. La Carmencita is captured mid-performance, her figure animated with the energy and grace that made her an international sensation. The stark contrast between her pale skin and dark hair, accentuated by the vibrant red rose in her hair and the shimmer of her fringed shawl, draws the viewer’s eye and underscores her dynamic presence. Sargent’s minimalist background further enhances the focus on La Carmencita, allowing her expressive features and lively posture to dominate the composition. The careful interplay of colors and the fluidity of Sargent’s brushstrokes bring the portrait to life, making it a true masterpiece of movement and expression. \u003cbr\u003e\u003cbr\u003e La Carmencita was a trailblazing dancer who captivated audiences on both sides of the Atlantic. According to film historian Charles Musser, she was the first woman to appear in a modern motion picture made for commercial purposes and may have been the earliest female to feature in any motion picture. Her performances were characterized by a fiery passion and a magnetic presence, qualities that Sargent skillfully captured in this portrait. \u003cbr\u003e\u003cbr\u003e In 1890, Sargent and Isabella Stewart Gardner arranged a gathering at William Merritt Chase’s Tenth Street studio, where La Carmencita performed for their circle of friends. Sargent then persuaded the dancer to sit for several studio sessions, resulting in two oil paintings and a series of drawings. These works culminated in the renowned full-length portrait that now resides in the Musée d’Orsay. Among Sargent’s many dance-themed works, the d’Orsay’s La Carmencita was called “the picture of the year” when it was shown in London in 1891. Our portrait, with its up-close focus and vivid depiction of movement, is a much more intimate glimpse of Sargent's fascination with this exceptional muse. \u003cbr\u003e\u003cbr\u003e While the full-length composition traveled to France, the present portrait almost certainly remained fondly in the collection of La Carmencita herself until she died in 1910. It then returned to Sargent who kept it until his death. When the artist’s personal collection was sold at Christie's in 1925, our painting was bought by the artist’s sister, Violet Ormond, who knew of her brother’s love for the work, and it remained in her family until 1986. La Carmencita was exhibited widely, most notably in Boston’s Copley Hall in 1899 and the Royal Scottish Academy in 1928. The painting has also been well-represented in major publications. \u003cbr\u003e\u003cbr\u003e Born in Florence to American parents, John Singer Sargent displayed exceptional artistic talent from a young age. He trained in Paris under the tutelage of the great Émile Auguste Carolus-Duran, whose influence helped shape Sargent's distinctive style—a blend of realism with a modernist flair. By the time Sargent painted \u003cem\u003eLa Carmencita\u003c\/em\u003e, he had already established himself as one of the premier portraitists of the late 19th century, known for his ability to capture the essence of his subjects with unparalleled precision. Today, he is widely regarded as one of the greatest painters in history, with works represented in major collections including the Museum of Fine Arts, Boston and the Metropolitan Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1890 \u003cbr\u003e\u003cbr\u003e Canvas: 28\" high x 19\" wide (71.12 x 48.26 cm)\u003cbr\u003e Frame: 38\" high x 29 1\/2\" wide x 3\" deep (96.52 x 74.93 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-9763.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Carmen “Carmencita” Dauset (possibly), from the artist, until her death in 1910\u003cbr\u003e Collection of the artist, until his death in 1925\u003cbr\u003e Sale: Christie’s London, John Singer Sargent’s Studio Sale, July 24, 1925, lot 119\u003cbr\u003e Violet Ormond, the artist’s sister, purchased at the above sale\u003cbr\u003e Jean-Louis Ormond, by descent from the above, 1955–1986\u003cbr\u003e Harry and Brigitte Spiro, New York, 1987\u003cbr\u003e Private collection, 1993\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e William Howe Downes, John S. Sargent, His Life and Work (Boston: Little Brown, 1925 and London: Thornton Butterworth, 1926), p. 161\u003cbr\u003e Evan Charteris, John Sargent (London: London Heinemann, 1927), p. 109; 262\u003cbr\u003e The Sargent Trust List of Paintings and Drawings (London, 1927), p. 32, no. 4\u003cbr\u003e Archibald Standish Hartrick, A Painter’s Pilgrimage, through Fifty Years (Cambridge: Cambridge University Press, 1939), p. 127\u003cbr\u003e Charles Merrill Mount, John Singer Sargent: A Biography (New York: Norton, 1955 and London: Cresset Press, 1957 and New York: Kraus, 1969), p. 432, no. 909\u003cbr\u003e David McKibbin, Sargent’s Boston: With an Essay \u0026amp; a Biographical Summary \u0026amp; a Complete Check List of Sargent’s Portraits (Boston: Museum of Fine Arts, 1956), p. 87\u003cbr\u003e Richard Ormond and Elaine Kilmurray, John Singer Sargent: Portraits of the 1890s, Complete Paintings, Volume II (New Haven and London: Yale University Press, 2002), p. 23 – 24, no. 236 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Boston, MA, Copley Hall, Paintings and Sketches by John Singer Sargent, R.A., February 20 – March 13, 1899, p. 15, no. 69 (as Sketch of Carmencita Singing)\u003cbr\u003e London, Carfax \u0026amp; Co., Loan Exhibition of Sketches and Studies by J.S. Sargent R.A., May – June, 1903, no. 29 (as Carmencita)\u003cbr\u003e Edinburgh, Royal Scottish Academy, One Hundred and Second Annual Exhibition of the Royal Scottish Academy, April 21 – August 25, 1928, no. 207\u003cbr\u003e New York, Coe Kerr Gallery, American Impressionism II, May 19 – June 23, 1989, no. 39 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050950193287,"sku":"31-9763","price":1785000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9763_1_e2b9837e-2888-4193-be80-6a700c48abde.png?v=1789672869"},{"product_id":"pair-of-carrara-marble-busts-of-the-emperor-napoleon-and-empress-marie-louise","title":"Pair of Carrara Marble Busts of the Emperor Napoleon and Empress Marie Louise","description":"\u003cem\u003e\"I am a true Roman Emperor; I am of the best race of the Caesars—those who are founders.\" –Napoleon Bonaparte, 1812\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Among the most iconic and celebrated figures in history, Napoleon Bonaparte's legacy has been immortalized in countless works of art. Yet few pieces carry the personal significance and rarity of this extraordinary pair of Carrara marble busts, almost certainly commissioned by the Emperor himself. These stunning sculptures, depicting Napoleon and his second wife, Empress Marie Louise, stand as some of the most exceptional examples of Napoleonic busts not currently housed in a museum—masterpieces of both historical and artistic importance. \u003cbr\u003e\u003cbr\u003e The busts were likely imperial commissions created to adorn key locations during Napoleon’s reign, embodying the grandeur of his empire. After Napoleon fell from power, these sculptures passed from his personal collection to the next most significant ruler of 19th-century France: his nephew, Emperor Napoleon III. During his reign, both busts were prominently displayed at the imperial Château de Compiègne, one of Napoleon III’s most important palaces. Following his abdication in 1870, the Emperor and Empress Eugénie took the busts with them into exile in England. They were among the few treasured possessions they could bring. After Napoleon III’s death, the busts were separated by Empress Eugénie and later reunited in 1936 by the esteemed Parisian art dealer Élie Fabius. \u003cbr\u003e\u003cbr\u003e As a visionary leader and cultural influencer, Napoleon was known to commission only the finest artists to craft his likeness in marble. The bust of Empress Marie Louise is signed by the renowned Italian sculptor Gaetano Matteo Monti of Ravenna, likely created around 1810 to commemorate her marriage to the Emperor. Monti’s skill in rendering her delicate features in marble exemplifies his exceptional talent, immortalizing her elegance in stone. \u003cbr\u003e\u003cbr\u003e The accompanying bust of Napoleon, attributed to the celebrated sculptor Lorenzo Bartolini, was almost certainly carved earlier, around 1807. Bartolini was one of Napoleon’s favored artists, personally selected by the Emperor to direct the prestigious Carrara sculpture workshop in 1807. The exemplary craftsmanship of this bust, particularly the detailed laurel wreath and the nuanced portrayal of Napoleon's facial musculature, is consistent with Bartolini’s renowned imperial bust now housed at Versailles. This attribution places Napoleon's bust as one of the finest not presently housed in a museum collection. \u003cbr\u003e\u003cbr\u003e The only other similar pair of marbles is the one attributed to Angelo Pizzi at the Museo Correr in Venice, highlighting the exceptional rarity and quality of our pair. The finesse of the carving and the elegant compositions of these busts surpass their Venetian counterparts, suggesting that the Pizzi busts in Venice may have been modeled after these superior works by Bartolini and Monti. Napoleon revered the legendary leaders of the Roman Empire—especially the military genius of Julius Caesar—and many of his iconic images, including these busts, posed Napoleon and his Empire as heirs to the great dynasty of Caesars. \u003cbr\u003e\u003cbr\u003e Standing on beautiful matching bases, these monumental busts possess both an imposing presence and an undeniable beauty. Their storied provenance—having graced the imperial residence of both Napoleon I and Napoleon III—makes them an extraordinary find. To own these very works, once displayed with pride by two of history’s most significant rulers, is a once-in-a-lifetime opportunity. These busts are more than fine marble sculptures. They are tangible links to the grandeur and legacy of the Napoleonic Empire, embodying the iconic reign and strategic genius of one of the most legendary leaders in history, Napoleon Bonaparte. \u003cbr\u003e\u003cbr\u003e Bust of Marie Louise signed \"GMR\" for Gaetano Matteo Monti of Ravenna \u003cbr\u003e\u003cbr\u003e Circa 1807 and 1810 \u003cbr\u003e\u003cbr\u003e Bust of Napoleon: 30 1\/16\" high x 24\" wide x 12 1\/2\" deep\u003cbr\u003e On base: 74 3\/8\" high \u003cbr\u003e\u003cbr\u003e Bust of Marie Louise: 30 9\/16\" high x 20\" wide x 13 1\/8\" deep\u003cbr\u003e On Base: 74\" high \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-9781.pdf\" target=\"new\"\u003e\u003cb\u003eView the Book\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e \u003cb\u003eProvenance of the Bust of Napoleon:\u003c\/b\u003e\u003cbr\u003e Commissioned by Napoleon I, Château de Compiègne (likely), circa 1807\u003cbr\u003e The personal collection of Emperor Napoleon III at Château de Compiègne\u003cbr\u003e Thence to Napoleon III’s widow, the Empress Eugénie\u003cbr\u003e Gifted to Firmin Rainbeaux by Empress Eugénie on 18th April 1881\u003cbr\u003e By descent from Firmin Rainbeaux to his son Félix Rainbeaux\u003cbr\u003e Sale, Hôtel Drouot, Paris, “Succession de M. Félix Rainbeaux, Fils de Firmin Rainbeaux, écuyer de l’Empereur Napoleon III souvenirs napoléoniens: fusils, pistolets, couteaux de vénerie, dagues, miniatures etc,” 23rd October 1936, lot 267\u003cbr\u003e Élie Fabius, purchased from the above sale\u003cbr\u003e Private collection, Stuttgart, Germany\u003cbr\u003e Sale, Galerie Koller, Zurich, 2nd November 1995, lot 4162, with bust of Marie Louise, both illustrated on the front cover\u003cbr\u003e Private collection, Switzerland\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e \u003cb\u003eProvenance of the Bust of Marie Louise:\u003c\/b\u003e\u003cbr\u003e Commissioned by Napoleon I, Château de Compiègne (likely), circa 1810\u003cbr\u003e The personal collection of Emperor Napoleon III at Château de Compiègne\u003cbr\u003e Thence to Napoleon III’s widow, the Empress Eugénie\u003cbr\u003e Sale, Hampton \u0026amp; Sons of London, “English and French Furniture, the Remaining Library, Porcelain, Sculpture, Bronzes, Table Plate, China and Glass Services, Pictures, Drawings, Prints, Vintage Wines etc” from Empress Eugénie’s home at Farnborough Hill, Hampshire, 18–27th July 1927, lot 1328\u003cbr\u003e Élie Fabius, purchased from the above sale\u003cbr\u003e Private collection, Stuttgart\u003cbr\u003e Sale, Galerie Koller, Zurich, 2nd November 1995, lot 4162, with bust of Napoleon, both illustrated on the front cover\u003cbr\u003e Private collection, Switzerland\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e \u003cb\u003eLiterature:\u003c\/b\u003e\u003cbr\u003e Georges Mauguin, “L’Iconographie Napoléonnienne au Palais National des Arts”, in \u003cem\u003eRevue de l’Institut Napoléon\u003c\/em\u003e, 1er trimestre, 1938; opposite p. 40, illustrated\u003cbr\u003e Gérard Hubert, \u003cem\u003eLa Sculpture dans l’Italie Napoléonienne\u003c\/em\u003e, 1964, p. 349, illustrated\u003cbr\u003e Galerie Koller, Zürich, Sale catalogue, \u003cem\u003eEine Hochbedeutende Europäische Privatsammlung: Napoleonica, möbel, bronzen, pendulen, skulpturen, gemälde, miniaturen\u003c\/em\u003e, 02 November 1995, lot 4162, illustrated\u003cbr\u003e Gérard Hubert and Guy Ledoux-Lebard, \u003cem\u003eNapoléon, portraits contemporains bustes et statues\u003c\/em\u003e, 1999, p. 98, pl. 70, illustrated\u003cbr\u003e Olivier Gabet, \u003cem\u003eUn marchand entre deux empires - Élie Fabius et le monde de l’art\u003c\/em\u003e, 2011, p. 77\u003cbr\u003e Enrico Noè, “Lo scultore Angelo Pizzi (Milano 1775–Venezia 1819)” in \u003cem\u003eSaggi e Memorie di storia dell’arte\u003c\/em\u003e, vol. 36, 2012, p. 264, pl. 48 \u0026amp; p. 265, pl. 49, illustrated \u003cbr\u003e\u003cbr\u003e \u003cb\u003eExhibited:\u003c\/b\u003e\u003cbr\u003e Musée National de Malmaison, \u003cem\u003eDe Napoleon Ier à Napoleon III, Souvenirs de la Famille Impériale, Conservés par l’Impératrice Eugénie dans sa Résidence de Farnborough et Provenant de sa Succession\u003c\/em\u003e 1928, no. 15, p. 10\u003cbr\u003e Musée de l’Orangerie, Paris, \u003cem\u003eSouvenirs du Roi de Rome\u003c\/em\u003e, 1932, no. 209\u003cbr\u003e Bibliothèque National, Paris, \u003cem\u003e318 Lettres de Napoléon à Marie-Louise\u003c\/em\u003e, 1935, no. 10\u003cbr\u003e Palais National des Arts, Paris, \u003cem\u003eChefs d’Oeuvre de l’Art Français\u003c\/em\u003e, 1937, nos. 1105 \u0026amp; 1106\u003cbr\u003e The World’s Fair, New York, \u003cem\u003eFive Centuries of History Mirrored in Five Centuries of French Art\u003c\/em\u003e, 1939, no. 322, pl. LV \u0026amp; no. 323, pl. LIV","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231128420487,"sku":"31-9781","price":1650000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9781_1_6f3246a8-b8cc-49da-b85d-30668472d908.png?v=1758656468"}],"url":"https:\/\/rauantiques.com\/collections\/event-2026-san-francisco-show.oembed?page=4","provider":"M.S. Rau","version":"1.0","type":"link"}