{"title":"Fine Art Collection: Art of Dance","description":null,"products":[{"product_id":"dancer-fastening-the-string-of-her-tights-by-edgar-degas","title":"Dancer Fastening the String of Her Tights by Edgar Degas","description":"Edgar Degas\u003cbr\u003e\n1834-1917 | French\n\u003cbr\u003e\u003cbr\u003e\n\u003cem\u003eDancer Fastening the String of Her Tights\u003c\/em\u003e\n\u003cbr\u003e\u003cbr\u003e\nSigned, numbered, dated, and stamped with foundry mark “Degas \/ 33|G \/ 1998 \/ CIRE C.VALSUANI PERDUE”\u003cbr\u003e\nBronze\n\u003cbr\u003e\u003cbr\u003e\nThis graceful little dancer is a superb example of the sculptural works created by the great Impressionist Edgar Degas. Degas had an extraordinary talent for capturing the natural movements and grace of his figures, particularly in his paintings and sculptures of ballet dancers for which he is best known. In the present bronze, he uses a dramatic, twisting contrapposto pose in order to depict his dancer in motion as she contorts backwards to tighten the string of her tights. His works such as this reveal the mechanics of the ballet that happen beyond the beauty on stage, lending his works a remarkable sense of life and intimacy.\n\u003cbr\u003e\u003cbr\u003e\nThroughout his career, Degas became obsessed with capturing the dancer in motion, both on stage and in the dressing room. Of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. The present work boasts one of the more original poses from among these - rather than an arabesque, Degas captures his dancer undertaking a far more private and intimate task. Unlike some of his works that depict women doing their toilette, the bronze is elegant rather than awkward, as Degas transforms the simple act of tying a string into a pleasing and fluid pose.\n\u003cbr\u003e\u003cbr\u003e\nThe work is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze.\n\u003cbr\u003e\u003cbr\u003e\nThis example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes, on the other hand, actually represent Degas’ reworking of the original sculptures.\n\u003cbr\u003e\u003cbr\u003e\nBecause they are cast directly from the plaster, the Valsuani bronzes are also larger, crisper, and more highly defined than the Hébrard bronzes. Since the original plasters were discovered in the 1990s, similar Valsuani bronzes have been exhibited around the world, including The Hermitage (St. Petersburg) and the Minneapolis Institute of Art.\n\u003cbr\u003e\u003cbr\u003e\nOriginal wax model executed circa 1885-1890\u003cbr\u003e\nBronze cast 1998\n\u003cbr\u003e\u003cbr\u003e\n16 5\/8\" high x 8 1\/2\" wide x 7 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316796489863,"sku":"30-9143","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9143_1_36fec41c-c760-40af-84ce-7dd2f90299a3.png?v=1760369097"},{"product_id":"nubian-dancer-by-carl-kauba","title":"Nubian Dancer by Carl Kauba","description":"Exemplary of Art Nouveau elegance, the sensuous female form is the focus of this Viennese bronze by Austrian sculptor Carl Kauba (1865 - 1922). The intricately detailed bronze captures the supple form of an exotic Nubian dancer in a true representation of the era’s predominant aesthetic. Both classical and evocative, the nude figure is adorned by an array of bronze jewelry, including a stunning golden belt with chained pendants. Set upon a marble base, she is a stunning example of the erotic bronzes popular at the turn of the century. \u003cbr\u003e\u003cbr\u003e Born in 1865 to a shoemaker, the Vienna-born Kauba became a well-known early 20th-century sculptor of Native Americans and other western figures. A pupil of Carl Waschmann and Stefan Schwartz in Austria, he studied at the Academy of Fine Arts in Vienna and traveled widely in the American West, sketching and modeling, after spending two years in Paris. He is also noted for his \"Naughties\" - a collection of mechanical push button sculptures — and erotic nudes such as this. \u003cbr\u003e\u003cbr\u003e Signed \"C. Kauba\" \u003cbr\u003e\u003cbr\u003e Circa 1915 \u003cbr\u003e\u003cbr\u003e 4 1\/2\" wide x 4 1\/2\" deep x 12 5\/8\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873708703879,"sku":"31-0902","price":12850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0902_1_d038f3b5-82ea-42c9-a3f9-955709f24723.png?v=1770667752"},{"product_id":"dance-of-the-nymphs-by-paul-desire-trouillebert","title":"Dance of the Nymphs by Paul Désiré Trouillebert","description":"Paul Désiré Trouillebert\u003cbr\u003e 1829-1900 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDance of the Nymphs\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Trouillebert\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This lyrical landscape entitled \u003cem\u003eDance of the Nymphs\u003c\/em\u003e was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. \u003cbr\u003e\u003cbr\u003e Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1829, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert and Charles Jalabert. Early in his career, he primarily produced portraits and genre scenes, exhibiting his first portrait at the Paris Salon in 1865. By the end of the decade, however, his interest in landscape painting blossomed, and in 1869, he exhibited his first landscape at the Salon to great acclaim. He went on to execute a number of landscapes that recall the mature style of Corot, including the present work, though they remain distinctly Trouillbert in their execution. Today, his paintings can be found in several important private collections, as well as the Lightner Museum (St. Augustine, Florida). \u003cbr\u003e\u003cbr\u003e Canvas: 38 3\/4\" high x 51 1\/2\" wide\u003cbr\u003e Frame: 50\" high x 62 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913597657223,"sku":"31-1655","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1655_1.png?v=1730881855"},{"product_id":"a-peasant-country-scene-by-jan-thomas-van-kessel","title":"A Peasant Country Scene by Jan Thomas van Kessel","description":"Jan Thomas van Kessel\u003cbr\u003e 1677-1741 | Flemish \u003cbr\u003e\u003cbr\u003e \u003cem\u003eA Peasant Country Scene\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A quintessential example of Flemish genre painting, \u003cem\u003eA Peasant Country Scene\u003c\/em\u003e reflects a blend of the playfulness of subject and the technical acuity that defined the style of 18th-century Flemish painter Jan Thomas van Kessel. The artist invites viewers into a merry gathering of peasants that spills across the composition. Highlighted at its center is a couple in the midst of a lively dance, their direct gaze out at the viewer conveying their happiness, while also serving as an effective means to pull the viewer's eye into the festivities underway.  \u003cbr\u003e\u003cbr\u003e This gathering of merry revelers assumes a stage-like quality as they are separated visually from the far reaches of the composition by a fence that bisects the composition horizontally, underscoring the intimate feel of the foreground scene. Beyond this enclosure, a farmhouse looms over the scene and opens at right onto a sweeping landscape that carries the eye back into the distant horizon. Here, too, the eye is guided appropriately, as figures dot the path down the river toward the steeple of a church just visible along the horizon line. Overhead, a breathtakingly blue sky, dappled with billowy clouds and soaring birds, complements the festive scene. \u003cbr\u003e\u003cbr\u003e Such genre paintings were incredibly popular during the 17th and 18th centuries, as they served as a reminder of the simple pleasures of pastoral life. Such scenes first emerged during the 16th century in the wake of the Reformation as artists sought new fields of painting in which to showcase their skill. Key figures such as David Teniers the Younger and the Brueghel family ensured the genre's success into the 17th century when they became highly fashionable. This enduring popularity thereby afforded later artists like van Kessel the opportunity to showcase their talents in conjuring such engaging vignettes.  \u003cbr\u003e\u003cbr\u003e Van Kessel clearly capitalized on that popularity, as he developed a following for his works that served as a visual escape from the realities of city life. Little is known of van Kessel's life, save for that he was born in Flanders in 1677 and studied both with the masters of Antwerp's Guild of Saint Luke, and even purportedly trained in Paris. Van Kessel then established his studio in his hometown of Antwerp just after the dawn of the 18th century. Aiding in van Kessel's rapid development as an artist was undoubtedly the fact that he descended from a long family line of painters who explored various subjects from botanical studies to portraits. It is arguably van Kessel's inviting scenes of peasants and pastoral life, as seen in this composition, however, that are the most engaging of his family's oeuvre and earned the artist acclaim for his work in Antwerp and beyond. \u003cbr\u003e\u003cbr\u003e One point often noted in van Kessel's genre paintings are the references he makes to past masters like Teniers, and these connections are tangible in this painting. The layout of this composition, from the cluster of animated figures in the foreground contrasted against the serene expanse of nature in the distance, seem to be direct quotations of Teniers' work. This reinforces both the placement of this work within the 18th century – following Teniers' lifetime – and within van Kessel's body of work. The connection of this painting to Jan Thomas van Kessel's oeuvre is without dispute, however, as this painting benefits from the scrolling script of the artist's signature along the lower edge.  \u003cbr\u003e\u003cbr\u003e Only a handful of van Kessel's works, including those held by prestigious collections such as England's National Trust and the Museum Catharijneconvent in the Netherlands, have been fully documented. As a result, it is rare when such a well-preserved example of this 18th-century Flemish genre painting tradition emerges, and it is particularly exciting when such a find contributes to the emerging legacy of a little-understood artist of the era. \u003cbr\u003e\u003cbr\u003e Canvas: 40 1\/4\" high x 54 1\/4\" wide\u003cbr\u003e Frame: 52 3\/4\" high x 66 5\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672867438727,"sku":"31-0198","price":198000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0198_1.png?v=1767203901"},{"product_id":"les-perroquets-verts-by-erte","title":"Les perroquets verts by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes perroquets verts\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eGreen Parrots\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté adds a touch of his trademark whimsy to this alluring cabaret costume entitled \u003cem\u003eLes perroquets verts\u003c\/em\u003e. The model dons a fanned and feathered headpiece, while her hands hold effigies of the eponymous green parrots. Her seductive costume, showcasing a verdant green palette with bursts of crimson red, is framed by the long braids cascading from her head. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WD7QJRvBaao\" target=\"_blank\"\u003eCaptured on film in archival footage from the Bal Tabarin\u003c\/a\u003e, the bold and colorful design showcases Erté’s nature-inspired artistic visions. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8\" wide\u003cbr\u003e Frame: 17 5\/8\" high x 13 1\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Private collection, Paris, 2008 \u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902639317127,"sku":"31-7628","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7628_1_e3208de5-e532-402d-a9b4-9ff5ab48221c.png?v=1728289318"},{"product_id":"quatre-danseurs-renard-by-erte","title":"Quatre danseurs renard by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eQuatre danseurs renard\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eFour fox dancers\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “n°18.181” (en verso) \u003cbr\u003e\u003cbr\u003e Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. Petit’s innovative choreographies brought him great renown and celebrity, and his partnerships with Erté were characterized by a harmonious synthesis of dance and visual spectacle. In \u003cem\u003eQuatre danseurs renard\u003c\/em\u003e, Erté designs four whimsical yet glamorous fox costumes for Petit's show. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the flourishing performing arts scene of Paris transported audiences to new realms throughout the early 20th century. Erté quickly forged relationships with luminaries of the performing arts world — including Zizi Jeanmaire, Roland Petit and Misinguett — and leant his distinctive Art Deco vision to operatic and theater productions. These collaborations rose above mere aesthetic embellishments, penetrating the core of performances and adding greater depth to the narratives on display. The artist possessed a great range of vision and was equally adept at capturing Rococo decadence in the sets of \u003cem\u003eCosi Fan Tutti\u003c\/em\u003e as he was in creating supernatural, moody interiors for \u003cem\u003eLes Mamelles de Tirésias\u003c\/em\u003e. His Art Deco stylings brought both a fantasy and modernity to the stage that has rarely been matched since. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1969 \u003cbr\u003e\u003cbr\u003e Paper: 14\" high x 10” wide\u003cbr\u003e Frame: 21\" high x 17\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902736801927,"sku":"31-7681","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7681_1_8b9e2202-f074-4242-a7f7-5ab5eb2314d5.png?v=1726257666"},{"product_id":"danseuse-du-ballet-espagnol-by-erte","title":"Danseuse du ballet espagnol by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDanseuse du ballet espagnol\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSpanish Ballet Dancer\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 9917 \/ La Traviata \/ Danseuse du ballet espagnol \/ Acte III \/ Composition originale\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e An enchanting costume design for the beloved opera \u003cem\u003eLa Traviata\u003c\/em\u003e, this beautiful ensemble for the Spanish ballet dancer showcases Erté’s eye for building romantic movement into his dance costumes. Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. \u003cbr\u003e\u003cbr\u003e This 1948 costume design for the production epitomizes romance and grace. Fashioned from tiered pink fabric accented by dramatic black netted lace details, this ballet costume includes both a fan and a small black mask fastened to the skirt for dramatic effect. The ensemble is punctuated by a headpiece with 3-dimensional puff balls and a little black crown. The costume’s combination of netted black appliqué with pom-pom trim and flouncy tiered pink tulle creates bountiful opportunities for movement and visual interest when the dancer undoubtably springs into elegant motion.  \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8 1\/2\" wide\u003cbr\u003e Frame: 17 1\/4\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902730969223,"sku":"31-7645","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7645_1_f21bf08f-3889-47ad-9966-81c5e1aea040.png?v=1730881762"},{"product_id":"decor-pour-moi-jaime-le-music-hall-by-erte","title":"Décor pour Moi J'aime le Music Hall by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDécor pour Moi J'aime le Music-Hall\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 18.345 \/ Moi J'aime le Music-Hall \/ Décor\"(en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e Erté envisioned this set for a performance of \u003cem\u003eMoi, J’aime le Music-Hall\u003c\/em\u003e at the Casino de Paris in 1974. Located in the 9th arrondissement, this renowned entertainment venue had a rich history dating back to the 18th century. Following the First World War, it emerged as one of Paris’ most beloved music halls, graced by performances from luminaries such as Josephine Baker, Edith Piaf, Marlene Dietrich and many others. Erté’s set design for the show, which shares its name with the iconic Charles Trenet song, incorporates bold splashes of red, gold and black for its backdrop, while performers with feathered fans kick their legs above their heads. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/2” high x 12” wide\u003cbr\u003e Frame: 13 1\/8\" high x 17 5\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41937053220999,"sku":"31-7689","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7689_1.png?v=1730934787"},{"product_id":"danseur-du-ballet-espagnol-by-erte","title":"Danseur du ballet espagnol by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDanseur du ballet espagnol\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eSpanish Ballet Dancer\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 9918 \/ La Traviata \/ Danseuse du ballet espagnol \/ Acte III \/ Composition originale\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e The daring male companion costume to the enchanting pink tutu design worn by the female partner, Erté fashioned this elegant costume design for the male ballet dancer in the beloved opera \u003cem\u003eLa Traviata\u003c\/em\u003e. This ensemble for the Spanish ballet dancer showcases Erté’s eye for building romantic movement into his dance costumes. Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. \u003cbr\u003e\u003cbr\u003e This 1948 costume design for the production includes dazzling ombre pink ballet tights and dramatic black netted lace details. The ensemble is punctuated by a small black mask fastened to the dancer’s waist for dramatic effect. A showcase of Erté’s eye for dramatic deco-era details and creating additional visual interest in dance costumes, the combination of netted black appliqué and hot pink hues would certainly make a striking impression on stage.  \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 9\" wide\u003cbr\u003e Frame: 17 1\/4\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902727168135,"sku":"31-7646","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7646_1_604336b4-8c52-487a-8c84-e2d744332bce.png?v=1730881756"},{"product_id":"decor-pour-begin-the-beguine-by-erte","title":"Décor pour Begin the Beguine by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDécor pour Begin the Beguine\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 18.380 \/ Begin the Beguine - Décor 1974\" (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e In this work titled \u003cem\u003eDécor pour Begin the Beguine\u003c\/em\u003e, Erté transforms the stage into a breathtaking visual masterpiece. An homage to the immensely popular 1935 song with the same title, Erté captures the essence of the glamorous Art Deco era with a backdrop of red and golden geometric patterns. The design pays homage to the dance style of the Beguine, akin to a slow Rumba, with subtle, flowing curves, complete with an air of refinement and grace. The composition features performers with elegant dance costumes, and the dazzling gowns and tailored tuxedos reminiscent of the 1930s fashion icons perfectly embody the spirit of the era. The song \"Begin the Beguine\" achieved iconic status during this period, inspiring captivating dance performances by luminaries like Josephine Baker and Fred Astaire, as well as enduring covers by legends such as Frank Sinatra, Ella Fitzgerald, and Elvis Presley. \u003cbr\u003e\u003cbr\u003e Paris in the Art Deco era stood at the crossroads of tradition and modernity, establishing itself as a global epicenter of art, literature and intellectual thought. Amidst the echoes of World War I, avant-garde movements like Surrealism and Cubism intermingled with jazz melodies wafting through the city’s smoky salons. As cocktails flowed, intellectuals, writers and artists from around the world found themselves drawn to the cosmopolitan allure of Paris. Erté, with his revolutionary costuming and otherworldly sets, was perfectly poised to unleash his creativity. He worked with many of the the city’s premier entertainment venues, and his striking visuals, full of bold patterns and vibrant colors, came to define the modernity of the era. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high x 12” wide\u003cbr\u003e Frame: 13 1\/8\" high x 17 5\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902743486599,"sku":"31-7699","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7699_1_7716f92a-d420-4cc4-957d-38f852dc2f06.png?v=1730881865"},{"product_id":"moi-jaime-le-music-hall-decor-by-erte","title":"Moi J'aime le Music-Hall Décor by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMoi J'aime le Music-Hall Décor\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 18.345 \/ Moi J'aime le Music-Hall \/ Décor \/ Composition originale\"(en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e Erté envisioned this set for a performance of \u003cem\u003eMoi, J’aime le Music-Hall\u003c\/em\u003e at the Casino de Paris in 1974. Located in the 9th arrondissement, this renowned entertainment venue had a rich history dating back to the 18th century. Following the First World War, it emerged as one of Paris’ most beloved music halls, graced by performances from luminaries such as Josephine Baker, Edith Piaf, Marlene Dietrich and many others. Erté’s set design for the show, which shares its name with the iconic Charles Trenet song, incorporates bold splashes of red, gold and black for its backdrop, while performers with feathered fans kick their legs above their heads. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7” high x 11 5\/8” wide\u003cbr\u003e Frame: 13 1\/8\" high x 17 5\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902735392903,"sku":"31-7688","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7688_1_4a7f497f-8ecb-4e6a-8bb4-ce06a4c4bb73.png?v=1728289205"},{"product_id":"bijoux-lumineux-avec-un-col-by-erte","title":"Bijoux lumineux avec un col by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBijoux lumineux avec un col\u003c\/em\u003e \u003cbr\u003e \u003cem\u003e(Luminous Jewels with a Collar)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Inscribed “No. 18.624 \/ Musidora \/ Bijoux Lumineux” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This extraordinary piece titled \u003cem\u003eBijoux lumineux avec un col\u003c\/em\u003e or \u003cem\u003e(Luminous Jewels with a Collar)\u003c\/em\u003e was crafted as an integral component of the costume designs for Roland Petit's 1979 ballet, \u003cem\u003eParisiana,\u003c\/em\u003e featuring his wife, Zizi Jeanmarie, in the lead role. Within the zeitgeist of 20th-century dance, Petit and Jeanmaire stand as luminaries whose profound influence has left an indelible mark on the artistic landscape. Their artistic collaboration not only steered the course of modern ballet but also positioned them as pivotal embodiments of the spirited essence of Parisian artistry. \u003cbr\u003e\u003cbr\u003e This trio of distinct gouache pieces presents Erté's resplendent jewelry designs that adorned Jeanmaire during the course of this pioneering ballet. Enveloped in a backdrop of profound blackness, three unique costume concepts radiate from each portrayal of Jeanmarie's iconic bobbed hairstyle and elegant silhouette. The commanding geometric cufflink, the turquoise Egyptian-style collar, and the meticulously adorned wrist cuff all exude the enchanting allure of the Art Deco epoch. Characterized by their embellished grandeur and radiant luminosity, these designs are further elevated by the unparalleled artistry of the dancer herself. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1979 \u003cbr\u003e\u003cbr\u003e Paper: 3 1\/2“ high x 10 1\/2” wide\u003cbr\u003e Frame: 9 3\/4“ high x 17\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41937054400647,"sku":"31-7711","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7711_1.png?v=1730933010"},{"product_id":"danseuse-by-pierre-carrier-belleuse","title":"Danseuse by Pierre Carrier-Belleuse","description":"Pierre Carrier-Belleuse\u003cbr\u003e 1851-1932 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDanseuse\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Pierre Carrier-Belleuse” (lower right)\u003cbr\u003e Pastel on canvas \u003cbr\u003e\u003cbr\u003e Strikingly elegant, this extraordinary pastel by French impressionist Pierre Carrier-Belleuse displays the artist’s mastery of his medium and his fascination with the intimate and graceful world of the modern ballerina. Carrier-Belleuse captures this classic beauty posed in the fourth position and the playful puff of her tutu shimmers with an incandescent glow filling the center of the composition. This dancer is simultaneously graceful and accessible, as her soft features and alluring eyes draw in the viewer. Much like the work of Degas, Carrier-Belleuse’s dancers are depicted with a common beauty that is at once poetic and attainable. A master of the art of pastel, his works are highly collectible as stunning examples of the art of impressionism. \u003cbr\u003e\u003cbr\u003e Born in 1851, Carrier-Belleuse was the son of the celebrated sculptor Albert Carrier-Belleuse, from whom he learned his artistic trade at a young age. He also studied under Alexandre Cabanel and Galland at the École des Beaux-Arts, and became a regular exhibitor at the Paris Salon beginning in 1875. Successful during his lifetime, he received an honorable mention at the Salon in 1887 and earned a silver medal at the Exposition Universelle in 1889. He mastered the art of working with pastels and was best known for his scenes of ballet dancers, in addition to his popular landscapes, and historical and genre works. \u003cbr\u003e\u003cbr\u003e Circa 1898 \u003cbr\u003e\u003cbr\u003e Frame: 52” high x 26 1\/4” wide\u003cbr\u003e Canvas: 45” high x 20” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44436028457095,"sku":"31-8314","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8314_1_75573afb-f185-4c59-81b2-c20eed3ea5cf.png?v=1775834533"},{"product_id":"ballerina-by-louis-carreon-1","title":"Ballerina by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBallerina\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Louis Carreon” (lower right)\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e Louis Carreon’s \u003cem\u003eBallerina\u003c\/em\u003e series reflects the dreams, resilience and struggles of artists drawn to his native California in pursuit of fame and purpose. Inspired by his own journey and influenced by artists like Degas, Carreon’s ballerinas represent more than just dancers—they are icons for actors, poets, models and performers, embodying the allure and challenges of the Hollywood dream. These figures reveal the toll of ambition and the distractions of ego and addiction. Carreon describes his ballerinas as symbols of strength, beauty and vulnerability, capturing the timeless struggle between self-love and external validation. Through this series, he shares a powerful message with aspiring creatives: resilience and self-mastery can turn dreams into reality. \u003cbr\u003e\u003cbr\u003e Louis Carreon, a contemporary artist with roots in street art, transforms personal growth into powerful works. Influenced by skate and graffiti culture, he brings authenticity and spiritual depth to galleries worldwide, redefining modern art through raw, impactful expression. \u003cbr\u003e\u003cbr\u003e Canvas: 40\" high x 30\" wide (101.60 x 76.20 cm)\u003cbr\u003e Frame: 41 1\/8\" high x 31 1\/8\" wide x 2 1\/8\" wide (104.46 x 79.06 x 5.40 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43026678349959,"sku":"32-1128","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1128_1.png?v=1754666687"},{"product_id":"ballerina-by-louis-carreon-2","title":"Ballerina by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBallerina\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Louis Carreon” (lower right)\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e In his \u003cem\u003eBallerina\u003c\/em\u003e series, Louis Carreon examines the ambitions and resilience of those chasing creative dreams in California. Drawing inspiration from his own path and echoing the influence of Degas, Carreon’s ballerinas become symbolic figures—stand-ins for actors, poets, models and performers navigating the Hollywood landscape. Against the purity of a white background, this figure conveys both the cost of ambition and the temptations of ego. For Carreon, the ballerina reflects strength intertwined with vulnerability, a visual metaphor for the ongoing struggle between self-acceptance and the pull of external validation. \u003cbr\u003e\u003cbr\u003e Carreon’s journey from street art to the global gallery stage shapes the authenticity of his work. With roots in skateboarding and graffiti culture, he infuses his art with spiritual depth and unfiltered honesty, crafting a bold, contemporary voice that redefines modern expression. \u003cbr\u003e\u003cbr\u003e Canvas: 40\" high x 30\" wide (101.60 x 76.20 cm)\u003cbr\u003e Frame: 41 1\/8\" high x 31 1\/8\" wide x 2 1\/8\" wide (104.46 x 79.06 x 5.40 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43041605255303,"sku":"32-1138","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1138_1.png?v=1755012297"},{"product_id":"etude-pour-les-soeurs-dolly-by-andre-lhote","title":"Étude pour Les Sœurs Dolly by André Lhote","description":"André Lhote\u003cbr\u003e 1885-1962 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eÉtude pour Les Sœurs Dolly\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"A. Lhote\" (upper left) and stamped with the artist's label (en verso)\u003cbr\u003e Oil on board \u003cbr\u003e\u003cbr\u003e This dynamic painting by French artist André Lhote captures the spectacle of 1920s Parisian theater, merging his signature Cubist vision with the glamour of the Jazz Age. Lhote is celebrated for his important contributions to modern art, as he bridged the radical movements of Fauvism, Cubism and beyond. \u003cbr\u003e\u003cbr\u003e Serving as the foundation for his renowned painting, \u003cem\u003eLes Sœurs Dolly\u003c\/em\u003e (1925), this work captures the Dolly Sisters—Jenny and Rosie Dolly—who were two of the most famous entertainers in the Western world during the first decades of the 20th century. Here, the iconic twins glide across the stage in their dazzling costumes, accompanied by an elaborate backdrop and orchestra musicians. Lhote's trademark geometric style and rich palette bring a mesmerizing energy to the scene that perfectly embodies the spirit of the era. \u003cbr\u003e\u003cbr\u003e Born Janka and Rózsika Deutsch in 1892, the Dolly Sisters immigrated to the United States as children, trained as dancers and rose to prominence through vaudeville and the Ziegfeld Follies. By 1922, they had relocated to Paris, where they headlined a series of spectacular revues at the city's most prestigious venues. In 1925, the year of this painting, the Dolly Sisters starred in \u003cem\u003eParis En Fleurs\u003c\/em\u003e at the Casino de Paris, a lavish production that cemented their status as icons of the Parisian stage. Courted by royalty, showered with jewels by wealthy admirers and celebrated for their synchronized choreography and flawless mirrored beauty, the twins embodied the extravagance and modernity of the era. \u003cbr\u003e\u003cbr\u003e Born in 1885 in Bordeaux, Lhote began as a student of sculpture, painting only occasionally in his free time. When he established his own studio in 1905, however, the artist took inspiration from Gauguin and Cézanne and dedicated himself fully to painting. A founding member of the influential Section d'Or group, he exhibited widely throughout Europe and authored influential texts on composition and modern aesthetics. \u003cbr\u003e\u003cbr\u003e By the mid-1920s, Lhote was celebrated not only as a painter but as one of modernism's most influential theorists and teachers. In 1922, he founded his own school in Montparnasse, and his writings and lectures articulated a vision of modern art rooted in timeless principles of composition. His Paris courses attracted students from across Europe and the Americas, including Henri Cartier-Bresson and Tamara de Lempicka. His works are represented in major museum collections worldwide, including the Centre Pompidou, the Art Institute of Chicago and the San Francisco Museum of Modern Art. \u003cbr\u003e\u003cbr\u003e The authenticity of this work has been confirmed by Dominique Bermann Martin, and it will be included in the forthcoming \u003cem\u003eCatalogue raisonne de l'oeuvre peint d'Andre Lhote\u003c\/em\u003e that is currently in preparation. \u003cbr\u003e\u003cbr\u003e Circa 1925 \u003cbr\u003e\u003cbr\u003e Board: 12 1\/2” high x 12 1\/8” wide (31.8 x 30.8 cm)\u003cbr\u003e Frame: 19 1\/2” high x 19 3\/8” wide x 1 3\/4” deep (49.5 x 49.1 x 4.5 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Acquired directly from the artist\u003cbr\u003e Thence by descent\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44418019590279,"sku":"32-2451","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2451_1_c3abd556-92f3-4e79-a990-4e487a9eb154.png?v=1775503410"},{"product_id":"danseuse-en-rose-by-edgar-degas","title":"Danseuse en Rose by Edgar Degas","description":"Edgar Degas\u003cbr\u003e 1834-1917 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDanseuse en rose\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Stamp signed \"Degas\" (lower left)\u003cbr\u003e Pastel on canvas \u003cbr\u003e\u003cbr\u003e \u003cem\u003e\"When you see his pastels…! When you think that he managed to achieve the tone of frescoes with a material so unpleasant to handle!\" —Pierre-Auguste Renoir on Degas\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Edgar Degas’ dancers require little by way of introduction—no artist better captured the fluid grace and ephemeral beauty of the ballet. This exceptionally rare pastel on canvas, titled \u003cem\u003eDanseuse en rose\u003c\/em\u003e, is among the most extraordinary the great artist ever painted—a masterpiece of grand scale, radiant beauty and iconic subject. \u003cbr\u003e\u003cbr\u003e This extraordinary pastel hails from the height of Degas’ career, circa 1877-80. The opening of the Palais Garnier in 1875 transformed Parisian cultural life and offered the artist easy access to the world of performers. Degas soon became widely acclaimed, hailed as the definitive “painter of dancers.” This pivotal period for Degas also coincided with the meteoric rise of Rosita Mauri, the celebrated prima ballerina who is at the center of this pastel.  \u003cbr\u003e\u003cbr\u003e Rosita Mauri was the great star of the Paris Opéra at this time, admired not only for her technical brilliance but for her commanding stage presence, which Degas captured perfectly in \u003cem\u003eDanseuse en rose\u003c\/em\u003e. It is quite difficult to identify most dancers in Degas’ oeuvre, but Mauri was among the most famous and beloved ballerinas of her day. Similar pastels of Mauri on stage belong to prestigious museums, including the Art Institute of Chicago and the Musée d’Orsay.  \u003cbr\u003e\u003cbr\u003e The monumental beauty of \u003cem\u003eDanseuse en rose\u003c\/em\u003e is breathtaking at every turn. Degas captured Mauri \u003cem\u003een pointe\u003c\/em\u003e, gracefully suspended between stillness and motion—a hallmark of the artist’s genius for rendering fluid motion. Her elaborate costume shimmers in harmony with the colorful stage scenery, creating a spontaneous symphony of energy and vibrancy. Her face is rendered with exceptionally delicate beauty—a rarity among Degas’ dancers, who he often portrayed under harsh, unflattering lights. \u003cbr\u003e\u003cbr\u003e This wonderful work of art also has great scale—over three feet high—and is unique for being on canvas. The canvas allowed him to work much larger than his typical paper works and to achieve extraordinarily vivid colors and textures, which are still remarkably luminous almost 150 years later. \u003cbr\u003e\u003cbr\u003e This work’s provenance further elevates its importance. Danseuse en rose remained with Degas and his family for almost 100 years, when it then entered one of the most storied private collections of the 20th century—that of the Maharani Sita Devi Gaekwar of Baroda. Known throughout international society for her extraordinary taste and connoisseurship, she was often referred to as the “Indian Wallis Simpson.” The Maharani assembled a remarkable group of Impressionist masterworks, of which this Degas was a clear highlight. \u003cbr\u003e\u003cbr\u003e Given its provenance, beauty and rarity, \u003cem\u003eDanseuse en rose\u003c\/em\u003e is an undeniable masterpiece of Impressionism. Similar, but smaller, examples have gone for large sums at auction. These iconic works, however, hardly ever come to auction, as most of Degas' masterpiece ballerinas already reside in the world’s most prestigious museums, including the Musée d’Orsay, the Art Institute of Chicago, the Metropolitan Museum of Art, the MFA, Boston and many more. \u003cbr\u003e\u003cbr\u003e Circa 1877-80 \u003cbr\u003e\u003cbr\u003e Canvas: 35 3\/4” high x 28 1\/4” wide (90.81 x 71.76 cm)\u003cbr\u003e Frame: 44 3\/4” high x 37 1\/2” wide x 2 1\/2” deep (113.7 x 95.3 x 6.4 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_32-2603.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Collection of the artist\u003cbr\u003e Sale of the above, Atelier Edgar Degas, Galerie G. Petit, Paris, 2nd sale, December 11-13, 1918, lot 110\u003cbr\u003e Roland Nepveu-Degas (Degas’ nephew), 1918, purchased at the above sale\u003cbr\u003e S.A.R. the Maharani Seethadevi Gaekwar de Baroda\u003cbr\u003e Sale of the above, Palais Galliéra, Paris, November 30, 1961, lot 4\u003cbr\u003e Micheline Maus, Switzerland\u003cbr\u003e Private collection, Geneva, acquired from the above in 2008\u003cbr\u003e Private collection, Germany\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Sale catalog, Atelier Edgar Degas, Galerie G. Petit, Paris, 2nd sale, December 11-13, 1918, no. 110, p. 61 (illustrated)\u003cbr\u003e Paul-André Lemoisne, \u003cem\u003eDegas et son œuvre\u003c\/em\u003e, Paris, 1946, vol. II, no. 468, p. 256-57 (illustrated)\u003cbr\u003e Sale catalog, Palais Galliéra, Paris, November 30, 1961, no. 4 (illustrated)\u003cbr\u003e Jacques Lassaigne, Fiorella Minervino, \u003cem\u003eTout l'oeuvre peint de Degas\u003c\/em\u003e, Paris, 1988, no. 539, p. 111 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Paris, Galerie Charpentier, \u003cem\u003eDanse et Divertissement\u003c\/em\u003e, 1948-1949, no. 59 (as \u003cem\u003eDanseuse sur les pointes\u003c\/em\u003e)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44567224582279,"sku":"32-2603","price":12500000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-2603_1.png?v=1784582443"},{"product_id":"ballerina-by-louis-carreon-3","title":"Ballerina by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBallerina\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e In his \u003cem\u003eBallerina\u003c\/em\u003e series, Louis Carreon renders the dreams, ambitions and resilience of creatives chasing dreams in his native California. Drawing inspiration from his own journey and the influence of artists like Degas, Carreon’s ballerinas symbolize actors, poets, models and other performers who must navigate the Hollywood landscape, revealing the toll of ambition when paired with the temptations of ego. For Carreon, ballerinas reflect how strength intertwines with vulnerability, a visual metaphor for the ongoing struggle between self-acceptance and the pull of external validation. \u003cbr\u003e\u003cbr\u003e Louis Carreon is a contemporary artist with creative roots in street art, including skateboarding and graffiti culture. He infuses his art with spiritual depth and unfiltered honesty, crafting a bold, contemporary voice that redefines modern expression. \u003cbr\u003e\u003cbr\u003e Canvas: 30\" high x 24\" wide (76.2 x 61 cm)\u003cbr\u003e Frame: 31 1\/8\" high x 25 1\/4\" wide x 1 3\/4\" deep (79.1 x 64.1 x 4.5 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44833384235143,"sku":"32-1137","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-1137_1.png?v=1781133699"}],"url":"https:\/\/rauantiques.com\/collections\/fine-art-collection-art-of-dance.oembed?page=2","provider":"M.S. Rau","version":"1.0","type":"link"}