{"title":"Fine Art Collection: Inspired by Nature","description":"","products":[{"product_id":"autumn-garden-walk-by-john-atkinson-grimshaw","title":"Autumn Garden Walk by John Atkinson Grimshaw","description":"John Atkinson Grimshaw\u003cbr\u003e 1836-1893 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAutumn Garden Walk\u003c\/em\u003e  \u003cbr\u003e\u003cbr\u003e Signed and dated \"Atkinson Grimshaw 1879-80\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The golden-red glow of the autumnal sun illuminates this countryside scene by British painter John Atkinson Grimshaw. Showcasing the celebrated painter’s mastery of light and atmosphere, the oil is a captivating example of Grimshaw's meticulously rendered evening subjects. While the majority of the artist’s works depict moon-washed cities and the fishing villages of Britain, the location of this piece is the British countryside, giving it a sense of romance that would have resonated with its Victorian audience. \u003cbr\u003e\u003cbr\u003e Born in Leeds the son of an ex-policeman, Grimshaw began painting while he was employed as a clerk for the Great Northern Railway. In 1861 he left his job to pursue a career as a full-time artist. By 1870, he was successful enough to rent Knostrop Hall, a 17th-century mansion near Temple Newsam, which is featured in many of his paintings. His continued success enabled Grimshaw to build a house in Scarborough and to rent a studio in Chelsea. \u003cbr\u003e\u003cbr\u003e His early paintings of still lifes and local landscapes were executed with a precision reminiscent of the Pre-Raphaelite Brotherhood’s ideals. Later in his career, he turned his attention to moonlit urban scenes. He was fascinated by the relatively new art of photography and often used a camera obscura in developing his compositions. He strove relentlessly to perfect his own very individual vision. John Atkinson Grimshaw died on October 31, 1893, leaving three sons, Arthur, Louis and Wilfred, and a daughter, Elaine, who also became artists. Grimshaw’s work can now be seen in galleries all over the world including the Tate Gallery in London and the Leeds Museum.\u003cbr\u003e\u003cbr\u003e Canvas: 20” high x 30” wide\u003cbr\u003e Frame: 33 1\/2” high x 43 1\/2” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542197473415,"sku":"30-6163","price":445000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-6163_1.png?v=1743858833"},{"product_id":"le-passeur-by-jean-baptiste-camille-corot","title":"Le Passeur by Jean-Baptiste-Camille Corot","description":"Jean-Baptiste-Camille Corot\u003cbr\u003e 1796-1875 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe Passeur\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Ferryman\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed \"Corot\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e \u003cem\u003e“There is only one master here — Corot. We are nothing compared to him, nothing.”\u003c\/em\u003e\u003cbr\u003e - Claude Monet\u003cbr\u003e \u003cbr\u003e One of the world’s most important artists, Jean-Baptiste-Camille Corot’s contributions to the history of art are immeasurable. Acclaimed as one of the world’s greatest landscape painters and widely regarded as the first Impressionist, Corot's paintings served as inspiration for entire generations of artists who followed him. In this phenomenal and monumental work, entitled \u003cem\u003eLe Passeur (The Ferryman)\u003c\/em\u003e, his groundbreaking ability to express the very essence of the landscape with subtle poeticism and impressionistic luminosity is clear. \u003cbr\u003e\u003cbr\u003e The work is both a meditation on nature’s beauty and a study in serenity, deftly reflecting the artist’s own self-confessed affinity to retreat from the world. The ferryman's boat, mirrored in a tranquil sheet of water, contributes to the calm of the evening scene, while also offering a subtle question as to man’s place in nature. The subject of the ferryman was a familiar one to Corot, who returned to the subject time and time again. A second example, just half the size of the present piece, is currently on display at the Metropolitan Museum of Art (New York), while another earned him significant critical acclaim when it was exhibited at the Salon of 1873. The present piece remarkably shares the brilliance of these smaller works, and Corot deftly captures the monumentality of the French landscape with his renowned lyricism. \u003cbr\u003e\u003cbr\u003e Once owned by the Art Institute of Chicago, \u003cem\u003eLe Passeur\u003c\/em\u003e was part of the celebrated Henry Field Memorial Collection, along with other pivotal masterpieces such as \u003cem\u003eThe Song of the Lark\u003c\/em\u003e by Jules Adolphe Breton (1884) and \u003cem\u003ePeasants Bringing Home a Calf Born in the Fields\u003c\/em\u003e by Jean-François Millet (1864). It bears all of the hallmarks of his beloved style. His charming tendency to animate his landscapes with a note of brilliant color is seen in the vibrant red of a ferry passenger's cap, which serves as a beacon in the vast canvas. His brushstrokes, feathery and light, transformed the neoclassical landscape of his predecessors; rather than idealism and order, Corot discovered an intrinsic poetry in nature’s powerful presence. His persistence in capturing variations of light and atmosphere in the same setting portends the innovations of the Impressionists – just 20 years later Monet would do the same when he painted, over and over again, the façade of the cathedral at Rouen. Yet, it was his steadfastness to his style and \u003cem\u003eplein air\u003c\/em\u003e technique that was the greatest influence on those budding young artists around him. The great Camille Pissarro, in particular, fell under his influence, and he persistently upheld Corot as an example of independence to the Impressionists. \u003cbr\u003e\u003cbr\u003e Corot received a classical education in Rouen before turning to painting, at which time he studied with Achille Etna Michallon and Jean-Victor Bertin, both pupils of the leading historical landscape painter Pierre-Henri de Valenciennes. He visited the countryside of Rome and produced plein air studies, capturing the area’s natural beauty and classical antiquity. His fresh, starkly lit renditions reflect the debate of the day that sought to reconcile classically inspired idealizations with closely observed depictions of light and climate. \u003cbr\u003e\u003cbr\u003e He debuted at the Paris Salon in 1827 and would continue to exhibit there his entire life. Many of these paintings, particularly those produced later in his career, were purchased by the state for public museums, as well as by important collectors such as Emperor Napoleon III. For his enduring contribution to the arts, Corot was made a Knight of the Legion of Honor in 1846 and an Officer in 1867. At the Munich International Exposition of 1869, he was made a Knight of the Order of St. Michael. \u003cbr\u003e\u003cbr\u003e As seen in this extraordinary example, Corot’s work shows great strength, purity and a deep understanding of the French landscape. His use of light and shadow breathes life into the canvas and gives the subject an exceptional dimension of realism. Corot was profoundly influential both upon his contemporaries and later generations of artists. Those who counted him as their greatest inspiration include Daubigny, Théodore Rousseau, Jean-François Millet, Gustave Courbet and Berthe Morisot. \u003cbr\u003e\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e Canvas: 36” high x 52 1\/2” wide\u003cbr\u003e Frame: 45 3\/4” high x 62” wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The artist\u003cbr\u003e Arnold \u0026amp; Tripp, Paris\u003cbr\u003e Durand- Ruel, Paris, 1889\u003cbr\u003e Durand-Ruel, New York, 1889\u003cbr\u003e Henry Field, Chicago, 1891\u003cbr\u003e by descent to his wife, Florence Lathrop Field, Chicago\u003cbr\u003e Gift to The Art Institute of Chicago, 1894\u003cbr\u003e Max E. Greenberg, New York\u003cbr\u003e by descent to his wife, Filomen D’Agostino Greenberg\u003cbr\u003e Alexander Gallery, New York\u003cbr\u003e Private collection, California, 2014\u003cbr\u003e M.S. Rau Antiques, 2016","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672833491079,"sku":"30-5760","price":785000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-5760_1_b87e1f6a-a128-4c27-99ea-eda79d0c49a7.png?v=1769759164"},{"product_id":"sunset-on-lake-george-by-louis-remy-mignot","title":"Sunset on Lake George by Louis Rémy Mignot","description":"Louis Rémy Mignot\u003cbr\u003e\n1831-1870 | American\n\u003cbr\u003e\u003cbr\u003e\n\u003cem\u003eSunset on Lake George\u003c\/em\u003e\n\u003cbr\u003e\u003cbr\u003e\nOil on canvas\n\u003cbr\u003e\u003cbr\u003e\nThe golden red glow of the setting sun permeates throughout this ethereal composition by the great Hudson River School painter Louis Rémy Mignot. \u003cem\u003eSunset on Lake George\u003c\/em\u003e brilliantly showcases Mignot's mastery of both light and atmosphere. The blazing sky, comprising subtly graded tones from deep purple through oranges to dazzling yellow, is the most impressive element in this attention-demanding painting. With his subtle variations between light and shadow, Mignot's composition reveals the alluring and haunting beauties of the unspoiled American landscape.\n\u003cbr\u003e\u003cbr\u003e\nAs a prominent member of the Hudson River School, Mignot sought out sprawling vistas and virgin landscapes such as this. The view of Lake George in northern New York reveals the quiet solemnity and repose that was typical of Mignot's mature style. Like his friend and colleague Thomas Cole, Mignot possessed the innate ability to capture the atmospheric drama of a scene. With its softly blurred edges and intense red palette, \u003cem\u003eSunset on Lake George\u003c\/em\u003e seems to reveal the essence of this place, while at the same time maintaining an air of mystery and the Sublime. It is precisely the type of composition that earned him such high praise during his lifetime, and that made the Hudson River School painters such artistic revolutionaries.\n\u003cbr\u003e\u003cbr\u003e\nBorn in 1831 in South Carolina, Louis Rémy Mignot was born to French parents of Huguenot descent. Both his French and southern heritages would influence his later artistic style, distinguishing him from other painters of the Hudson River School, particularly in his atmospheric effects. As a young painter, he travelled extensively, first to Europe for his artistic training, and later to Ecuador with his colleague Frederic Edwin Church. He first exhibited at the National Academy of Design in 1853, eventually becoming an academician. He died of smallpox at the young age of 39, cutting short a promising career. Today, his works can be found in the collections of the Metropolitan Museum of Art (New York), Brooklyn Museum, North Carolina Museum of Art, Detroit Institute of Arts, and the de Young Museum (San Francisco), among others.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1860\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 16\" high x 24 1\/8\" wide\u003cbr\u003e\nFrame: 24 3\/8\" high x 34 1\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40510303469703,"sku":"30-8878","price":188500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/30-8878_1.png?v=1689409336"},{"product_id":"dimanche-au-champ-de-course-by-h-claude-pissarro","title":"Dimanche au champ de course by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDimanche au champ de course (Deauville)\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eSunday at the Racetrack\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower left)\u003cbr\u003e Pastel on card \u003cbr\u003e\u003cbr\u003e French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled \u003cem\u003eDimanche au Champ de Course (Deauville)\u003c\/em\u003e, it showcases the artist's highly distinctive and sophisticated style. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his brightly colored works such as the present piece. \u003cbr\u003e\u003cbr\u003e The painting is accompanied by a certificate of authenticity signed by the artist. \u003cbr\u003e\u003cbr\u003e Card: 14\" high x 19 1\/2\" wide\u003cbr\u003e Frame: 19 7\/8\" high\" x 25 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873704050823,"sku":"31-0882","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0882_1_9bf0847a-6f86-4814-86ea-ceb5b0d24e59.png?v=1770664814"},{"product_id":"kittens-on-a-rampage-by-jules-leroy","title":"Kittens on a Rampage by Jules LeRoy","description":"Jules LeRoy\u003cbr\u003e 1856-1921 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eKittens on a Rampage\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed ‘J.LeRoy’ (lower right)\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e A trio of rambunctious kittens wreak havoc in this delightful scene by the French painter Jules LeRoy. Such portraits of family pets were popular at the end of the 19th century, and LeRoy possessed a particular talent for capturing the unique character of his feline subjects. This work is a particularly humorous example of his output, as three young kittens terrorize a parrot while their mother looks on.  \u003cbr\u003e\u003cbr\u003e Jules LeRoy was born in France in 1856, perhaps the son of the still life painter Jules LeRoy Sr. (1833-1865). He was renowned for his paintings of cats such as this one, executed in both oils and watercolors. Paintings of pets were highly coveted by the wealthy upper classes of the 19th century, and LeRoy's charming compositions of mischievous cats in domestic interiors were particular favorites. His works remain just as popular today, found in important private and public collections such as the Musée d'Art et d'Industrie (Roubaix). \u003cbr\u003e\u003cbr\u003e Panel: 13 1\/4\" high x 10 1\/8\" wide\u003cbr\u003e Frame: 17 3\/4\" high x 14 3\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40491932811399,"sku":"31-1140","price":14500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/31-1140_1.png?v=1685644422"},{"product_id":"dance-of-the-nymphs-by-paul-desire-trouillebert","title":"Dance of the Nymphs by Paul Désiré Trouillebert","description":"Paul Désiré Trouillebert\u003cbr\u003e 1829-1900 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDance of the Nymphs\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Trouillebert\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This lyrical landscape entitled \u003cem\u003eDance of the Nymphs\u003c\/em\u003e was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. \u003cbr\u003e\u003cbr\u003e Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1829, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert and Charles Jalabert. Early in his career, he primarily produced portraits and genre scenes, exhibiting his first portrait at the Paris Salon in 1865. By the end of the decade, however, his interest in landscape painting blossomed, and in 1869, he exhibited his first landscape at the Salon to great acclaim. He went on to execute a number of landscapes that recall the mature style of Corot, including the present work, though they remain distinctly Trouillbert in their execution. Today, his paintings can be found in several important private collections, as well as the Lightner Museum (St. Augustine, Florida). \u003cbr\u003e\u003cbr\u003e Canvas: 38 3\/4\" high x 51 1\/2\" wide\u003cbr\u003e Frame: 50\" high x 62 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913597657223,"sku":"31-1655","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1655_1.png?v=1730881855"},{"product_id":"bateaux-de-peche-audierne-by-henry-moret","title":"Bateaux de pêche, Audierne, by Henry Moret","description":"Henry Moret\u003cbr\u003e 1856-1913 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBateaux de pêche, Audierne\u003cbr\u003e (Fishing Boat, Audierne)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated “Henry Moret 1906” (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Beautifully composed and imbued with vivid color, this oil on canvas is the work of Impressionist Henry Moret. One of the most celebrated painters of the Pont-Aven School, Moret’s lasting reputation is tied to his talent for capturing the bright skies, tranquil waterways and diverse coastline of northern France. With a mastery of \u003cem\u003eplein air\u003c\/em\u003e composition and a deep appreciation for the natural world, the artist paints with such artistry that his subject is transformed into something timeless and eternal. His genius for recreating natural phenomena on canvas is most evident in this work entitled \u003cem\u003eBateaux de pêche, Audierne\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e The oil on canvas depicts fishing boats off the coast of Audierne in North-Western France, capturing the effects of light and weather upon the rough seas. Moret's rich impasto conveys the energy of the water, which is depicted in a profusion of green and blue hues. Fishing boats dramatically punctuate the canvas, rendered in deep crimson and purple hues that stand out against the otherwise cool palette of the painting. Simultaneously naturalistic and emotive, the oil reveals Moret’s intense devotion to and love for the seaside of Brittany. \u003cbr\u003e\u003cbr\u003e As a young man in military service in 1875, Moret discovered the beauty of France’s northern coasts, particularly those of Normandy and Brittany. After his tour ended, he embarked on his artistic career, completing his formal education at the École Nationale des Beaux-Arts under Jean-Paul Laurens and Jean-Leon Gérôme. In 1881, he returned to the north and became greatly influenced by the artist of Pont-Aven, particularly Gauguin. Moret had already begun exploring more abstract theories within his works, but it was his time with Gauguin that opened his eyes to the concept of Symbolism. \u003cbr\u003e\u003cbr\u003e After Gauguin left Pont-Aven in 1891, Moret returned to his Impressionist roots and found a balance between the two methodologies. In \u003cem\u003eLes Aiguilles du Port-Coton à Belle-Île\u003c\/em\u003e, there is a clear Impressionist handling of the brush with more subjective hues. The contrast gives the work a depth and vivacity unique to Moret’s paintings. From the shadows of the jagged rocks to the stillness of the sea, the artist creates a delicate balance within his subject that portrays both the beauty and power of nature. \u003cbr\u003e\u003cbr\u003e This important work will be included in the forthcoming Henry Moret catalogue raisonné currently being prepared by Jean-Yves Rolland.  \u003cbr\u003e\u003cbr\u003e Dated 1906 \u003cbr\u003e\u003cbr\u003e Canvas: 21 1\/2” high x 32” wide\u003cbr\u003e Frame: 28 1\/4\" high x 38 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40492171788423,"sku":"31-3144","price":198500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/31-3144_1.png?v=1692001739"},{"product_id":"almond-trees-in-spring-by-achille-lauge","title":"Almond Trees in Spring by Achille Laugé","description":"Achille Laugé\u003cbr\u003e 1861-1944 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAlmond Trees in Spring\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"A. Laugé\" (lower right)\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in \u003cem\u003eAlmond Trees in Spring\u003c\/em\u003e. The light blue of the sky and the more muted colors of the field, along with the cottony white and pink tones of the blossoming trees create a scenic and calm composition. \u003cbr\u003e\u003cbr\u003e Born in 1861 to wealthy farmers, he moved to Toulouse at the age of 17 to study pharmacy. At this time, he also enrolled part-time at the school of the Beaux-Arts, where he befriended the artist Bourdelle. Three years later, he moved to Paris, where he studied under the famous masters Alexandre Cabandel and Aristide Maillol, making his debut at the \u003cem\u003eSalon\u003c\/em\u003e in 1884. Like many other artists of his generation, Laugé eventually rejected the conservative ideals of this teacher, falling under the Post-Impressionist influence of George Seurat. By 1888, his landscapes became assiduous experiments in complementary colors and light on canvas. He exhibited three paintings at the \u003cem\u003e Salon des Indépendants\u003c\/em\u003e in 1894, as well as with the Nabis that same year. In addition, Laugé held several one-man shows in Paris, Toulouse and Perpignan from 1907 to 1930. \u003cbr\u003e\u003cbr\u003e It was after his departure from Paris that Laugé developed his divisionist technique, following the lead of Seurat and the Pointillists. Although Laugé never adopted Seurat’s scientific attitude, his interest in the primacy and division of color resulted in work with a vivid, translucent palette. From 1888 until about 1896, Laugé composed his pictures with small points of color. At the end of the century, he abandoned the dots and dabs and painted his landscapes, portraits and still-lives with thin, systematically placed strokes resembling crosshatching. After 1905, he applied his pigments more freely, with enlarged strokes and thick impasto that brought him closer to a traditional impressionist technique whilst maintaining his ability to paint the translucence of southern light. Today, his exceptional works can be found in museums throughout France, including the Musée D'Orsay in Paris. \u003cbr\u003e\u003cbr\u003e Canvas: 21\" high x 28 1\/2\" wide\u003cbr\u003e Frame: 32 3\/4\" high x 40\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galleris Maurice Sternberg, Chicago\u003cbr\u003e Private collection, Texas, 1975\u003cbr\u003e Private collection, Broadway, UK\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238532915335,"sku":"31-3146","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3146_1_da40b300-a9ae-4767-908f-31e11a2f3694.png?v=1717922680"},{"product_id":"on-the-fjord-by-hans-dahl","title":"On the Fjord by Hans Dahl","description":"Hans Dahl\u003cbr\u003e 1849-1937 | Norwegian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eOn the Fjord\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Hans-Dahl \/ Balestrand \/ Sogn\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Hans Dahl was a keen chronicler of rural Norwegian life in the late 19th and early 20th centuries, capturing the daily lives of people along the country's famed fjords. \u003cem\u003eOn the Fjord\u003c\/em\u003e typifies his mature style, highlighting the relationship between the Norwegian people and the grand natural landscape they inhabited. Here, Dahl captures a group of peasants wearing regional bunads, or folk costumes, as they stroll along the fjord following a day's work. The flowers in the foreground are captured with a vitality and vigor of brushstroke that reveals the early influence of the French Impressionists on the painter. Combined with his masterful use of composition and color, \u003cem\u003eOn the Fjord\u003c\/em\u003e is a fine example of this accomplished artist's discerning gift for evoking the charm and nostalgia of his home. \u003cbr\u003e\u003cbr\u003e Hans Dahl was born in Hardanger, West Norway in 1849. After serving his time in the Swedish Army, he studied art in Carlsruhe and in Düsseldorf under the Norwegian romanticist artist Hans Gude. His first exhibition was in Dusseldorf in 1876, and he lived in Germany for much of his early career. However, by the 1890s he was successful enough to support a second residence, and in 1893 he commissioned the Trondheim-based firm of Jacob Digre to build his summer home in Balestrand. Eventually, he moved to Balestrand full time; he was enamored with the Norwegian landscape, and it filled his canvases, informing his mature style. These works were among the best of his career and highly popular among art patrons of the period, including German emperor Kaiser Wilhelm II. Today, his light-filled paintings are much sought after by collectors worldwide, particularly those of German and Norwegian descent. \u003cbr\u003e\u003cbr\u003e Canvas: 36\" high x 24\" wide\u003cbr\u003e Frame: 43 1\/4\" high x 31 5\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672892047495,"sku":"31-3346","price":54500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3346_1_78e8c9cc-1103-47df-9686-ea6fe1da757e.png?v=1767202903"},{"product_id":"overhead-trestle-bass-rocks-massachusetts-by-martha-walter","title":"Overhead Trestle, Bass Rocks, Massachusetts by Martha Walter","description":"Martha Walter\u003cbr\u003e 1875 – 1976 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eOverhead Trestle, Bass Rocks, Massachusetts\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Martha Walter\" (lower center)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Martha Walter is celebrated as one of the great female artists of American art history, and this remarkable and highly expressive oil on canvas represents one of the artist’s favorite subjects: carefree New England shore scenes teeming with beachgoers. Pairing a traditional seascape with thoroughly modern execution, the painting is exemplary of Walter’s distinctive style and an evocative example of American Impressionism. \u003cbr\u003e\u003cbr\u003e Depicting Bass Rocks Beach in Gloucester, Massachusetts, this painting’s daring compositional framing places loosely rendered figures in the background while the sea and a trestle bridge dominate the foreground. This unconventional perspective, as well as a wonderful sense of light and shadow, creates a spontaneous snapshot-like effect — a technique espoused by the French Impressionists. Furthermore, the artist’s loose brushwork and splashes of vivid color lend vitality to the figures at rest and at play along the water’s edge. With its extreme vertical cropping and strong brushwork, this is perhaps one of Walter’s most strongly modern canvases. \u003cbr\u003e\u003cbr\u003e Born in Philadelphia in 1875, Walter quickly established her place as one of the foremost American Impressionist painters of her lifetime. She studied at the Pennsylvania Academy for the Fine Arts under the tutelage of American painter William Merritt Chase, who became one of her greatest supporters. Chase encouraged her to enter a number of art competitions early in her career, and she subsequently won the Tappan prize in 1902, as well as a Cresson traveling scholarship in 1908. She was thus able to travel extensively throughout France, Holland, Italy and Spain, eventually enrolling at both the Academie Julian and the Academie Grand Chaumiere in Paris for brief periods. Rebelling at their traditional approach and classical subjects, Walter left the formal academies and established her own studio in Paris with a small group of female American artists. It was during this period that Walter developed her infatuation for \u003cem\u003eplein air\u003c\/em\u003e painting, which would profoundly influence the course of her career. \u003cbr\u003e\u003cbr\u003e Walter returned to America at the beginning of World War I, and her previously light and airy paintings took on a more vivid and spontaneous feel. She quickly became known for her charming beach scenes of Cape Ann, Atlantic City and Coney Island, and her paintings from this period boast a colorful palette, remarkable atmosphere and masterful use of light and shadow. Gaining increasing popularity for her distinct style, Walter won prizes from the Pennsylvania Academy of the Fine Arts and the National Association of Women Artists. Soon after she became a teacher at Chase's New York School of Art. Today, the artist's works reside in several important permanent collections including the Art Institute of Chicago, the Pennsylvania Academy for the Fine Arts (Philadelphia) and the Woodmere Art Museum (Philadelphia).  \u003cbr\u003e\u003cbr\u003e Circa 1920 \u003cbr\u003e\u003cbr\u003e Canvas: 40 1\/8\" high x 32\" wide\u003cbr\u003e Frame: 50 1\/8\" high x 42 1\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40500495843463,"sku":"31-4281","price":198500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/31-4281_1_48cf42f0-f65a-4a44-9165-125fb6c403b9.png?v=1710146687"},{"product_id":"les-roses-dispahan-by-lucien-levy-dhurmer","title":"Les roses d'Ispahan by Lucien Lévy-Dhurmer","description":"Lucien Lévy-Dhurmer\u003cbr\u003e 1865-1953 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes roses d’Ispahan\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Lévy Dhurmer\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer into an imaginary journey of the senses. \u003cbr\u003e\u003cbr\u003e Partly obscured by a rose bush, the Persian city of Isfahan, in present-day Iran, forms the expansive vista. The painting's title is taken from the poem by Charles Leconte de Lisle, which was famously set to music by Gabriel Fauré in 1884. Lévy-Dhurmer's incredible brushwork and mastery of color bring the vista to life with thousands of feathery strokes, perfectly evoking the allure and mystery of this legendary city. \u003cbr\u003e\u003cbr\u003e Born in French Algeria in 1865, Lucien Lévy-Dhurmer studied drawing and sculpture in Paris as a child and began his artistic career as a decorative painter at a porcelain manufactory in Golfe-Juan. Throughout his long career, Lévy-Dhurmer experimented with different artistic styles and mediums, succeeding as a ceramicist, painter, pastelist and furniture designer. Perhaps his most celebrated work, the famed Wisteria Dining Room, which is now held in the Metropolitan Museum of Art, is a brilliant example of the artist’s remarkable range of skills in various media. \u003cbr\u003e\u003cbr\u003e His trip to Italy in 1895 would change the course of his life and interests. It was there that he discovered an interest in German and Florentine Renaissance—resulting in paintings that fit in nicely alongside those of the English Pre-Raphaelites. That same year, Lévy-Dhurmer officially began his painting career. In 1896, he held his first solo exhibition at the Galerie Georges Petit in Paris, where he appeared for the first time under the name Lévy-Dhurmer, adding to his surname Lévy part of his mother’s maiden name, Pauline-Amelie Goldhurmer. \u003cbr\u003e\u003cbr\u003e His unique blend of Academic detail with Impressionist color and technique garnered the artist considerable attention. He was drawn to the ideals of the Symbolist movement, which offered an intellectual alternative to the purely visual pursuits of the Impressionists. After 1900, Lévy-Dhurmer’s work explored the emotional and lyrical possibilities of landscape and atmosphere. Similar landscapes by Lévy-Dhurmer from this period reside in the Denver Art Museum and the Musée d’Orsay in Paris. \u003cbr\u003e\u003cbr\u003e Circa 1910 \u003cbr\u003e\u003cbr\u003e Canvas: 23 3\/4\" high x 32\" wide (60.33 x 81.28 cm)\u003cbr\u003e Frame: 30\" high x 38 1\/8\" wide x 2\" deep (76.20 x 96.84 x 5.08 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, London\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private collection, California\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44422079479943,"sku":"31-4730","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4730_1_544fb0d5-bcda-4765-9888-9062b04032a5.png?v=1775582534"},{"product_id":"stable-mates-attributed-to-john-frederick-herring-jr","title":"Stable Mates, Attributed to John Frederick Herring, Jr.","description":"John Frederick Herring, Jr.\u003cbr\u003e c. 1820-1907 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eStable Mates\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e In this painting attributed to John Frederick Herring, Jr., the idyllic charm of a bucolic farm is rendered with remarkable warmth and skill. Entitled \u003cem\u003eStable Mates\u003c\/em\u003e, Herring Jr. portrays a pair of nuzzling horses and resting birds in extraordinarily realistic detail, the horses’ expressions exuding a palpable tranquility. \u003cbr\u003e\u003cbr\u003e Born the son of famed sporting and equestrian painter John Frederick Herring, Sr., the younger Herring grew up surrounded by fine painting and developed a love of it under his father’s influence. In fact, he developed so quickly as an artist that it is said that his father felt compelled to add “Sr.” to the end of his signature to distinguish his paintings from his son’s. Herring, Jr. focused as his father did on the subject of horses, whether in the farmyard, beside a stream or amid the hunt or a race, and this work is modeled after a painting by Herrick Sr. entitled \u003cem\u003eGood Companions\u003c\/em\u003e, painted in 1847. Herring Jr.’s bold canvases helped solidify his reputation as one of the finest sporting artists of his day. \u003cbr\u003e\u003cbr\u003e Herring, Jr. was widely popular and was often commissioned to paint sporting and hunting subjects for wealthy landowners. While known for his paintings of racehorses, later in his career, he transitioned to painting tranquil scenes of farmyard animals. He frequently exhibited in London from 1860 to 1875, showing his work at the Royal Academy and the British Institution, among others. \u003cbr\u003e\u003cbr\u003e Mid-to-late 19th Century \u003cbr\u003e\u003cbr\u003e Frame: 30 3\/8\" high x 26 1\/4\" wide Canvas: 23 7\/8\" high x 19 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42556956311687,"sku":"31-4645","price":29850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4645_1_c7aee4a2-ac74-42b1-82b2-8ae867ece1f1.png?v=1744392472"},{"product_id":"monaco-by-franz-richard-unterberger","title":"Monaco by Franz Richard Unterberger","description":"Franz Richard Unterberger \u003cbr\u003e 1838-1902 | Austrian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMonaco\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"FR Unterberger\" (lower left) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Austrian Romanticist Franz Richard Unterberger creates a timeless tableau in this oil on canvas depicting a view of the sparkling French Rivera in Monaco. This charming scene depicts a family enjoying a relaxed picnic in the hills, with the framing of the coastal landscape providing the perfect view of the sea. The atmospheric effects of the scene are masterfully executed — the sun, low in the sky, bathes the mountainous landscape in the distance in warm, hazy light, while the sea shines below. Dreamy, colorful and mesmerizing, this work is one of Unterberger's most treasured pieces. \u003cbr\u003e\u003cbr\u003e The artist rose in popularity in the 19th century during a period when travel to the Mediterranean was at an all-time high. Aware of the increased interest in these regions, Unterberger dedicated much of his output to creating idyllic scenes of the most beautiful and popular spots throughout Europe. For Unterberger, this usually meant scenes of Italy that dominated his output, making this view of Monaco extremely rare and highly desirable within his oeuvre. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMonaco\u003c\/em\u003e embodies the very best qualities of his canvases. Unterberger possessed a talent for pulling the viewer in his landscapes, which perfectly capture the romance of the Mediterranean. The juxtaposition of the bold, deliberate impasto of the foreground with the softer, hazier brushstrokes of the background is perfectly balanced, adding to the atmospheric quality of the painting. Unterberger’s skill as a painter of landscapes is clearly on display. \u003cbr\u003e\u003cbr\u003e Born in Innsbruck in August 1838, Unterberger began his artistic studies in 1853 at the Munich Academy. He soon moved to continue his training at the Weimar Academy under Albert Zimmermann, and by 1859 he had enrolled at the Düsseldorf Academy, where he was taught by the famed landscape painter Andreas Achenbach. At the end of his training, he traveled extensively, visiting and painting in Norway and Denmark between 1860 and 1874, with stops along the coast of England and Scotland. He finally settled in Brussels in 1864. During this period, he spent summers just outside of Paris in Neuilly-sur-Seine, and from there he visited the scenic locales on the Mediterranean coast that would inspire some of his best artworks. He also found great success in Vienna, where he exhibited and received several medals, including the Order of Francis Joseph.  \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Canvas: 32 3\/4\" high x 28 1\/4\" wide\u003cbr\u003e Frame: 40\" high x 36 1\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42556956344455,"sku":"31-4696","price":228500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4696_1_57234776-5505-433e-b9a4-cdb082ffae11.png?v=1744392472"},{"product_id":"le-chateau-de-chaintre-by-maurice-utrillo","title":"Le château de Chaintré by Maurice Utrillo","description":"Maurice Utrillo\u003cbr\u003e French | 1883-1955 \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe château de Chaintré\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Maurice Utrillo” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Maurice Utrillo is among the most important of the French Post-Impressionists, known for his rich and daring color palette and use of contrast to bring the streets of his hometown of Paris to life. In this remarkable oil on canvas, Utrillo renders the famous Château de Chaintré in the Loire Valley. Utrillo perfectly evokes the tranquility of the countryside estate in this extraordinary piece, which embodies his highly distinctive style. \u003cbr\u003e\u003cbr\u003e Utrillo was a man who led a secluded life, and a distinctive isolation can be felt in many of his works. Here, he chooses to depict the château with bucolic charm and gentle majesty, offering the viewer a glimpse of the château not through a visitor’s eyes but his own, brought alive with his vibrant palette and dynamic brushstrokes. \u003cbr\u003e\u003cbr\u003e Popularly described as the “painter of Montmartre,” Utrillo is one of the few artists of his time to depict the neighborhood who was actually a native of the bohemian quarter. He was born on Christmas Day to artist and model Suzanne Valadon, a student of Edgar Degas. Utrillo himself received no formal training, instead learning to paint directly from his mother. His first subjects were the scenes from his home, a subject matter he carried with him throughout his career. Between the autumn of 1903 and the winter of 1904, he completed almost 150 paintings of somber, pale landscapes that reflected his fascination with ordered composition and flattened treatment of space reflecting strong emotion. \u003cbr\u003e\u003cbr\u003e By 1920, Utrillo had become an international figure and was awarded the French government’s Cross of the Legion of Honor in 1929. He married artist Lucie Valore in 1935 and moved to Le Vesinet, a small village on the outskirts of Paris. Although his life was plagued by alcoholism, he lived to age 72 and was buried in the Cimetière Saint-Vincent in Montmartre. Today, his works are found in numerous museums, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, DC. \u003cbr\u003e\u003cbr\u003e Circa 1920 \u003cbr\u003e\u003cbr\u003e Canvas: 18\" high x 24\" wide\u003cbr\u003e Frame: 27\" high x 35\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Léonce Rosenberg Collection, Paris\u003cbr\u003e Galerie Motte, Geneva, May 25, 1963\u003cbr\u003e Private collection\u003cbr\u003e Galerie Motte, Geneva, June 16, 1972, lot 73\u003cbr\u003e Private collection\u003cbr\u003e Thence by descent, private collection \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e P. Pétridès, \u003cem\u003eThe Complete Work of Maurice Utrillo Volume II\u003c\/em\u003e, Paul Pétridès, Paris, 1962, no. 882 p.312, illus. p.313","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41789943316615,"sku":"31-4726","price":148500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4726_1.png?v=1728289672"},{"product_id":"l-embarquement-by-gaston-la-touche","title":"L’embarquement by Gaston La Touche","description":"Gaston La Touche\u003cbr\u003e 1854 - 1913 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL’embarquement\u003cbr\u003e The Embarkment\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Gaston La Touche\" (lower right)\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e A fashionable group of merrymakers boards a rowboat at sundown in this oil on panel by renowned French painter Gaston La Touche. Softly lit and lushly detailed, the work represents the artist’s talent for capturing the gaiety of the Belle Époque. With its luminous coloring and feathery brushwork, this oil evokes the style and joie de vivre of the era rendered in La Touche’s distinctive, mature style. \u003cbr\u003e\u003cbr\u003e Fresh and airy, the work is a beautiful example of the artist’s skill at capturing the subtle qualities of light and color. Set against the plein air backdrop of a wooded pond awash in the soft glow of the golden hour, the scene reflects the influence of the Impressionists. The subject also recalls works by Manet, Monet and Renoir, who delighted in depictions of modern leisure among the expanding middle class. The scene is an informal one, and its unconventional cropping suggests that the viewer is invited to take a seat in the boat and join the group on their outing. Such relaxed, inviting scenes were remarkably popular among contemporary, modern audiences. However, La Touche's style is singular, possessing an element of fantasy and romance that set him apart from the Impressionists. \u003cbr\u003e\u003cbr\u003e Gaston La Touche was born in St. Cloud, outside of Paris, in 1854, and he showed a keen interest in art from a young age. At ten years old, he began taking private art instruction, which lasted until 1870, when his family was forced to flee to Normandy amid the Franco-Prussian War. This was the only formal art training La Touche would ever receive. Despite his lack of Academy training, he made his debut at the Paris Salon of 1875 with a sculptural medallion and etchings, and he exhibited his first painting at the Salon of 1881. Although he began his career painting dark-toned realist compositions, by 1890, his style had shifted to what would become his signature — a lighter, brighter, idealistic society world. \u003cbr\u003e\u003cbr\u003e The artist was associated with practically all of the most influential artists and thinkers of late 19th century France, including Édouard Manet, Edgar Degas, Émile Zola, who frequently met at the legendary Cafe de la Nouvelle Athenes to share their thoughts on modern society. In 1900, he was named a Chevalier of the Legion d'Honneur and an Officer in 1909. Additionally, he was well-decorated at the grand exhibitions of the day, earning medals at the Salons of 1884 and 1888, a bronze medal at the 1889 Exposition Universelle and a gold medal at the 1900 Exposition Universelle, demonstrating his position as one of the most accomplished artists of the Belle Époque. Today, his works reside in prestigious institutions such as the British Museum (London) and the Walters Museum (Baltimore). \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Panel: 26 1\/8” high x 31 1\/2” wide\u003cbr\u003e Frame: 34\" high x 39 1\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42771157549191,"sku":"31-4986","price":248500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4986_1.png?v=1749151610"},{"product_id":"toits-rouges-a-menton-by-georges-manzana-pissarro","title":"Toits rouges à Menton by Georges Manzana Pissarro","description":"Georges Manzana Pissarro\u003cbr\u003e 1871-1961 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eToits rouges à Menton\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eRed Roofs in Menton\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed and dated “Manzana. Pissarro. 1953” (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The tenants of the impressionist style are clearly on display in this tranquil landscape by the French artist Georges Manzana Pissarro. The son of the great Impressionist Camille Pissarro, Manzana learned his craft from his father, and here he revels in the light and serenity of the French landscape. Painted in 1953, \u003cem\u003eToits rouges à Menton\u003c\/em\u003e depicts the commune of Menton, where spent the last years of his life. There, Manzana again embraced the Impressionist tradition of his early years, painting the serene landscapes that surrounded him. Camille Pissarro's influence is strong in this work, revealing the close ties between father and son.  \u003cbr\u003e\u003cbr\u003e Born in 1871, Manzana studied with his father Camille from an early age and spent his formative years learning from some of the most important artists of the Impressionist movement, including Claude Monet and Paul Cézanne. He adopted the name Manzana in 1894 after the maiden name of his maternal grandmother, though he resumed using his family name after his father died in 1910. Subjected to rich and diverse influences, Manzana became a versatile artist, working with oil, pastel and watercolor as well as etchings, lithography and stencils. He exhibited his works at the Salon d'Automne and the Salon des Indépendants, as well as Durand Ruel and Druet galleries in Paris in the early 1900s. \u003cbr\u003e\u003cbr\u003e In 1906 his work began to evolve, and he began experimenting with the decorative arts movement, creating tapestries, glassware, furniture, ceramics and metal work. It was the 1914 exhibition at the Musée des Arts Décoratifs in Paris that dramatically boosted his career — he exhibited 311 works including tapestries, carpets, furniture, glassware, decorative paintings, etchings and lithographs. The subsequent years were filled with bright ideas, gilded costumes and a glittering lifestyle as Manzana navigated the 1920s and 30s between Les Andelys and Paris, spending many summers in Brittany. The last years of his life were spent in Menton, where this scene was painted, with his son Félix who was also an accomplished artist. \u003cbr\u003e\u003cbr\u003e Dated 1953 \u003cbr\u003e\u003cbr\u003e Canvas: 16“ high x 21 7\/8” wide\u003cbr\u003e Frame: 27 1\/2“ high x 33 1\/8” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790080745607,"sku":"31-5369","price":34500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5369_1_18921683-fc73-4344-bf10-01accf984ba9.png?v=1728288626"},{"product_id":"marschlandschaft-mit-drei-hausern-by-emil-nolde","title":"Marschlandschaft (mit drei Häusern) by Emil Nolde","description":"Emil Nolde \u003cbr\u003e 1867-1956 | German \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMarschlandschaft (mit drei Häusern)\u003cbr\u003e Marshland (With Three Houses)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Nolde” (lower right)\u003cbr\u003e Watercolor on Japan paper \u003cbr\u003e\u003cbr\u003e A work of engaging richness and emotion, \u003cem\u003eMarschlandschaft (mit drei Häusern)\u003c\/em\u003e invites the viewer directly into the heart of the intuitive, poetic world of Emil Nolde. An essential figure in the German avant-garde, Nolde’s highly modern oeuvre stands as an important precursor to the Abstract Expressionists of the mid-20th century. With its vivid colors and emotional intensity, the present work is exemplary of his output, containing all of the best characteristics of his mature style. \u003cbr\u003e\u003cbr\u003e Brilliant, amorphous fields of color suggest the vast, marshy landscape of Nolde’s native Schleswig-Holstein region near the German-Danish border. The artist’s application of paint is powerful and dramatic, conveying with a few brushstrokes the impression of passing storm clouds, allowing light and sky to peek through and illuminate the colors of his landscape. A sense of fluidity and immediacy were of great importance to Nolde. He once said, “I try to avoid all thinking. A vague concept of color and luminosity suffices, and the picture evolves during the act of painting.” The flow and spontaneity of watercolor lent themselves well to Nolde’s creative approach, and he achieved a vibrancy in the medium that is unsurpassed. \u003cbr\u003e\u003cbr\u003e Nolde is considered one of the most important exponents of German Expressionism and was one of the most prominent representatives of the avant-garde in Germany. His participation in the seminal group Die Brücke (The Bridge) links him to one of the earliest artists' associations which had a crucial impact on the development of modern art. His interplay of color and form set him apart from his contemporaries, and his work is recognized as a monumental step toward modernism. \u003cbr\u003e\u003cbr\u003e However, Nolde’s work was derided in his day by the Nazi regime in Germany, and he was forbidden from painting. Deemed too “decadent,” 33 of his works were displayed in the infamous \u003cem\u003eEntartete Kunst\u003c\/em\u003e, Degenerate Art Exhibition in Munich in 1937, labeling the artist's works as a “threat” to Germany. The Nazi Party destroyed hundreds of Nolde's works and confiscated over one thousand more — the greatest number of any artist — highlighting the rarity of the present composition. \u003cbr\u003e\u003cbr\u003e Throughout his career, Nolde received numerous awards, including the Print Prize of the XXVL Venice Biennale and the Order “Pour le mérite,” the highest achievement for German arts and sciences. Nolde's auction history has also been triumphant. In 2021, a similar watercolor by Nolde sold at Sotheby's London for over $1,000,000, setting a record for the artist. Today, Nolde's works are held in important museum collections internationally, including in the \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000MkWU\/y42fae8P6suUKCBWCCmE7qUnECgWydZJ_H5tbZbwQPQ\" target=\"_blank\"\u003eArt Institute of Chicago and the Museo Nacional Thyssen-Bornemisza\u003c\/a\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1920 \u003cbr\u003e\u003cbr\u003e Paper: 13 1\/2\" high x 18 1\/2\" wide (34.29 x 46.99 cm)\u003cbr\u003e Frame: 25 5\/8\" high x 30\" wide x 1 3\/8\" deep (65.09 x 76.2 x 3.49 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-5395.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Germany, a gift from the artist\u003cbr\u003e Thence by descent\u003cbr\u003e Sale, Christie's, London, 1 December 1987, lot 355.\u003cbr\u003e Anonymous sale, Hauswedell \u0026amp; Nolte, Hamburg, 12 June 1999, lot 2052.\u003cbr\u003e Galerie Neher, Essen.\u003cbr\u003e Private collection, Germany. \u003cbr\u003e M.S. Rau, New Orleans. \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e Balingen, Stadthalle, \u003cem\u003eEmil Nolde, Weltsicht, Farbe Phantasie\u003c\/em\u003e, 2008, p. 132 (illustrated).","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542075838599,"sku":"31-5395","price":785000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5395_1.png?v=1743858694"},{"product_id":"fleurs-dans-le-parc-by-victor-charreton-1","title":"Fleurs dans le parc by Victor Charreton","description":"Victor Charreton\u003cbr\u003e 1864-1966 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFleurs dans le parc\u003cbr\u003e (Flowers in the Park)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Combining varied passages of thick and thin paint, Victor Charreton masterfully captures the transparency of light in this airy oil on canvas. The artist utilizes his skillful eye to capture blooming flowers on a warm, still day. Charreton practically transports the viewer into the scene; the tranquility of the park and the softness of the petals are almost palpable.   \u003cbr\u003e\u003cbr\u003e Born on March 2, 1864 in Bourgoin-Jallieu, France, Victor Charreton was a French painter who carried on the legacy of the Impressionists with his lush depictions of the countryside. He studied law in Paris and worked as a practicing lawyer for many years before dedicating himself entirely to painting in 1902. In the decades that followed, Charreton traveled frequently throughout France and North Africa, during which time he produced a number of atmospheric winter scenes. He notably served as a professor at the Académie Julian in Paris from 1919 until 1925, and today his works are held in the collections of the Musée d’Orsay in Paris, and the Boston Museum of Fine Arts among others. \u003cbr\u003e\u003cbr\u003e Circa 1933 \u003cbr\u003e\u003cbr\u003e Canvas: 38\" high x 52\" wide\u003cbr\u003e Frame: 46 1\/2\" high x 59 1\/2\" wide \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Pittsburg International Exhibition, 1933\u003cbr\u003e Museum of Cleveland and Museum of Toledo 1934\u003cbr\u003e Exposition Universelle Bruxelles 1935\u003cbr\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40494415184007,"sku":"31-6099","price":188500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/31-6099_1_f6ae94cd-d6e1-4855-b76a-884b0700103b.png?v=1689409653"},{"product_id":"saint-cirq-lapopie-sous-bois-au-ruisseau-by-jacques-martin-ferrieres","title":"Saint-Cirq Lapopie, sous-bois au ruisseau by Jacques Martin-Ferrières","description":"Jacques Martin-Ferrières \u003cbr\u003e 1893-1972 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSaint-Cirq Lapopie, sous-bois au ruisseau\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Jac Martin-Ferrières 22” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This enchanting oil on canvas was composed by the French painter Jacques Martin-Ferrières. In the simple yet striking scene, the artist has rendered a forest, full of trees and other undergrowth by a meandering creek. The pinks, peaches, mauves, and sunny yellow hues of the tree trunks punctuate the deep greens of the grass. Martin-Ferrières' inimitable technique, rich with swift and short brushstrokes of opaque color, reveals the strong influence of his father, Henri Martin, and the legendary Post-Impressionist generation before him. \u003cbr\u003e\u003cbr\u003e Martin-Ferrières was born into his artistic family in 1893 in Saint-Paul, France. The son of the esteemed Henri Martin, he received tutoring and mentoring in modern painting at an early age. In the current piece, entitled \u003cem\u003eFolk Dancers\u003c\/em\u003e, his trademark style can be clearly seen, with his use of thick points of pigment and bright colors to create a surface of remarkable vitality. \u003cbr\u003e\u003cbr\u003e Martin-Ferrières made his debut at the Paris Salon in 1920, where he received an Honorable Mention. In 1925, he was awarded the Prix National and in 1928 the Gold Medal of the Paris Salon, as well as the Prix Legay-Lebrun. From 1928 to 1933, Martin-Ferrières devoted himself entirely to the execution of the frescoes of the life of Saint Christopher in the church of Saint Christopher de Javel in Paris. In 1937, he won the Gold Medal at the \u003cem\u003eExposition Universelle\u003c\/em\u003e, and he was made Chevalier of the Légion d'Honneur. In 1956 he was promoted to Officer of the Légion by the French government. \u003cbr\u003e\u003cbr\u003e Today Martin-Ferrières is regarded among the most accomplished and highly awarded artists of the early 20th century. His diverse oeuvre, impeccable execution, prolific output and impressive pedigree ensure his works are highly sought after. \u003cbr\u003e\u003cbr\u003e Painted 1922 \u003cbr\u003e\u003cbr\u003e Canvas: 25 5\/8“ high x 32” wide\u003cbr\u003e Frame: 31 7\/8“ high x 37 7\/8” wide x 1 1\/4“ deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":40492438388871,"sku":"31-5900","price":46500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/products\/31-5900_1.png?v=1694593666"},{"product_id":"paysage-de-la-creuse-by-jean-baptiste-armand-guillaumin","title":"Paysage de la creuse by Jean-Baptiste Armand Guillaumin","description":"Jean-Baptiste Armand Guillaumin\u003cbr\u003e 1841-1927 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePaysage de la creuse\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Guillaumin\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e One of the founding members of the Impressionist movement, Armand Guillaumin was also among its most dedicated practitioners. After studying with with Camille Pissarro and Paul Cézanne at the Académie Suisse in 1866, he painted with them regularly \u003cem\u003een plein air\u003c\/em\u003e, eventually developing a distinctive style of open air landscapes that were punctuated by a vivid use of color. The present view, which was painted at the height of his career and the apex of Impressionism, reflects his masterful study of light and his highly modern palette. Painted in strong impastos with vibrant colors, it portends his eventual adoption of a Fauvist palette later in his career. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1841, Armand Guillaumin first work as a clerk of a railway company before deciding to pursue a career in art. A natural talent, he quickly progressed to the Académie Suisse, where he met Paul Cézanne and Camille Pissarro, two of the founding Impressionists. He would go on to exhibit at the Salon des Réfusés in 1863, and showed at six of the eight Impressionist exhibitions between 1874 and 1886. Winning a large prize in a lottery in 1891, he was able to completely devote himself to painting right at the apex of his career. \u003cbr\u003e\u003cbr\u003e Thanks to his new wealth, Guillaumin visited Crozant, a commune in the Upper Valley of the Creuse, for the first time in 1892. In 1897, he settled there permanently, building his own house there in 1910. He also made visits to many other parts of France, especially the South, and also to Holland. His first one-man exhibition was in 1897 at Durand-Ruel in Paris. He enjoyed a long career, an experimented with the various styles of the Post-Impressionists in his later life; in fact, his studio became a haven for artists such as Paul Gauguin, Paul Signac and Georges Seurat, while Vincent Van Gogh was a particular friend. Today, his work can be seen in many French museums, including the Musée d’Art Moderne (Paris). \u003cbr\u003e\u003cbr\u003e The present work will be included in the forthcoming second volume of the Armand Guillaumin catalogue raisonné being prepared by the Comité Guillaumin with Dominique Fabiani, Stéphanie Chardeau-Botteri and Jacques de la Béraudière. \u003cbr\u003e\u003cbr\u003e Canvas: 19 3\/4\" high x 24 1\/4\" wide\u003cbr\u003e Frame: 29 3\/8\" high x 34\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41790118035591,"sku":"31-5899","price":94500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5899_1_7e01df93-9204-4ac7-ac3d-b4feaa04407c.png?v=1726267800"},{"product_id":"karnak-by-eleanor-parke-custis","title":"Karnak by Eleanor Parke Custis","description":"Eleanor Parke Custis\u003cbr\u003e 1897-1983 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eKarnak\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed 'Eleanor Parke Custis -' (lower right)\u003cbr\u003e Gouache and charcoal on paper \u003cbr\u003e\u003cbr\u003e American painter Eleanor Parke Custis demonstrates her mastery of the gouache medium in \u003cem\u003eKarnak\u003c\/em\u003e. A celebration of color and a relic of the artist’s travels abroad, the composition is well-balanced, exuding photojournalistic and documentarian qualities.  \u003cbr\u003e\u003cbr\u003e In \u003cem\u003eKarnak\u003c\/em\u003e, Custis paints a compelling and dynamic image of a great ancient Egyptian ruin. Seven distant men, likely Bedouins dressed in their traditional long gowns and headscarves, walk toward the viewer at the center of the frame. The imposing stone architecture of the archaeological ruins at Karnak stretches into the solid blue sky, making the men appear diminutive next to the pillars’ monumental size. Fields of warm orange, red and yellow hues dominate the painting. Deep shadows cloak the interior of the structures, and the viewer can imagine the heat of the afternoon sun, which appears to be almost directly overhead.  \u003cbr\u003e\u003cbr\u003e Eleanor Parke Custis began her artistic studies at the Corcoran School of the Arts and Design in Washington, D.C. under famed American Impressionist Edmund C. Tarbell, also studying at the Pennsylvania Academy of the Fine Arts in Philadelphia. She hailed from a prominent family in Washington D.C. and resided in the nation’s capital for the majority of her life. Custis moved to Gloucester, Massachusetts in 1960. Custis was incredibly well-traveled, finding inspirations for her watercolors and gouaches throughout Europe and South America. She took a Mediterranean cruise in 1934 that brought her new interest in the markets of Morocco, the archaeological sites of Cairo and the streets of Jerusalem. The compelling \u003cem\u003eKarnak\u003c\/em\u003e composition was certainly a product of this trip, infused with the photojournalistic realism that defines her gouaches of this period.  \u003cbr\u003e\u003cbr\u003e Custis’ works reside in the permanent collections of many prestigious American museums, including the Indianapolis Museum of Art and the Peabody Essex Museum in Salem, Massachusetts.  \u003cbr\u003e\u003cbr\u003e Circa 1935 \u003cbr\u003e\u003cbr\u003e Paper: 25“ high x 19” wide\u003cbr\u003e Frame: 25 1\/8“ high x 29 1\/8” wide x 1 5\/8“ deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Sale, James R. Bakker Antiques, Inc., Cambridge, Massachusetts, May 22, 1987, lot 10.\u003cbr\u003e Private Collection, New York","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43732071383175,"sku":"31-6306","price":18850.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6306_1.png?v=1769786165"},{"product_id":"concours-de-chiens-au-promenade-by-otto-eerelman","title":"Concours de Chiens au Promenade by Otto Eerelman","description":"Otto Eerelman\u003cbr\u003e 1839-1926 | Dutch \u003cbr\u003e\u003cbr\u003e \u003cem\u003eConcours de Chiens au Promenade\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Watercolor on paper\u003cbr\u003e Signed “O. Eerelman 1904” (lower left) \u003cbr\u003e\u003cbr\u003e A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented. \u003cbr\u003e\u003cbr\u003e Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives. \u003cbr\u003e\u003cbr\u003e Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina, with his meticulous approach to endearing subjects. His artistic contributions were so great and his work so valued in the Netherlands that he was knighted at the age of 80. Eerelman’s paintings have long been coveted on the market for their inherent charm. Other examples of his dog portraits can be found in the Rijksmuseum (Amsterdam), and in 2015, a major retrospective of his work was held at the Museum Nienoord in Leek, Netherlands.  \u003cbr\u003e\u003cbr\u003e Dated 1904 \u003cbr\u003e\u003cbr\u003e Canvas: 19 1\/2\" high x 26 1\/2\" wide\u003cbr\u003e Frame: 28 3\/4\" high x 35 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Harry J. Kraaij, 'Otto Eerelman 1839-1926, Groninger kunstenaar', Schiedam 2012, ill. p. 107, no. 135.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43371044864135,"sku":"31-6432","price":52500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6432_1_3c8414ba-9217-46c5-8180-c9fbd0522415.png?v=1762003298"},{"product_id":"la-moisson-by-blanche-hoschede-monet","title":"La Moisson by Blanche Hoschedé-Monet","description":"Blanche Hoschedé-Monet\u003cbr\u003e 1865-1947 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa Moisson\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Harvest\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e In this exceptional oil on canvas entitled \u003cem\u003eLa Moisson\u003c\/em\u003e from French artist Blanche Hoschedé-Monet, eight bales of hay dot a scenic landscape. Executed circa 1885, a formative moment in the artist's career, the oil on canvas is an homage to Hoschedé-Monet’s teacher and stepfather, Claude Monet, and his impact on the young adult. Her impressionistic, almost feathery brushstrokes recall a windswept day in the French countryside. The pastel palette of yellows, greens and blues invites the viewer to relax and immerse themselves in the pristine landscape. Much like her mentor, Hoschedé-Monet demonstrates clear attention to the effect of changing light on the vista, with hints of sunset lingering in the upper register of the painting.  \u003cbr\u003e\u003cbr\u003e Hoschedé-Monet began painting at the young age of 11 years old, quickly becoming Monet’s protegé. He advised her against pursuing academic artistic training, and instead fostered her growth in painting \u003cem\u003een plein air\u003c\/em\u003e in the countryside. Monet’s famed composition \u003cem\u003eIn the Woods at Giverny\u003c\/em\u003e, painted in 1887, captures the young artist in those formative years as she blissfully paints at her easel. Blanche’s mother, Alice Hoschedé, would eventually marry Claude Monet only a few years later in 1892. Hoschedé-Monet continued to paint, and exhibited at the famed Salon des Indépendants in 1905, where the revered gallery Durand-Ruel purchased one of her works. The artist then began to exhibit her paintings again at the Paris Salon, achieving success and acclaim among French collectors. \u003cbr\u003e\u003cbr\u003e After her mother and husband’s death, Hoschedé-Monet returned to Giverny in 1914 to care for her stepfather as his eyesight and health deteriorated. During this time, Monet was working on his mural-sized \u003cem\u003eNympheas (Water Lilies)\u003c\/em\u003e. The relationship between Monet and his stepdaughter was enhanced by their mutual devotion to the gardens at Giverny. Both were avid gardeners, and nature became the canvas for their artistic ideals. Between the two of them, they created a virtual utopia that they translated onto canvas, sometimes in collaboration. \u003cbr\u003e\u003cbr\u003e Hoschedé-Monet's works rarely come to market as they reside in many French museums and private collections. \u003cem\u003eLa Moisson\u003c\/em\u003e is joined by \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/#A0000000JY02\/a\/8X0000001iLN\/c4Fz74Rzah.HB65L0r_mlKqU8t3YFXKFAyfnICDr_ZI\" target=\"_blank\"\u003ea certificate of authenticity from Philippe Piguet\u003c\/a\u003e, the art historian and expert on the paintings of Blanche Hoschedé-Monet. Further, this painting will be included in the forthcoming catalogue raisonné on the artist. \u003cbr\u003e\u003cbr\u003e Circa 1885 \u003cbr\u003e\u003cbr\u003e Canvas: 23 3\/8“ high x 30 1\/2” wide\u003cbr\u003e Frame: 31 5\/8“ high x 38 2\/8” wide x 3 1\/8“ deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Durand-Ruel, France (acquired directly from the artist in August 1911)\u003cbr\u003e Private collection, France","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672944607367,"sku":"31-6583","price":188500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6583_1_25501de4-7c0e-4b0b-aaef-363fef0879ba.png?v=1767197747"},{"product_id":"le-mouillage-a-grandcamp-by-georges-seurat","title":"Le mouillage à Grandcamp by Georges Seurat","description":"Georges Seurat\u003cbr\u003e 1859-1891 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe mouillage à Grandcamp\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e Entitled \u003cem\u003eLe mouillage à Grandcamp\u003c\/em\u003e, this exceptional oil on panel was painted by Georges Seurat at a pivotal moment in both his artistic development and in art history. Hailing from the earliest stages of the Neo-Impressionist movement, the colorful and avant-garde seascape is a testament to the utter freedom of creativity the artist enjoyed at this important point in his career. \u003cbr\u003e\u003cbr\u003e Now known as Pointillism, Seurat’s revolutionary technique was based on the theory of optical mixture by the division of tones. While spending the summer of 1885 in Grandcamp, a small fishing village in Normandy, Seurat embarked on a series of marine paintings, including this magnificent work, that fully expressed his new theories on light, color, perception and optics. It was through these small works that he perfected Pointillism. Though Seurat’s belief he could scientifically apply complementary colors to create harmony and emotion in art was highly controversial at the time, it is regarded today as one of the most innovative movements in the history of art. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe mouillage à Grandcamp\u003c\/em\u003e is an exceptional illustration of this burgeoning movement, depicting a sea of mosaic-like blue, green and yellow brushstrokes. The distant buildings are secondary to the overall painterly effect, appearing to fade into the line of the horizon. Seurat often allowed the warm brown tone of his panels to show through as background color, and here the sand lends the work a deep compositional unity. The overcast sky is brought to life by a profusion of light, one of Seurat’s virtuosic abilities, and the electric sea appears smoldering with light. \u003cbr\u003e\u003cbr\u003e Seurat’s sojourn in Grandcamp was the turning point in his style. Coveted by collectors and connoisseurs alike, Seurat's important 1885 Normandy coast scenes have been collected by numerous important museums, including New York's Museum of Modern Art, London's Tate and the National Gallery of Australia in Canberra. So refreshed by the trip, when Seurat returned to Paris following his travels, he once again turned to his composition \u003cem\u003eA Sunday Afternoon on La Grande Jatte\u003c\/em\u003e. This time he applied the techniques he had developed in Grandcamp, and the result was art history’s greatest Pointillist masterpiece. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe mouillage à Grandcamp\u003c\/em\u003e has been widely exhibited and published in literature, including H. Dorra et J. Rewald’s 1959 catalogue raisonné, \u003cem\u003eSeurat, L'œuvre peint, Biographie et catalogue critique\u003c\/em\u003e, page 169. \u003cbr\u003e\u003cbr\u003e Circa 1885 \u003cbr\u003e\u003cbr\u003e Panel: 6 1\/4\" high x 9 7\/8\" wide (15.88 x 25.08 cm)\u003cbr\u003e Frame: 15 1\/4\" high x 18 5\/8\" wide x 2 3\/8\" deep (38.74 x 47.31 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-7110.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Artist’s studio\u003cbr\u003e Emile Seurat, Paris\u003cbr\u003e Félix Fénéon, Paris\u003cbr\u003e Alfred Vallotton, Paris\u003cbr\u003e Léon Marseille, Paris\u003cbr\u003e Georges Lévy, Paris\u003cbr\u003e Private collection, New York\u003cbr\u003e Sale, Parke-Bernet, New York, 6 February 1947, lot 63\u003cbr\u003e Antoine Salomon, Paris\u003cbr\u003e Huguette Bérès, Paris\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions: La Revue blanche, Georges Seurat, \u003cem\u003eŒuvres peintes et dessinées\u003c\/em\u003e, Paris, March-April 1900, no. 18\u003cbr\u003e Grandes Serres de la Ville de Paris, \u003cem\u003eXXIe Salon des Artistes Indépendants\u003c\/em\u003e, Paris, March-April 1905, p. 14, no. 15\u003cbr\u003e Galerie Bernheim-Jeune, \u003cem\u003eRétrospective Georges Seurat\u003c\/em\u003e, Paris, December 1908-janvier 1909, no. 52\u003cbr\u003e Galerie Bernheim-Jeune, \u003cem\u003eGeorges Seurat\u003c\/em\u003e, Paris, January 1920, no. 17\u003cbr\u003e Galerie Paul Rosenberg, \u003cem\u003eSeurat\u003c\/em\u003e, Paris, February 1936, no. 43\u003cbr\u003e Galeries Nationales du Grand Palais, \u003cem\u003eSeurat 1859-1891\u003c\/em\u003e, Paris, April-August 1991, p. 277, no. 158 (exhibition traveled)\u003cbr\u003e The Metropolitan Museum of Art, \u003cem\u003eSeurat 1859-1891\u003c\/em\u003e, New York, September 24 1991-January 12,1992,p. 237, no. 159. \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e G. Coquiot, \u003cem\u003eSeurat\u003c\/em\u003e, Paris, 1924, p. 119\u003cbr\u003e H. Dorra et J. Rewald, \u003cem\u003eSeurat, L'œuvre peint, Biographie et catalogue critique\u003c\/em\u003e, Paris, 1959, p. 169, no. 142 (illustrated)\u003cbr\u003e C. M. de Hauke, \u003cem\u003eSeurat et son œuvre\u003c\/em\u003e, Paris, 1961, vol. I, p. 98, no. 146 (illustrated, p. 99)\u003cbr\u003e F. Minervino, \u003cem\u003eTout l’œuvre peint de Seurat\u003c\/em\u003e, Paris, 1973, p. 103, no. 146 (illustrated, p. 102)\u003cbr\u003e Dominique Lobstein, \u003cem\u003eDictionnaire des indépendants: 1884-1914\u003c\/em\u003e, Dijon, France, L'Echelle de Jacob, 2003, p. 1582-1584\u003cbr\u003e M.F. Zimmermann, \u003cem\u003eLes Mondes de Seurat\u003c\/em\u003e, Fonds Mercator, Paris, 1991","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672955224199,"sku":"31-7110","price":1850000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7110_1_019afa30-ca76-4806-8de0-06dc7fbc65d2.png?v=1767196709"},{"product_id":"la-plage-a-pornichet-by-h-claude-pissarro","title":"La Plage à Pornichet by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa plage à Pornichet\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(The beach at Pornichet)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower right)\u003cbr\u003e Pastel on card \u003cbr\u003e\u003cbr\u003e French artist H. Claude Pissarro utilizes his signature pastels to render the picturesque seaside of the beautiful French coastal town of Pornichet. Captured in a captivating variety of vivid pigments, Pissarro draws tall beach grasses, shady cabanas and casual beachgoers with red-roofed structures and the boundless coast in the distance. This sunny summertime seaside composition perfectly showcases Pissarro's incredible mastery over the medium of pastel and his unique and at times nostalgic artistic point of view. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of artists, including Impressionist Camille Pissarro, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his energetic pastel compositions. H. Claude Pissarro’s works have been exhibited and collected throughout the world, and they remain highly coveted for their intimate size and relatable subject matter.  \u003cbr\u003e\u003cbr\u003e Card: 14\" high x 20\" wide\u003cbr\u003e Frame: 24 1\/2\" high x 29 1\/2\" wide x 1 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874438578311,"sku":"31-7114","price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7114_1.png?v=1772353836"},{"product_id":"across-the-river-by-sir-david-murray","title":"Across the River by Sir David Murray","description":"Sir David Murray, R.A., H.R.S.A., R.S.W., R.I. \u003cbr\u003e 1849-1933 • Scottish  \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAcross the River \u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated D. Murray 1907 (lower left)\u003cbr\u003e Signed and inscribed “Across the River\/by David Murray ARA\/t Langham Chambers\/London” en verso\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e Renowned Scottish painter Sir David Murray is recalled fondly for his talent as a keen landscapist, as illustrated in the current work entitled \u003cem\u003eAcross the River\u003c\/em\u003e. Whether rendering his Scottish homeland, or his other favorite locales of southern England and northern France, Murray's oeuvre showcases a bounty of artistic talent, distinguished by his remarkable palette and deep love of nature.  \u003cbr\u003e\u003cbr\u003e In \u003cem\u003eAcross the River\u003c\/em\u003e, Murray captures a steep embankment overlooking a waterway. Diminutive horses and laborers dot the foreground, hauling logs and highlighting the interplay between man and nature. The earthy tones employed offer a quiet, contemplative quality to the composition, while the tree's fall leaves direct the eye up the cliff face. Murray's measured yet breathy brushstrokes imbue the image with a sense of animism, immersing the viewer in the tranquil landscape. \u003cbr\u003e\u003cbr\u003e Sir David Murray began to study art at the Glasgow School of Art in the evenings while working days in the mercantile business. He gained the confidence to pursue art as a full-time career in 1875. Though he had not pursued painting professionally until his late 20s, Murray's risk paid off, and in 1881, he became an Associate of the Royal Scottish Academy. He quickly gained critical acclaim when he moved to London the following year, selling his works to important patrons including the famed Tate Gallery in 1884. Murray became a high-ranking member of both the British Royal Academy and the Royal Institute of Painters in Water Colours.  \u003cbr\u003e\u003cbr\u003e Dated 1907 \u003cbr\u003e\u003cbr\u003e Canvas: 48 1\/4” high x 72” wide\u003cbr\u003e Frame: 63” high x 87” wide  \u003cbr\u003e\u003cbr\u003e Provenance: \u003cbr\u003e Sale, Christie's, Hopetoun, October 15, 1969, no. 149\u003cbr\u003e Private Collection\u003cbr\u003e Sale, Christie's, South Kensington, November 17, 2010, no. 15\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private Collection, Chicago\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e London, Royal Academy, 1907. no. 89","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239142891655,"sku":"31-7461","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7461_1_f9d8e29e-244b-43a9-9a6c-27eabbabb634.png?v=1712737737"},{"product_id":"le-sente-incarville-by-gustave-loiseau","title":"Le Sente, Incarville by Gustave Loiseau","description":"Gustave Loiseau\u003cbr\u003e 1865-1935 | French  \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe Sente, Incarville\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated “G. Loiseau” (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Post-Impressionist Gustave Loiseau composed this highly modern view of the French countryside. Painted in Pontoise, north of Paris, the oil on canvas showcases the artist's signature \u003cem\u003een trellis\u003c\/em\u003e, or cross-hatching, technique. The style brings a lively sense of spontaneity to the work, which exemplifies the mature output of this celebrated painter. \u003cbr\u003e\u003cbr\u003e Loiseau maintained a fascination with nature throughout his career, focusing on the key principles forged by Claude Monet, Alfred Sisley and Camille Pissarro concerning the dynamic state of color and light upon the land. For this reason, Loiseau is widely considered one of the most sincere interpreters of the French landscape. Like Monet, his dedication to painting \u003cem\u003een plein air\u003c\/em\u003e lent his works a freshness and vitality that set him apart from other Post-Impressionists of his generation. \u003cbr\u003e\u003cbr\u003e Born into a family of Parisian butchers, Loiseau originally intended to enter the family business and thus received only an elementary-level education. Eventually, however, he became an apprentice to a decorator who was a friend of the family. In 1888, Loiseau entered the École des Arts Décoratifs, where he studied the draftsmanship that was essential for the young artist to advance his technical skills. \u003cbr\u003e\u003cbr\u003e He moved to the artist's haven in Pont-Aven in 1890, where he befriended Paul Gauguin, Alfred Sisley and Camille Pissarro. It was at this time that he embarked on his experimentations with both Pointillism and Impressionism, eventually developing his own distinctive style that is on display in the present work. As he approached the end of his career, Loiseau maintained two studios, one on the Quai du Pothuis in Pontoise and the other on the Quai d’Anjou in Paris. From his studio window, he could paint the scenery of these picturesque towns with an earnestness that characterized both his life and career. Today, his works can be found in the collections of the Art Institute of Chicago, Musée d’Orsay (Paris), and Metropolitan Museum of Art (New York), among others. \u003cbr\u003e\u003cbr\u003e This painting is recorded in the Durand-Ruel Archives. It will be included in the forthcoming catalogue raisonné of the work of the artist being prepared by Didier Imbert. \u003cbr\u003e\u003cbr\u003e Painted 1920-21 \u003cbr\u003e\u003cbr\u003e Canvas: 18 1\/4\" high x 21 3\/4\" wide\u003cbr\u003e Frame: 25 1\/4\" high x 28 3\/4\" wide x 2\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, New York\u003cbr\u003e Private collection, New York, 1997\u003cbr\u003e Private collection\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239211212935,"sku":"31-7997","price":198500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7997_1.png?v=1715330659"},{"product_id":"le-loing-et-le-pont-de-moret-by-alfred-sisley","title":"Le Loing et le Pont de Moret by Alfred Sisley","description":"Alfred Sisley \u003cbr\u003e 1839-1899 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe Loing et le pont de Moret\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Sisley” (lower left) \u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e A master of the landscape, Alfred Sisley is one of the founders of the French Impressionist style, and his works are counted alongside Monet and Renoir for their magnificent interpretations of the natural world. This vibrant composition, entitled \u003cem\u003eLe Loing et le pont de Moret\u003c\/em\u003e, showcases the artist's mastery of light and color, rendering a group of homes and trees along the famed Pont de Moret. \u003cbr\u003e\u003cbr\u003e Sisley was born in Paris to affluent English parents, who supported him financially until the age of 31 when his father lost his merchant trading company. His early years of financial comfort allowed Sisley to practice his art without concern. In 1860, he studied with Monet, Renoir and Bazille in the atelier of Marc-Charles Gabriel Gleyre. It was here that he learned the technique of painting \u003cem\u003een plein air\u003c\/em\u003e to better capture the effects of light in nature. This innovative technique allowed for more vivid imagery and dynamic scenery than had ever been experienced before, fascinating Sisley. By the time he first exhibited at the \u003cem\u003eSalon\u003c\/em\u003e in 1867, Sisley was a student of Jean Baptiste Camille Corot, an iconic member of the Barbizon School and master of \u003cem\u003eplein air\u003c\/em\u003epainting. \u003cbr\u003e\u003cbr\u003e In 1870, with his father in financial ruin, Sisley’s sole means of support became the sale of his paintings, which did not gain nearly the attention they received until his death in 1899. In 1880, he moved his family to a small village near Moret-sur-Loing where the Barbizon artists had worked in the early part of the century. Sisley thrived upon the serenity of this charming city and channeled the beauty of its surroundings into his paintings. His passion for the sky, and its contrast to the rest of the environment, tends to be the central theme throughout his oeuvre. \u003cbr\u003e\u003cbr\u003e This painting is accompanied by a letter of authenticity by the Sisley Committee \u003cem\u003e(Comité Alfred Sisley)\u003c\/em\u003e and will be included in the new edition of the \u003cem\u003eCatalogue Raisonné of Works by Alfred Sisley\u003c\/em\u003e by François Daulte currently being published.  \u003cbr\u003e\u003cbr\u003e Circa 1891 \u003cbr\u003e\u003cbr\u003e Canvas: 15” high x 21 11\/16” wide\u003cbr\u003e Frame: 24\" high x 30 1\/2\" wide \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-8044.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance: \u003cbr\u003e Private collection of Eugene Fasquelle, Paris\u003cbr\u003e Durand-Ruel, Paris\u003cbr\u003e Private collection of Jacques Dubourg, Paris \u003cbr\u003e Private collection, Florida \u003cbr\u003e\u003cbr\u003e Literature: \u003cbr\u003e Francois Daulte, \u003cem\u003eAlfred Sisley, Catalogue Raisonné of Painted Works\u003c\/em\u003e, New York: Wildenstein \u0026amp; Co., 1959, no. 775","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673046941831,"sku":"31-8044","price":1650000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8044_1.png?v=1767194817"},{"product_id":"pincher-a-german-spaniel-by-sir-edwin-henry-landseer","title":"Pincher, A German Spaniel by Sir Edwin Henry Landseer","description":"Sir Edwin Henry Landseer\u003cbr\u003e 1803-1873 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePincher, A German Spaniel\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on canvas\u003cbr\u003e Inscribed en verso \u003cbr\u003e\u003cbr\u003e This deeply personal portrait of Lord High Chancellor Eldon John Scott’s beloved German Spaniel was painted by the preeminent animal portraitist of the 19th century, Sir Edwin Henry Landseer. Distinguished as Queen Victoria’s favorite painter, Landseer gained international recognition for creating the famous lion statues that flank Nelson’s Column at Trafalgar Square and also for immortalizing Queen Victoria’s menagerie of animals in paint. His portrait of Lord High Chancellor Eldon John Scott’s beloved German Spaniel named Pincher puts forth the quintessence of his genius. \u003cbr\u003e\u003cbr\u003e The present painting is a fascinating record of the life and career of John Scott Lord Eldon and his devotion to his German Spaniel. The painting bears a lengthy inscription en verso that reads, “Pincher a German Spaniel by Landseer. This is a portrait, painted for me in 1839 by Edwin Landseer ESQ RA of Pincher, a German Spaniel. He is now buried at the foot of the Eldon Seat, at Encombe under a stone engraved with the following words: ‘Below this stone lies The Favourite Dog of the Late Lord Chancellor Eldon, Pincher who died May 19th 1840. Eldon 1840.’” \u003cbr\u003e\u003cbr\u003e Lord High Chancellor Eldon John Scott was a leading Whig Reformer who had famously worked with George III and George IV. He amassed an extraordinary fortune during his lifetime totaling £2,300,000, a huge sum for the day. This painting is chock full of visual representations of Lord Eldon’s illustrious connections and career. That the nobleman’s life is venerated in a portrait absent of his countenance shows how inextricably linked he was to his canine companion. Landseer paints Pincher surrounded by items representing the legacy of his master including Lord Eldon’s red despatch box, the correspondence between him and George III and George IV, his cane and gloves and the Fob Watch and seal presented to him by George III.  \u003cbr\u003e\u003cbr\u003e Still, Lord Eldon’s devotion to Pincher is perhaps his greatest legacy. The spaniel was originally the charge of Eldon’s son William who met an untimely death due to illness. Lord Eldon recalled in his writings, “He belonged to poor William Henry, and after I last took the Sacrament with him when he was dying, he called me back as I was leaving the room, and said, ‘Father, you will take care of poor Pincher.’” Thus, the two became constant companions. Following his death in 1838, Lord Eldon specifically allocated funds in his will to his daughter Lady Frances to pay for the care of the dog. When Pincher died on May 19th, 1840, a memorial was placed directly next to Lord Eldon’s grave at Eldon Seat, a stone bench on the edge of his country estate. These monuments became famous in their day and remain popular destinations for travelers along the coast. \u003cbr\u003e\u003cbr\u003e While the portrait itself is a remarkable tribute by a legendary artist, it is accompanied by a treasure that takes it to the next level: a loyal Pincher’s original engraved collar! A relic of one of the great tales of the bond between a dog and its owner, the collar adds another layer of enchantment to the work.  \u003cbr\u003e\u003cbr\u003e Considered by many the greatest animal painter of all time, Landseer’s immense talent emerged at a young age. The son of the engraver John Landseer A.R.A, Landseer was considered a child prodigy, and he showcased his first painting at the Royal Academy in 1815 at the age of just 13. His reputation as an animal painter was unrivaled in his age, and many of his works were reproduced as engravings by his brother, Thomas Landseer, a practice which earned them both considerable income. Queen Victoria, recognizing his talent, commissioned over 40 portraits of her pets, most of which remain housed at Buckingham Palace. Today, his works hang in some of the most important collections in the world, including the Victoria and Albert Museum in London, the Metropolitan Museum of Art in New York, the Art Institute of Chicago, the Wallace Collection in London, the Tate Gallery in London, and the Royal Collection at Buckingham Palace. \u003cbr\u003e\u003cbr\u003e Dated 1840 \u003cbr\u003e\u003cbr\u003e Canvas: 40” high x 50” wide\u003cbr\u003e Frame: 50” high x 60” wide \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e H. Twiss, The Public and Private Life of Lord Chancellor Eldon, London, 1844, vol. III, pg. 273. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Commissioned by John Scott, 2nd Lord Eldon and by descent in the family\u003cbr\u003e Private Collection, UK\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42556824748167,"sku":"31-8330","price":498500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8330_1.png?v=1744385238"},{"product_id":"les-falaises-by-willy-schlobach","title":"Les falaises by Willy Schlobach","description":"Willy Schlobach\u003cbr\u003e 1864-1951 | Belgian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes falaises\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Cliffs\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Oil on canvas\u003cbr\u003e Signed with artist’s monogram “W.S.” (lower right) \u003cbr\u003e\u003cbr\u003e This coastal landscape showcases the bold palette and distinctive technique of Belgian painter Willy Schlobach. The artist takes the viewer to the edge of a scenic cliff, the expansive vista vibrant beneath a clouded sky. Building a remarkable impasto with his neo-Impressionist technique, Schlobach weaves strokes of bold blues, violets, yellows and greens to create the crashing waves of the sea. His striking composition and frenetic brushstrokes recall a windswept day along the coast. \u003cbr\u003e\u003cbr\u003e Born in Brussels, Willy Schlobach began his artistic studies at the Académie des Beaux-Arts in Brussels before later studies in Ghent, a trajectory that marked the onset of a remarkable career in Belgian painting. Remarkably precocious, Schlobach established himself at the age of 19 as a prominent figure among Belgian painters, forming close connections with luminaries such as Émile Verhaeren and Théo van Rysselberghe. The latter, a pivotal member of the avant-garde group Les XX, played a crucial role in shaping Schlobach's artistic sensibilities. Under the influential guidance of Van Rysselberghe, who had garnered insights from the Neo-Impressionist techniques of Seurat and Signac during his sojourn in Paris, Schlobach enthusiastically embraced these novel ideas. The 1880s saw the emergence of well-structured and meticulously organized pointillist works by Schlobach, who Seurat named the \"Belgian Divisionist,\" with coastal scenes serving as his favored subject matter. \u003cem\u003eLes falaises\u003c\/em\u003e stands as a shining example of his oeuvre, which today is housed in museum collections worldwide, including the Musée des Beaux Arts in Brussels, the Flemish Art Collection and the Indianapolis Museum of Art. \u003cbr\u003e\u003cbr\u003e Dated 1907 \u003cbr\u003e\u003cbr\u003e Canvas: 29 1\/8“ high x 36 1\/4” wide\u003cbr\u003e Frame: 36“ high x 44 1\/8” wide x 3 1\/2“ deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Switzerland\u003cbr\u003e Private collection, London\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239262068871,"sku":"31-8364","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8364_1.png?v=1712736964"},{"product_id":"soleil-levant-vallee-de-la-dordogne-by-william-didier-pouget","title":"Soleil levant, vallée de la Dordogne by William Didier-Pouget","description":"William Didier-Pouget\u003cbr\u003e 1864-1959 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSoleil levant, vallée de la Dordogne\u003c\/em\u003e \u003cem\u003e(Sunrise, Dordogne Valley)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Didier-Pouget\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The majesty of the French countryside comes alive in this radiant masterpiece, \u003cem\u003eSoleil levant, vallée de la Dordogne\u003c\/em\u003e, by William Didier-Pouget. This remarkable, monumental landscape epitomizes the artist's mastery of light and atmosphere, transporting the viewer to the picturesque Dordogne Valley in southern France. \u003cbr\u003e\u003cbr\u003e Bathed in the warm golden hues of sunrise, this composition showcases Didier-Pouget's precise brushwork and meticulous attention to detail. An airy, colorful haze illuminates the sky, offering a dramatic contrast to the bold, verdant greens of the pasture and trees. Didier-Pouget imbues the scene with a captivating sense of serenity and quiet grandeur, further emphasized by the painting's immersive scale that measures more than 8 feet across. \u003cbr\u003e\u003cbr\u003e Born in Toulouse in 1859, William Didier-Pouget was a prominent landscape painter of the Crozant school, known for his ability to capture the essence of the natural world with remarkable precision and sensitivity. Inspired by the Impressionist movement, Didier-Pouget sought to infuse his works with a sense of immediacy and spontaneity, often painting \u003cem\u003een plein air\u003c\/em\u003e to capture the fleeting effects of light and atmosphere. The Dordogne Valley, depicted in here, was a favorite subject of Didier-Pouget's at the height of his career in the early 1900s. During this period, he exhibited his work internationally, and his clients included influential politicians and world leaders, including the president of France and George I of Greece. \u003cbr\u003e\u003cbr\u003e Circa 1915 \u003cbr\u003e\u003cbr\u003e Canvas: 62 5\/8\" high x 100\" wide (159.07 x 254 cm)\u003cbr\u003e Frame: 83 1\/2\" high x 121\" wide x 8\" deep (212.09 x 307.34 x 20.32 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42631021199495,"sku":"31-8047","price":98500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8047_1.png?v=1746638817"},{"product_id":"autumn-woods-by-maxfield-parrish-1","title":"Autumn Woods by Maxfield Parrish","description":"Maxfield Parrish\u003cbr\u003e 1870 - 1966 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAutumn Woods\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Inscribed and signed \"Copyright 1927 \/ Maxfield Parrish\" (lower right)\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e \u003cem\u003e“Only God can make a tree. True enough, but I’d like to see him paint one.”\u003c\/em\u003e - Maxfield Parrish \u003cbr\u003e\u003cbr\u003e Renowned artist Maxfield Parrish is remembered today as one of the greatest American painters of the 20th century, and his oeuvre is as widespread and diverse as his audience. Parrish is a unique figure in American art, with a photorealist, classically inspired style that was both visionary and distinctive from the other great American illustrators of his era. This composition, entitled \u003cem\u003eAutumn Woods\u003c\/em\u003e, epitomizes the grandeur and luminosity of his landscapes.  \u003cbr\u003e\u003cbr\u003e Parrish's skill and vivid imagination are on full display in this oil on panel, which depicts a dense autumnal forest in a lush, saturated color palette. Masterfully rendered, the enchanting scene affirms his revolutionary understanding of color, luminosity and compositional design. While displaying the photographic illusionism so prevalent in the work of his fellow illustrators, Parrish's work also succeeds in maintaining an element of whimsy in his magical worlds. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAutumn Woods\u003c\/em\u003e was composed during an important moment in Parrish's career. In the late 1920s, he decided to shift away from the commercial illustrations that had dominated his early career, focusing instead on landscape painting, the genre that truly captivated his heart and creative spirit. Working from an earlier print entitled \u003cem\u003eGolden Hours\u003c\/em\u003e made for the popular Mazda calendar of 1927, Parrish transformed the illustration into this exuberant landscape, ultimately renaming it \u003cem\u003eAutumn Woods\u003c\/em\u003e. He was so pleased with its outcome that the artist famously announced, \"I'm done with girls on rocks! I've painted them for thirteen years and I could paint them and sell them for thirteen more...It's the unattainable that appeals. The next best thing to seeing the ocean or the hills or the woods is enjoying a painting of them.\" This bold move seamlessly transitioned his output from the realm of illustration to that of fine art. \u003cbr\u003e\u003cbr\u003e A frequent illustrator for mass-market periodicals around the country, Parrish possessed a unique ability to appeal to the masses without compromising his creative ideals and artistic intuition. At the very height of his career in the mid-1920s, when the present work was completed, it is estimated that Parrish's illustrations were displayed in one out of every four American homes. \u003cbr\u003e\u003cbr\u003e Born in 1870, the son of Stephen Parrish would not begin his career as an illustrator until the age of 25, choosing instead to spend his early years studying art and architecture in Europe. Parrish's career was launched by a commission to illustrate L. Frank Baum's \u003cem\u003eMother Goose in Prose\u003c\/em\u003e in 1897, after which he earned numerous commissions illustrating other texts as well as for popular magazines such as \u003cem\u003eHarper's, Hearst's, Collier's\u003c\/em\u003e and \u003cem\u003eLife\u003c\/em\u003e. The beautifully detailed, fantastical scenes he conceived truly made his works come alive, and his impact has endured for generations. \u003cbr\u003e\u003cbr\u003e Dated 1927 \u003cbr\u003e\u003cbr\u003e Panel: 35 7\/8\" high x 22 1\/4\" wide (91.12 x 56.52 cm)\u003cbr\u003e Frame: 44 3\/4\" high x 31 1\/4\" wide x 2 1\/4\" (113.67 x 79.38 x 5.72 cm) \u003cbr\u003e\u003cbr\u003e To view the entire painting dossier on PDF please click: \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-8787.pdf\" target=\"_blank\"\u003eAutumn Woods by Maxfield Parrish\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Windsor County Committee for British War Relief Rally, c. 1939-40, donated by the artist\u003cbr\u003e Private Collection, acquired from above\u003cbr\u003e Sale of the above, Sotheby's New York, May 19, 2004, Lot 175\u003cbr\u003e Private Collection, Texas, acquired from above\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private Collection, Wyoming \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/youtu.be\/KKWUmyUAK7o\" target=\"_blank\"\u003eClick here to view a video of this item.\u003c\/a\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673050218631,"sku":"31-8787","price":2450000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8787_1_6c4868c8-218b-4788-8627-569b6f92d41b.png?v=1767193291"},{"product_id":"sark-by-edward-reginald-frampton","title":"Sark by Edward Reginald Frampton","description":"Edward Reginald Frampton, R.O.I., R.B.A. \u003cbr\u003e English I 1872-1923  \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSark \u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"E. REGINALD FRAMPTON\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Edward Reginald Frampton was a pivotal figure in the post-Pre-Raphaelite movement, distinguishing himself through his brilliant synthesis of Symbolist and Pre-Raphaelite traditions. This seascape, Sark, inspired by the serene beauty of the Channel Island, was showcased at the Royal Academy in 1922, and vividly illustrates Frampton's adept use of color and form. Inspired by the Pre-Raphaelite ideal of capturing the truth of nature, yet executed with an other-worldly vibrant palette, this composition perfectly epitomizes the famed innovations of the late Pre-Raphaelite movement. \u003cbr\u003e\u003cbr\u003e An avid sailor, Frampton had a deep affinity for the sea, an important motif in his oeuvre. In this canvas, the striking colors and forms—from the wide expanse of blue water to the patch of wildflowers in the foreground—are hallmarks of Frampton's exquisite work. Imbued with a stylized aesthetic drawn from his early engagement with stained glass, the stylistic technique in this canvas serves as a direct representation of the influence of Sir Edward Burne-Jones, whose work profoundly impacted Frampton. \u003cbr\u003e\u003cbr\u003e Born into a lineage of artists, Frampton's father, a leading stained-glass master, helped pave the way for Frampton’s career that would blend the intricacies of mural and stained-glass artistry. His artistic vision, however, evolved beyond these early influences, incorporating elements inspired by the Italian Primitives, Puvis de Chavannes and notably, the French Symbolists. The latter stages of his career saw Frampton draw inspiration from the early Flemish masters and the rich cultural and spiritual fabric of Brittany, much like Paul Gauguin, signaling a significant shift in his artistic trajectory. \u003cbr\u003e\u003cbr\u003e Early 20th Century \u003cbr\u003e\u003cbr\u003e Canvas: 17 3\/4\" high x 19 3\/4\" wide (45.72 x 50.80 cm)\u003cbr\u003e Frame: 24 1\/2\" high x 26 1\/4\" wide (61.91 x 66.68 x 6.35 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e J.G. Gribble, and by descent until\u003cbr\u003e Philip Gribble; \u003cbr\u003e Christie's, London, 10 June 1938, lot 35\u003cbr\u003e Lancelot Ussher, Cape Town, and by descent to\u003cbr\u003e Patrick Ussher, Dublin\u003cbr\u003e with Julian Hartnoll, London\u003cbr\u003e M.S. Rau, New Olreans\u003cbr\u003e Private Collection, California\u003cbr\u003e Bonhmans, LA, 2-20 March 2024, lot 36\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibited: London, Fine Art Society, E.R. Frampton Memorial Exhibition, 1924, no. 28.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41279281856647,"sku":"31-8819","price":98500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8819_1.png?v=1715329987"},{"product_id":"beaulieu-la-baie-des-fourmis-effet-du-matin-by-eugene-boudin","title":"Beaulieu, La Baie des Fourmis, effet du matin by Eugène Boudin","description":"Eugène Boudin\u003cbr\u003e 1824-1898 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBeaulieu, La Baie des Fourmis, effet du matin\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed, dated, and inscribed \"E. Boudin, .92. Beaulieu-Mars\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e \u003cem\u003e\"As to the 'king of skies', I think I've already told you that I consider Eugène Boudin to be my master. I became fascinated with his sketches, daughters of what I call instantaneousness.\"\u003c\/em\u003e\u003cbr\u003e - Claude Monet, to his biographer Gustave Geffroy \u003cbr\u003e\u003cbr\u003e This seascape masterpiece by Eugène Boudin stands as one of the most stunning examples of early Impressionism ever produced by the renowned artist. The artist is regarded as one of the most significant figures in the development of Impressionism in France. Along with the Barbizon painters, Boudin was among the first French landscape artists to paint mostly outdoors, establishing a new tradition of \u003cem\u003eplein air\u003c\/em\u003e painting in France and beyond. \u003cbr\u003e\u003cbr\u003e His passion for the natural world inspired artists of all mediums, including Baudelaire and, perhaps most significantly, the Impressionists. In 1857, Boudin met Claude Monet, who spent several months working with him in and out of his studio. Responsible for introducing Monet to this method of painting \u003cem\u003een plein air\u003c\/em\u003e, Boudin later joined Monet and his young friends in the first Impressionist exhibition in 1874. \u003cbr\u003e\u003cbr\u003e Compositions such as \u003cem\u003eBeaulieu, La baie des fourmis, Effet du matin\u003c\/em\u003e exemplify why Eugène Louis Boudin is considered a master of his art. The landscape features the Bay of Ants in Beaulieu, France, a serene seascape with calm boats. Boudin’s affinity for nature and the sea began in his youth. Born into a seafaring family in Normandy, Boudin first gained exposure to \u003cem\u003eplein air \u003c\/em\u003epainting with the works of Barbizon painters Constant Troyon and Jean-François Millet, both of whom brought works to Boudin’s father’s frame shop. \u003cbr\u003e\u003cbr\u003e Inspired, Boudin ventured to Paris at the age of 22 to begin painting exclusively. In 1850, he earned a scholarship that enabled him to take permanent residence in Paris, although he often traveled to paint in Normandy and, from 1855, made regular trips to Brittany. Boudin studied nature directly on the Normandy coast at the fashionable resorts of Deauville and Trouville. His seascapes and beach scenes were painted at many different times of the year and in a variety of changing weather conditions. Boudin's overriding concern was light, and in his dabs of pure color and loose and delicate brushwork, he prefigured Impressionism, marking the link between Corot and the Impressionists. \u003cbr\u003e\u003cbr\u003e Boudin's growing reputation enabled him to travel extensively in the 1870s. He visited Belgium, the Netherlands, and southern France, and from 1892 to 1895, made regular trips to Venice. He continued to exhibit at the Paris \u003cem\u003eSalon\u003c\/em\u003e, receiving a third-place medal in 1881 and a gold medal at the 1889 \u003cem\u003eExposition Universelle\u003c\/em\u003e. In 1892, Boudin was made a knight of the \u003cem\u003eLégion d'honneur\u003c\/em\u003e, a somewhat belated, but nevertheless significant recognition of his talents and influence on the art of his contemporaries. This work was created for the 1892 \u003cem\u003eSalon\u003c\/em\u003e, a triumphant follow-up to these crowning achievements. \u003cbr\u003e\u003cbr\u003e Dated 1892 \u003cbr\u003e\u003cbr\u003e Canvas: 24\" high x 34 3\/4\" wide (60.96 cm x 88.27 cm)\u003cbr\u003e Frame: 30 1\/8\" high x 44\" wide x 4 2\/4\" deep (76.52 cm x 111.76 cm x 12.07 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galerie Durand-Ruel et Cie., Paris (acquired from the artist, May 1892)\u003cbr\u003e P.C. Eilers (acquired from the above, March 1927)\u003cbr\u003e E.J. Van Wisselingh \u0026amp; Co., Amsterdam\u003cbr\u003e Jenkins Art Galleries, Toronto\u003cbr\u003e Frederick William Gerald Fitzgerald, Toronto (by 1937)\u003cbr\u003e Private collection, bequest from the above, October 1949\u003cbr\u003e Private collection, UK\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e R.L. Benjamin, \u003cem\u003eEugène Boudin\u003c\/em\u003e, New York, 1937, p. 176 (illustrated, p. 158; titled \u003cem\u003eBeaulieu-en-Baie\u003c\/em\u003e)\u003cbr\u003e R. Schmit, \u003cem\u003eEugène Boudin\u003c\/em\u003e, Paris, 1973, vol. III, p. 117, no. 2884 (illustrated)\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Paris, Société Nationale des Beaux-Arts, \u003cem\u003eSalon du Champs de Mars\u003c\/em\u003e, 1892\u003cbr\u003e London, Arthur Tooth \u0026amp; Sons, Ltd., \u003cem\u003eSelected Pictures by Eugène Boudin\u003c\/em\u003e, October-November 1934, no. 11\u003cbr\u003e Chicago, The Art Institute of Chicago, \u003cem\u003eLoan Exhibition of Paintings by Eugène Boudin\u003c\/em\u003e, December 1935-January 1936, no. 6\u003cbr\u003e Montreal, Montreal Museum of Fine Arts, \u003cem\u003eCanada Collects, European Painting\u003c\/em\u003e, 1860-1960, January-February 1960, p. 56, no. 144\u003cbr\u003e St. Catherines, Brock University, Rodman Hall Arts Centre; The Art Gallery of St. Thomas-Elgin; Thunder Bay Art Gallery and Sudbury, Laurentian University Museum and Art Centre, \u003cem\u003eImpressionism and its Context\u003c\/em\u003e, January-June 1991, pp. 16 and 38, no. 10 (illustrated, p. 17)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673050644615,"sku":"31-8967","price":598500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-8967_1_e753c3f5-5245-4c0f-a889-04f103f3accb.png?v=1767193067"},{"product_id":"veules-les-roses-by-theodore-earl-butler","title":"Veules-les-Roses by Theodore Earl Butler","description":"Theodore Earl Butler\u003cbr\u003e 1861-1936 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVeules-les-Roses\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"T.E. Butler\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Theodore Earl Butler was one of the most innovative of the American Impressionists, known for his vibrant landscapes that displayed his virtuoso with color, light and texture. This canvas, entitled \u003cem\u003eVeules-les-Roses\u003c\/em\u003e, is quintessential of Butler's oeuvre, capturing the charming coastal town in a flurry of mesmerizing neon hues and energetic brushstrokes. \u003cbr\u003e\u003cbr\u003e The commune of Veules-les-Roses is one of the oldest in the Normandy region, starting as a small fishing village around the 4th century CE. Butler renders the historic appeal of the town's medieval architecture and the lushness of the vegetation with a magnificent array of electric blues, greens and pinks. The crisp lines that define the trees and rooftops in the foreground contrast beautifully with the soft strokes that the artist uses in the background, infusing the scene with a masterful atmospheric perspective. In pristine condition and likely retaining its original stretchers, this work pulls viewers into its alluring aura, a testament to Butler's timeless talent. \u003cbr\u003e\u003cbr\u003e Born in Columbus, Ohio in 1861, Butler moved to New York in 1882 to study at the Art Students League under several major American artists, including William Merritt Chase. Within three years, the young artist had moved to Paris, receiving an honorable mention at the Salon of 1888. This would prove to be a fateful year for Butler, when he also met and befriended Claude Monet and moved to Giverny to join the thriving artist community there. He eventually became Monet's son-in-law, and he was the only artist that Monet allowed to paint alongside him. Butler would briefly return to the United States between 1913 and 1921, creating important murals and participating in major exhibitions such as the Armory Show, and then return to Giverny until his death in 1936. \u003cbr\u003e\u003cbr\u003e This work will be included in Patrick Bertrand's forthcoming catalogue raisonné. \u003cbr\u003e\u003cbr\u003e Circa 1904-1905 \u003cbr\u003e\u003cbr\u003e Canvas: 21 3\/8\" high x 15 1\/2\" wide (54.29 x 39.37 cm)\u003cbr\u003e Frame: 31 5\/8\" high x 25 5\/8\" wide x 1 1\/2\" deep (80.33 x 65.09 x 3.81 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Canada\u003cbr\u003e Private collection, Paris\u003cbr\u003e Sale, Hôtel des ventes de Monte-Carlo, Monaco, July 26, 2014, lot 93\u003cbr\u003e Private collection, New York, acquired at the above sale\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Veules-les-Roses, France, \u003cem\u003eRetrospective: Impressionnisme et Post Impressionnisme Américains à Veules 1900-1910\u003c\/em\u003e, August 4-15, 2013","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673050742919,"sku":"31-9023","price":54500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9023_1.png?v=1767193013"},{"product_id":"chevaux-de-courses-by-raoul-dufy","title":"Chevaux de courses by Raoul Dufy","description":"Raoul Dufy\u003cbr\u003e 1877-1953 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChevaux de courses\u003cbr\u003e (Racing Horses)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"Raoul Dufy 1929\" (lower right)\u003cbr\u003e Watercolor and gouache on Arches paper \u003cbr\u003e\u003cbr\u003e Raoul Dufy's fascination with horse racing first emerged in his art as early as 1913. However, it was not until the early 1920s, when couturier Paul Poiret encouraged him to observe the races to study fashionable dress, that horse racing began to solidify as a central theme in Dufy's work. Friends who joined Dufy on his initial visits to the racecourse noted his keen interest in the vibrant colors of the horses and jockeys, rather than the fashionable crowd. Over time, Dufy's racecourse scenes evolved to highlight the dynamic interplay of green turf, blue railings and multicolored crowds set against a backdrop of nature, capturing the energetic and colorful essence of the races. \u003cem\u003eChevaux de courses\u003c\/em\u003e exemplifies the dynamic scenes and vibrant colors that characterize Dufy's oeuvre, capturing the lively spirit of the 1920s. \u003cbr\u003e\u003cbr\u003e This scene bursts to life with vibrant colors and the dynamic movement of majestic horses. In the foreground, horses and their jockeys prepare for their moment in the spotlight, while in the background, a race unfolds at full speed. A vivid snapshot of sport, fashion and culture, this painting is brimming with life and energy. \u003cbr\u003e\u003cbr\u003e Born in Le Havre, Normandy, both Dufy and his brother Jean showed a talent for drawing at an early age. He would eventually enroll in the École d'Art in Le Havre, and later, the École Nationale Supérieure des Beaux-Arts in Paris. After viewing Matisse's \u003cem\u003eLuxe, Calme et Volupte \u003c\/em\u003ein 1904, Dufy adopted the bright color and flat compositions of the Fauvists. By 1909, the artist sought more austerity in his painting, and he became drawn to the works of Cézanne and the Cubists. From this point forward, Dufy's compositions presented a blend of the ideals upheld by these two artistic groups. His use of bold lines and colors, dynamic brushstrokes and other painterly qualities found in his paintings are a testament to his unique Expressionist ideals. \u003cbr\u003e\u003cbr\u003e Dated 1929 \u003cbr\u003e\u003cbr\u003e Paper: 18\" high x 24\" wide (45.72 cm x 60.96 cm)\u003cbr\u003e Frame: 29\" high x 35\" wide x 2 1\/2\" deep (73.66 cm x 88.90 cm x 6.35 cm) \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Fanny Guillon-Laffaille, Raoul Dufy, \u003cem\u003eThe supplement to the Catalogue raisonné des aquarelles, gouaches et pastels\u003c\/em\u003e, Paris, reference As-0773 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, California\u003cbr\u003e Sale: Christie's New York, Sale 7452, May 13, 1992, Lot 253\u003cbr\u003e Private collection, Atlanta, GA\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42618970079367,"sku":"31-9436","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9436_1_23392fb1-6cf9-47f2-ac6a-5f8213127dcd.png?v=1746450821"},{"product_id":"mount-snowdon-after-the-rain-by-alfred-de-breanski","title":"Mount Snowdon, After the Rain by Alfred de Bréanski","description":"Alfred de Bréanski, Sr., R.B.A.\u003cbr\u003e 1852-1928 I British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMount Snowdon, After the Rain\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Alfred. de Bréanski\" (lower left)\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e A tempestuous stretch of rapids races through the Snowdon mountains of Wales in this majestic landscape by Alfred de Bréanski, Sr., entitled \u003cem\u003eMount Snowden, After the Rain.\u003c\/em\u003e His keen eye and ability to depict the dynamic, innate beauty of land upon canvas has made de Bréanski the most beloved landscape artist in Britain and abroad.  \u003cbr\u003e\u003cbr\u003e A highly successful and gifted artist, de Bréanski ranks among the finest landscape painters of the Victorian era. He has garnered considerable praise and recognition for his Scottish and Welsh landscapes, particularly river and mountain scenes such as this composition. The Snowdon mountain is renowned for its grandeur and diversity of rare flora and wildlife. The artist demonstrates his immense talent, using a subtle play of light on the land and water to create a sense of tranquility, even as the waters of the river rage and swell after the rainfall.  \u003cbr\u003e\u003cbr\u003e A favorite of Queen Victoria, de Bréanski exhibited his works at the Royal Academy from 1872 to 1918 and at the Royal Society of British Artists at Suffolk Street where more than 50 of his paintings were shown.  \u003cbr\u003e\u003cbr\u003e Canvas: 23 1\/4” high x 35 1\/2” wide\u003cbr\u003e Frame: 31 3\/8” high x 43 1\/2” wide \u003cbr\u003e\u003cbr\u003e Provenance: \u003cbr\u003e Private collection, Rio Grande\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private collection, Texas\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Relevant Literature: \u003cbr\u003e E. Bénézit, \u003cem\u003eDictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs\u003c\/em\u003e, 1976\u003cbr\u003e Christopher Wood, \u003cem\u003eDictionary of British Art, Victorian Painters, Volume IV\u003c\/em\u003e, 1995\u003cbr\u003e Algernon Graves, F.S.A., \u003cem\u003eDictionary of Artists Who Have Exhibited Works in the Principal London Exhibitions From 1760-1893\u003c\/em\u003e, 1901\/1970\u003cbr\u003e Philip Hook and Mark Poltimore, \u003cem\u003ePopular 19th-Century Painting, A Dictionary of European Genre Painters\u003c\/em\u003e, 1986","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42024072511623,"sku":"31-9152","price":18500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9152_1.png?v=1733473478"},{"product_id":"paysage-aux-environs-daix-en-provence-by-paul-cezanne","title":"Paysage aux environs d'Aix-en-Provence by Paul Cézanne","description":"Paul Cézanne\u003cbr\u003e 1839-1906 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePaysage aux environs d'Aix-en-Provence\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eLandscape near Aix-en-Provence\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Paul Cézanne is widely regarded as one of the greatest painters and renegades in modern art. For Cézanne, color was a means to build voluminous forms rather than airy scenes, as evidenced in his most famous subject: landscapes. In this extraordinary early landscape, entitled \u003cem\u003ePaysage aux environs d'Aix-en-Provence\u003c\/em\u003e, Cézanne's innovative approach to form is on masterful display. \u003cbr\u003e\u003cbr\u003e Cézanne frequently retreated from Paris to the tranquility of Aix, and his affection for his home is evident in the beautiful simplicity of this scene. He captures the rolling provincial hills in the height of summer with thick strokes of paint deftly applied with his palette knife, giving the canvas a monumental presence. This solidity of form is a technique that would soon come to define Cézanne’s mature career. \u003cbr\u003e\u003cbr\u003e Cézanne portrays Aix as an idyllic, unspoiled landscape, reflecting rural France's intrinsic beauty. The seriousness of the artist’s intention is evident in the deeply verdant grass and trees set against a perfect billowing sky, creating a dramatic scene despite the sunny day’s serenity. The canvas brilliantly showcases Cézanne’s genius—abundant with green and lush texture, his simple yet exceptionally thick application of the paint creates a rich composition that moves beyond the simple representation of nature, just on the cusp of abstraction. \u003cbr\u003e\u003cbr\u003e Known as the \"father of us all\" by luminaries such as Henri Matisse and Pablo Picasso, Cézanne's analytical approach to form and structure was profoundly influential, laying the crucial groundwork for Cubism and abstraction to take center stage decades later. Throughout his career, Cézanne maintained relationships with key contemporaries, including Pissarro, Monet and Renoir, yet he always charted his own course, never fully aligning with any one movement. \u003cbr\u003e\u003cbr\u003e Born in 1839 in Aix-en-Provence, a quaint town in the south of France, Cézanne had the financial support to pursue his passion for art. Despite his father's initial desire for him to follow a career in law, Cézanne's mother encouraged his artistic inclinations. He began painting in 1860 and moved to Paris shortly thereafter, where he became involved with the Impressionist movement, befriending influential French artists such as Édouard Manet and Camille Pissarro. Although he initially aligned and exhibited with the Impressionists, Cézanne's approach differed significantly. His innovative approach to form and color would eventually lead him to part ways with the group to pursue his distinct artistic vision—ultimately changing the course of modern art forever. \u003cbr\u003e\u003cbr\u003e Today, every major museum in the Western world has works by Cézanne in their permanent collections, and important Aix-en-Provence landscapes are held in the Metropolitan Museum of Art and the Musée d'Orsay. In February 2024, a previously unknown mural of the Aix landscape was discovered during renovations to Cézanne's home. A total of nine murals, all painted between 1859 and 1869, were transferred to canvases and placed in museums across the globe, including the Petit Palais and Musée d’Orsay, among others.  \u003cbr\u003e\u003cbr\u003e Circa 1865 \u003cbr\u003e\u003cbr\u003e Canvas: 15 1\/4\" high x 22 7\/8\" wide (38.74 x 58.10 cm)\u003cbr\u003e Frame: 22 1\/2\" high x 30 1\/4” wide x 3 1\/2\" deep (57.15 x 76.84 x 8.89 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-9132.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Henri Boissin, Aix-en-Provence, a gift of Maxime Conil (the artist's brother-in-law), circa 1885\u003cbr\u003e Mme Lilli Marquetty (née Boissin), by descent from the above\u003cbr\u003e Mme Bachollet (née Marquetty), Paris, by descent from above\u003cbr\u003e Sale, Sotheby's, London, December 1, 1982, lot 8\u003cbr\u003e Insel Hombroich, Germany\u003cbr\u003e Galerie Beyeler, Basel, 1989\u003cbr\u003e Private Collection, USA\u003cbr\u003e Gana Art Gallery, Seoul\u003cbr\u003e Sale, Sotheby's, New York, November 17, 1998, lot 243\u003cbr\u003e Private Collection, Texas\u003cbr\u003e Private Collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e London, Royal Academy of Arts; Paris, Musée d'Orsay \u0026amp; Washington, D.C., The National Gallery of Art, Cézanne, The Early Years, 1988-89, no. 11, p. 90-91 (illustrated) \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e “Das Tor zur Moderne. Paul Cezanne in Schweizer Sammlungen,” in \u003cem\u003eDu\u003c\/em\u003e, vol. 49, no. 9, September 1989, p. 61 (illustrated)\u003cbr\u003e P. Bonafoux, \u003cem\u003eCezanne, portrait\u003c\/em\u003e, Paris, 1995, p. 84 (illustrated)\u003cbr\u003e J. Rewald, \u003cem\u003eThe Paintings of Paul Cezanne\u003c\/em\u003e, vol. I, New York, 1996, no. 79, p. 87 (illustrated vol. II, p. 26)\u003cbr\u003e \u003cem\u003eCezanne en Provence\u003c\/em\u003e, exh. cat., Musée Granet, Aix-en-Provence, 2006, p. 37 (illustrated fig. 12, p. 36; titled ‘Paysage des environs d’Aix’ and with incorrect ownership)\u003cbr\u003e W. Feilchenfeldt, J. Warman \u0026amp; D. Nash, \u003cem\u003eThe Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné\u003c\/em\u003e, no. FWN31 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673050906759,"sku":"31-9132","price":2850000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9132_1.png?v=1767192703"},{"product_id":"ducklings-and-a-mother-hen-by-alexander-koester","title":"Ducklings and a Mother Hen by Alexander Koester","description":"Alexander Koester\u003cbr\u003e 1864-1932 | German \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDucklings and a Mother Hen\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"A. Koester\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Esteemed German artist Alexander Koester was known for his charming paintings of animals, and this stunning oil exemplifies his extraordinary skill. Here, a delightful gathering of fresh ducklings surrounds a motherly hen in a hay-filled barn. Koester's brushstrokes perfectly capture the feathery birds and heaps of straw, creating a soft, inviting texture across the surface. The artist expertly imbues the animals with lively personalities and evokes a peaceful view of rural life in his native Germany. \u003cbr\u003e\u003cbr\u003e Born in 1864, Koester first trained to become an apothecary rather than an artist, according to his parents' wishes. However, his passion for painting soon drove him away from the field, and he found a place studying under the genre painters Karl Hoff and Claus Meyer. During this period, he traveled extensively, making sketches that served as the basis for his genre paintings and composing portraits to earn his living. \u003cbr\u003e\u003cbr\u003e A turning point in his career came in 1891 after his first visit to Klausen in Southern Tyrol. He would return to this picturesque town time and time again, eventually settling there from 1896 to 1915. Working directly from nature, he devoted his time to the subject for which he is best remembered today: the duck. Koester’s years in Klausen were undoubtedly the most creative of his career, and his scenic water landscapes earned him considerable recognition during his lifetime. He was awarded a gold medal at the World's Fair in St. Louis in 1904 and was later granted another gold medal by Prince Regent Luitpold of Bavaria. Today, he remains known as \u003cem\u003eEnten-Koester\u003c\/em\u003e for his beloved duck portraits, which are among the finest animal paintings of their period. \u003cbr\u003e\u003cbr\u003e Early 20th century \u003cbr\u003e\u003cbr\u003e Canvas: 20 1\/4\" high x 28 1\/4\" wide (51.44 x 71.76 cm)\u003cbr\u003e Frame: 27\" high x 35\" wide x 2\" deep (68.58 x 88.90 x 5.08 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, United States, after 1945\u003cbr\u003e Private Collection, United States, by descent from above\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42380205097095,"sku":"31-9121","price":54500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9121_1.png?v=1741269550"},{"product_id":"grand-canyon-by-thomas-moran","title":"Grand Canyon by Thomas Moran","description":"Thomas Moran\u003cbr\u003e 1837-1926 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eGrand Canyon\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed with initials in monogram and dated “T Moran 1908” (lower left) \/ Signed with artist’s thumbprint device (lower right)\u003cbr\u003e Signed, inscribed and dated “Moran\/To Mr. \u0026amp; Mrs. Carl Brant\/Grand Canyon\/July 12 1908” (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Thomas Moran’s \u003cem\u003eGrand Canyon\u003c\/em\u003e captures the dramatic splendor of one of America's most iconic landscapes with unparalleled majesty and artistry. Painted in 1908, this striking oil on canvas exemplifies Moran’s celebrated ability to render the awe-inspiring scale and intricate beauty of the Grand Canyon. His work not only transformed the American public's perception of this natural wonder but also inspired a profound appreciation for the American West, leading to the preservation of this extraordinary landmark. \u003cbr\u003e\u003cbr\u003e In this composition, Moran showcases his masterful technique of conveying atmospheric effects and the dynamic interplay of light and shadow. The painting features rugged peaks and expansive valleys, where vibrant colors and tempestuous clouds create a sense of depth and movement. Moran’s careful observation and emotive interpretation bring the scene to life, reflecting the ever-changing nature of the Canyon and its profound impact on the artist. \u003cbr\u003e\u003cbr\u003e Moran holds a monumental influence on American art and the perception of the Western landscape. His depictions of the Grand Canyon, inspired by his expedition with John Wesley Powell, were instrumental in shaping the nation's view of its natural wonders. Similar works by Moran are held in esteemed institutions such as the Smithsonian American Art Museum and the Philadelphia Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1908 \u003cbr\u003e\u003cbr\u003e Canvas: 19 1\/4\" high x 15 1\/4\" wide (48.90 x 38.74 cm)\u003cbr\u003e Framed: 28 1\/2\" high x 24 1\/4\" wide x 1 1\/2\" deep (72.39 x 61.60 x 3.81 cm) \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e This work will be included in Stephen L. Good's and Phyllis Braff's forthcoming catalogue raisonné. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The collection of the artist\u003cbr\u003e Mr. \u0026amp; Mrs. Carl Brant\u003cbr\u003e Private collection, New Mexico\u003cbr\u003e Morgan Walker LLC, New York\u003cbr\u003e Private collection, United States\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43673051332743,"sku":"31-9734","price":2250000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9734_1_f9ce6e2a-97eb-4da4-a799-e1c57afe6c20.png?v=1767192337"},{"product_id":"pair-of-dragons-in-clouds-by-prime-minister-morihiro-hosokawa","title":"Pair of Dragons in Clouds by Prime Minister Morihiro Hosokawa","description":"Prime Minister Morihiro Hosokawa\u003cbr\u003e b. 1938 | Japanese \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePair of Dragons in Clouds\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed, lower left and right\u003cbr\u003e Ink on paper, framed in Jindai cedar \u003cbr\u003e\u003cbr\u003e Crafted by the esteemed Morihiro Hosokawa, the 79th Prime Minister of Japan and 18th-generation head of the historic Hosokawa clan, this pair of dragon paintings is a stunning testament to Japan's rich artistic tradition. After retiring from politics, Hosokawa dedicated himself to the arts, and these works represent the pinnacle of his mastery. Depicting the mythical dragon protector, a revered symbol in Japanese culture, the paintings embody the ancient “A-Un” concept, a harmonious motif that wards off evil spirits. \u003cbr\u003e\u003cbr\u003e Hosokawa’s dragons exude a fierce elegance, their faces and talons emerging from the inky mist with dynamic energy. One dragon, mouth open in the “A” sound, is perfectly balanced by the second dragon, mouth closed in the “Un” sound. This delicate balance between opposing forces is a hallmark of traditional Japanese artistry. The fine ink work melds seamlessly with the atmospheric background, creating a sense of movement and mysticism. Further enhancing the composition is the remarkable frame, crafted from Jindai cedar, a precious wood naturally darkened after being buried underground for over 1,000 years. \u003cbr\u003e\u003cbr\u003e Recently, Hosokawa painted and dedicated monumental fusuma-e (sliding-door) paintings of dragons at the storied Ryoanji temple, a UNESCO World Heritage site in Kyoto, Japan. The site of Japan's most famous rock garden, Ryoanji thrived as a great Zen center for the cultural activities of the elite from the late 16th through the first half of the 17th century under the patronage of the Hosokawa family—the very dynasty from which the former Prime Minister descended. Covering 40 sliding doors, the epic “Unryuzu” work features powerful brush strokes to depict nine dragons and the lifespan of the mythical creatures. \u003cbr\u003e\u003cbr\u003e Now in his late 80s, Hosokawa continues to create art, experimenting with a variety of materials and techniques to create large-scale works. Further examples of Hosokawa's works are in museum collections, including The Five Colleges and Historic Deerfield Museum Consortium, Western Massachusetts and The Portland Art Museum, Oregon. \u003cbr\u003e\u003cbr\u003e Each Canvas: 23 1\/4\" high x 35 1\/4\" wide (59.06 x 89.54 cm)\u003cbr\u003e Frame: 27 1\/8\" high x 39 1\/8\" wide x 2 1\/8\" deep (68.90 x 99.39 x 5.40 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Japan\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41984628424839,"sku":"32-0053","price":168500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0053_1.png?v=1733473312"},{"product_id":"spirit-bird-by-louis-carreon","title":"Spirit Bird by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSpirit Bird\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Louis Carreon” (lower right)\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e Louis Carreon's \u003cem\u003eSpirit Bird\u003c\/em\u003e represents a profound exploration of shamanic themes, vividly connecting humanity with the natural world through rich and symbolic imagery. In this original mixed media on canvas, Carreon draws upon the traditional belief of birds as divine messengers, embodying guidance and spirituality in shamanic practices. The artwork features a striking bird against a light background, characterized by its vibrant colors and dynamic forms inspired by natural landscapes. This emotive resonance invites viewers to engage on a deeper, spiritual level, enhancing their connection to the themes presented. \u003cbr\u003e\u003cbr\u003e Carreon views his artistic journey as a transformative process akin to a phoenix's rebirth, merging street art aesthetics with sacred geometry. This synthesis weaves a narrative of redemption, healing and gratitude. His work pays homage to nature and encapsulates themes of strength, resilience and authenticity. By channeling these influences, Carreon situates his art in conversation with renowned figures like Jean-Michel Basquiat and Keith Haring, emphasizing art's potential as a pathway to personal and spiritual liberation. \u003cbr\u003e\u003cbr\u003e Louis Carreon, a California-born artist with roots in street art, transforms personal growth into powerful contemporary works. Influenced by skate and graffiti culture, he brings authenticity and spiritual depth to galleries worldwide, redefining modern art through raw, impactful expression. \u003cbr\u003e\u003cbr\u003e Canvas: 60\" high x 48\" wide (152.40 x 121.92 cm)\u003cbr\u003e Frame: 61 1\/2\" high x 49 1\/2\" wide x 2 1\/2\" wide (156.21 x 125.73 x 6.35 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42657583136903,"sku":"31-9783","price":39500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9783_1.png?v=1749042305"},{"product_id":"native-bird-by-louis-carreon","title":"Native Bird by Louis Carreon","description":"Louis Carreon\u003cbr\u003e b. 1977 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eNative Bird\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Louis Carreon” (lower right)\u003cbr\u003e Mixed media on canvas \u003cbr\u003e\u003cbr\u003e Louis Carreon’s \u003cem\u003eNative Bird\u003c\/em\u003e emerges from his broader exploration of shamanic themes, connecting humanity to the natural world through vibrant, symbolic imagery. Carreon's recent work draws from the idea of birds as messengers of the divine, guiding spirits in shamanic tradition. Through the vivid colors and dynamic forms inspired by natural landscapes, this native bird image on a dark background captures an emotive resonance that invites viewers to connect on a deeper, spiritual level. Carreon describes his artistic journey as a process of transformation, likening it to a phoenix’s rebirth. He blends street art with sacred geometry, weaving a narrative of redemption, healing and gratitude. His art reflects a homage to nature and speaks to themes of strength, resilience and authenticity. By channeling these influences, Carreon places his work in dialogue with artists like Jean-Michel Basquiat and Keith Haring, celebrating art as a pathway to personal and spiritual liberation. \u003cbr\u003e\u003cbr\u003e Louis Carreon, a California-born artist with roots in street art, transforms personal growth into powerful contemporary works. Influenced by skate and graffiti culture, he brings authenticity and spiritual depth to galleries worldwide, redefining modern art through raw, impactful expression. \u003cbr\u003e\u003cbr\u003e Canvas: 48\" high x 36\" wide (121.92 x 91.44 cm)\u003cbr\u003e Frame: 49 1\/4\" high x 37 1\/2\" wide x 2 1\/2\" wide (125.10 x 95.25 x 6.35 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42023638663303,"sku":"31-9785","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-9785_1_f1be0ef8-0f6c-4f53-968d-0b7dadc6a130.png?v=1733473470"},{"product_id":"paysage-a-la-meule-by-henri-lebasque","title":"Paysage à la meule by Henri Lebasque","description":"Henri Lebasque\u003cbr\u003e 1865-1937 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePaysage à la meule\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(Landscape with Haystack)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on canvas\u003cbr\u003e Signed and dedicated “Avec mes meilleurs voeux \/ Lebasque” (lower right) \u003cbr\u003e\u003cbr\u003e In this brilliant oil on canvas, Henri Lebasque captures a radiant landscape with his signature vibrant palette. Known as \"the painter of the good life,\" this work, entitled \u003cem\u003ePaysage à la meule\u003c\/em\u003e, reflects this ethos beautifully, epitomizing the pastoral beauty and vivid vitality for which Lebasque was so famed. Inspired by Claude Monet, Lebasque created his own \u003cem\u003eHaystacks\u003c\/em\u003e series, and this painting is one of its masterworks. \u003cbr\u003e\u003cbr\u003e In this painting, you can see Lebasque drawing first-hand inspiration from Monet’s acclaimed \u003cem\u003eHaystacks\u003c\/em\u003e series of 1891 in nearby Giverny. While Monet’s tightly framed compositions focus on the immediacy and changing light of the haystacks, Lebasque adopts a broader, panoramic perspective, inviting the viewer to explore the surrounding landscape and immerse themselves in its beauty. The swift brushstrokes and harmonious palette of \u003cem\u003ePaysage à la meule\u003c\/em\u003e demonstrate Lebasque’s mastery of these innovations, blending dynamic technique with an atmosphere of serene tranquility.  \u003cbr\u003e\u003cbr\u003e Henri Lebasque is remembered as a remarkable Post-Impressionist painter. Rooting himself in the Parisian art scene in the early 20th century, he exhibited in the influential Salon des Indépendants alongside artists like Georges Seurat, Paul Cézanne, Edouard Vuillard and Pierre Bonnard. He was also an important influence and regular exhibitor at the Salon d’Automne, along with Henri Matisse and other artist friends who would become known as The Fauves. His friendships with these artists and his visits to the south of France influenced Lebasque’s rich use of color, but his work retained a distinctive subtlety and fluidity, evidenced here in this mesmerizing sun-lit landscape.  \u003cbr\u003e\u003cbr\u003e Today, Lebasque’s works can be found in museums around the world, including the Musée d’Orsay in Paris, the National Museum of Western Art in Tokyo, the de Young in San Francisco, the Thyssen-Bornemisza Museum in Madrid and the Pushkin State Museum of Fine Arts in Moscow.  \u003cbr\u003e\u003cbr\u003e Circa 1900 \u003cbr\u003e\u003cbr\u003e Canvas: 17 3\/4“ high x 21 1\/4” wide (45.09 x 53.98 cm)\u003cbr\u003e Frame: 25 7\/8“ high x 26 3\/8” wide x 3“ deep (65.72 x 66.99 x 7.62 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_32-0444.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Denise Bazetoux, \u003cem\u003eHenri Lebasque, Catalogue raisonné\u003c\/em\u003e, Vol. I, Paris, 2008, no. 87, p. 75 (illustrated) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, France\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42330028507271,"sku":"32-0444","price":168500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0444_1.png?v=1741267627"},{"product_id":"automne-dor-by-andre-brasilier","title":"Automne d'or by André Brasilier","description":"André Brasilier\u003cbr\u003e French I b. 1929 \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAutomne d'or\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “André Brasilier” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e In \u003cem\u003eAutomne d'or\u003c\/em\u003e, celebrated French artist André Brasilier exquisitely conveys the essence of his distinctive style, merging expressive lyricism with a serene autumnal atmosphere. This mesmerizing scene reflects Brasilier’s signature themes: a symphony of rich hues and a profound connection to the natural world. Famed for his poetic interpretations of horses, Brasilier presents a vibrant tableau where a procession of powerful horses and their riders gallops through a landscape ablaze with the fiery tones of fall. \u003cbr\u003e\u003cbr\u003e Rendered with elegant simplicity, the horses exude a quiet power and grace. Brasilier’s use of broad, sweeping areas of color imparts harmony and depth to the composition, and his meticulous study of equine form and movement is on full display. The autumnal setting bursts with vibrant golds and russet tones, as the foliage glows beneath a soft, diffused light, illustrating Brasilier’s masterful ability to balance bold color with delicate atmospheric nuance. \u003cbr\u003e\u003cbr\u003e Born to artist parents, Brasilier was steeped in the art world from a young age. He trained at the prestigious École des Beaux-Arts in Paris and swiftly gained recognition, winning both the Prix Florence Blumenthal in 1952 and the Prix de Rome in 1953. A rare honor, Brasilier had a retrospective at the Hermitage Museum in Saint Petersburg alongside only one other artist, Pablo Picasso. His works exhibited with the likes of Braque, Chagall and Miro, are celebrated worldwide and reside in prominent collections, including the Metropolitan Museum of Art in New York. \u003cbr\u003e\u003cbr\u003e Canvas: 25 5\/8“ high x 39 1\/2” wide (65.09 x 100.33 cm)\u003cbr\u003e Frame: 34 3\/8“ high x 48 1\/4” wide x 1 3\/4“ deep (87.31 x 122.56 x 4.45 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42776543035527,"sku":"32-0517","price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0517_1_dd33808e-8301-4d52-9ff1-44794fa7f2b1.png?v=1749230812"},{"product_id":"le-jardin-municipal-noisy-le-sec-by-h-claude-pissarro","title":"Le jardin municipal, Noisy-le-Sec by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe jardin municipal, Noisy-le-Sec\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Municipal Garden, Noisy-le-Sec\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The Pissarro family of French painters holds a significant legacy in the history of art. This captivating composition, \u003cem\u003eLe jardin municipal, Noisy-le-Sec (Seine-St-Denis)\u003c\/em\u003e, by French artist Hugues Claude Pissarro, is a remarkable continuation of that tradition. Demonstrating his signature impasto technique, Pissarro captures a serene park scene alive with texture and vibrant color. Figures, including a small child accompanied by their guardian, meander along sun-dappled paths that wind through the verdant greenery. Houses dot the park's edges, while light filters gently through the tree canopy, casting a calming glow. The lush trees sway in the breeze, and the park brims with vibrant foliage, transporting viewers to a tranquil, sunlit day in the heart of France. \u003cbr\u003e\u003cbr\u003e Pissarro began painting at a young age, learning his craft from his father and taking inspiration from his legendary lineage, which includes the Impressionist master Camille Pissarro. He exhibited his first works at the young age of 14 and later studied in Paris. Like many of his family predecessors, the scope of his work and talent is vast, ranging from engraving to lithography, from publishing to painting. His reputation as a painter quickly spread, resulting in a White House commission in 1959 to paint the portrait of President Eisenhower. While his style has evolved throughout his career, he is best known for his brightly colored impressionist works. \u003cbr\u003e\u003cbr\u003e Canvas: 17 5\/8\" high x 21 1\/8\" wide (44.77 x 53.66 cm)\u003cbr\u003e Frame: 26 7\/8\" high x 30 3\/4\" wide x 2 1\/4\" deep (68.26 x 76.84 x 5.72 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42250751312007,"sku":"32-0514","price":39850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0514_1.png?v=1738751817"},{"product_id":"promenade-sur-la-plage-by-h-claude-pissarro","title":"Promenade sur la plage by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePromenade sur la plage\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(Walk on the Beach)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A sunlit beach path meanders through a vibrant coastal scene in \u003cem\u003ePromenade sur la plage\u003c\/em\u003e by French artist H. Claude Pissarro. A majestic palm tree anchors the foreground, its vivid green fronds contrasting beautifully with the masterful interplay of purples and blues in the shadows, illustrating the artist’s signature impasto technique and vibrant palette. Beneath its canopy, a couple strolls together, savoring the serenity of the moment alongside fellow pedestrians. Nearby, a bicycle rests, contributing to the quiet bustle of beachside life. In the distance, shoreline buildings extend along the horizon, leading the viewer deeper into this picturesque seaside town. Pissarro’s exquisite rendering of light, color and texture imbues the scene with warmth and vitality, perfectly encapsulating the elegance and timeless charm of his oeuvre. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of artists, including Impressionist Camille Pissarro, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his energetic pastel compositions. H. Claude Pissarro’s works have been exhibited and collected throughout the world, and they remain highly coveted for their intimate size and relatable subject matter. \u003cbr\u003e\u003cbr\u003e Canvas: 19 1\/4\" high x 23 1\/2\" wide (48.90 x 59.69 cm)\u003cbr\u003e Frame: 28 1\/8\" high x 32 3\/8\" wide x 1 1\/4\" deep (71.44 x 82.23 x 3.18 cm)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42272549798023,"sku":"32-0515","price":38500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0515_1_dc6f62a9-02d8-4834-8249-11cd8d5ad75e.png?v=1738720860"},{"product_id":"martigues-provence-alpes-cote-dazur-by-paul-leduc","title":"Martigues, Provence-Alpes-Côte d'Azur by Paul Leduc","description":"Paul Leduc\u003cbr\u003e 1876-1943 | Belgian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMartigues, Provence-Alpes-Côte d'Azur\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Paul Leduc\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Paul Leduc captures the picturesque charm of Martigues, often called the “Venice of Provence,” in this luminous oil on canvas. Bathed in Mediterranean light, the composition looks out across the water toward the town’s warm, sunlit buildings. Boats glide across the harbor, their reflections shimmering in the gentle waves. Leduc’s expressive brushstrokes and vibrant palette bring the scene to life, reflecting his Post-Impressionist style. His masterful use of light and complementary hues evokes both movement and tranquility, embodying the enchanting beauty of the French coast. \u003cbr\u003e\u003cbr\u003e Paul Leduc began his artistic studies under Joseph Coosemans in Tervueren before attending the Mons Academy under Antoine Bourlard. He then studied at the Academy of Fine Arts in Antwerp with Albert Baertsoen. He traveled across Europe, finding inspiration in the landscapes and cityscapes of Belgium, France, Italy and more. He is best known for his luminous, painterly landscapes such as this. \u003cbr\u003e\u003cbr\u003e Painted 1905 \u003cbr\u003e\u003cbr\u003e Canvas: 23\" high x 31\" wide (58.42 x 78.74 cm)\u003cbr\u003e Frame: 31 1\/2\" high x 39 1\/2\" wide x 3\" deep (80.01 x 100.33 x 7.61 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_32-0422.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, The Netherlands\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42906387742855,"sku":"32-0422","price":88500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0422_1.png?v=1752686698"},{"product_id":"vue-de-village-vallee-du-rhin-by-gustave-cariot","title":"Vue de village, vallée du Rhin by Gustave Cariot","description":"Gustave Cariot\u003cbr\u003e 1872-1950 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVue de village, vallée du Rhin\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eView of a village, Rhine Valley\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed and dated \"G. Cariot 1932\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Celebrated French Post-Impressionist Gustave Cariot masterfully captures the vibrancy and serenity of the Rhine Valley in this luminous composition. A rich tapestry of color fills the foreground, where a field of wildflowers bursts into bloom, leading the viewer’s eye toward a village nestled amid lush greenery. Past the delicate trees, charming rooftops emerge from the foliage, surrounding a church. A house perched atop a hill presides over the landscape while rolling, densely wooded hills provide a picturesque backdrop. \u003cbr\u003e\u003cbr\u003e Cariot’s distinctive technique—marked by precise, small touches of color—imbues the work with texture and light, lending it an almost photographic clarity while preserving the ethereal beauty of Impressionism. His meticulous attention to detail reflects his deep appreciation for nature’s subtleties. With its harmonious balance of color, light and form, this pastoral scene stands as a testament to Cariot’s ability to capture the tranquility of the countryside. \u003cbr\u003e\u003cbr\u003e Gustave Cariot was born in 1872 in Périgny-sur-Yerres but grew up in the arts district of Le Marais in Paris. The son of a luggage maker, he originally carried out an apprenticeship with his father, though he spent much of his free time studying art and design. Entirely self-taught, Cariot never received formal training, but he was heavily influenced by the work of the Impressionists, particularly Claude Monet. Despite this, Cariot’s works favored structure over the looser brushstrokes of Monet. \u003cbr\u003e\u003cbr\u003e His earliest works take Paris and the French countryside as their subjects, as Cariot experimented with the effects of light and color at different times of the day. His style soon incorporated elements of the Neo-Impressionists, including the Divisionists and Pointillists, though he himself shunned the title. He was a member of the prestigious Société des Artistes Indépendants and the Société Nationale des Beaux-Arts, exhibiting frequently in their shows, as well as at the Galeries Durand-Ruel in Paris, until he died in 1950. \u003cbr\u003e\u003cbr\u003e Dated 1932 \u003cbr\u003e\u003cbr\u003e This work will be included in the forthcoming catalogue raisonné of Gustave Cariot being prepared by Norbert and Tess Saffar \u003cbr\u003e\u003cbr\u003e Canvas: 21 3\/8\" high x 25\" wide (54.29 x 63.50 cm)\u003cbr\u003e Frame: 28 2\/4\" high x 32 1\/4\" wide x 1 7\/8\" deep (73.03 x 81.92 x 4.57 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42329992495239,"sku":"32-0428","price":44500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0428_1_3bbfceaf-d1b1-42ef-92df-5be1e37461ba.png?v=1741267626"},{"product_id":"le-port-de-marseille-le-quai-et-les-cargos-by-henri-martin","title":"Le port de Marseille, le quai et les cargos by Henri Martin","description":"Henri Martin\u003cbr\u003e 1860-1943 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe port de Marseille, le quai et les cargos\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed Henri Martin (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Exemplifying the masterful synthesis of Post-Impressionist technique with classical compositional precision, Henri Martin's \u003cem\u003eLe port de Marseille, le quai et les cargos\u003c\/em\u003e presents a vibrant panorama of industrial maritime life. This captivating harbor scene demonstrates Martin's virtuosic ability to translate atmospheric conditions into luminous color relationships that capture both place and moment with remarkable authenticity. \u003cbr\u003e\u003cbr\u003e The composition features a sturdy quayside anchoring the foreground while cargo vessels create rhythmic vertical elements against the expansive Mediterranean horizon. Martin's characteristic brushwork—comprised of distinct strokes that allow colors to blend at viewing distance—creates a shimmering effect that perfectly evokes the interaction of light, water and industrial architecture. The artist's extraordinary command of color is evident in his nuanced transitions between the blue waters, rust-colored vessels and golden architecture that frames the bustling port. \u003cbr\u003e\u003cbr\u003e Henri Martin began his formal artistic training at the École des Beaux-Arts in Toulouse before relocating to Paris in 1879 to study under academic painter Jean-Paul Laurens. His early adherence to conventional academic principles brought him recognition from the Paris Salon at the remarkably young age of 23. Following this early success, Martin was awarded a state-sponsored journey to Italy—an experience that would fundamentally transform his artistic vision. His encounters with the frescoes of early Renaissance masters Giotto and Masaccio prompted a profound reconsideration of light's expressive potential, catalyzing his gradual movement away from academic conventions toward the more progressive techniques of Impressionism.  \u003cbr\u003e\u003cbr\u003e Throughout his career, Martin experimented with various avant-garde pictorial strategies, producing significant works that incorporated elements of Divisionism, Symbolism and Pointillism while maintaining his distinctive artistic voice. His technical innovations and compositional sophistication earned him the Grand Prize at the 1900 Paris Exposition Universelle—confirmation of his established importance within the European art world. Today, Martin's works are represented in prestigious museum collections worldwide, including the Musée d'Orsay and the Palais des Beaux-Arts in Paris. \u003cbr\u003e\u003cbr\u003e This work has remained within the artist's family collection since its creation and was displayed at the Musée Henri Martin in Cahors during the significant 1993 retrospective exhibition. It will also be included in the definitive catalogue raisonné by Marie-Anne Destrebecq-Martin. \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e Canvas: 30\" high x 25\" wide (76.20 x 63.50 cm)\u003cbr\u003e Frame: 38 3\/4\" high x 31 3\/4\" wide x 2\" deep (98.43 x 80.65 x 5.00 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_32-0726.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Family of the artist, by descent\u003cbr\u003e Private collection, Marseille\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Henri Martin, Musée Henri Martin, Cahors, then Capitole, Toulouse, September 14 – October 29, 1993, reproduced in the exhibition catalog on p. 93, no. 86","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44585784377479,"sku":"32-0726","price":298500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/32-0726_1.png?v=1778527319"}],"url":"https:\/\/rauantiques.com\/collections\/fine-art-collection-inspired-by-nature.oembed?page=5","provider":"M.S. Rau","version":"1.0","type":"link"}