{"title":"Fine Art Collection: Recent Fine Art","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cb id=\"docs-internal-guid-4893efa4-7fff-1e87-fcc0-7df732e1dc69\"\u003e\u003cspan\u003eBuy\u003c\/span\u003e\u003cspan\u003e Fine Art \u003c\/span\u003e\u003cspan\u003eOnline\u003c\/span\u003e\u003cspan\u003e by Renowned Artists at M.S. Rau\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eOur curated selection includes masterpieces from renowned artists, offering a diverse range of styles, from the classical to the contemporary. Explore our collection featuring works from iconic artists, including the \u003ca href=\"https:\/\/rauantiques.com\/collections\/old-masters\"\u003eOld Masters\u003c\/a\u003e, \u003ca href=\"https:\/\/rauantiques.com\/collections\/academic\"\u003eAcademic\u003c\/a\u003e, \u003ca href=\"https:\/\/rauantiques.com\/collections\/baroque\"\u003eBaroque\u003c\/a\u003e, \u003ca href=\"https:\/\/rauantiques.com\/collections\/impressionist\"\u003eImpressionists\u003c\/a\u003e, \u003ca href=\"https:\/\/rauantiques.com\/collections\/post-impressionist-art\"\u003ePost-Impressionists\u003c\/a\u003e and \u003ca href=\"https:\/\/rauantiques.com\/collections\/modern\"\u003eModern Masters\u003c\/a\u003e. From evocative \u003ca href=\"https:\/\/rauantiques.com\/collections\/landscape\"\u003elandscapes\u003c\/a\u003e to intricate \u003ca href=\"https:\/\/rauantiques.com\/collections\/portrait\"\u003eportraits\u003c\/a\u003e, each original painting in our collection has been carefully selected for its historical significance, artistic merit and impeccable condition. M.S. Rau’s fine art collection also includes remarkable \u003ca href=\"https:\/\/rauantiques.com\/collections\/sculpture\"\u003esculptures\u003c\/a\u003e and other unique \u003ca href=\"https:\/\/rauantiques.com\/collections\/objets-d-art\"\u003edecorative art pieces\u003c\/a\u003e, providing a comprehensive experience for collectors and art enthusiasts alike.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhether you’re searching for a captivating abstract painting to complete your home, or a museum-quality work of art to enhance your collection, our gallery is home to some of the world's most exquisite and sought-after works. With every composition in our gallery examined by art experts, you can purchase with confidence, knowing you are acquiring an authentic and valuable piece of art history. If you are building a new collection or adding to an existing one, M.S. Rau is your trusted source for the highest quality fine art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrowse our collection online or visit our New Orleans gallery to experience these extraordinary works in person. Our knowledgeable staff is here to assist you in finding the perfect piece that speaks to your personal taste and passion for fine art. \u003cmeta charset=\"utf-8\"\u003eWhether you're interested in abstract art, pop art, or a classical oil painting on canvas, we only feature the top classical and contemporary artists from around the globe.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"red-rose-in-a-standing-vase-by-martin-johnson-heade","title":"Red Rose in a Standing Vase by Martin Johnson Heade","description":"Martin Johnson Heade\u003cbr\u003e 1819-1904 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eRed Rose in a Standing Vase\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"M J Heade 1883\" (lower left)\u003cbr\u003e Oil on board \u003cbr\u003e\u003cbr\u003e This stunning oil on canvas represents the great Martin Johnson Heade's lifelong fascination with the natural world of flora and fauna. The celebrated landscape and still life painter devoted his career to capturing the beauty of nature on canvas, and his greatest achievements are his depictions of flowers such as this. Exactingly rendered with the precision of a naturalist, this still life of a rose with its crimson petals shows his mastery over texture and color. \u003cbr\u003e\u003cbr\u003e By the time this work was completed in 1883, Heade was well established as a painter of both landscapes and still lifes. It was also the year he married and moved to St. Augustine, Florida, where he experienced a period of renewed creativity and well being in his new tropical setting. The rose, with its illusions to romance, its intoxicating fragrance and its dramatic red hue, was the perfect subject for this stage in his life. Not only does he capture the bloom with a lush and sensuous beauty, but he also imbues the work a sense of mystery that is enhanced by the darkened setting. In its seeming simplicity, the still life reveals the subtle complexity of Heade's best works. \u003cbr\u003e\u003cbr\u003e Born in Pennsylvania in 1819, Heade received his earliest artistic training from the painter Edward Hicks. At the age of 19, he took his first trip abroad to live in Rome for two years. Upon his return in 1841, he exhibited for the first time at the Pennsylvania Academy of the Fine Arts in Philadelphia, and just two years later showed a portrait at New York's National Academy of Design. By the mid-1850s, Heade turned away from the portrait painting that dominated his early career, instead experimenting with landscape under the tutelage of Frederic Edwin Church. \u003cbr\u003e\u003cbr\u003e Not soon after, Heade also began his pursuit of still life painting, becoming the only artist of his generation to be proficient in both genres. By the 1880s, he was well established and had earned the patronage of Henry Morrison Flagler, a wealthy oil and railroad magnate who would purchase several dozen of his works over the next decades. Today, Heade's paintings can be found in important museum collections, including the Museum of Fine Arts (Boston), the Metropolitan Museum of Art (New York), the National Gallery of Art (Washington D.C.), the North Carolina Museum of Art, and many others. \u003cbr\u003e\u003cbr\u003e Dated 1883 \u003cbr\u003e\u003cbr\u003e Board: 16\" high x 8\" wide\u003cbr\u003e Frame: 27 3\/4\" high x 19 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Berry-Hill Galleries, Inc., New York\u003cbr\u003e Acquired in 1977 from the above by Jay P. Altmayer, Palmetto Hall, Alabama\u003cbr\u003e Richard Greene Fine Paintings, London\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \u003cem\u003eThe Life and Works of Martin Johnson Heade\u003c\/em\u003e, New Haven, 1975, by T.E. Stebbins, p. 258, no. 234 (illustrated)\u003cbr\u003e \u003cem\u003eThe Life and Works of Martin Johnson Heade: A Critical Analysis and a Catalogue Raisonné\u003c\/em\u003e, New Haven and London, 2000, by T.E. Stebbins, pp. 155, 327, no. 511 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44528169910407,"sku":"30-9149","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9149_1_516effe2-88bd-44a0-b2d8-13c90d639e2c.png?v=1777556602"},{"product_id":"autumn-garden-walk-by-john-atkinson-grimshaw","title":"Autumn Garden Walk by John Atkinson Grimshaw","description":"John Atkinson Grimshaw\u003cbr\u003e 1836-1893 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAutumn Garden Walk\u003c\/em\u003e  \u003cbr\u003e\u003cbr\u003e Signed and dated \"Atkinson Grimshaw 1879-80\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The golden-red glow of the autumnal sun illuminates this countryside scene by British painter John Atkinson Grimshaw. Showcasing the celebrated painter’s mastery of light and atmosphere, the oil is a captivating example of Grimshaw's meticulously rendered evening subjects. While the majority of the artist’s works depict moon-washed cities and the fishing villages of Britain, the location of this piece is the British countryside, giving it a sense of romance that would have resonated with its Victorian audience. \u003cbr\u003e\u003cbr\u003e Born in Leeds the son of an ex-policeman, Grimshaw began painting while he was employed as a clerk for the Great Northern Railway. In 1861 he left his job to pursue a career as a full-time artist. By 1870, he was successful enough to rent Knostrop Hall, a 17th-century mansion near Temple Newsam, which is featured in many of his paintings. His continued success enabled Grimshaw to build a house in Scarborough and to rent a studio in Chelsea. \u003cbr\u003e\u003cbr\u003e His early paintings of still lifes and local landscapes were executed with a precision reminiscent of the Pre-Raphaelite Brotherhood’s ideals. Later in his career, he turned his attention to moonlit urban scenes. He was fascinated by the relatively new art of photography and often used a camera obscura in developing his compositions. He strove relentlessly to perfect his own very individual vision. John Atkinson Grimshaw died on October 31, 1893, leaving three sons, Arthur, Louis and Wilfred, and a daughter, Elaine, who also became artists. Grimshaw’s work can now be seen in galleries all over the world including the Tate Gallery in London and the Leeds Museum.\u003cbr\u003e\u003cbr\u003e Canvas: 20” high x 30” wide\u003cbr\u003e Frame: 33 1\/2” high x 43 1\/2” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542197473415,"sku":"30-6163","price":445000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-6163_1.png?v=1743858833"},{"product_id":"emprunt-6-souscrivez-by-raoul-dufy","title":"Emprunt 6% Souscrivez by Raoul Dufy","description":"Raoul Dufy\u003cbr\u003e 1877-1953 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eEmprunt 6% Souscrivez\u003cbr\u003e (War Loan 6% Subscribe)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Raoul Dufy\" (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This vibrant gouache on paper by the renowned Raoul Dufy is a work of exceptional artistry and represents an important period in world history. The piece was a special commission ordered by the French government, which sought to encourage the French people to join in the post-war reconstruction efforts. Following World War I, the French government was destitute. The cost of the Great War had been tremendous not only in lives lost but also in terms of infrastructure and finances. To reclaim its place as a great power on the world stage, France needed funds to reconstruct its key industries, and quickly. Thus, the government turned to one of the most famous French artists of the day - Raoul Dufy - to create this gouache on paper to advertise the country's war bonds.  \u003cbr\u003e\u003cbr\u003e The extraordinary work represents Dufy's own sense of patriotic duty. Entirely unique in his oeuvre, it is clear that Dufy wished to create something truly special to help his war-torn country. The artist deftly captures the industry of France in the colorful composition, showcasing bridges, buildings, ships and other key elements of the country's infrastructure to evoke the viewers' pride, patriotism and willingness to help. The words \u003cem\u003eEmprunt 6% Souscrivez (War Loan 6% Subscribe)\u003c\/em\u003e are boldly written across the top, seeking subscribers to a 6% interest loan to help rebuild the country - a very healthy return for the age. \u003cbr\u003e\u003cbr\u003e The powerful painting represents one of the most effective and extensive patriotic campaigns of all time. France relied heavily on the willingness of its citizens to lend money to the government during World War I. By the war's end, however, the war-weary public required greater incentive to purchase war loans, so higher interest rates as well as extensive public relations campaigns were needed to sell government bonds. With the purchase of a war loan, every person could make a difference - and earn a significant return on their investment. Dufy's exceptional composition appealed to his countrymen's sense of patriotism, duty and pride, resulting in one of the most successful war and reconstruction funding campaigns of the modern age. \u003cbr\u003e\u003cbr\u003e Aside from its historic importance, the work is exemplary of Dufy's highly modern and distinctive style. The dynamism of the scene is perfectly translated through the artist's vivacious experiments in color and movement. He combines bold and spontaneous black outlines with broad areas of vivid color, creating dynamic planes that captivate the viewer. The resulting work is colorful and full of vigor, displaying the bright fluidity for which Dufy is so loved. \u003cbr\u003e\u003cbr\u003e Born in Le Havre, Normandy, both Dufy and his brother Jean showed a talent for drawing at an early age. He would eventually enroll in the École d'Art in La Havre, and later, the École Nationale Supérieure des Beaux-Arts in Paris. After viewing Matisse's Luxe, Calme et Volupte in 1904, Dufy adopted the bright color and flat compositions of the Fauvists. By 1909, the artist sought more austerity in his painting, and he became drawn to the works of Cézanne and the Cubists. From this point forward, Dufy's compositions presented a blend of the ideals upheld by these two artistic groups. His use of bold lines and colors, dynamic brushstrokes and other painterly qualities found in his paintings are a testament to his unique Expressionist ideals. \u003cbr\u003e\u003cbr\u003e This important work is accompanied by a certificate of authenticity from Mme. Fanny Guillon-Laffaille and will be included in her forthcoming supplement to the \u003cem\u003eCatalogue Raisonné des aquarelles de Raoul Dufy\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1919 \u003cbr\u003e\u003cbr\u003e Paper: 19\" high x 25\" wide\u003cbr\u003e Frame: 28\" high x 33 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Madame Collette van Leer (the artist's niece), Brussels\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44540181905543,"sku":"30-7592","price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7592_1_b92d0cd5-c541-4105-9323-0e0ceaea9b7a.png?v=1777552447"},{"product_id":"bali-by-a-e-herrmann","title":"Bali by A. E. Herrmann","description":"A.E. Herrmann\u003cbr\u003e\nActive in the 1920s | Dutch\u003cbr\u003e\u003cbr\u003e\n\u003cem\u003eBali\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\nSigned \"A.E. Herrmann 1932\" (in lower right hand corner)\u003cbr\u003e\nOil on canvas\u003cbr\u003e\u003cbr\u003e\nThis enchanting work by Dutch artist, A.E. Herrmann depicts an exotic scene in Bali. In this magnificent painting depicting four Balinese women packing baskets, a vivid background is painted so that it is vibrant with the tropical colors of Indonesia. The stunning melon-hued temple becomes a focus in the painting and evokes a serene and mesmerizing scene of a faraway land.\u003cbr\u003e\u003cbr\u003e\nIndonesia and in particular Bali and Java was an extremely important destination for many early 20th century Dutch artists and a number of important painters lived and worked there, including Rudolph Bonnet, Arie Smit and other European artists. In the 1920s Bali became an artist enclave and the landscape and people of the region can be seen in many works by European artists. Western artists, such as Herrmann had a huge impact on the production of Balinese artists and their work transformed as a result of the cultural interaction. Western artists imbued Balinese art with perspective and attention to anatomy as well as encouraging experimentation and a departure from tradition.\u003cbr\u003e\u003cbr\u003e\nHerrmann became renowned as a master of Indonesian scenes and in 1931 applied to participate in the Colonial Exhibition in Paris. A design for a poster by his hand for the fair in Bandung, Java, the 'Eerste Nederlandsvh-Indische Jaarbeurs' in 1920, is reproduced in \"Weekblad voor Indie\", n. 52, April 4, 1920 and an advertisement for \"The Ribbon Cigarette Cy\" in \"De Java-Bode\" of September 11, 1936 bears the same signature. His work evolved at a time in Europe where colonial images of people and the landscape were extremely popular. Herrmann became famous for his views of the exotic Indonesian countryside and was particularly renowned for his paintings depicting beautiful women and their daily activities. Important collections of colonial itinerant artists are not complete without his inclusion.\u003cbr\u003e\u003cbr\u003e\nDated 1932\u003cbr\u003e\u003cbr\u003e\nCanvas: 20\" high x 25.8\" wide\u003cbr\u003e\nFrame: 27 1\/2\" high x 33 5\/8\" wide\u003cbr\u003e\u003cbr\u003e\nLiterature:\u003cbr\u003e\n\u003cem\u003eLexicon of Foreign Artists who Visualized Indonesia (1600-1950): Surveying painters watercolourists, f-draughtsmen, sculptors, illustrators, graphic and industrial artists\u003c\/em\u003e, 1995, L. Haks \u0026amp; G. Maris","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42553360744583,"sku":"30-0244","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-0244_1.png?v=1744226819"},{"product_id":"italian-panel-of-orpheus-and-eurydice","title":"Italian Panel of Orpheus and Eurydice","description":"Greek mythology comes to life in this extraordinary gouache and oil on canvas. The exceptionally rare work likely depicts the tragic myth of Orpheus and Eurydice. Orpheus, a legendary great hero renowned for his musical skills, was the son of the Thracian king Oeagrus and the Muse Calliope, the patron of epic poetry. According to legend, Orpheus was gifted his first lyre by the god Apollo, who was impressed by his superhuman musical talents.\n\u003cbr\u003e\u003cbr\u003e\nThe tale for which Orpheus is best remembered, however, is the one likely depicted in this panel, wherein he rescued his wife, Eurydice, from the underworld. On the day of her wedding, Eurydice was set upon by a satyr, and in her efforts to escape, she was bitten by a snake. Overcome by grief, Orpheus traveled to the underworld with his lyre in order to appeal to Hades and Persephone to return his wife. Hearts softened by his song, they agreed to allow Eurydice to return to earth, on the condition that he not turn to look at her until they escaped the underworld. Tragically, Orpheus was unable to comply with this condition - he turned back to catch a glimpse of her, and his wife vanished forever.\n\u003cbr\u003e\u003cbr\u003e\nOne of the most popular of the Greek myths, Orpheus' story is brilliantly recreated in this gouache and oil on canvas, which captured the musician as he plays for the god and goddess of the underworld. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837390471,"sku":"30-9010","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9010_1_42c3eaca-8071-43c3-bdee-516c992787fa.png?v=1769761361"},{"product_id":"dancer-fastening-the-string-of-her-tights-by-edgar-degas","title":"Dancer Fastening the String of Her Tights by Edgar Degas","description":"Edgar Degas\u003cbr\u003e\n1834-1917 | French\n\u003cbr\u003e\u003cbr\u003e\n\u003cem\u003eDancer Fastening the String of Her Tights\u003c\/em\u003e\n\u003cbr\u003e\u003cbr\u003e\nSigned, numbered, dated, and stamped with foundry mark “Degas \/ 33|G \/ 1998 \/ CIRE C.VALSUANI PERDUE”\u003cbr\u003e\nBronze\n\u003cbr\u003e\u003cbr\u003e\nThis graceful little dancer is a superb example of the sculptural works created by the great Impressionist Edgar Degas. Degas had an extraordinary talent for capturing the natural movements and grace of his figures, particularly in his paintings and sculptures of ballet dancers for which he is best known. In the present bronze, he uses a dramatic, twisting contrapposto pose in order to depict his dancer in motion as she contorts backwards to tighten the string of her tights. His works such as this reveal the mechanics of the ballet that happen beyond the beauty on stage, lending his works a remarkable sense of life and intimacy.\n\u003cbr\u003e\u003cbr\u003e\nThroughout his career, Degas became obsessed with capturing the dancer in motion, both on stage and in the dressing room. Of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. The present work boasts one of the more original poses from among these - rather than an arabesque, Degas captures his dancer undertaking a far more private and intimate task. Unlike some of his works that depict women doing their toilette, the bronze is elegant rather than awkward, as Degas transforms the simple act of tying a string into a pleasing and fluid pose.\n\u003cbr\u003e\u003cbr\u003e\nThe work is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze.\n\u003cbr\u003e\u003cbr\u003e\nThis example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes, on the other hand, actually represent Degas’ reworking of the original sculptures.\n\u003cbr\u003e\u003cbr\u003e\nBecause they are cast directly from the plaster, the Valsuani bronzes are also larger, crisper, and more highly defined than the Hébrard bronzes. Since the original plasters were discovered in the 1990s, similar Valsuani bronzes have been exhibited around the world, including The Hermitage (St. Petersburg) and the Minneapolis Institute of Art.\n\u003cbr\u003e\u003cbr\u003e\nOriginal wax model executed circa 1885-1890\u003cbr\u003e\nBronze cast 1998\n\u003cbr\u003e\u003cbr\u003e\n16 5\/8\" high x 8 1\/2\" wide x 7 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316796489863,"sku":"30-9143","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9143_1_36fec41c-c760-40af-84ce-7dd2f90299a3.png?v=1760369097"},{"product_id":"boy-fishing-statue-by-goldscheider","title":"Boy Fishing Statue by Goldscheider","description":"This exceptional and monumental terracotta sculpture was crafted at Vienna’s renowned Goldscheider manufactory. This enchanting sculpture, model #1225, depicts a charming genre scene of a young boy fishing. Originally part of a series of children designed by Haniroff, one of Goldscheider’s renowned artisans, this endearing piece is quintessential Goldscheider, representing the avant-garde design of the Art Nouveau period. Goldscheider was among the most dominant ceramic manufactories of the late 19th and early 20th centuries, employing some of the most gifted artists working in the Art Nouveau and Art Deco styles. The quality and condition of this sculpture are exemplary of Goldscheider at its best.  \u003cbr\u003e\u003cbr\u003e Circa 1893 \u003cbr\u003e\u003cbr\u003e 48\" high x 14\" wide x 30\" deep \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \u003cem\u003eGoldscheider\u003c\/em\u003e, Ora Pinhas, 2006, page 32\u003cbr\u003e \u003cem\u003eTerres cuites orientalistes et africanistes 1860-1940,\u003c\/em\u003e Stéphane Richemond, 1999, page 101, figure 53","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42865486561415,"sku":"30-3338","price":64500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3338_1.png?v=1751462686"},{"product_id":"venetian-figural-torcheres-17th-century","title":"Venetian Figural Torchères, 17th Century","description":"Carved wooden torchères\u003cbr\u003e Venetian artist\u003cbr\u003e Early 17th century \u003cbr\u003e\u003cbr\u003e Awe-inspiring in size and artistry, these incredible Venetian figural torchères pay homage to two of Italy’s most celebrated merchant explorers–Marco Polo and Amerigo Vespucci. Standing over nine feet high, these impressive carved wood sculptures were crafted in the late Renaissance in the Lombardo manner and are masterpieces of the centuries-old tradition of Venetian woodcarving. Most works executed during this era were ecclesiastical or architectural in nature, such as the Archangel torchères found in the Palazzo Moncenigo in Venice, a fact that makes these substantial secular figures an incredible rarity. Given their depiction of historical figures, these torchères would most likely have been specially commissioned by a wealthy Venetian merchant or public official to be displayed at the entrance of his palace. Outside of the similar pair housed in the Doge’s Palace in Venice, these figures are the only other secular pair known to exist anywhere in the world.  \u003cbr\u003e\u003cbr\u003e Displaying incredible attention to detail, the merchant explorers are rendered in exotic clothing inspired by their travels that forever changed the course of history. Retaining much of their original paint, a combination of gilt, polychrome and natural wood gives these imposing sculptures a dynamic and more life-like appearance. Known in Italy as androne torchère, these figures would have flanked the entrance hall stairwell making an unquestionably grand impression upon visitors.  \u003cbr\u003e\u003cbr\u003e Wooden sculptures of this immense quality and scale would be nearly impossible to survive in the condition of the present pair. The passage of nearly 400 years, combined with the regularity of floods throughout Venice’s history, make these figural torchères among the rarest works of Venetian art on the market today.  \u003cbr\u003e\u003cbr\u003e Each: 114” high x 44” wide x 30” deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43231050629255,"sku":"30-3346","price":348500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-3346_1.png?v=1758655492"},{"product_id":"nephrite-napoleonic-tomb-sculpture","title":"Nephrite Napoleonic Tomb Sculpture","description":"Skillfully crafted of carved nephrite, this one-of-a-kind sculpture is a fantastical recreation of the tomb of Napoléon on St. Helena, the island of the Emperor’s final exile and eventual death. Almost certainly made in the first years following the legendary leader’s death, the work lends Napoléon’s tomb a grandeur and opulence it never achieved in life; the original tomb in St. Helena’s Sane Valley was a simple, unadorned plot beneath a willow. The present piece, however, is crafted with a complexity and majesty befitting the French leader. Fascinating in subject and design, this objet d’art is an intricate and dazzling display of nephrite workmanship. \u003cbr\u003e\u003cbr\u003e An island 1,162 miles from the west coast of Africa, St. Helena was chosen as the place of Napoléon’s final exile precisely for its isolation; the British feared a repeat of Elba, when Napoleon escaped exile after just 11 months. Due to its remoteness, few Frenchmen were able to visit the tomb of their former Emperor, and only a handful of sketches of his resting place beneath a willow tree were brought back to France. \u003cbr\u003e\u003cbr\u003e In the present piece, the artist carves from a stunning specimen of nephrite his vision of Napoléon’s final resting place. Here, Napoléon’s tomb is bedecked in the adornments of the Empire style, with a French Imperial eagle at each corner. The top of the tomb can be removed, revealing a tiny Napoléon figurine carved from nephrite, complete with his distinctive bicorne hat, resting inside. The tomb rests beneath the flowing limbs of a St. Helena willow tree, which is the one true-to-life element of this stunning and imaginative rendering. \u003cbr\u003e\u003cbr\u003e Napoléon's exile to St. Helena in 1815 brought an end to the Napoleonic Wars that had dominated the preceding years. After his death in 1821, his body would spend another 19 years on the island in an unnamed tomb surrounded by a simple railing. Among the visitors to Napoléon’s grave was the English naturalist Charles Darwin. With regards to the gravesite, he wrote: \"…a tomb situated close by cottages and a frequented road does not create feelings in unison with the imagined resting place of so great a spirit… if Napoléon's ghost haunts his dreary place of confinement, this would be a most excellent night for such wandering Spirits.\" \u003cbr\u003e\u003cbr\u003e Like Darwin, the craftsman of this extraordinary piece must have balked at the simplified resting place of the once-great leader. Yet, Napoléon would eventually find a more suitable burial place - in 1840, following a request from the King Louis-Philippe, Napoléon’s remains were returned to Paris, where they were entombed in the Dôme des Invalides. \u003cbr\u003e\u003cbr\u003e Circa 1830 \u003cbr\u003e\u003cbr\u003e 19 1\/4\" high x 15 1\/2\" wide x 9\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316788035719,"sku":"30-4815","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-4815_1.png?v=1760369090"},{"product_id":"football-by-feodor-ivanovich-zakharov","title":"Football by Feodor Ivanovich Zakharov","description":"Feodor Ivanovich Zakharov\u003cbr\u003e 1882-1967 | Russian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFootball\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed in Cyrillic “F. Zakharov” (lower right) and signed again and inscribed “Feodor Zakharov\/Football” (en verso)\u003cbr\u003e Oil on card laid down on panel \u003cbr\u003e\u003cbr\u003e This exceptionally rare early work by the celebrated portraitist Feodor Ivanovich Zakharov represents the rare opportunity to own a piece of both art historical and cultural significance. Undoubtedly, football is the most beloved sport in the world, commanding the attention of billions of enthusiasts worldwide. However, the sport has seldom been chosen as a subject for fine art, particularly in its early days. Entitled \u003cem\u003eFootball\u003c\/em\u003e, this dynamic oil, which was once owned by the North Carolina Museum of Art, is one of a select few that highlights the excitement of this international pastime. \u003cbr\u003e\u003cbr\u003e The ambitious composition is highly unusual for the artist, who is particularly known for the highly popular portraits of New York society that dominated his later output. Instead, \u003cem\u003eFootball\u003c\/em\u003e offers a glimpse into Zakharov's early experimentation with reflections, light and shadows. In the present work, the technique contributes to the fervor of the game, which is further intensified by the highly saturated patches of orange-red on the players' uniforms and in the packed spectator-stands behind them. Overall, the effect is impressive and dynamic, bringing the atmosphere of the match to life. \u003cbr\u003e\u003cbr\u003e Zakharov painted the work around 1912, which was an historic year for Russian football. The establishment of the Football Union of Russia took place that year, and a number of teams had emerged, including OLLS Moscow (known today as CSKA Moscow). It is possible they are one of the teams depicted here, as they played in distinctive red and blue stripped uniforms. For the first time, Russia also sent a football team to the Olympic Games in Stockholm, where they played teams from Finland, Germany, Hungary and Norway. In this context, \u003cem\u003eFootball\u003c\/em\u003e represents a significant step taken in the history of Russian sport, and also the country’s emergence onto the world stage. \u003cbr\u003e\u003cbr\u003e Born in Astrakhan in 1882, Feodor Zakharov studied at the Moscow School of Painting, Sculpture and Architecture from 1910 until 1916. He began to exhibit as early as 1911, an amazing accomplishment for a young artist. He was invited to be an exhibitor and member of the committee organizing the \u003cem\u003eRussian Art Exhibition\u003c\/em\u003e planned for New York City in 1924. \u003cem\u003eFootball\u003c\/em\u003e was among the few compositions the artist leant for the exhibition, representing his entrée into New York society. Like many other émigrés who escaped the Russian Revolution, Zakharov subsequently settled in New York, where he opened a studio in Central Park South in 1932. \u003cbr\u003e\u003cbr\u003e His paintings soon gained a significant following among affluent society. He received a number of commissions from important patrons, including Mrs. Woodrow Wilson, Mrs. Calvin Coolidge and philanthropist Charles R. Crane. Zakharov exhibited both as a solo artist in cities such as Paris, New York and Philadelphia, and contributed to the \u003cem\u003eInternational Exhibition of Modern Art\u003c\/em\u003e held at the Carnegie Institute of Pittsburgh. Enjoying such great success in America, Zakharov thrived as a society portraitist in New York and never return to Russia. He won a number of prizes, and today, his work is exhibited at in number of prestigious collections all over the world, including the Smithsonian Museum of American Art. \u003cbr\u003e\u003cbr\u003e Circa 1912 \u003cbr\u003e\u003cbr\u003e Panel: 27” high x 36 1\/2” wide\u003cbr\u003e Frame: 37 7\/8” high x 47 1\/4” wide \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e \u003cem\u003eThe Russian Art Exhibition\u003c\/em\u003e, 1924, New York, Grand Central Palace\u003cbr\u003e \u003cem\u003eSesqui-Centennial International Exposition\u003c\/em\u003e, 1926, Philadelphia, Department of Fine Arts\u003cbr\u003e \u003cem\u003eFeodor Zakharov: A Retrospective Exhibition\u003c\/em\u003e, 1965, Raleigh, North Carolina Museum of Art \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \u003cem\u003eFeodor Zakharov: A Retrospective Exhibition\u003c\/em\u003e, 1965, Raleigh, North Carolina Museum of Art, p. 9, no. 3 (illustrated) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The artist, at least until 1965\u003cbr\u003e Elsie and George Kramer, New York\u003cbr\u003e North Carolina Museum of Fine Art, Raleigh, NC\u003cbr\u003e Private collection, London\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44303720153223,"sku":"29-6396","price":495000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-6396_1_4a8ce53e-d241-4077-a832-ec5f255d5e7d.png?v=1774961081"},{"product_id":"french-figural-statue","title":"French Figural Statue","description":"This extraordinary and monumental cast-iron sculpture was likely specially commissioned to the Fonderies d'Art du Val d'Osne for an important public or private collection. Designed by celebrated Parisian sculptor Mathurin Moreau, the striking work takes the form of a beautiful young maiden clad in classical robes with an amphora gracefully held aloft in one hand. The work displays a remarkable level of detail considering its iron casting, including a wreath of laurel leaves atop the woman's head and a stunning necklace adorning her neck.\u003cbr\u003e\u003cbr\u003e\nDue to its large size and subject matter, the remarkable work would most probably have been exhibited in a public or private fountain, garden, estate or hotel. French cast-iron sculptures such as this one were historically preferred over bronze for outdoor decorations due to their resistance to more extreme weather conditions. Similar statues cast by Val d'Osne can be found decorating public buildings and parks worldwide, and particularly in the United States and France.\n\u003cbr\u003e\u003cbr\u003e\nThe design for this statue is reproduced in the catalog of the Fonderies du Val d'Osne as \u003cem\u003eJeune fille\u003c\/em\u003e, No. 245, plate 595.\u003cbr\u003e\u003cbr\u003e\nThe base is mounted with a plaque reading \"\u003cem\u003eFonderies du Val d'Osne \/ 58 BD Voltaire, Paris\u003c\/em\u003e\"\n\u003cbr\u003e\u003cbr\u003e\n24\" wide x 14\" deep x 70\" high\n\u003cbr\u003e\u003cbr\u003e\nEstablished in 1835 by the inventor of ornamental cast iron, Jean Pierre Victor André, the Fonderies d'Art du Val d'Osne were world renowned for their remarkable architectural designs and decorative cast iron works of art for nearly 150 years. Beginning in 1851, the firm participated in numerous international exhibitions, earning much critical acclaim throughout the years. Celebrated sculptors including Mathurin Moreau, Albert-Ernest Carrier-Belleuse, and James Pradier designed numerous works exclusively for the famed firm, cementing their place among the finest in the industry. While today the works of the Fonderies d'Art du Val d'Osne can be seen in important collections worldwide, the most visible pieces cast by the firm are the distinctive Art Nouveau Parisian subway entrances designed by Hector Guimard.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41237955870855,"sku":"30-4249","price":29500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-4249_2.png?v=1717921279"},{"product_id":"venetian-wood-sculpture","title":"Venetian Wood Sculpture","description":"This exceptional and monumental Venetian wood sculpture features two putti holding a footed tray. With all of the exquisite workmanship expected from the famed art and artisan hub, this sculpture is further elevated by its base decorated with bas-relief of the view from St. Mark's Square. The classical view of Venice overlooking the Grand Canal towards the Doge's Palace evokes all of the splendor of Italian artistry. \u003cbr\u003e\u003cbr\u003e Circa 1870 \u003cbr\u003e\u003cbr\u003e 79\" high x 26\" wide x 17\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41239052714119,"sku":"28-2465","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/28-2465_1.png?v=1712739732"},{"product_id":"portrait-of-francis-bennett-by-thomas-gainsborough","title":"Portrait of Francis Bennett by Thomas Gainsborough","description":"Thomas Gainsborough\u003cbr\u003e 1727–1788 | English \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePortrait of Francis Bennett (1712-1790)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This exceptionally rare portrait was composed by renowned British painter Thomas Gainsborough, one of the most recognizable names in 18th-century art. This masterwork was painted in Bath in 1766, during one of the most significant artistic periods of Gainsborough's career. Just three years later, in 1769, he was invited to become a founding member of the Royal Academy, one of the highest honors a British painter could achieve. With its fluidity of line and boldness of color, \u003cem\u003ePortrait of Francis Bennett (1712-1790)\u003c\/em\u003e reveals the artist's shift away from the more realistic style of his early output toward the elegant grandeur that characterizes his later oeuvre. \u003cbr\u003e\u003cbr\u003e Francis Bennett, like Gainsborough himself, prospered thanks to the huge expansion of Bath as a spa town in the 18th century. Born in Bath in 1712, he established himself as a linen and wool draper who counted the elite of the town—including Gainsborough himself—among his clientele. A slightly earlier portrait of Bennett in a blue waistcoat was formerly in the collection of the late Viscount Cowdray at Cowdray Park. \u003cbr\u003e\u003cbr\u003e Born in 1727 in Suffolk, Gainsborough was the leading portrait painter of the 18th century, alongside Sir Joshua Reynolds, his main rival. Though Gainsborough originally set up his studio in Ipswich in 1752, he later moved to Bath, where he achieved considerable success. A favorite of the aristocracy as a portrait painter, Gainsborough was equally at home painting landscapes and pastoral idylls, presenting nobility, the working class and nature with the same extraordinary technical precision. Gainsborough’s ability to capture his subjects’ personalities, imbuing them with an emotive poetry, set him apart from his contemporaries. His portraits belong to the world's most prestigious museums, including the Louvre, the National Gallery in London, the Metropolitan Museum of Art and many more. \u003cbr\u003e\u003cbr\u003e This painting will be included in the forthcoming catalogue raisonné of the portraits of Thomas Gainsborough currently being prepared by Dr. Hugh Belsey. \u003cbr\u003e\u003cbr\u003e Circa 1766 \u003cbr\u003e\u003cbr\u003e Canvas: 30 1\/8” high x 25” wide (76.52 x 63.50 cm)\u003cbr\u003e Frame: 36 3\/4” high x 32” wide x 3\" deep (93.35 x 81.28 x 7.62 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Thomas Agnew \u0026amp; Sons, London, by 1899\u003cbr\u003e Jointly owned by Agnew’s and Wallis \u0026amp; Son, 1903\u003cbr\u003e Agnew’s half share sold to Wallis \u0026amp; Son on June 2, 1910\u003cbr\u003e Galerie D Heinemann, Munich, 1918 and 1928\u003cbr\u003e Private collection, Amsterdam, 1995-2005\u003cbr\u003e M.S. Rau, New Orleans, 2009\u003cbr\u003e Private collection, Los Angeles, 2012\u003cbr\u003e M.S. Rau, New Orleans, 2016\u003cbr\u003e Private collection, United States\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Walter Armstrong, \u003cem\u003eGainsborough and His Place in English Art\u003c\/em\u003e, 1904, p. 258 \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e French Gallery, 1913, no. 17\u003cbr\u003e Galerie D Heinemann, Munich, 1918 and 1928","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44201313468551,"sku":"29-4019","price":148500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/29-4019_1_04f3c8f3-b19f-42e8-9dc6-3a1ab942f411.png?v=1774961008"},{"product_id":"hand-painted-limoges-marriage-anniversary-plaque","title":"Hand Painted Limoges Marriage Anniversary Plaque","description":"A fine Limoges porcelain plaque superbly hand painted to commemorate the 40th anniversary of the depicted couple. Interestingly, the last initial of the monogram matches that of the artist, so it is possible that it was painted by the couple's son, daughter or relative. Inscribed 40th Marriage Anniversary Paris 14th May 1889 and signed 'P. Soyer.'","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874585542791,"sku":"28-8238","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/28-8238_1.png?v=1770667633"},{"product_id":"ondine-by-pierre-marcel-beronneau","title":"Ondine by Pierre Marcel-Béronneau","description":"Pierre-Amédée Marcel-Béronneau\u003cbr\u003e 1869-1937 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eOndine\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Studio stamped (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Mystical and mysterious, a mythological Ondine rests beside an ethereal forest pond in this majestic, original oil on canvas by French Symbolist Pierre-Amédée Marcel-Béronneau. A student of the famed Gustave Moreau, Béronneau painted some of the most ornate scenes ever envisioned which focused upon entrancing figures of classical mythology.  \u003cbr\u003e\u003cbr\u003e Ondine, or Undine, is a female elemental being of ancient origin that is used to describe nymphs, mermaids, naiades and the like. In lore, the beings reside near pools, ponds and waterfalls and are known for their captivating singing voices that are said to have a hypnotic effect on men. These immortal figures, though they may resemble women lack one of the most important human characteristics – a soul. Here, in true Symbolist fashion, Béronneau creates a breathtakingly vivid dream world in which this Ondine is prominent. Her lack of color, as compared to her surroundings, seems to reflect the absence of this most essential of mortal traits. Though graceful and unquestionably beautiful, without a soul the Ondine is unable to truly experience an enriched and fulfilled life. \u003cbr\u003e\u003cbr\u003e Born to a locksmith and a housewife in Bordeaux, Béronneau received his initial training at the Municipal School of Fine Arts in his hometown and later Paris’ Decorative Arts School. In 1892, he enrolled into the Academie des Beaux-Arts where he entered the studio of Gustave Moreau. Béronneau quickly became one of the master’s best pupils. In a letter of recommendation to the Mayor of Bordeaux, Moreau wrote: “Mr. Béronneau, my student, is a wonderful worker, very gifted and worthy of your interest.” \u003cbr\u003e\u003cbr\u003e Béronneau would go on to have a tremendously successful career, winning numerous awards and honors throughout his lifetime. He exhibited at the Salon and the Salon des Indépendants from 1895, garnering medals in 1900, 1913 and 1926. The art critic Arsène Alexandre wrote about him in the paper “Le Figaro” that he was a “great refined artist”, a “delicate, serious and often deep painter who [mixed] a great integrity with the yearning for the highest thoughts”. The French government also commissioned works, such as his “Last Hour”, currently found in the collection of the Fine-Arts Museum in Bordeaux. He became Knight of the Legion of Honor in 1914. \u003cbr\u003e\u003cbr\u003e Circa 1905 \u003cbr\u003e\u003cbr\u003e Canvas: 28 7\/8” high x 23 5\/8” wide\u003cbr\u003e Frame: 35 1\/4” high x 30 1\/8” wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The artist’s estate\u003cbr\u003e Private collection, France\u003cbr\u003e Sotheby’s Olympia, 2003\u003cbr\u003e Private collection, United Kingdom","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42446740095111,"sku":"30-9256","price":49850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9256_1_e9747cca-87e1-4505-9f31-67a6da5f9cda.png?v=1741873468"},{"product_id":"portrait-of-napoleon-ii-attributed-to-johann-peter-krafft","title":"Portrait of Napoléon II attributed to Johann Peter Krafft","description":"Attributed to Johann Peter Krafft\u003cbr\u003e 1780-1856 | Austrian \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePortrait of Napoléon François Charles Joseph Bonaparte\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Remnants of signature (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The son of the legendary Napoléon Bonaparte, Napoléon François Charles Joseph, takes a spirited stance in this remarkable oil painting attributed to the Austrian portraitist Johann Peter Krafft. Believed to have been exhibited at the Exposition Universelle of 1900 in Paris, this work stands as a testament to both Austrian artistry and the legacy of one of the most powerful men in history. \u003cbr\u003e\u003cbr\u003e After Napoléon's exile to the island of Elba in 1814, his son was seen by many of his supporters as the last hope of France. The child was named the ruler of half of Europe, holding the titles of Napoléon II, King of Rome, Prince of Parma, and the Duke of Reichstadt, the last given to him by his grandfather, Austria’s Emperor Francis II.  \u003cbr\u003e\u003cbr\u003e Following his father’s capture, the then four-year-old Napoléon and his mother fled to her homeland of Austria, never to see the fallen Emperor of France again. Once under the protection of the Habsburg Court, there was a concerted effort to sever all ties to his father. His mother left him in Vienna to pursue her own personal interests. In her absence, his grandfather assumed guardianship and gave him the title of the Duke of Reichstadt, dismissed all of his French attendants, and even disallowed the child to be referred to as “Napoléon”, instead insisting on the name “Franz” or “Francis”.  \u003cbr\u003e\u003cbr\u003e   This portrait, which dates roughly to 1818, features the young Napoléon II as he gazes directly at the viewer and assumes a pose of nonchalant authority. He wears the dress of a Spanish Grandee, a style of costuming that enjoyed a resurgence in popularity in the late years of the prior century with the advent of the majismo tradition. The incorporation of it here, however, has been tied to the young Napoléon II’s acquisition of a new title in 1818 - the Duke of Reichstadt. It was this new title that was purportedly celebrated with a large costume ball, and it is for this reason, as interpreted by experts, that Napoléon II wears such distinctive garb in this portrait.  \u003cbr\u003e\u003cbr\u003e A closer look at the technique and style of this painting leads one to draw connections to the work of Johann Peter Krafft, who devoted much of his career to history and portrait painting. Born in Hanau, Germany, Krafft eventually moved to Vienna near the end of the eighteenth century and subsequently enrolled at the Academy of Fine Arts, Austria’s preeminent artistic academy. First studying alongside Heinrich Friedrich Füger, a history painter, Krafft was also afforded training under the masterful eye of Neoclassical painter Jacques-Louis David in Paris the early 1800s. \u003cbr\u003e\u003cbr\u003e Shortly after this time abroad, Krafft returned to Vienna to establish his studio and gained fast acclaim for his striking portraits. His work garnered him membership in the Academy of Fine Arts as well as a professorial appointment there in 1823; in 1828, he was appointed the director of the Österreichische Galerie Belvedere, which still today is considered one of Austria’s most impressive artistic collections. Throughout these accomplishments, Krafft continued to accept increasingly prestigious commissions, including those from Emperor Franz I and his court. \u003cbr\u003e\u003cbr\u003e Painted in 1818 \u003cbr\u003e\u003cbr\u003e Canvas: 55 1\/4\" high x 36 3\/8\" wide\u003cbr\u003e Frame: 63 1\/2\" high x 44 1\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance: \u003cbr\u003e Haro, La Maison au Genie des Arts, 30 Rue du Colombier, Paris (label stamped on the reverse of the original canvas, the firm was at this address from 1826 - 1836); \u003cbr\u003e Sibylle-Gabrielle Marie-Antoinette de Riquetti de Mirabeau, Comtesse de Martel de Janville, from 1849 until 1932, (French author who wrote under the pseudonym Gyp);\u003cbr\u003e Thereafter, by descent in the family;\u003cbr\u003e Private Collection, Michigan, until 2018 \u003cbr\u003e\u003cbr\u003e Exhibited: \u003cbr\u003e Exposition Universelle de 1900, Paris, April 15 - November 12, 1900 (according to tradition in the Comtesse de Martel de Janville's family)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43641745703047,"sku":"30-9335","price":128500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9335_1_69d04491-9210-4d3c-b0ae-7d800e75fd70.png?v=1769760834"},{"product_id":"bust-of-pope-innocent-xi-odescalchi-by-domenico-guidi","title":"Bust of Pope Innocent XI Odescalchi by Domenico Guidi","description":"Domenico Guidi\u003cbr\u003e 1625-1701 | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBust of Pope Innocent XI Odescalchi\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Carrara marble \u003cbr\u003e\u003cbr\u003e This monumental bust is a museum-quality example of Roman Baroque sculpture. Crafted by the legendary Domenico Guidi and carved from Carrara marble, the impressive portrait captures the visage of Pope Innocent XI, Benedetto Odescalchi (1611-1689). It presents a larger-than-life example of Guidi’s remarkable skill as a sculptor, which ultimately made his workshop one of the most important in Rome during his age. Today, his works are rarely found on the market, particularly his extraordinary works in marble. \u003cbr\u003e\u003cbr\u003e Pope Innocent XI was born Benedetto Odescalchi into an Italian noble family of prominent bankers. Spending his early years in banking, he eventually turned to the law, earning his doctorate in 1639. His background would serve him well in his service to the papacy, and he became known as a frugal and devout member of the Church. In 1676, he was unanimously elected Pope after the death of Clement X. During his nearly 13-year reign, he instilled his own personal ideals of austerity and frugality onto the Church, with a deep commitment to reform and piety. \u003cbr\u003e\u003cbr\u003e He is captured here by Guidi in his traditional Pope’s mozzetta and camauro cap. A wide stole is draped over his shoulders, ornamented by acanthus leaves and the coat of arms of the Odescalchi family. It displays Guidi’s mastery over the chiaroscuro effect, particularly in the high level of contrast in his cheeks and his eyes, which Guidi achieved through various methods of high polish.  \u003cbr\u003e\u003cbr\u003e A very similar portrait sculpture of Pope Innocent XI by Guidi can be found in the collection of the Royal Castle in Warsaw. The Warsaw bust belongs to a series of portraits of popes which the Odescalchi family commissioned from Domenico Guidi in the 1690s. Compared to that example, the present bust is far more dramatic, with deeper cut lines and a more precise expression. It is likely that the present piece was seen by the Odescalchi family, who ordered a similar one to be made. The piece was almost certainly intended to be displayed in a niche, given its dramatic cutting and its roughly carved back. \u003cbr\u003e\u003cbr\u003e Others of Guidi’s busts can be found in important collections throughout Italy, England and the United States, though many of these are lesser bronze repetitions. A bronze bust of Pope Alexander VIII by Guidi is currently in the collection of the Victoria \u0026amp; Albert Museum (London), while a terracotta version of the same is in the Los Angeles County Museum. A bronze of Pope Alexander VIII can be found in the Princely Collection of Lichtenstein, and his impressive marble papal bust of Clement IX graces the pope’s tomb in Santa Maria Maggiore. The present bust of Pope Innocent XI stands among these impressive examples as a truly museum-quality work by this Baroque master. That ours is also a marble original makes it all the more exceptional. \u003cbr\u003e\u003cbr\u003e Domenico Guidi was the nephew of the prominent sculptor Giuliano Finella, and in 1639, he joined his uncle in Naples in order to learn the family business. His first task was a monumental one – he assisted Finella on thirteen statues of saints for the Cathedral in Naples. It was well known that his uncle had an ongoing feud with the great Baroque sculptor Bernini, and thus Guidi never entered his workshop. Instead, he went to Rome to work for Bernini’s main rival Alessandro Algardi in 1648 and, after the master’s death in 1654, began his own independent career. His workshop quickly became one of the most popular in Rome, particularly following the death of Bernini, and he also enjoyed remarkable success in France. Today, his sculptures stand as remarkable examples of the Roman Baroque style. \u003cbr\u003e\u003cbr\u003e Circa 1690 \u003cbr\u003e\u003cbr\u003e 46” high x 35” wide x 17” deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542450770055,"sku":"30-7781","price":298500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7781_1_58a93872-762c-425d-84bd-6248f3881c2a.png?v=1743858907"},{"product_id":"italian-panel-of-eurydice-with-naiads","title":"Italian Panel of Eurydice with Naiads","description":"A fascinating tale from Greek mythology is revealed in this extraordinary gouache and oil on canvas. The rare Italian painting is believed to depict a scene from the myth of Orpheus and Eurydice. One of the most tragic figures in Greek mythology, the nymph Eurydice was one of the daughters of the god Apollo. According to legend, she wed Orpheus, the legendary musician and hero who was the son of the Muse Calliope. She is captured here on the day of her wedding, joyfully dancing with the naiads in a vast field, though their severe expressions reveal the tragedy that is about to befall her.\n\u003cbr\u003e\u003cbr\u003e\nShortly after Eurydice's dance with the naiads, she was set upon by a satyr; in her efforts to escape, she was bitten on the foot by a poisonous snake and died. Overcome by grief, Orpheus traveled to the underworld with his lyre in order to appeal to Hades and Persephone to return his wife. Hearts softened by his song, they agreed to allow Eurydice to return to earth, on the condition that he not turn to look at her until they escaped the underworld. Tragically, Orpheus was unable to comply with this condition - he turned back to catch a glimpse of her, and his wife vanished forever.\n\u003cbr\u003e\u003cbr\u003e\nOne of the most popular of the Greek myths, Orpheus and Eurydice's story is brilliantly recreated in this gouache and oil on canvas. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837718151,"sku":"30-9079","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9079_1_02dd6ff8-363a-40cb-92e8-9d58b3056928.png?v=1769758608"},{"product_id":"italian-panel-with-satyr-and-nymphs","title":"Italian Panel with Satyr and Nymphs","description":"This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net.\n\u003cbr\u003e\u003cbr\u003e\nThe relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs were commonly found on ancient Greek pottery, which inspired later Italian revivals such as the present piece. A similar scene was also captured by the great William-Adolphe Bouguereau in his 1873 masterpiece \u003cem\u003eNymphs and Satyr\u003c\/em\u003e, wherein a group of nymphs is surprised by a lascivious satyr while bathing.\n\u003cbr\u003e\u003cbr\u003e\nAmong the most popular of the Greek mythological characters, the satyr and nymph are brilliantly recreated in this gouache and oil on canvas. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837816455,"sku":"30-9080","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9080_1_b17db1e6-ef9e-4862-92da-dea817279415.png?v=1769758555"},{"product_id":"japanese-shunga-sitting-woman","title":"Japanese Shunga, Sitting Woman","description":"A beautiful example of the Japanese art form known as \u003cem\u003eshunga\u003c\/em\u003e, this sensual work depicts woman exploring her sexuality. Hand-painted on paper with splashes of vivid gouache color, the artistry displayed in this work of art is stunning. Translated, the term \u003cem\u003eshunga\u003c\/em\u003e means \"a picture of spring\", with the season often used as a euphemism for sex. These works are categorized as a type of \u003cem\u003eukiyo-e\u003c\/em\u003e, which was a painted or woodblock print art form that was marketed to the middle-class and represented an idealized version of urban life.\n\u003cbr\u003e\u003cbr\u003e\nIt is believed that shunga were enjoyed by both men and women, and in some instances, were even regarded as talismans. For instance, a samurai carrying shunga would be protected against death, and shunga in the home or business would protect it against fire and the like. Mostly, shunga were enjoyed simply for their erotic nature, with subjects often shown with unrealistic body proportions and imaginative poses to draw attention to the acts being depicted. \n\u003cbr\u003e\u003cbr\u003e\nTaisho Period, Circa 1922\n\u003cbr\u003e\u003cbr\u003e\nPaper: 9 5\/8” high x 13 1\/2” wide\nFrame: 19 1\/4” high x 23 1\/4” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873564065927,"sku":"30-8810","price":4850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8810_1.png?v=1770666755"},{"product_id":"virgin-and-child-with-the-infant-saint-john-by-domenico-puligo","title":"Virgin and Child with the Infant Saint John by Domenico Puligo","description":"Domenico Puligo\u003cbr\u003e 1492-1527 | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVirgin and Child with the Infant Saint John\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art in New York, Museo del Prado in Madrid, Palazzo Borghese in Rome and Palazzo Pitti in Florence, among many others. \u003cbr\u003e\u003cbr\u003e Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color are remarkable. The Virgin Mary’s crimson dress displays an impressive level of chiaroscuro, ranging from deep burgundy to vibrant pink. It is perfectly juxtaposed against the dark greens and purples of her mantle. Apart from the two holy children, the remainder of the painting offers a view of a vast landscape, executed in various shades of blues and greens. \u003cbr\u003e\u003cbr\u003e Puligo has perfected the soft sfumato effect; combined with his exaggerated, yet elegant distortion of his figures, his \u003cem\u003eVirgin and Child with the Infant Saint John\u003c\/em\u003e embodies the Mannerist idiom. The 16th-century art form emerged during the Late Renaissance. Whereas painters of the High Renaissance sought to achieve harmonious ideals and perfect proportions, the Mannerists created compositions that evoked drama through elongated limbs, strained poses, and vivid colors. Like other Mannerists of his generation, Puligo’s compositions are imbued with emotion and sentimentality rather than naturalism and perfect perspective. The style is well suited to the Virgin and Child trope, lending a motherly tenderness to Puligo’s devotional works. \u003cbr\u003e\u003cbr\u003e Domenico Puligo was born in Florence into a family of blacksmiths, though little else is known of his early life. He trained under Ridolfo Ghirlandaio, and briefly worked under Andrea del Sarto, who became a profound influence on the young painter. The majority of Puligo’s output was focused on medium-sized religious paintings such as the present work, which he composed as special commissions for his client’s private devotion. A small group of altarpieces and a number of commissioned portraits have also been attributed to the artist. His oeuvre, however, is small, as he died at the young age of 35 after contracting the plague. Today, the majority of his works are found only in museum collections. It is incredibly rare to come across such a fine example as this on the market. \u003cbr\u003e\u003cbr\u003e Circa 1515 \u003cbr\u003e\u003cbr\u003e Panel: 33 1\/2” high x 25” wide\u003cbr\u003e Frame: 50 1\/8\" high x 40 3\/8\" wide \n Provenance: Sotheby's London, Old Master Paintings Auction July 3, 1991, Lot #221 Private Collection, Turin, Italy","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43261604200583,"sku":"30-8679","price":345000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8679_1.png?v=1759512293"},{"product_id":"saint-cosmas-and-saint-damian-attributed-to-bonifacio-bembo","title":"Saint Cosmas and Saint Damian attributed to Bonifacio Bembo","description":"Attributed to Bonifacio Bembo\u003cbr\u003e 1420-1478 | Italy \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSaint Cosmas and Saint Damian\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Tempera on panel \u003cbr\u003e\u003cbr\u003e These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. \u003cbr\u003e\u003cbr\u003e The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the\u003cem\u003e Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino\u003c\/em\u003e (the chapel’s namesake) and \u003cem\u003eSaint George\u003c\/em\u003e.  \u003cbr\u003e\u003cbr\u003e While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. \u003cbr\u003e\u003cbr\u003e According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. \u003cbr\u003e\u003cbr\u003e The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi currently in the collection of the National Gallery (London). \u003cbr\u003e\u003cbr\u003e Along with the remainder of the Cremonese altarpiece, these present panels have been attributed to the Northern Italian Renaissance painter Bonifacio Bembo. Active in Cremona throughout the 15th century, he would have been a natural choice for the construction of the altarpiece, which was to be part of a new chapel dedicated to San Nicola da Tolentina in the church of Sant'Agostino in Cremona. The Cavalcabò chapel, which is also in the Sant'Agostino, is similarly attributed to him. Several other of his works can be found in museums and churches throughout Italy and beyond, including the Pinacoteca di Brera (Milan), Denver Museum of Art, and the Musée des Arts Décoratifs (Paris), among others. \u003cbr\u003e\u003cbr\u003e Circa 1454-1458 \u003cbr\u003e\u003cbr\u003e Panel: 14 5\/8” high x 11 3\/8” wide (37.15 x 28.89 cm)\u003cbr\u003e Frame: 22 3\/4” high x 19 1\/2” wide x 2 1\/2\" deep (57.79 x 49.53 x 6.35 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_30-8695.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This work was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, London\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050894815367,"sku":"30-8695","price":248500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8695_1_e3932cdd-d2ed-4759-b626-be58a4b708f0.png?v=1774967625"},{"product_id":"le-carnaval-du-sage-by-rene-magritte","title":"Le carnaval du sage by René Magritte","description":"René Magritte\u003cbr\u003e 1898-1967 | Belgian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe carnaval du sage\u003cbr\u003e (The Sage’s Carnival)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Magritte” (lower right); titled and dated \"Le carnaval du sage 1947\" (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The enigmatic paintings of René Magritte have become some of the most familiar and celebrated of the Surrealist movement. Among the most influential of the Surrealist painters of the 20th century, Magritte is an artist of international renown, as beloved for his popular appeal as he is for the psychological intensity of his works. The present oil on canvas, entitled \u003cem\u003eLe carnaval du sage\u003c\/em\u003e, was executed in 1947 at the height of his career, and it is a tour-de-force example of the haunting, mysterious scenes that comprise his oeuvre.  \u003cbr\u003e\u003cbr\u003e Painted in the years following the Second World War, \u003cem\u003eLe carnaval du sage\u003c\/em\u003e showcases several recurring themes from Magritte’s oeuvre. Chiefly, a juxtaposition between the visible and the hidden is keenly felt. Throughout his career, Magritte explores the psychological obsession with revealing what is hidden, particularly with regard to the human face. In his \u003cem\u003eLe fils de l’homme\u003c\/em\u003e, he obscures the face of a man in a bowler hat with an apple, while his \u003cem\u003eLes amants\u003c\/em\u003e (Metropolitan Museum of Art) conceals the faces of two lovers with white sheets. In \u003cem\u003eLe carnaval du sage\u003c\/em\u003e, Magritte juxtaposes the blatant nudity of his central figure by masking her face, simultaneously revealing and concealing her from the viewer. \u003cbr\u003e\u003cbr\u003e The work also incorporates two of Magritte’s most common tropes – the glass of water and the baguette. Lending the scene a strange sense of domesticity, they appear infinitely familiar and distinctly out of place, and thus heighten the uncanny effect of Magritte’s composition. In the background hovers a ghost obscured by a sheet, a figure which was of particular fascination to Magritte beginning in 1946. He once wrote to his fellow Surrealist Paul Nougé: \"I saw in a dream an answer to the problem of the ghost: the traditional ghost draped in a sheet in a framed picture on the wall of a room.” The eerie echo of the woman in the foreground, the ghost is a fascinating and enigmatic addition to the unsettling scene. \u003cbr\u003e\u003cbr\u003e Though firmly within the realm of Surrealism, \u003cem\u003eLe carnaval du sage\u003c\/em\u003e also represents the artist’s brief adoption of a colorful, more painterly style. The subtle, yet sunny colors of the background of the work reveals the influence of the Impressionist style on Magritte, particularly that of Pierre-Auguste Renoir. The figure herself is particularly Renoir-esque, evoking the burnished skin and exaggerated warmth of Renoir’s late colossal nudes. \u003cbr\u003e\u003cbr\u003e As a whole, \u003cem\u003eLe carnaval du sage\u003c\/em\u003e is an undeniable masterpiece of Magritte’s postwar output. The work exemplifies the principle tenets of the Surrealist movement, presenting ordinary objects in extraordinary situations. Thus, Magritte successfully creates a work that is both infinitely fascinating and jarring in its psychological dissonance. It is also stunningly beautiful, with its brilliant color palette and statuesque nude figure. Similar nudes can be found in the Metropolitan Museum of Art (New York) and the Art Institute of Chicago. \u003cbr\u003e\u003cbr\u003e In the same private collection for over 70 years, the work is fresh to the market, which has recently seen a revival of interest in the artist. A new record for a work by Magritte was achieved in November 2018 when his \u003cem\u003eLe principe du plaisir\u003c\/em\u003e brought $26,830,500 at Sotheby’s. Just one day later, his gouache \u003cem\u003eL’Incendie\u003c\/em\u003e achieved a remarkable $4,335,000; nearly half the size of the present piece, it is a far less impressive work and not nearly as striking. \u003cem\u003eLe carnaval du sage\u003c\/em\u003e represents a rare opportunity for the collector of 20th-century art to own a masterwork by one of the age’s most important names. \u003cbr\u003e\u003cbr\u003e The work comes complete with original letters sent by Magritte to the owners discussing the work. \u003cbr\u003e\u003cbr\u003e Dated 1947 \u003cbr\u003e\u003cbr\u003e Canvas: 24 3\/4\" high x 19\" wide (62.87 x 48.10 cm)\u003cbr\u003e Frame: 33 1\/2\" high x 27 1\/2\" wide, (85.09 x 69.85 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_30-8762.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Robert de Keyn, Belgium, acquired from the artist in 1947\u003cbr\u003e Private collection, Netherlands\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Letter from Magritte to Mariën, [30 August 1946], in \u003cem\u003eMagritte Destination\u003c\/em\u003e, no. 192\u003cbr\u003e \u003cem\u003eArtistes wallons contemporains\u003c\/em\u003e, Brussels, Ministère de l’instruction Publique de Belgique, 1949, by J. Bosmant, no. 91 (illustrated)\u003cbr\u003e \u003cem\u003eQuelques artistes wallons contemporains\u003c\/em\u003e, Brussels, Ministère de l’Instruction public, 1950, by J. Bosmant, no. 84\u003cbr\u003e \u003cem\u003eRené Magritte\u003c\/em\u003e, Brussels, Editions de la Connaissance, 1954, by R. Magritte, p. 35, no. 73\u003cbr\u003e \u003cem\u003eL’oeuvre de René Magritte\u003c\/em\u003e, Brussels, Ed. de la Connaissance, by R. Magritte, 1962\u003cbr\u003e \u003cem\u003eRené Magritte\u003c\/em\u003e, Brussels, Musée d’Ixelles, 1965, by R. Magritte and L. Scutenaire, back page\u003cbr\u003e \u003cem\u003eLes Larmes d’Eros\u003c\/em\u003e, Paris, 1961, by G. Bataille, p. 216 (illustrated)\u003cbr\u003e \u003cem\u003eRené Magritte: 1898-1967\u003c\/em\u003e ,Ghent: Ludion, Paris: Flammarion, 1998, by G. Ollinger-Zinque and G. Leen, p. 150 (illustrated)\u003cbr\u003e \u003cem\u003eRené Magritte: catalogue raisonné\u003c\/em\u003e, Vol. II, Houston: Menil Foundation, Antwerp: Fonds Mercator, Paris: Flammarion, 1993, by D. Sylvester and S. Whitfield, p. 376, no. 615 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e \u003cem\u003eExposition Magritte\u003c\/em\u003e, Brussels, Galerie Lou Cosyn, 31 May – 21 June 1947\u003cbr\u003e \u003cem\u003eArtistes wallons contemporains\u003c\/em\u003e, Luxembourg, Musée de l’état du Luxembourg, 12 November – 4 December 1949\u003cbr\u003e \u003cem\u003eQuelques artistes wallons contemporains\u003c\/em\u003e, Paris, Musée d’art moderne de la ville de Paris, 11 January – 12 February 1950\u003cbr\u003e São Paulo Biennial of Modern Art, 20 October – 23 December 1951, no. 22\u003cbr\u003e \u003cem\u003eExposition sur Magritte\u003c\/em\u003e organisée par l’Institut Provincial de l’Education et des Loisir, La Louvière, province of Hainaut, 21 March – 1 April 1954, no. 13\u003cbr\u003e Magritte, Brussels, Palais des Beaux-Arts de Bruxelles, 7 May – 1 June 1954, no. 73\u003cbr\u003e Magritte, Brussels, Musée d’Ixelles, 19 April – 16 May 1959, no. 66\u003cbr\u003e Exposition Magritte, Liège, Musée des Beaux-Arts de Liège, 14 October – 10 November 1960\u003cbr\u003e Brussels, Galerie Isy Brachot, Rétrospective René Magritte, January – February 1968, no. 81\u003cbr\u003e Magritte, Lausanne, Esquisse du tableau reprise dans l’exposition de la Fondation de l’Ermitage, 19 June – 18 October 1987\u003cbr\u003e René Magritte, 1898-1967, Brussels, Musées Royaux des Beaux-Arts de Belgique, 6 March – 28 June 1998, no. 143","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44553379184775,"sku":"30-8762","price":9850000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8762_1_baa1f744-0ed0-48a0-9176-602336ab2341.png?v=1781533151"},{"product_id":"federal-hall-by-marcia-gaylor","title":"Federal Hall by Marcia Gaylor","description":"Marcia Gaylor\u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFederal Hall\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e In 1789 on New York's famed Wall Street, George Washington took the oath of office as the nation's first President. In 1882, John Quincy Adams Ward erected his bronze \u003cem\u003eGeorge Washington\u003c\/em\u003e on the front steps of the Federal Building, marking the approximate site where he was inaugurated. This impactful oil on canvas by the American artist Marcia Gaylor captures the historic statue in the light of the afternoon sun. Beautifully composed, the work depicts Washington from the side as he gazes out over Wall Street and towards the New York Stock Exchange in the distance. Symbolizing the birth of both the American government and our financial institutions, it is masterful work of American patriotism. \u003cbr\u003e\u003cbr\u003e Based in southern California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2011 \u003cbr\u003e\u003cbr\u003e Canvas: 24\" high x 18\" wide\u003cbr\u003e Frame: 30 1\/2\" high x 24 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911880056967,"sku":"30-9949","price":26500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9949_1.png?v=1725390173"},{"product_id":"cboe-melody-by-marcia-gaylor","title":"CBOE Melody by Marcia Gaylor","description":"Marcia Gaylor \u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e CBOE Melody \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The Chicago Board Options Exchange floor and balconies buzzing with trading activity is illustrated with vibrant energy and electrifying hues in this original oil on canvas. American painter Marcia Gaylor masterfully captures the excitement and action of options trading in a panoramic, bird’s eye view. The Chicago Board of Options Exchange, the largest U.S. options exchange and creator of listed options, is comprised of trading areas similar to orchestra sections. Like a symphony, each section synchronizes with the others to create harmony and balance conducted by the unseen hand of the free market. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2009 \u003cbr\u003e\u003cbr\u003e Canvas: 12” high x 36” wide \u003cbr\u003e Frame: 18 1\/2” high x 43” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911880712327,"sku":"30-9953","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9953_1.png?v=1725390216"},{"product_id":"open-outcry-by-marcia-gaylor","title":"Open Outcry by Marcia Gaylor","description":"Marcia Gaylor \u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e Open Outcry \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The exhilaration and angst of open-outcry trading is captured masterfully in this original oil by Marcia Gaylor. A thunderous atmosphere of exuberant traders shouting, gesturing and signaling bids on the crowded trading floor draws the viewer into the rowdy, energetic scene with vivid color, bold brush strokes and compelling emotion. Inspired by the immense pressures of open-outcry trading, Gaylor sought to bring outsiders face-to-face with the bellowing voices, roaring atmosphere and shrewd professionals bolstering the international economy. A relic of the past, few stock exchanges use open-outcry trading today. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. Her paintings are in the permanent Corporate Collection of NASDAQ, CBOT, CBOE, and the American Stock Exchange. \u003cbr\u003e\u003cbr\u003e Painted in 2013 \u003cbr\u003e\u003cbr\u003e Canvas: 20” high x 30” wide \u003cbr\u003e Frame: 26” high x 36” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911881072775,"sku":"30-9956","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9956_1.png?v=1725390243"},{"product_id":"remembering-the-bill-of-rights-by-marcia-gaylor","title":"Remembering the Bill of Rights by Marcia Gaylor","description":"Marcia Gaylor \u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e Remembering the Bill of Rights \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Americans lounge on the steps of Federal Hall at Broad and Wall Streets under the watchful eye of George Washington in this gripping original oil by American painter Marcia Gaylor. The internationally famous statue of the United States’ first president stretches a hand over Financial District workers and tourists, assuring Americans’ freedoms guaranteed by democracy, the rule of law and the United States’ Constitution and Bill of Rights. This serene-yet-powerful contemporary view of the site of America’s first National Capitol and former home of the U.S. Congress and Senate reminds the viewer of the Founding Fathers’ wisdom and values which every American citizen is indebted. Standing in the middle of the nation’s center of commerce and markets, George Washington further reminds us that Americans are free to invest, engage in business and free-market commerce, without restriction based on class, religion, race or gender. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2010 \u003cbr\u003e\u003cbr\u003e Canvas: 10” high x 8” wide \u003cbr\u003e Frame: 14 1\/2” high x 12 1\/2” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911880253575,"sku":"30-9950","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9950_1.png?v=1725390188"},{"product_id":"ceres-by-marcia-gaylor","title":"Ceres by Marcia Gaylor","description":"Marcia Gaylor\u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eCeres\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The Neoclassical statue of the Roman goddess Ceres outside of the Chicago Board of Trade is the subject of this oil on canvas by the American painter Marcia Gaylor. The goddess of grain stands proudly at the entrance to the Chicago Board of Trade, alluding to the board’s activity as the world’s biggest grain exchange. Holding a sheaf of wheat in one hand and a horn of plenty in the other, she has come to symbolize and celebrate commodity culture, as well as strength and perseverance in commerce. Gaylor's representation perfectly captures the statue in front of the famed Ceres Cafe, both icons of the Chicago financial district. \u003cbr\u003e\u003cbr\u003e Based in southern California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2014 \u003cbr\u003e\u003cbr\u003e Canvas: 36\" high x 24\" wide\u003cbr\u003e Frame: 43 1\/2\" high x 31 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911880908935,"sku":"30-9955","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9955_1.png?v=1725390230"},{"product_id":"the-pit-by-marcia-gaylor","title":"The Pit by Marcia Gaylor","description":"Marcia Gaylor \u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e The Pit \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The high-stakes intensity and boisterous atmosphere of the stock exchange pit and its traders is masterfully captured with vibrant hues and electrifying energy in this original oil on canvas. The wild gestures, bold jackets displaying brokerage affiliations and myriad facial expressions of the stock traders creates a visual swirling motion, leading the viewer’s eye around a rowdy scene. The Pit adroitly illustrates the octagon-shaped trading floor where brokers match, buy and sell orders amid thunderous shouting. Hand signals and loud communication enable speedy transactions in this mercurial pressure-cooker environment, making fast and efficient trading possible. Here, traders participate in a pure auction with the transparency to see who is buying and selling — a luxury electronic trading does not offer. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2015 \u003cbr\u003e\u003cbr\u003e Canvas: 24” high x 36” wide \u003cbr\u003e Frame: 33” high x 45” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911881433223,"sku":"30-9958","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9958_1.png?v=1725390273"},{"product_id":"creating-capital-by-marcia-gaylor","title":"Creating Capital by Marcia Gaylor","description":"Marcia Gaylor\u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eCreating Capital\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This oil on canvas by the American painter Marcia Gaylor captures a birds-eye view of the famed New York Stock Exchange. Full of dynamic energy, the view of the floor represents the very core of the American financial system, reflecting the liveliness and vitality of both person-to-person and electronic trades. As the world's largest stock exchange, the NYSE represents an important microcosm of global free trade. The transactions that take place on its trading floor mirror the much larger volume of a myriad of transactions occurring all over the world electronically on a day-to-day basis. Entitled \u003cem\u003eCreating Capital\u003c\/em\u003e, Gaylor's composition celebrates this all-important financial institution.  \u003cbr\u003e\u003cbr\u003e Based in southern California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. Her paintings are in the permanent Corporate Collection of NASDAQ, CBOT, CBOE, and the American Stock Exchange. Her paintings are in the permanent Corporate Collection of NASDAQ, CBOT, CBOE, and the American Stock Exchange. \u003cbr\u003e\u003cbr\u003e Painted in 2010 \u003cbr\u003e\u003cbr\u003e Canvas: 30\" high x 24\" wide\u003cbr\u003e Frame: 36 1\/2\" high x 31 3\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911879827591,"sku":"30-9945","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9945_1.png?v=1725390130"},{"product_id":"nasdaqs-entrepreneurial-spirit-by-marcia-gaylor","title":"NASDAQ's Entrepreneurial Spirit by Marcia Gaylor","description":"Marcia Gaylor\u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eNASDAQ Entrepreneurial Spirit\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e NASDAQ’s famous electronic display in Times Square shines with its bright neon hue in this oil on canvas by the American painter Marcia Gaylor. The legendary New York City corner is engulfed by the brilliant lights and presence of the current commodity culture and electronic age. NASDAQ’s luminous signage demands attention at the center of the canvas, while financial numbers glow on the displays in the building's interior. As a whole, the work is a stunning example of the artist's Wall Street series, which celebrates the financial institutions and legacy of the United States. \u003cbr\u003e\u003cbr\u003e Founded in 1971, NASDAQ was the first electronic stock market in the world. Since the market does not operate with a traditional trading floor, the exchange built the NASDAQ MarketSite in New York’s Times Square in 1999 in order to create a commercial marketing presence. Today, the studio broadcasts current financial information utilizing a complex system of data feeds to provide dynamic real-time data 24 hours a day, seven days a week. The site is truly an icon of the financial markets in New York, and Gaylor's work pays homage to its presence and influence. \u003cbr\u003e\u003cbr\u003e Based in southern California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2012 \u003cbr\u003e\u003cbr\u003e Canvas: 24\" high x 36\" wide\u003cbr\u003e Frame: 32 1\/2\" high x 44 5\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911879893127,"sku":"30-9947","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9947_1.png?v=1726270528"},{"product_id":"foundations-of-capital-by-marcia-gaylor","title":"Foundations of Capital by Marcia Gaylor","description":"Marcia Gaylor b.1947 | American \u003cbr\u003e\u003cbr\u003e Foundations of Capital \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) Oil on canvas \u003cbr\u003e\u003cbr\u003e An elevated view of the hustle and bustle of the New York Stock Exchange trading floor as it appeared in the 1980s is illustrated in this energetic original oil on canvas. Sunlight floods the floor through a dramatic grid of windows in the background, illuminating enormous brass power tubes. Representing the transition to electronic trading during the ambitious '80s, these massive pipelines feed millions of trades worth of data into the computers in the center of the trading floor. The New York Stock Exchange remains the largest and single most important stock exchange in the world since its founding in 1792. Here, the foundations of capital investment are created, setting the standard for all other exchanges globally, an ideal which Gaylor's composition celebrates wholly. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2008 \u003cbr\u003e\u003cbr\u003e Canvas: 24“ high x 12” wide \u003cbr\u003e\u003cbr\u003e Frame: 30 1\/2” high x 18 1\/2” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911879696519,"sku":"30-9944","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9944_1.png?v=1725390117"},{"product_id":"nymex-pure-energy-trading-by-marcia-gaylor","title":"NYMEX Pure Energy Trading by Marcia Gaylor","description":"Marcia Gaylor\u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eNYMEX – Pure Energy Trading\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e The energy and excitement of the New York Mercantile Exchange is perfectly captured in this oil on canvas by the American painter Marcia Gaylor. Initially established as the Butter and Cheese Exchange of New York in 1872, the Mercantile Exchange was officially founded in 1882; it eventually became an important hub for the buying and selling of commodities in one of the most vibrant financial districts in the world. This important venue is brilliantly captured in this original oil, from the chaotic atmosphere of the traders on the floor to the scrolling trade numbers on electronic screens around the room. While the Manhattan trading floor was officially closed in 2016, this painting offers a compelling snapshot of the NYMEX floors during its glory days. \u003cbr\u003e\u003cbr\u003e Based in southern California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. \u003cbr\u003e\u003cbr\u003e Painted in 2014 \u003cbr\u003e\u003cbr\u003e Canvas: 20 1\/8\" high x 30 1\/8\" wide\u003cbr\u003e Frame: 26 1\/2\" high x 36 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911881236615,"sku":"30-9957","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9957_1.png?v=1725390261"},{"product_id":"the-abduction-of-europa-by-hermann-haase-ilsenburg","title":"The Abduction of Europa by Hermann Haase-Ilsenburg","description":"A poignant work of extraordinary artistry, this bronze figure captures the mythical tale of Europa, the beautiful Phoenician princess who was kidnapped by the king of the Olympian gods, Zeus. Among the most well-known stories from mythology and a favorite subject of artists in every medium, the story of Europa is beautifully translated here by sculptor Hermann Haase-Ilsenburg in the early Art Deco style.\n\u003cbr\u003e\u003cbr\u003e\nDeveloping from the organic, natural forms of the Art Nouveau style that dominated the preceding decades, Haase-Ilsenburg’s work exemplifies the shift towards the symmetry and simplification of the more streamlined Art Deco. The overall graceful, clean lines of the piece mirror the ideals of the emergent style, while its relative simplicity makes it all the more emotionally compelling. The figures are delicately balanced, with Europa’s slumped figure mirroring the heavy, sloping horns of her steed. Haase-Ilsenburg flawlessly infuses a sense of humanity into his classical subject, all while merging the ancient myth with a new iconography.\n\u003cbr\u003e\u003cbr\u003e\nDrawn from Greek mythology, the story of Europa is among the most enduring stories of Zeus’ numerous amorous pursuits. The daughter of a Phoenician king, Europa was renowned for her beauty, which eventually inspired the love of the Olympian god. Taking the form of a bull, Zeus kidnapped the young princess and carried her to the island of Crete, where she bore him three sons, including Minos, the future King of Crete. Europa eventually gave her name to the continent of Europe, and even today an image of Europa and the bull graces the Euro coin. Widely interpreted by artists for centuries, this myth comes to life in this exquisite bronze.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1910\n\u003cbr\u003e\u003cbr\u003e\nSigned “HHaase” (on base)\n\u003cbr\u003e\u003cbr\u003e\n23 1\/2\" high x 17\" wide x 8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238079438983,"sku":"30-6243","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-6243_1.png?v=1717921378"},{"product_id":"mutine-by-guillaume-seignac","title":"Mutine by Guillaume Seignac","description":"Guillaume Seignac \u003cbr\u003e 1870-1924 | French  \u003cbr\u003e\u003cbr\u003e Mutine \u003cbr\u003e\u003cbr\u003e Signed “G. Seignac” (lower right)\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e A mischievous maiden dominates this garden scene by French Academic artist Guillaume Seignac. Grounded in the Classical tradition, his works, his works bring to life nymphs, muses and Greco-Roman gods and goddesses in ethereal settings based on antiquity. The present work is imbued with the exquisite luminosity of his best works, capturing an idealized female nude within a lush landscape complete with a classical fountain and Grecian urn. Masterfully rendered in the Academic style, \u003cem\u003eMutine\u003c\/em\u003e exemplifies the artist’s skill in capturing the inherent sensuality and beauty of his classically-inspired subjects. \u003cbr\u003e\u003cbr\u003e Born in Rennes in 1870, Guillaume Seignac began his training in Paris in 1889 at the Academie Julian. He worked primarily as a student of William Bouguereau, whose influence can be seen in both the style and subject matter of his work. Seignac frequently exhibited at the Paris Salon, and his meticulousness and a keen sense of balance and color won him numerous medals, including an honorable mention in 1900 and a third-class medal in 1903.  \u003cbr\u003e\u003cbr\u003e Trained in the Academic style of the École des Beaux-Arts, Seignac embraced both the techniques and classical subject matter of the Italian Renaissance masters, whose work enjoyed a surge in popularity in Paris in the late 19th century. As with most French Academic painters, Seignac’s technical skills are masterful, while his color balances and compositional style are on par with the great artists of the Renaissance. During his lifetime, Seignac’s compositions appealed to both traditional art buyers and avant-garde connoisseurs alike, and he enjoyed financial success and critical acclaim. \u003cbr\u003e\u003cbr\u003e Late 19th century \u003cbr\u003e\u003cbr\u003e Canvas: 24” high x 14 1\/4” wide\u003cbr\u003e Frame: 35 1\/4” high x 25 5\/8” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44245969698951,"sku":"30-1674","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1674_1.png?v=1784917353"},{"product_id":"entrepreneurial-spirit-by-marcia-gaylor","title":"Entrepreneurial Spirit by Marcia Gaylor","description":"Marcia Gaylor \u003cbr\u003e b.1947 | American \u003cbr\u003e\u003cbr\u003e Entrepreneurial Spirit \u003cbr\u003e\u003cbr\u003e Signed \"M. Gaylor\" (lower right) \u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A buoyant trio of entrepreneurs stride through Manhattan’s Financial District in this original oil on canvas by American painter Marcia Gaylor. The spirit of American entrepreneurship is captured masterfully with atmosphere and history, focusing on the people who provide the vision and leadership propelling the economy every day. New York City’s historic Trinity Church subtly looms in the background, juxtaposed by Wall Street skyscrapers and flags flying high in a wintry, blustery scene painted with cool tones. Entrepreneurial Spirit by Marcia Gaylor is the centerpiece painting of the artist’s “The Spirit of the American Economy” series. \u003cbr\u003e\u003cbr\u003e Based in California, Marcia Gaylor is renowned for her historical scenes that capture the New York City and Chicago stock market trading floors and vibrant financial districts. Before pursuing painting as a career, she earned a business degree and an MBA from the University of Southern California, and her financial background clearly influenced the direction of her art later in her life. Most of her paintings focus on the economic history of the United States as she captures the financial heart of the country's largest cities. The result is a body of work that stands in colorful tribute to the economy and the power of capital. Today, she remains an active member of the California Art Club, Oil Painters of America, Women Painters of America, as well as the American Impressionist Society. Her paintings are in the permanent Corporate Collection of NASDAQ, CBOT, CBOE, and the American Stock Exchange. \u003cbr\u003e\u003cbr\u003e Painted in 2016 \u003cbr\u003e\u003cbr\u003e Canvas: 24” high x 16” wide \u003cbr\u003e Frame: 31” high x 22 1\/2” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41911879565447,"sku":"30-9942","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9942_1.png?v=1725390101"},{"product_id":"dimanche-au-champ-de-course-by-h-claude-pissarro","title":"Dimanche au champ de course by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDimanche au champ de course (Deauville)\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eSunday at the Racetrack\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower left)\u003cbr\u003e Pastel on card \u003cbr\u003e\u003cbr\u003e French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled \u003cem\u003eDimanche au Champ de Course (Deauville)\u003c\/em\u003e, it showcases the artist's highly distinctive and sophisticated style. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his brightly colored works such as the present piece. \u003cbr\u003e\u003cbr\u003e The painting is accompanied by a certificate of authenticity signed by the artist. \u003cbr\u003e\u003cbr\u003e Card: 14\" high x 19 1\/2\" wide\u003cbr\u003e Frame: 19 7\/8\" high\" x 25 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873704050823,"sku":"31-0882","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0882_1_9bf0847a-6f86-4814-86ea-ceb5b0d24e59.png?v=1770664814"},{"product_id":"leda-and-the-swan-by-workshop-of-bartholomaeus-spranger","title":"Leda and the Swan by Workshop of Bartholomaeus Spranger","description":"Workshop of Bartholomaeus Spranger\u003cbr\u003e 16th Century | Flemish \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLeda and the Swan\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e Retelling one of the most legendary Greco-Roman mythological tales, this exceptional oil on panel of Leda and the Swan is credited to the workshop of the great Flemish master Bartholomaeus Spranger. The story, in which Zeus transforms into a swan to seduce the young beauty Leda, has been taken up by artists since antiquity, and this painting represents a particularly sophisticated rendition of the myth. Leda is depicted as a languishing and voluptuous female nude, as Zeus, in the form of a swan, hovers over her figure in the background. Their children, Helen and Pollux, surround their mother, while a cherubic Cupid occupies the lower right corner of the scene. Lively and vibrant, the scene bears the very best characteristics of Spranger's workshop, exemplifying the elements that make his works so treasured.   \u003cbr\u003e\u003cbr\u003e Spranger was renowned for his painterly style that was revolutionary for its merger of northern European and Italian painterly techniques. \u003cem\u003eLeda and the Swan\u003c\/em\u003e reveals these same stylistic tendencies. The richness of color and the seductive expression of Leda, complete with her limpid yet direct gaze, recall the master artists of 16th-century Italy, such as Parmigianino and late Michelangelo. It particularly recalls Michelangelo's lost 1530s version of the same subject (a copy of which is in London's National Gallery), especially in the placement of the swan and Leda's draped posture. \u003cbr\u003e\u003cbr\u003e The painting's attention to detail, however, reveals a link to Netherlandish traditions. A number of elements can be directly linked to other works by Spranger; the lavish, bejeweled gold arm cuff that Leda wears on her upper left arm, for instance, is strikingly similar to the cuff that appears on the nude nymph Scylla in Spranger's \u003cem\u003eGlaucus and Scylla\u003c\/em\u003e (Kunsthistorisches Museum, Vienna). \u003cbr\u003e\u003cbr\u003e There are also parallels in the atmospheric effects conveyed in the background of each composition. In \u003cem\u003eGlaucus and Scylla\u003c\/em\u003e, storm clouds loom over the horizon, rendered with soft washes of colliding color. A similar effect is created in \u003cem\u003eLeda\u003c\/em\u003e, wherein the hint of the landscape beyond – appearing just over the swan to the right – is captured with delicate washes of color. Taken as a whole, the oil echoes all of the qualities characteristic of Spranger's later 16th-century work, a period during which he developed a larger circle of associates; it is among his workshop that this painting can thus be determined as originating.    \u003cbr\u003e\u003cbr\u003e As one of the most noted European painters working in the 16th century outside of Rome, Flemish master Bartholomaeus Spranger enjoyed incredible acclaim for his lively and vibrant painterly style. Though he was known to invoke subjects ranging from the religious to the mythological, it is for his mythological scenes that Spranger is most well-known today. This painting of Leda and the Swan, which bears the characteristics of Spranger's workshop, exemplifies the elements that make his works so treasured. \u003cbr\u003e\u003cbr\u003e Late 16th century \u003cbr\u003e\u003cbr\u003e Panel: 33 5\/8\" high x 46 7\/8\" wide\u003cbr\u003e Frame: 41 5\/8\" high x 54 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672869306503,"sku":"31-0201","price":198000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0201_1_9c763aad-a535-4607-a009-b76cb8d5014a.png?v=1767206025"},{"product_id":"the-colosseum-micromosaic-by-luigi-gallandt","title":"The Colosseum Micromosaic by Luigi Gallandt","description":"Luigi A. Gallandt\u003cbr\u003e 19th Century | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Colosseum\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Gallandt\" (lower right)\u003cbr\u003e Micromosaic with gilt wooden frame \u003cbr\u003e\u003cbr\u003e This highly important mid-19th century Roman micromosaic was crafted by the Italian artisan Luigi Gallandt. Monumental micromosaic panels of this giant scale are rare and extraordinarily valuable, and they were nearly always made either by special private commission or as papal gifts. Gallandt’s micromosaics are particularly prized for their high attention to detail and subtle handling of color. This example — a stunning veduta of the Colosseum — was once part of the famed Rosalinde and Arthur Gilbert Collection in the Victoria and Albert Museum (London). \u003cbr\u003e\u003cbr\u003e A visit to the Colosseum was central to any Grand Tour itinerary in Rome, and souvenir micromosaics of the Roman ruin were incredibly popular with 19th-century Grand Tourists. This example, however, is in a class of its own, far surpassing the concept of the Grand Tour souvenir. Absolutely monumental in size and measuring nearly 6 feet wide, it would have been a special commission for a client of particular wealth and importance. Few micromosaics of the period achieve both the size and the extraordinary artistry of the present example, which can be counted among the great masterpieces of 19th-century Roman art. \u003cbr\u003e\u003cbr\u003e It is this awe-inspiring view that visitors would have first glimpsed of the monument when approaching from the Roman Forum. The Titus fountain is depicted in front of the towering ruin, while the arch of Constantine is depicted to the right. Though two-thirds of the Colosseum has been lost to the ravages of time, Gallandt successfully captures both unspoiled and ruinous elements of the façade, evoking both the grandeur and the history of this well-known site. Contemporary figures in 19th-century dress occupy the foreground, further emphasizing the monumentality of the monument. \u003cbr\u003e\u003cbr\u003e The attention to detail and subtly of color and pattern that is achieved in the scene is unique to Gallandt. The artisan was particularly renowned for his ability to impart a realism and veracity in his works that far surpassed any other maker of his generation. Gallandt's private micromosaic workshop operated outside of the constraints of the Studio del Mosaico Vaticano. Situated in the center of the city near the Piazza di Spagna where most tourists stayed, Gallandt was well established and highly successful, eventually earning the titled \u003cem\u003eCavaliere\u003c\/em\u003e, the Italian equivalent of knighthood. His popularity allowed him to earn special commissions of large-scale micromosaics such as the present piece, the likes of which are rarely found on the market. \u003cbr\u003e\u003cbr\u003e Circa 1850-1875 \u003cbr\u003e\u003cbr\u003e Panel: 31 1\/8” high x 69 1\/2” wide\u003cbr\u003e Frame: 38 1\/4” high x 76 1\/2” wide \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Gilbert Collection, Permanent Display, Somerset House, London, 2000-2007 \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eMicromosaics: The Gilbert Collection\u003c\/em\u003e, London, 2000, by J. H. Gabriel, cat. no. 58, p. 117. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Collection of Mrs. Loyce Mayfield, Mountain Crest, Alabama\u003cbr\u003e Sotheby-Parke-Bernet New York, The Contents of Mountain Crest, 10-11 June 1977, lot 236\u003cbr\u003e The Rosalinde and Arthur Gilbert Collection, London\u003cbr\u003e M.S. Rau, New Orleans, 2020","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672875335815,"sku":"31-0483","price":1250000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0483_1_08da793c-518c-4fbd-ba3f-c9757d933166.png?v=1767205743"},{"product_id":"femme-aux-souliers-noir-by-jules-pascin","title":"Femme aux souliers noir by Jules Pascin","description":"Jules Pascin\u003cbr\u003e 1885-1930 | Bulgarian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFemme aux souliers noir\u003cbr\u003e (Woman in Black Shoes)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Pascin\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the \"Prince of Montparnasse,\" Pascin made a name for himself throughout both Europe and the United States as a painter of woman, often while nude or in various stages of undress. Undoubtedly influenced by the French Impressionists, particularly Pierre-Auguste Renoir, Pascin developed a highly gestural style that is uniquely his own. \u003cem\u003eFemme aux souliers noir\u003c\/em\u003e displays the unique qualities that made his work so groundbreaking during his lifetime. \u003cbr\u003e\u003cbr\u003e Though he was born in Bulgaria and became a United States citizen in 1920, Pascin spent most of his career is Paris, and he is regarded today as a French painter. It was on his return to France from the United States in 1923 when his so-called \u003cem\u003enacrée\u003c\/em\u003e, or \"pearly,\" style began to emerge in his work; the present painting dates to this same period. In it, one can see how Pascin adopted a more fluid touch in his paint application, working with almost dry brushes. The technique allowed him to make his tones more transparent, lending a ghostly, immaterial quality to his figures. This portrait perfectly embodies the atmospheric qualities of his \u003cem\u003enacrée\u003c\/em\u003e period. Less sensual than his nudes, \u003cem\u003eFemme aux souliers noir\u003c\/em\u003e nevertheless displays the earthy softness and intimate charm that made the artist so successful. \u003cbr\u003e\u003cbr\u003e Born in Vidin, Bulgaria in 1885, Pascin grew up part of an affluent Sephardic Jewish family. He attended university in Austria and Germany, though he eventually moved to Paris in 1905. Encountering the Parisian Modernist movement changed the trajectory of his career, and he soon began exhibiting his prints and drawings at the Salon des Indépendants. He achieved a great deal of success and fame early in his career, particularly in North America, so much so that he chose to become a United States citizen in 1920. Tragically, however, he fell prey to depression and alcoholism, and committed suicide in 1930 at the age of 45. Today, his work can be found in the collections of the Metropolitan Museum of Art (New York), the Museum of Modern Art (New York), the Louvre (Paris), the Art Institute of Chicago and others. \u003cbr\u003e\u003cbr\u003e Circa 1923 \u003cbr\u003e\u003cbr\u003e Canvas: 24\" high x 18\" wide\u003cbr\u003e Frame: 33 1\/4\" high x 27\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42967690182791,"sku":"31-1161","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1161_1.png?v=1753982692"},{"product_id":"saint-mary-magdalene-on-alabaster-with-pietre-dure-frame","title":"Saint Mary Magdalene on Alabaster with Pietre Dure Frame","description":"This incredibly rare 17th-century oil on alabaster depicts the Saint Mary Magdalene, rendered after Italian Baroque painter Guido Reni’s masterpiece of the same name. Saint Mary Magdalene gazes upward towards the heavens in a penitent pose, as two putti-like cherubs float above. Depicted with luxurious, long hair draped over her body — symbolizing the saint’s inherent sensuality — her outstretched hand rests on the iconic skull that faithfully accompanies her likeness in religious art. Surrounding this magnificent painting are superb pietre dure hardstone inlays of jasper, agate and lapis lazuli, mingled with Roman silver on an ebonized wood frame. \u003cbr\u003e\u003cbr\u003e One of his most popular subjects in the 1620s and 1630s, Mary Magdalene was something of an iconographic specialty for Reni, who executed various versions to please a public that prized them and continually requested them. Reni’s original 1633 Saint Mary Magdalene canvas on which this oil on alabaster is based was painted for Cardinal Antonio Santacroce and now resides in the Galleria Nazionale d'Arte Antica in Rome. A similar, smaller oil on canvas depicting Mary Magdalene predates this original to 1627 and was formerly housed in the Barberini collection in Rome. \u003cbr\u003e\u003cbr\u003e Guido Reni was born in Bologna in 1575 and rose to be the most famous Italian painter of his generation. Though considered a master of the Baroque, Reni’s work showcases a singular classical style that made an indelible mark on the course of art. Active in Rome, Naples and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of early-Baroque master painter and printmaker Carracci. Through his career, Reni collected a robust roster of patrons who were Cardinals and other wealthy clergy of the Vatican papacy. Thus, the Baroque artist is best known for his prolific oeuvre of religious works, though he also had an affinity for mythological and allegorical subjects. His oils and frescoes can be found in the basilicas, churches and palaces of Rome, Naples and Bologna, including the Paoline Chapel of Santa Maria Maggiore in Rome as well as the Aldobrandini wings of the Vatican. \u003cbr\u003e\u003cbr\u003e Italian, 17th Century \u003cbr\u003e\u003cbr\u003e Frame: 13 3\/4” high x 12 3\/4” wide \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e \u003cem\u003eGuido Reni: L'Opera Completa\u003c\/em\u003e, Novara 1988, by S. Pepper, pp. 335-36, cat. no. 28 (illustrated) \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873689305223,"sku":"31-0484","price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0484_1.png?v=1770664772"},{"product_id":"escher-inspired-sculpture-cubic-space-division-by-zadora-gerlof","title":"Escher-Inspired Sculpture \"Cubic Space Division\" by Zadora-Gerlof","description":"Famed sculptor Andreas von Zadora-Gerlof takes inspiration from the great M.C. Escher in this monumental sculptural work. One of the world's most famous graphic artists, Escher was celebrated for his mathematically-inspired etchings, woodcuts and drawings. The present work, which is based on his 1952 lithograph entitled \u003cem\u003eCubic Space Division\u003c\/em\u003e, embodies the mind-boggling appeal of Escher's designs. Zadora imparts a remarkable level of detail into the execution of the piece, bringing to life the genius of these two artistic greats, Escher and Zadora. \u003cbr\u003e\u003cbr\u003e The concept of infinite space was a common motif for Escher, who often used geometric forms fading into the distance in some of his most famous works. \u003cem\u003eCubic Space Division\u003c\/em\u003e, like so many of his creations, presents a challenge to one's visual perception. The 3-dimensional space is divided by a cubic lattice of uniform cubes connected by rectangular bars in a pattern repeated over and over again. \u003cbr\u003e\u003cbr\u003e Escher's creation in \u003cem\u003eCubic Space Division\u003c\/em\u003e evokes a sense of boundlessness in a finite space, and his mathematical approach makes it visually credible. Zadora imparts the same level of mathematical precision in his large-scale version of the work. This monumental steel sculpture has been intricately assembled and powder coated in a dark hue to suggest the drama of the original lithograph. The result is an impressive work of depth and subtly that appropriately pays homage to Escher's original design. \u003cbr\u003e\u003cbr\u003e The Canadian-born sculptor Baron Andreas von Zadora-Gerlof is recognized as the world's leading gemstone artist, and his international clientele includes the world's most discerning connoisseurs. His pieces, which range from intricate sculptures such as this to innovative bespoke jewelry, are regarded as the most prized decorative artworks in modern times. \u003cbr\u003e\u003cbr\u003e The sculpture is accompanied by a certificate of authenticity signed by the artist. \u003cbr\u003e\u003cbr\u003e Created 2014-15 \u003cbr\u003e\u003cbr\u003e 60\" wide x 64\" deep x 80\" high \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Design Days Dubai, March 16-20, 2015","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238258352263,"sku":"30-8672","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8672_1.png?v=1717921669"},{"product_id":"dance-of-the-nymphs-by-paul-desire-trouillebert","title":"Dance of the Nymphs by Paul Désiré Trouillebert","description":"Paul Désiré Trouillebert\u003cbr\u003e 1829-1900 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDance of the Nymphs\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Trouillebert\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This lyrical landscape entitled \u003cem\u003eDance of the Nymphs\u003c\/em\u003e was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. \u003cbr\u003e\u003cbr\u003e Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1829, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert and Charles Jalabert. Early in his career, he primarily produced portraits and genre scenes, exhibiting his first portrait at the Paris Salon in 1865. By the end of the decade, however, his interest in landscape painting blossomed, and in 1869, he exhibited his first landscape at the Salon to great acclaim. He went on to execute a number of landscapes that recall the mature style of Corot, including the present work, though they remain distinctly Trouillbert in their execution. Today, his paintings can be found in several important private collections, as well as the Lightner Museum (St. Augustine, Florida). \u003cbr\u003e\u003cbr\u003e Canvas: 38 3\/4\" high x 51 1\/2\" wide\u003cbr\u003e Frame: 50\" high x 62 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913597657223,"sku":"31-1655","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1655_1.png?v=1730881855"},{"product_id":"a-peasant-country-scene-by-jan-thomas-van-kessel","title":"A Peasant Country Scene by Jan Thomas van Kessel","description":"Jan Thomas van Kessel\u003cbr\u003e 1677-1741 | Flemish \u003cbr\u003e\u003cbr\u003e \u003cem\u003eA Peasant Country Scene\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A quintessential example of Flemish genre painting, \u003cem\u003eA Peasant Country Scene\u003c\/em\u003e reflects a blend of the playfulness of subject and the technical acuity that defined the style of 18th-century Flemish painter Jan Thomas van Kessel. The artist invites viewers into a merry gathering of peasants that spills across the composition. Highlighted at its center is a couple in the midst of a lively dance, their direct gaze out at the viewer conveying their happiness, while also serving as an effective means to pull the viewer's eye into the festivities underway.  \u003cbr\u003e\u003cbr\u003e This gathering of merry revelers assumes a stage-like quality as they are separated visually from the far reaches of the composition by a fence that bisects the composition horizontally, underscoring the intimate feel of the foreground scene. Beyond this enclosure, a farmhouse looms over the scene and opens at right onto a sweeping landscape that carries the eye back into the distant horizon. Here, too, the eye is guided appropriately, as figures dot the path down the river toward the steeple of a church just visible along the horizon line. Overhead, a breathtakingly blue sky, dappled with billowy clouds and soaring birds, complements the festive scene. \u003cbr\u003e\u003cbr\u003e Such genre paintings were incredibly popular during the 17th and 18th centuries, as they served as a reminder of the simple pleasures of pastoral life. Such scenes first emerged during the 16th century in the wake of the Reformation as artists sought new fields of painting in which to showcase their skill. Key figures such as David Teniers the Younger and the Brueghel family ensured the genre's success into the 17th century when they became highly fashionable. This enduring popularity thereby afforded later artists like van Kessel the opportunity to showcase their talents in conjuring such engaging vignettes.  \u003cbr\u003e\u003cbr\u003e Van Kessel clearly capitalized on that popularity, as he developed a following for his works that served as a visual escape from the realities of city life. Little is known of van Kessel's life, save for that he was born in Flanders in 1677 and studied both with the masters of Antwerp's Guild of Saint Luke, and even purportedly trained in Paris. Van Kessel then established his studio in his hometown of Antwerp just after the dawn of the 18th century. Aiding in van Kessel's rapid development as an artist was undoubtedly the fact that he descended from a long family line of painters who explored various subjects from botanical studies to portraits. It is arguably van Kessel's inviting scenes of peasants and pastoral life, as seen in this composition, however, that are the most engaging of his family's oeuvre and earned the artist acclaim for his work in Antwerp and beyond. \u003cbr\u003e\u003cbr\u003e One point often noted in van Kessel's genre paintings are the references he makes to past masters like Teniers, and these connections are tangible in this painting. The layout of this composition, from the cluster of animated figures in the foreground contrasted against the serene expanse of nature in the distance, seem to be direct quotations of Teniers' work. This reinforces both the placement of this work within the 18th century – following Teniers' lifetime – and within van Kessel's body of work. The connection of this painting to Jan Thomas van Kessel's oeuvre is without dispute, however, as this painting benefits from the scrolling script of the artist's signature along the lower edge.  \u003cbr\u003e\u003cbr\u003e Only a handful of van Kessel's works, including those held by prestigious collections such as England's National Trust and the Museum Catharijneconvent in the Netherlands, have been fully documented. As a result, it is rare when such a well-preserved example of this 18th-century Flemish genre painting tradition emerges, and it is particularly exciting when such a find contributes to the emerging legacy of a little-understood artist of the era. \u003cbr\u003e\u003cbr\u003e Canvas: 40 1\/4\" high x 54 1\/4\" wide\u003cbr\u003e Frame: 52 3\/4\" high x 66 5\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672867438727,"sku":"31-0198","price":198000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0198_1.png?v=1767203901"},{"product_id":"escher-inspired-sculpture-concentric-rinds-by-zadora-gerlof","title":"Escher-Inspired Sculpture \"Concentric Rinds\" by Zadora-Gerlof","description":"Crafted by the famed sculptor Andreas von Zadora-Gerlof, this compelling kinetic aluminum sculpture entitled \u003cem\u003eConcentric Rinds\u003c\/em\u003e brings to life the work of the great M.C. Escher. Escher was renowned for his mathematically-inspired woodcuts, including his ingenious 1953 engraving \u003cem\u003eConcentric Rinds\u003c\/em\u003e that inspired the present sculpture. Zadora brings Escher’s two-dimensional design into the third dimension with his perfectly envisioned and executed creation. \u003cbr\u003e\u003cbr\u003e During the mid-20th century, Escher created a series of etchings that explored spherical geometry in an attempt to draw attention to the negative space of three-dimensional objects. His work \u003cem\u003eConcentric Rinds\u003c\/em\u003e developed from this exploration. Consisting of four spherical shells that each consist of nine circles, Escher's complex sphere is divided into 48 similarly shaped triangles that emphasize the immense, mysterious dark space within which his creation exists. \u003cbr\u003e\u003cbr\u003e Zadora brings all of the mathematical precision of Escher's genius design into his large-scale version of the work. His four aluminum spheres are nestled together from small to large, creating a rippling effect when the work is set into motion on its axis. It is powered by a motorized mechanism hidden within its base, ingeniously added by Zadora to fully exploit the incredible visual effects of Escher's original design. \u003cbr\u003e\u003cbr\u003e The Canadian-born sculptor Baron Andreas von Zadora-Gerlof is recognized as the world's leading gemstone artist, and his international clientele includes the world’s most discerning connoisseurs. His pieces, which range from intricate sculptures such as this to innovative bespoke jewelry, are regarded as the most prized decorative artworks in modern times. \u003cbr\u003e\u003cbr\u003e The sculpture is accompanied by a certificate of authenticity signed by the artist. \u003cbr\u003e\u003cbr\u003e Created 2014-15 \u003cbr\u003e\u003cbr\u003e 78 3\/4\" diameter \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Design Days Dubai, March 16-20, 2015","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42542471250055,"sku":"30-8670","price":295000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8670_1_6dbbc383-b409-4f76-8cb9-5539982d065a.png?v=1743858924"},{"product_id":"the-letter-by-andrea-landini","title":"The Letter by Andrea Landini","description":"Andrea Landini\u003cbr\u003e 1847-1935 | Italian  \u003cbr\u003e\u003cbr\u003e \u003cem\u003eThe Letter\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “A. Landini” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e A red-robed cardinal chuckles at the letter in his hand in this oil on canvas by the Italian painter Andrea Landini. The vibrantly hued piece illustrates the artist’s genius at rendering charming narratives in remarkable detail. Entitled \u003cem\u003eThe Letter\u003c\/em\u003e, the work is a superb example of Landini's technical virtuosity — from the finely carved and upholstered chair to the neoclassical painting in the background, every detail is meticulously depicted.  \u003cbr\u003e\u003cbr\u003e Such works satirizing the clergy would have been severely censured just a generation earlier. Yet, by the time Landini picked up the brush, the European public had grown discontent with the hypocrisy of the clergy, many of whom enjoyed lavish lifestyles. Cardinal paintings such as this became highly popular during the period, and Landini emerged alongside Georges Croegaert, Marcel Brunery and Jehan Georges Vibert as the leading painters of the genre. \u003cbr\u003e\u003cbr\u003e Born in Florence in 1847, Andrea Landini trained at the Academy of Fine Arts in Florence, first under the animal painter Riccardo Pasquini and later with religious painter Antonio Ciseri. Landini quickly made a name for himself as a painter of portraits, attracting clients such as the Signora Guerrazzi of Livorno, the contessa Lavinia Bocca, the writer signora Elena Landini Ruffino and the Princess of Wales. While his portraits made him a success during his lifetime, today he is best remembered for his highly detailed genre scenes, and particularly his Cardinal paintings such as this. \u003cbr\u003e\u003cbr\u003e Canvas: 18 1\/4\" high x 15\" wide\u003cbr\u003e Frame: 23 1\/4\" high x 20 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238364487815,"sku":"31-2429","price":74500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2429_1_93a457da-a454-422d-8fc6-db4a762246a1.png?v=1720512721"},{"product_id":"masquerade-by-fortunato-galli","title":"Masquerade by Fortunato Galli","description":"Fortunato Galli\u003cbr\u003e 1835-1918 | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMasquerade\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"F. Galli FIRENZE\"\u003cbr\u003e White Carrara marble \u003cbr\u003e\u003cbr\u003e \u003cem\u003eMasquerade\u003c\/em\u003e, a traditional yet playful composition by Fortunato Galli, reflects the realism and intricacy that defined Italian sculpture at the end of the 19th century. Magnificently carved, the monumental work captures a beautiful woman at a masquerade as she peels her mask from her face, revealing her secret identity. The virtuosity of the sculpture is breathtaking, from her delicate lace bodice to the hint of stockings that encase her shapely legs. Masterfully rendered, she represents the perfect marriage of classical beauty and a romantic sentiment that has come to define the work of this Italian master.  \u003cbr\u003e\u003cbr\u003e Born in Livorno on the west coast of Tuscany, Fortunato Galli spent most of his life in Florence, where he enjoyed a faithful following. The majority of his sculptures were religious subjects, which he crafted for the major Tuscan churches, including his principal work, his famed statue of Pope Gregory VII that resides in the Duomo in Florence. His decorative sculptures such as this were far more playful in style, capturing gypsies and beautiful women in charming narratives. \u003cbr\u003e\u003cbr\u003e Circa 1883 \u003cbr\u003e\u003cbr\u003e 18 1\/2\" wide x 20\" deep x 52 1\/2\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238362259591,"sku":"31-2390","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2390_1_105d9000-d556-46ca-b081-90aead2fdd02.png?v=1717921786"},{"product_id":"the-last-days-of-napoleon-by-vincenzo-vela","title":"The Last Days of Napoléon by Vincenzo Vela","description":"Vincenzo Vela\u003cbr\u003e 1820-1891 | Swiss \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLast Days of Napoléon\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Bronze on green marble base\u003cbr\u003e Signed “V. Vela. F 1867” and \"F. Barbedienne, Fondeur, Paris\" (base) \u003cbr\u003e\u003cbr\u003e This highly evocative bronze by Vincenzo Vela captures the deposed Emperor Napoléon on his deathbed, holding a map of Europe and lost in thought about what might have been. Remarkable among most portrayals of the exiled leader, this highly detailed sculpture depicts Napoléon at his most vulnerable. Nonetheless, Vela perfectly captures his still-heroic bearing, which imparts to this work a monumental quality and quiet dignity. The mate to this figure is the colossal marble at the Musée du Château de Malmaison, which was shown at the Paris \u003cem\u003eSalon\u003c\/em\u003e of 1867. \u003cbr\u003e\u003cbr\u003e The founder of the \u003cem\u003everismo\u003c\/em\u003e movement in Italy, Vela was one of the great exponents of realism in sculpture. Born in Ligornetto, Switzerland in 1820, he studied under celebrated sculptor, Benedetto Cacciatori. He was also influenced both by the work of Tuscan sculptor Lorenzo Bartolini, who seamlessly combined neoclassicism with naturalism and the romantic painting of Francesco Hayez. Vela soon became one of the most important promoters of realist and \u003cem\u003everist \u003c\/em\u003esculpture, which emphasized true-to-life depictions of subjects. This was a reaction to the more idealistic, classical aesthetic espoused by artists such as Canova. \u003cbr\u003e\u003cbr\u003e Vela taught at the Albertina Academy in Turin for many years and showed his work at numerous Salons in Italy. His oeuvre is best remembered for its exploration of the social and heroic value of human action. A fervent patriot, he was active both politically and culturally and was elected to the Grand Council in Ticino. Today, many of Vela’s works are preserved in the Museo Vela at Ligornetto, and others can be found in Lugano, Bellinzona, Airolo, as well as Milan and Turin. \u003cbr\u003e\u003cbr\u003e 9\" wide x 15\" deep x 17\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316891910279,"sku":"31-2545","price":44850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2545_1.png?v=1760369243"},{"product_id":"equestrian-portrait-of-louis-xiv-by-girardon","title":"Equestrian Portrait of Louis XIV by Girardon","description":"King Louis XIV, one of France's greatest monarchs, sits confidently astride a prancing steed in this bronze equestrian statue. The extraordinary work is a reduction of the portrait of the Sun King by François Girardon, one of the most noted and influential sculptors of the period. Looking back to the great masterpieces of antiquity, Girardon took his inspiration from the seminal ancient Roman marble of Marcus Aurelius, now in the Musei Capitoline (Rome). Louis XIV is thus portrayed here as a conquering Roman hero, his costume adorned with many neoclassical motifs, hand outstretched in a gesture of command. The result is an imposing royal portrait of power and absolute authority that pays homage to one of the most important sovereigns in French history. \u003cbr\u003e\u003cbr\u003e It was in 1685, at the very height of his rule, when Louis XIV commissioned the monumental bronze of himself from the great Girardon. As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal projects, this equestrian sculpture included. The bronze was erected in the Place Louis-le-Grand (now the Place Vêndome) in 1699, but was regrettably destroyed less than a century later during the French Revolution in 1792. One small section of the original does remain — the left foot of the king, which is now held in the Musée Carnavalet (Paris). \u003cbr\u003e\u003cbr\u003e Luckily, Girardon recognized the importance of his creation and executed four bronze reductions of the sculpture. Today, three of these four can be found in the British Royal Collection (London), the State Hermitage Museum (St. Petersburg) and the Louvre. The example in the Louvre is the only signed reduction cast by Girardon. \u003cbr\u003e\u003cbr\u003e Since the 17th century, other reductions of the work have been created, including the present bronze, which dates to the late 19th century. Parisian bronziers such as Henri Dasson and Alfred Beurdeley were among the important makers who re-created the sculpture during this period, and this could have come from their workshops. It is a stunning ode to this great monarch, reflecting the glory of his reign and the glory of France. \u003cbr\u003e\u003cbr\u003e The archetype of absolutism in royalty, the 72-year reign of Louis XIV, the longest in European history, not only enhanced the power of the monarchy but catapulted France to become the most powerful nation in Europe. Louis XIV built Versailles during his reign to reflect the grandeur of the King and his court which ruled under the belief, \"One King, One Law, One Faith.\" The period during which he served as King of France became known as \"The Age of Louis XIV.\" \u003cbr\u003e\u003cbr\u003e Circa 1820 \u003cbr\u003e\u003cbr\u003e Sculpture: 36\" wide x 19\" deep x 43\" high\u003cbr\u003e Base: 37 1\/4\" wide x 25\" deep x 30\" high\u003cbr\u003e Total: 37 1\/4\" wide x 25\" deep x 73\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41540597252231,"sku":"31-2479","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2479_1_0c11a30e-dadd-42a4-a35c-0aef0ed74a84.png?v=1717920736"},{"product_id":"at-the-mirror-by-frederick-carl-frieseke","title":"At the Mirror by Frederick Carl Frieseke","description":"Frederick Carl Frieseke\u003cbr\u003e 1874-1939 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAt the Mirror\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"F.C. Frieseke\" (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Part of the second generation of modern American painters to study in Giverny, Frederick Carl Frieseke is among the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. \u003cem\u003eAt the Mirror\u003c\/em\u003e is a charming example of the latter, and it is masterfully executed with the artist's deft handling of color. \u003cbr\u003e\u003cbr\u003e The work demonstrates the artist's remarkable eye for composition; the mirror (with its reflection) divides the canvas horizontally, offering a view of the front and back of the artist's model as she removes her robe. The result is a work that feels both intimate and voyeuristic, allowing the viewer a glimpse into this private space. The soft familiarity of the work is enhanced by the painter’s characteristic limitation of palette, which has been pared down to a series of pale greens, blues and violets that are only occasionally offset by hints of orange, yellow and red in the wallpaper and flowers. All of his distinctive artistic devices come together in \u003cem\u003eAt the Mirror\u003c\/em\u003e, resulting in a highly successful and balanced composition.  \u003cbr\u003e\u003cbr\u003e Executed in 1922, the work embodies Frieseke's mature impressionist style. After spending nearly two decades in the artist's colony at Giverny, Frieseke moved to a farm in Normandy in 1920, and his art of this period concentrated almost solely on the female figure. \u003cem\u003eAt the Mirror\u003c\/em\u003e exemplifies his output of this age. The quietude of the room and the tranquility of the model are poignantly recorded by Frieseke, resulting in an idyllic image that approaches its subject in its most picturesque form. As a whole, the work demonstrates Frieseke's skillful use of impressionistic brushwork and diffuse light.  \u003cbr\u003e\u003cbr\u003e Born in Michigan in 1874, Frieseke studied his craft at the School of the Art Institute of Chicago. After briefly studying in New York, he moved to Paris in 1897 like many artists of his generation. There, he studied at the Académie Julian, where he worked under Benjamin Constant and Jean-Paul Laurens. In the ensuing years, he began to paint the intimate views of women in their boudoirs that would come to dominate his output throughout his career. \u003cbr\u003e\u003cbr\u003e Frieseke first visited the artist colony in Giverny in 1900, and just five years later, he would settle there. The work he created while in Giverny was among the most significant of his career. He and his wife frequently visited Claude Monet, who was a close neighbor, though they more commonly discussed gardens than their artwork. In 1920, Frieseke was appointed a Chevalier of the Legion of Honor, a remarkable achievement for an American painter. Today, his works can be found in museums around the world, including the Detroit Institute of the Arts, the Minneapolis Institute of Arts, the Museum of Fine Arts (Houston) and the Thyssen-Bornemisza Museum (Madrid). \u003cbr\u003e\u003cbr\u003e This work will be included in the forthcoming catalogue raisonné of Frieseke's work being compiled by Nicholas Kilmer, the artist's grandson. \u003cbr\u003e\u003cbr\u003e Circa 1922 \u003cbr\u003e\u003cbr\u003e Canvas: 32 3\/4\" high x 32 1\/4\" wide\u003cbr\u003e Frame: 43\" high x 42 1\/2\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Macbeth Gallery, New York\u003cbr\u003e Sotheby's New York, May 25, 1988, Lot 194\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44335886205063,"sku":"31-2880","price":885000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2880_1_a73f8f71-5a37-40f7-89f6-17f5e38702a5.png?v=1775143357"}],"url":"https:\/\/rauantiques.com\/collections\/fine-art-collection-recent-fine-art.oembed?page=38","provider":"M.S. Rau","version":"1.0","type":"link"}