{"title":"French Fine Art","description":"\u003ch2 data-section-id=\"1dbb45p\" data-start=\"0\" data-end=\"80\"\u003eFrench Fine Art: Original French Paintings from the Masters of European Art\u003c\/h2\u003e\n\u003cp data-start=\"81\" data-end=\"840\"\u003eFrench fine art represents one of the most influential and expansive traditions in the history of original fine art, encompassing works created by some of the most famous artists in the world. From the grandeur of Academic painting to the innovation of Impressionism and Post-Impressionism, original French paintings have shaped the direction of European art for centuries. Collectors searching for French paintings for sale are often drawn to the diversity of styles, the refinement of technique and the cultural importance found within works by France’s most celebrated artists. At M.S. Rau, our collection of French fine art includes exceptional original paintings that reflect the highest standards of quality, connoisseurship and historical significance.\u003c\/p\u003e\n\u003ch2 data-section-id=\"8gfmea\" data-start=\"842\" data-end=\"902\"\u003eThe Evolution of French Fine Art and Painting Movements\u003c\/h2\u003e\n\u003cp data-start=\"903\" data-end=\"1946\"\u003eFrench fine art developed through a series of important movements that defined the course of Western painting. In the 17th and 18th centuries, Academic painting and the French Royal Academy established a formal tradition rooted in classical ideals, precision and hierarchy of subject matter. This evolved into Neoclassicism and Romanticism, where artists such as Jacques-Louis David and Eugène Delacroix explored both historical narrative and emotional expression. The 19th century marked a profound shift with the emergence of Realism, followed by Impressionism, a movement pioneered by artists including Claude Monet, Pierre-Auguste Renoir and Camille Pissarro. These painters revolutionized the depiction of light, color and modern life. Post-Impressionism further expanded the boundaries of painting through artists such as Vincent van Gogh and Paul Cézanne, whose works laid the foundation for modern art. These movements collectively define French fine art and continue to influence collectors seeking original French paintings for sale.\u003c\/p\u003e\n\u003ch2 data-section-id=\"a67f4m\" data-start=\"1948\" data-end=\"1994\"\u003eHow to Identify Original French Paintings\u003c\/h2\u003e\n\u003cp data-start=\"1995\" data-end=\"2894\"\u003eCollectors interested in original French paintings benefit from understanding the stylistic and technical characteristics associated with French fine art. Academic and Neoclassical works are often defined by precise draftsmanship, balanced composition and highly finished surfaces. Romantic paintings introduce greater movement, emotion and dramatic contrasts. Impressionist works are distinguished by visible brushwork, lighter palettes and an emphasis on capturing fleeting moments of light and atmosphere. Post-Impressionist paintings often display more structured compositions or expressive color, depending on the artist. Subject matter varies widely, ranging from historical scenes and portraiture to landscapes, still life and depictions of modern life. Close examination of technique, composition and materials provides insight into authenticity and quality within original French paintings.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1c1i1uf\" data-start=\"2896\" data-end=\"2942\"\u003eFamous French Artists and Important Works\u003c\/h2\u003e\n\u003cp data-start=\"2943\" data-end=\"3822\"\u003eFrench fine art is defined by a remarkable group of artists whose works continue to shape the global art landscape. Claude Monet stands as a central figure in Impressionism, known for his exploration of light and color through series paintings and landscapes. Pierre-Auguste Renoir is celebrated for his vibrant depictions of figures and social scenes, characterized by warmth and fluid brushwork. Edgar Degas brought a distinctive perspective to modern life, particularly through his studies of movement and form. Jacques-Louis David represents the height of Neoclassical painting, while Eugène Delacroix embodies the expressive power of Romanticism. Paul Cézanne, often regarded as a bridge between Impressionism and modern art, introduced new approaches to structure and form in painting. These artists remain essential to the study and collection of original French fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"z8c65x\" data-start=\"3824\" data-end=\"3867\"\u003eStyles and Subjects in French Fine Art\u003c\/h2\u003e\n\u003cp data-start=\"3868\" data-end=\"4564\"\u003eFrench fine art encompasses a wide range of styles and subjects that reflect the country’s central role in artistic innovation. Impressionist paintings focus on light, color and contemporary life, while Academic and Neoclassical works emphasize structure, clarity and historical themes. Romantic painting explores emotion and movement, often through dramatic compositions. Landscape painting, still life and portraiture are all prominent within French art, each interpreted through the lens of different movements. This diversity allows collectors to explore a broad spectrum of original works by famous artists, making French fine art one of the most dynamic categories within European painting.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1nrlp4\" data-start=\"4566\" data-end=\"4600\"\u003eWhere to Buy French Paintings\u003c\/h2\u003e\n\u003cp data-start=\"4601\" data-end=\"5415\"\u003eWhen searching for French paintings for sale, it is important to acquire works from a trusted source with expertise in original fine art and European painting. M.S. Rau offers a carefully curated selection of French fine art, including original paintings by important artists and representative works from key movements such as Impressionism, Romanticism and Academic art. Each painting is supported by thorough research and a commitment to authenticity, ensuring confidence for collectors. Clients may explore our collection online or visit our New Orleans gallery, where French paintings are presented in an environment that reflects their historical and artistic importance. Our specialists provide guidance to collectors seeking works that align with their interests in French painting and major art movements.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1iuqy1r\" data-start=\"5417\" data-end=\"5449\"\u003eFrench Fine Art at M.S. Rau\u003c\/h2\u003e\n\u003cp data-start=\"5450\" data-end=\"6099\"\u003eFor over a century, M.S. Rau has been recognized for its expertise in original fine art, offering works that represent the highest levels of quality and historical importance. Our French fine art collection includes original paintings that exemplify the breadth and innovation of artistic production in France. From Impressionist masterpieces to Academic works and Post-Impressionist compositions, each painting reflects a defining moment in the history of art. Through both our gallery and our website, M.S. Rau continues to serve as a leading destination for collectors searching for French paintings for sale and museum-quality works of fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"16rjofi\" data-start=\"6101\" data-end=\"6134\"\u003eWhat Defines French Fine Art\u003c\/h2\u003e\n\u003cp data-start=\"6135\" data-end=\"6574\"\u003eFrench fine art is defined by its central role in the development of major artistic movements, including Neoclassicism, Romanticism, Realism, Impressionism and Post-Impressionism. Works from France often reflect both technical discipline and artistic innovation, combining traditional methods with new approaches to light, color and composition. These qualities distinguish French paintings within the broader context of original fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"stkpe8\" data-start=\"6576\" data-end=\"6630\"\u003eHow Can You Tell if a French Painting Is Original\u003c\/h2\u003e\n\u003cp data-start=\"6631\" data-end=\"7038\"\u003eDetermining whether a painting is an original French work involves evaluating technique, materials and stylistic consistency with known artists or movements. Experts assess brushwork, composition and surface quality, as well as provenance and historical documentation. Purchasing from an established gallery such as M.S. Rau ensures that each painting has been carefully vetted for authenticity and quality.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1jnaw85\" data-start=\"7040\" data-end=\"7091\"\u003eWhat Styles Are Most Common in French Fine Art\u003c\/h2\u003e\n\u003cp data-start=\"7092\" data-end=\"7493\"\u003eFrench fine art is most commonly associated with movements such as Impressionism, Romanticism, Neoclassicism and Post-Impressionism. These styles reflect the evolution of painting in France and include works that emphasize light, color, structure and emotion. Collectors searching for original French paintings often encounter these defining movements within the broader category of European fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1d7u6ve\" data-start=\"7495\" data-end=\"7527\"\u003eWhy Collect French Fine Art\u003c\/h2\u003e\n\u003cp data-start=\"7528\" data-end=\"7952\"\u003eCollectors are drawn to French fine art for its range of styles and its importance in shaping the history of painting. Original French paintings offer the opportunity to engage with works that represent key artistic innovations, from the structured compositions of Neoclassicism to the expressive brushwork of Impressionism. These works provide a meaningful way to explore the legacy of French art through original fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1j7eek6\" data-start=\"7954\" data-end=\"8016\"\u003eWhat Should You Look for When Collecting French Paintings\u003c\/h2\u003e\n\u003cp data-start=\"8017\" data-end=\"8463\"\u003eWhen collecting French paintings, attention should be given to the quality of execution, the handling of light and color and the strength of the composition. Strong examples demonstrate a clear command of technique and a connection to the defining characteristics of their respective movement. Whether selecting Impressionist works or Academic paintings, collectors benefit from focusing on pieces that exemplify the tradition of French fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"javom1\" data-start=\"8465\" data-end=\"8515\"\u003eHow Do You Start Collecting Original Fine Art\u003c\/h2\u003e\n\u003cp data-start=\"8516\" data-end=\"8916\"\u003eStarting a collection of original fine art involves developing an understanding of artistic movements, historical periods and personal preferences. French fine art provides an excellent foundation due to its diversity and its central role in the evolution of painting. Working with a knowledgeable gallery such as M.S. Rau allows collectors to explore original paintings with guidance and confidence.\u003c\/p\u003e\n\u003ch2 data-section-id=\"kmel70\" data-start=\"8918\" data-end=\"8990\"\u003eWhat Makes French Fine Art Different from Other European Traditions\u003c\/h2\u003e\n\u003cp data-start=\"8991\" data-end=\"9390\"\u003eFrench fine art is distinguished by its role as a driving force behind many of the most important artistic movements in history. While other traditions developed within more fixed structures, French artists consistently pushed boundaries, exploring new approaches to light, color and composition. This emphasis on innovation sets French paintings apart within the broader world of original fine art.\u003c\/p\u003e\n\u003ch2 data-section-id=\"i06yqt\" data-start=\"9392\" data-end=\"9437\"\u003eHow Should French Paintings Be Displayed\u003c\/h2\u003e\n\u003cp data-start=\"9438\" data-end=\"9864\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eDisplaying French paintings involves careful consideration of lighting and environment to enhance their visual qualities. Impressionist works benefit from natural or soft lighting that highlights color and brushwork, while Academic paintings are best displayed in settings that emphasize their detail and composition. Proper placement allows collectors to fully experience the depth and complexity of original French fine art.\u003c\/p\u003e","products":[{"product_id":"emprunt-6-souscrivez-by-raoul-dufy","title":"Emprunt 6% Souscrivez by Raoul Dufy","description":"Raoul Dufy\u003cbr\u003e 1877-1953 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eEmprunt 6% Souscrivez\u003cbr\u003e (War Loan 6% Subscribe)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Raoul Dufy\" (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This vibrant gouache on paper by the renowned Raoul Dufy is a work of exceptional artistry and represents an important period in world history. The piece was a special commission ordered by the French government, which sought to encourage the French people to join in the post-war reconstruction efforts. Following World War I, the French government was destitute. The cost of the Great War had been tremendous not only in lives lost but also in terms of infrastructure and finances. To reclaim its place as a great power on the world stage, France needed funds to reconstruct its key industries, and quickly. Thus, the government turned to one of the most famous French artists of the day - Raoul Dufy - to create this gouache on paper to advertise the country's war bonds.  \u003cbr\u003e\u003cbr\u003e The extraordinary work represents Dufy's own sense of patriotic duty. Entirely unique in his oeuvre, it is clear that Dufy wished to create something truly special to help his war-torn country. The artist deftly captures the industry of France in the colorful composition, showcasing bridges, buildings, ships and other key elements of the country's infrastructure to evoke the viewers' pride, patriotism and willingness to help. The words \u003cem\u003eEmprunt 6% Souscrivez (War Loan 6% Subscribe)\u003c\/em\u003e are boldly written across the top, seeking subscribers to a 6% interest loan to help rebuild the country - a very healthy return for the age. \u003cbr\u003e\u003cbr\u003e The powerful painting represents one of the most effective and extensive patriotic campaigns of all time. France relied heavily on the willingness of its citizens to lend money to the government during World War I. By the war's end, however, the war-weary public required greater incentive to purchase war loans, so higher interest rates as well as extensive public relations campaigns were needed to sell government bonds. With the purchase of a war loan, every person could make a difference - and earn a significant return on their investment. Dufy's exceptional composition appealed to his countrymen's sense of patriotism, duty and pride, resulting in one of the most successful war and reconstruction funding campaigns of the modern age. \u003cbr\u003e\u003cbr\u003e Aside from its historic importance, the work is exemplary of Dufy's highly modern and distinctive style. The dynamism of the scene is perfectly translated through the artist's vivacious experiments in color and movement. He combines bold and spontaneous black outlines with broad areas of vivid color, creating dynamic planes that captivate the viewer. The resulting work is colorful and full of vigor, displaying the bright fluidity for which Dufy is so loved. \u003cbr\u003e\u003cbr\u003e Born in Le Havre, Normandy, both Dufy and his brother Jean showed a talent for drawing at an early age. He would eventually enroll in the École d'Art in La Havre, and later, the École Nationale Supérieure des Beaux-Arts in Paris. After viewing Matisse's Luxe, Calme et Volupte in 1904, Dufy adopted the bright color and flat compositions of the Fauvists. By 1909, the artist sought more austerity in his painting, and he became drawn to the works of Cézanne and the Cubists. From this point forward, Dufy's compositions presented a blend of the ideals upheld by these two artistic groups. His use of bold lines and colors, dynamic brushstrokes and other painterly qualities found in his paintings are a testament to his unique Expressionist ideals. \u003cbr\u003e\u003cbr\u003e This important work is accompanied by a certificate of authenticity from Mme. Fanny Guillon-Laffaille and will be included in her forthcoming supplement to the \u003cem\u003eCatalogue Raisonné des aquarelles de Raoul Dufy\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003e Circa 1919 \u003cbr\u003e\u003cbr\u003e Paper: 19\" high x 25\" wide\u003cbr\u003e Frame: 28\" high x 33 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Madame Collette van Leer (the artist's niece), Brussels\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44540181905543,"sku":"30-7592","price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-7592_1_b92d0cd5-c541-4105-9323-0e0ceaea9b7a.png?v=1777552447"},{"product_id":"dancer-fastening-the-string-of-her-tights-by-edgar-degas","title":"Dancer Fastening the String of Her Tights by Edgar Degas","description":"Edgar Degas\u003cbr\u003e\n1834-1917 | French\n\u003cbr\u003e\u003cbr\u003e\n\u003cem\u003eDancer Fastening the String of Her Tights\u003c\/em\u003e\n\u003cbr\u003e\u003cbr\u003e\nSigned, numbered, dated, and stamped with foundry mark “Degas \/ 33|G \/ 1998 \/ CIRE C.VALSUANI PERDUE”\u003cbr\u003e\nBronze\n\u003cbr\u003e\u003cbr\u003e\nThis graceful little dancer is a superb example of the sculptural works created by the great Impressionist Edgar Degas. Degas had an extraordinary talent for capturing the natural movements and grace of his figures, particularly in his paintings and sculptures of ballet dancers for which he is best known. In the present bronze, he uses a dramatic, twisting contrapposto pose in order to depict his dancer in motion as she contorts backwards to tighten the string of her tights. His works such as this reveal the mechanics of the ballet that happen beyond the beauty on stage, lending his works a remarkable sense of life and intimacy.\n\u003cbr\u003e\u003cbr\u003e\nThroughout his career, Degas became obsessed with capturing the dancer in motion, both on stage and in the dressing room. Of the seventy-four wax sculptures created by Degas during his lifetime, forty of them depicted dancers. The present work boasts one of the more original poses from among these - rather than an arabesque, Degas captures his dancer undertaking a far more private and intimate task. Unlike some of his works that depict women doing their toilette, the bronze is elegant rather than awkward, as Degas transforms the simple act of tying a string into a pleasing and fluid pose.\n\u003cbr\u003e\u003cbr\u003e\nThe work is a sought-after rarity in terms of Degas’ sculptures. Not only are his dancers the most desirable of his work, but this bronze is also distinguished by the fact that it is a Valsuani bronze, meaning it faithfully records Degas’ wax version’s pose as it appeared at the time of its creation. Most Degas' bronzes that are found on the market were cast by Hébrard – these serialized bronzes are surmoulages, or “aftercasts,” that were cast from the modèle bronzes currently in the Norton Simon Museum (Pasadena). Because these bronzes are second generation, they are smaller and far less detailed that the current bronze.\n\u003cbr\u003e\u003cbr\u003e\nThis example, however, was cast by Valsuani from a plaster that was taken directly from Degas’ waxes, according to scholarship by the art historian Dr. Gregory Hedberg. These plasters were created by Degas’ sculptor friend Albert Bartholomé shortly after Degas completed his wax figurines. Thus, they record the earliest versions of Degas’ wax sculptures, before they were damaged by time or handling, and before Degas himself altered the works. The Hébrard bronzes, on the other hand, actually represent Degas’ reworking of the original sculptures.\n\u003cbr\u003e\u003cbr\u003e\nBecause they are cast directly from the plaster, the Valsuani bronzes are also larger, crisper, and more highly defined than the Hébrard bronzes. Since the original plasters were discovered in the 1990s, similar Valsuani bronzes have been exhibited around the world, including The Hermitage (St. Petersburg) and the Minneapolis Institute of Art.\n\u003cbr\u003e\u003cbr\u003e\nOriginal wax model executed circa 1885-1890\u003cbr\u003e\nBronze cast 1998\n\u003cbr\u003e\u003cbr\u003e\n16 5\/8\" high x 8 1\/2\" wide x 7 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316796489863,"sku":"30-9143","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9143_1_36fec41c-c760-40af-84ce-7dd2f90299a3.png?v=1760369097"},{"product_id":"nephrite-napoleonic-tomb-sculpture","title":"Nephrite Napoleonic Tomb Sculpture","description":"Skillfully crafted of carved nephrite, this one-of-a-kind sculpture is a fantastical recreation of the tomb of Napoléon on St. Helena, the island of the Emperor’s final exile and eventual death. Almost certainly made in the first years following the legendary leader’s death, the work lends Napoléon’s tomb a grandeur and opulence it never achieved in life; the original tomb in St. Helena’s Sane Valley was a simple, unadorned plot beneath a willow. The present piece, however, is crafted with a complexity and majesty befitting the French leader. Fascinating in subject and design, this objet d’art is an intricate and dazzling display of nephrite workmanship. \u003cbr\u003e\u003cbr\u003e An island 1,162 miles from the west coast of Africa, St. Helena was chosen as the place of Napoléon’s final exile precisely for its isolation; the British feared a repeat of Elba, when Napoleon escaped exile after just 11 months. Due to its remoteness, few Frenchmen were able to visit the tomb of their former Emperor, and only a handful of sketches of his resting place beneath a willow tree were brought back to France. \u003cbr\u003e\u003cbr\u003e In the present piece, the artist carves from a stunning specimen of nephrite his vision of Napoléon’s final resting place. Here, Napoléon’s tomb is bedecked in the adornments of the Empire style, with a French Imperial eagle at each corner. The top of the tomb can be removed, revealing a tiny Napoléon figurine carved from nephrite, complete with his distinctive bicorne hat, resting inside. The tomb rests beneath the flowing limbs of a St. Helena willow tree, which is the one true-to-life element of this stunning and imaginative rendering. \u003cbr\u003e\u003cbr\u003e Napoléon's exile to St. Helena in 1815 brought an end to the Napoleonic Wars that had dominated the preceding years. After his death in 1821, his body would spend another 19 years on the island in an unnamed tomb surrounded by a simple railing. Among the visitors to Napoléon’s grave was the English naturalist Charles Darwin. With regards to the gravesite, he wrote: \"…a tomb situated close by cottages and a frequented road does not create feelings in unison with the imagined resting place of so great a spirit… if Napoléon's ghost haunts his dreary place of confinement, this would be a most excellent night for such wandering Spirits.\" \u003cbr\u003e\u003cbr\u003e Like Darwin, the craftsman of this extraordinary piece must have balked at the simplified resting place of the once-great leader. Yet, Napoléon would eventually find a more suitable burial place - in 1840, following a request from the King Louis-Philippe, Napoléon’s remains were returned to Paris, where they were entombed in the Dôme des Invalides. \u003cbr\u003e\u003cbr\u003e Circa 1830 \u003cbr\u003e\u003cbr\u003e 19 1\/4\" high x 15 1\/2\" wide x 9\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316788035719,"sku":"30-4815","price":44500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-4815_1.png?v=1760369090"},{"product_id":"french-figural-statue","title":"French Figural Statue","description":"This extraordinary and monumental cast-iron sculpture was likely specially commissioned to the Fonderies d'Art du Val d'Osne for an important public or private collection. Designed by celebrated Parisian sculptor Mathurin Moreau, the striking work takes the form of a beautiful young maiden clad in classical robes with an amphora gracefully held aloft in one hand. The work displays a remarkable level of detail considering its iron casting, including a wreath of laurel leaves atop the woman's head and a stunning necklace adorning her neck.\u003cbr\u003e\u003cbr\u003e\nDue to its large size and subject matter, the remarkable work would most probably have been exhibited in a public or private fountain, garden, estate or hotel. French cast-iron sculptures such as this one were historically preferred over bronze for outdoor decorations due to their resistance to more extreme weather conditions. Similar statues cast by Val d'Osne can be found decorating public buildings and parks worldwide, and particularly in the United States and France.\n\u003cbr\u003e\u003cbr\u003e\nThe design for this statue is reproduced in the catalog of the Fonderies du Val d'Osne as \u003cem\u003eJeune fille\u003c\/em\u003e, No. 245, plate 595.\u003cbr\u003e\u003cbr\u003e\nThe base is mounted with a plaque reading \"\u003cem\u003eFonderies du Val d'Osne \/ 58 BD Voltaire, Paris\u003c\/em\u003e\"\n\u003cbr\u003e\u003cbr\u003e\n24\" wide x 14\" deep x 70\" high\n\u003cbr\u003e\u003cbr\u003e\nEstablished in 1835 by the inventor of ornamental cast iron, Jean Pierre Victor André, the Fonderies d'Art du Val d'Osne were world renowned for their remarkable architectural designs and decorative cast iron works of art for nearly 150 years. Beginning in 1851, the firm participated in numerous international exhibitions, earning much critical acclaim throughout the years. Celebrated sculptors including Mathurin Moreau, Albert-Ernest Carrier-Belleuse, and James Pradier designed numerous works exclusively for the famed firm, cementing their place among the finest in the industry. While today the works of the Fonderies d'Art du Val d'Osne can be seen in important collections worldwide, the most visible pieces cast by the firm are the distinctive Art Nouveau Parisian subway entrances designed by Hector Guimard.","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41237955870855,"sku":"30-4249","price":29500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-4249_2.png?v=1717921279"},{"product_id":"hand-painted-limoges-marriage-anniversary-plaque","title":"Hand Painted Limoges Marriage Anniversary Plaque","description":"A fine Limoges porcelain plaque superbly hand painted to commemorate the 40th anniversary of the depicted couple. Interestingly, the last initial of the monogram matches that of the artist, so it is possible that it was painted by the couple's son, daughter or relative. Inscribed 40th Marriage Anniversary Paris 14th May 1889 and signed 'P. Soyer.'","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874585542791,"sku":"28-8238","price":7850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/28-8238_1.png?v=1770667633"},{"product_id":"ondine-by-pierre-marcel-beronneau","title":"Ondine by Pierre Marcel-Béronneau","description":"Pierre-Amédée Marcel-Béronneau\u003cbr\u003e 1869-1937 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eOndine\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Studio stamped (en verso)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Mystical and mysterious, a mythological Ondine rests beside an ethereal forest pond in this majestic, original oil on canvas by French Symbolist Pierre-Amédée Marcel-Béronneau. A student of the famed Gustave Moreau, Béronneau painted some of the most ornate scenes ever envisioned which focused upon entrancing figures of classical mythology.  \u003cbr\u003e\u003cbr\u003e Ondine, or Undine, is a female elemental being of ancient origin that is used to describe nymphs, mermaids, naiades and the like. In lore, the beings reside near pools, ponds and waterfalls and are known for their captivating singing voices that are said to have a hypnotic effect on men. These immortal figures, though they may resemble women lack one of the most important human characteristics – a soul. Here, in true Symbolist fashion, Béronneau creates a breathtakingly vivid dream world in which this Ondine is prominent. Her lack of color, as compared to her surroundings, seems to reflect the absence of this most essential of mortal traits. Though graceful and unquestionably beautiful, without a soul the Ondine is unable to truly experience an enriched and fulfilled life. \u003cbr\u003e\u003cbr\u003e Born to a locksmith and a housewife in Bordeaux, Béronneau received his initial training at the Municipal School of Fine Arts in his hometown and later Paris’ Decorative Arts School. In 1892, he enrolled into the Academie des Beaux-Arts where he entered the studio of Gustave Moreau. Béronneau quickly became one of the master’s best pupils. In a letter of recommendation to the Mayor of Bordeaux, Moreau wrote: “Mr. Béronneau, my student, is a wonderful worker, very gifted and worthy of your interest.” \u003cbr\u003e\u003cbr\u003e Béronneau would go on to have a tremendously successful career, winning numerous awards and honors throughout his lifetime. He exhibited at the Salon and the Salon des Indépendants from 1895, garnering medals in 1900, 1913 and 1926. The art critic Arsène Alexandre wrote about him in the paper “Le Figaro” that he was a “great refined artist”, a “delicate, serious and often deep painter who [mixed] a great integrity with the yearning for the highest thoughts”. The French government also commissioned works, such as his “Last Hour”, currently found in the collection of the Fine-Arts Museum in Bordeaux. He became Knight of the Legion of Honor in 1914. \u003cbr\u003e\u003cbr\u003e Circa 1905 \u003cbr\u003e\u003cbr\u003e Canvas: 28 7\/8” high x 23 5\/8” wide\u003cbr\u003e Frame: 35 1\/4” high x 30 1\/8” wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e The artist’s estate\u003cbr\u003e Private collection, France\u003cbr\u003e Sotheby’s Olympia, 2003\u003cbr\u003e Private collection, United Kingdom","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42446740095111,"sku":"30-9256","price":49850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9256_1_e9747cca-87e1-4505-9f31-67a6da5f9cda.png?v=1741873468"},{"product_id":"mutine-by-guillaume-seignac","title":"Mutine by Guillaume Seignac","description":"Guillaume Seignac \u003cbr\u003e 1870-1924 | French  \u003cbr\u003e\u003cbr\u003e Mutine \u003cbr\u003e\u003cbr\u003e Signed “G. Seignac” (lower right)\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e A mischievous maiden dominates this garden scene by French Academic artist Guillaume Seignac. Heavily based in the classical, his works bring to life nymphs, muses and Greco-Roman gods and goddesses in ethereal settings based on antiquity. The present work is imbued with the exquisite luminosity of his best works, capturing an idealized female nude within a lush landscape complete with a classical fountain and Grecian urn. Masterfully rendered in the Academic style, \u003cem\u003eMutine\u003c\/em\u003e exemplifies the artist’s skill in capturing the inherent sensuality and beauty of his classically-inspired subjects. \u003cbr\u003e\u003cbr\u003e Born in Rennes in 1870, Guillaume Seignac began his training in Paris in 1889 at the Academie Julian. He worked primarily as a student of William Bouguereau, whose influence can be seen in both the style and subject matter of his work. Seignac frequently exhibited at the Paris Salon, and his meticulousness and a keen sense of balance and color won him numerous medals, including an honorable mention in 1900 and a third-class medal in 1903.  \u003cbr\u003e\u003cbr\u003e Trained in the Academic style of the École des Beaux-Arts, Seignac embraced both the techniques and classical subject matter of the Italian Renaissance masters, whose work enjoyed a surge in popularity in Paris in the late 19th century. As with most French Academic painters, Seignac’s technical skills are masterful, while his color balances and compositional style are on par with the great artists of the Renaissance. During his lifetime, Seignac’s compositions appealed to both traditional art buyers and avant-garde connoisseurs alike, and he enjoyed financial success and critical acclaim. \u003cbr\u003e\u003cbr\u003e Canvas: 24” high x 14 1\/4” wide\u003cbr\u003e Frame: 35 1\/4” high x 25 5\/8” wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44245969698951,"sku":"30-1674","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-1674_1.png?v=1774967456"},{"product_id":"dimanche-au-champ-de-course-by-h-claude-pissarro","title":"Dimanche au champ de course by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDimanche au champ de course (Deauville)\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eSunday at the Racetrack\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower left)\u003cbr\u003e Pastel on card \u003cbr\u003e\u003cbr\u003e French artist Hugues Claude Pissarro offers a unique perspective of the racetrack in Deauville in this exceptional pastel. The spectators are as much his subject as the sport in this artistic tribute to a leisurely Sunday at the tracks. Following the impressionist tradition of his father and grandfather before him, Pissarro infuses this pastel with dynamic light and vibrant colors. Entitled \u003cem\u003eDimanche au Champ de Course (Deauville)\u003c\/em\u003e, it showcases the artist's highly distinctive and sophisticated style. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of painters, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his brightly colored works such as the present piece. \u003cbr\u003e\u003cbr\u003e The painting is accompanied by a certificate of authenticity signed by the artist. \u003cbr\u003e\u003cbr\u003e Card: 14\" high x 19 1\/2\" wide\u003cbr\u003e Frame: 19 7\/8\" high\" x 25 1\/2\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43873704050823,"sku":"31-0882","price":22500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-0882_1_9bf0847a-6f86-4814-86ea-ceb5b0d24e59.png?v=1770664814"},{"product_id":"femme-aux-souliers-noir-by-jules-pascin","title":"Femme aux souliers noir by Jules Pascin","description":"Jules Pascin\u003cbr\u003e 1885-1930 | Bulgarian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFemme aux souliers noir\u003cbr\u003e (Woman in Black Shoes)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Pascin\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the \"Prince of Montparnasse,\" Pascin made a name for himself throughout both Europe and the United States as a painter of woman, often while nude or in various stages of undress. Undoubtedly influenced by the French Impressionists, particularly Pierre-Auguste Renoir, Pascin developed a highly gestural style that is uniquely his own. \u003cem\u003eFemme aux souliers noir\u003c\/em\u003e displays the unique qualities that made his work so groundbreaking during his lifetime. \u003cbr\u003e\u003cbr\u003e Though he was born in Bulgaria and became a United States citizen in 1920, Pascin spent most of his career is Paris, and he is regarded today as a French painter. It was on his return to France from the United States in 1923 when his so-called \u003cem\u003enacrée\u003c\/em\u003e, or \"pearly,\" style began to emerge in his work; the present painting dates to this same period. In it, one can see how Pascin adopted a more fluid touch in his paint application, working with almost dry brushes. The technique allowed him to make his tones more transparent, lending a ghostly, immaterial quality to his figures. This portrait perfectly embodies the atmospheric qualities of his \u003cem\u003enacrée\u003c\/em\u003e period. Less sensual than his nudes, \u003cem\u003eFemme aux souliers noir\u003c\/em\u003e nevertheless displays the earthy softness and intimate charm that made the artist so successful. \u003cbr\u003e\u003cbr\u003e Born in Vidin, Bulgaria in 1885, Pascin grew up part of an affluent Sephardic Jewish family. He attended university in Austria and Germany, though he eventually moved to Paris in 1905. Encountering the Parisian Modernist movement changed the trajectory of his career, and he soon began exhibiting his prints and drawings at the Salon des Indépendants. He achieved a great deal of success and fame early in his career, particularly in North America, so much so that he chose to become a United States citizen in 1920. Tragically, however, he fell prey to depression and alcoholism, and committed suicide in 1930 at the age of 45. Today, his work can be found in the collections of the Metropolitan Museum of Art (New York), the Museum of Modern Art (New York), the Louvre (Paris), the Art Institute of Chicago and others. \u003cbr\u003e\u003cbr\u003e Circa 1923 \u003cbr\u003e\u003cbr\u003e Canvas: 24\" high x 18\" wide\u003cbr\u003e Frame: 33 1\/4\" high x 27\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42967690182791,"sku":"31-1161","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1161_1.png?v=1753982692"},{"product_id":"dance-of-the-nymphs-by-paul-desire-trouillebert","title":"Dance of the Nymphs by Paul Désiré Trouillebert","description":"Paul Désiré Trouillebert\u003cbr\u003e 1829-1900 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDance of the Nymphs\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Trouillebert\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This lyrical landscape entitled \u003cem\u003eDance of the Nymphs\u003c\/em\u003e was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. \u003cbr\u003e\u003cbr\u003e Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1829, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert and Charles Jalabert. Early in his career, he primarily produced portraits and genre scenes, exhibiting his first portrait at the Paris Salon in 1865. By the end of the decade, however, his interest in landscape painting blossomed, and in 1869, he exhibited his first landscape at the Salon to great acclaim. He went on to execute a number of landscapes that recall the mature style of Corot, including the present work, though they remain distinctly Trouillbert in their execution. Today, his paintings can be found in several important private collections, as well as the Lightner Museum (St. Augustine, Florida). \u003cbr\u003e\u003cbr\u003e Canvas: 38 3\/4\" high x 51 1\/2\" wide\u003cbr\u003e Frame: 50\" high x 62 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913597657223,"sku":"31-1655","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1655_1.png?v=1730881855"},{"product_id":"equestrian-portrait-of-louis-xiv-by-girardon","title":"Equestrian Portrait of Louis XIV by Girardon","description":"King Louis XIV, one of France's greatest monarchs, sits confidently astride a prancing steed in this bronze equestrian statue. The extraordinary work is a reduction of the portrait of the Sun King by François Girardon, one of the most noted and influential sculptors of the period. Looking back to the great masterpieces of antiquity, Girardon took his inspiration from the seminal ancient Roman marble of Marcus Aurelius, now in the Musei Capitoline (Rome). Louis XIV is thus portrayed here as a conquering Roman hero, his costume adorned with many neoclassical motifs, hand outstretched in a gesture of command. The result is an imposing royal portrait of power and absolute authority that pays homage to one of the most important sovereigns in French history. \u003cbr\u003e\u003cbr\u003e It was in 1685, at the very height of his rule, when Louis XIV commissioned the monumental bronze of himself from the great Girardon. As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal projects, this equestrian sculpture included. The bronze was erected in the Place Louis-le-Grand (now the Place Vêndome) in 1699, but was regrettably destroyed less than a century later during the French Revolution in 1792. One small section of the original does remain — the left foot of the king, which is now held in the Musée Carnavalet (Paris). \u003cbr\u003e\u003cbr\u003e Luckily, Girardon recognized the importance of his creation and executed four bronze reductions of the sculpture. Today, three of these four can be found in the British Royal Collection (London), the State Hermitage Museum (St. Petersburg) and the Louvre. The example in the Louvre is the only signed reduction cast by Girardon. \u003cbr\u003e\u003cbr\u003e Since the 17th century, other reductions of the work have been created, including the present bronze, which dates to the late 19th century. Parisian bronziers such as Henri Dasson and Alfred Beurdeley were among the important makers who re-created the sculpture during this period, and this could have come from their workshops. It is a stunning ode to this great monarch, reflecting the glory of his reign and the glory of France. \u003cbr\u003e\u003cbr\u003e The archetype of absolutism in royalty, the 72-year reign of Louis XIV, the longest in European history, not only enhanced the power of the monarchy but catapulted France to become the most powerful nation in Europe. Louis XIV built Versailles during his reign to reflect the grandeur of the King and his court which ruled under the belief, \"One King, One Law, One Faith.\" The period during which he served as King of France became known as \"The Age of Louis XIV.\" \u003cbr\u003e\u003cbr\u003e Circa 1820 \u003cbr\u003e\u003cbr\u003e Sculpture: 36\" wide x 19\" deep x 43\" high\u003cbr\u003e Base: 37 1\/4\" wide x 25\" deep x 30\" high\u003cbr\u003e Total: 37 1\/4\" wide x 25\" deep x 73\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41540597252231,"sku":"31-2479","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-2479_1_0c11a30e-dadd-42a4-a35c-0aef0ed74a84.png?v=1717920736"},{"product_id":"almond-trees-in-spring-by-achille-lauge","title":"Almond Trees in Spring by Achille Laugé","description":"Achille Laugé\u003cbr\u003e 1861-1944 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAlmond Trees in Spring\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"A. Laugé\" (lower right)\u003cbr\u003e Oil on canvas  \u003cbr\u003e\u003cbr\u003e This Neo-Impressionist landscape by the French artist Achille Laugé captures an orchard in late spring in his celebrated, highly modern style. The work displays a thick impasto thanks to the artist's distinctive technique of applying his paint in quick dabs, a characteristic of his later works. One of the foremost painters of the Post-Impressionist period, Laugé’s works are beloved for his sensitivity to light, shade and tone, and his mastery of medium is clearly on display in \u003cem\u003eAlmond Trees in Spring\u003c\/em\u003e. The light blue of the sky and the more muted colors of the field, along with the cottony white and pink tones of the blossoming trees create a scenic and calm composition. \u003cbr\u003e\u003cbr\u003e Born in 1861 to wealthy farmers, he moved to Toulouse at the age of 17 to study pharmacy. At this time, he also enrolled part-time at the school of the Beaux-Arts, where he befriended the artist Bourdelle. Three years later, he moved to Paris, where he studied under the famous masters Alexandre Cabandel and Aristide Maillol, making his debut at the \u003cem\u003eSalon\u003c\/em\u003e in 1884. Like many other artists of his generation, Laugé eventually rejected the conservative ideals of this teacher, falling under the Post-Impressionist influence of George Seurat. By 1888, his landscapes became assiduous experiments in complementary colors and light on canvas. He exhibited three paintings at the \u003cem\u003e Salon des Indépendants\u003c\/em\u003e in 1894, as well as with the Nabis that same year. In addition, Laugé held several one-man shows in Paris, Toulouse and Perpignan from 1907 to 1930. \u003cbr\u003e\u003cbr\u003e It was after his departure from Paris that Laugé developed his divisionist technique, following the lead of Seurat and the Pointillists. Although Laugé never adopted Seurat’s scientific attitude, his interest in the primacy and division of color resulted in work with a vivid, translucent palette. From 1888 until about 1896, Laugé composed his pictures with small points of color. At the end of the century, he abandoned the dots and dabs and painted his landscapes, portraits and still-lives with thin, systematically placed strokes resembling crosshatching. After 1905, he applied his pigments more freely, with enlarged strokes and thick impasto that brought him closer to a traditional impressionist technique whilst maintaining his ability to paint the translucence of southern light. Today, his exceptional works can be found in museums throughout France, including the Musée D'Orsay in Paris. \u003cbr\u003e\u003cbr\u003e Canvas: 21\" high x 28 1\/2\" wide\u003cbr\u003e Frame: 32 3\/4\" high x 40\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galleris Maurice Sternberg, Chicago\u003cbr\u003e Private collection, Texas, 1975\u003cbr\u003e Private collection, Broadway, UK\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238532915335,"sku":"31-3146","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3146_1_da40b300-a9ae-4767-908f-31e11a2f3694.png?v=1717922680"},{"product_id":"boarding-the-ship-for-new-york-by-auguste-loustaunau","title":"Boarding the Ship for New York by Auguste Loustaunau","description":"Louis Auguste Georges Loustaunau\u003cbr\u003e 1846-1898 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBoarding the Ship for New York\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"ALoustaunau\" (lower right)\u003cbr\u003e Watercolor on paper \u003cbr\u003e\u003cbr\u003e This watercolor by the French artist Louis Auguste Georges Loustaunau offers a compelling glimpse into late 19th-century travel. Depicting a couple boarding a ship to New York City, the work brings to life the hustle and bustle of the shipyard while celebrating the majesty of the ocean liner. Loustaunau's skills as an observer are clearly on display, as he captures with a keen eye the movements of the ship's crew, as well as the details of the ship and luggage. In an era when global travel was just becoming accessible to the masses, such works would have resonated with a wide audience. \u003cbr\u003e\u003cbr\u003e Born in 1846, Louis Auguste Georges Loustaunau studied at the École des Beaux-Arts under the tutelage of the greats Jean-Léon Gérôme and Eugène Barrias. He exhibited his first work at the Paris Salon in 1869; it was a landscape of Brittany that was typical of his output from that period. It wasn't until around 1875 when he abandoned landscapes and country scenes in favor of the genre subjects for which he would become best known. He joined the Société d'Aquarellistes Français in 1891; he died just a few short years later in Versailles in 1898.  \u003cbr\u003e\u003cbr\u003e Paper: 45\" high x 37\" wide\u003cbr\u003e Frame: 51 1\/2\" high x 54\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672849055879,"sku":"31-1153","price":68500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1153_1_2fd3ec66-e047-4f30-a259-c044767d7ad9.png?v=1766567054"},{"product_id":"solitude-by-guillaume-seignac","title":"Solitude by Guillaume Seignac","description":"Guillaume Seignac\u003cbr\u003e 1870-1924 | French  \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSolitude\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “G-Seignac” (lower right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subjects based on Greco-Roman prototypes were and remain a favorite from the artist's oeuvre. \u003cem\u003eSolitude\u003c\/em\u003e is exemplary of this preferred subject. Draped in sheer white fabric that lays over her otherwise nude form, she appears as though she has just been interrupted in her solitary enjoyment of the sunset beyond her. Gazing back towards the viewer with a timid yet welcoming expression, she is rendered with a remarkable sense of personality and the high degree of technical skill that sets Seignac apart from his contemporaries. In terms of style, the artist's paintings are perfect examples of the forms favored by the Paris Salon during his lifetime. \u003cbr\u003e\u003cbr\u003e Born in Rennes in 1870, Seignac began his training in Paris in 1889 at the Academie Julian. He was a student of William-Adolphe Bouguereau, whose influence can be seen in both the style and subject matter of his work. Seignac frequently exhibited at the Paris Salon, and his meticulousness and keen sense of balance and color won him numerous medals, including an honorable mention in 1900 and a third-class medal in 1903.  \u003cbr\u003e\u003cbr\u003e Trained in the Academic style of the École des Beaux-Arts, Seignac embraced both the techniques and classical subject matter of the Italian Renaissance masters, whose work enjoyed a surge in popularity in Paris in the late 19th century. As with most French Academic painters, Seignac’s technical skills are masterful, while his color balances and compositional style are on par with the great artists of the Renaissance. During his lifetime, Seignac’s compositions appealed to both traditional art buyers and avant-garde connoisseurs alike, and he enjoyed financial success and critical acclaim. \u003cbr\u003e\u003cbr\u003e Canvas: 29\" high x 39 5\/8\" wide\u003cbr\u003e Frame: 40 7\/8\" high x 51 3\/8\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238625812615,"sku":"31-3741","price":124500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3741_1.png?v=1717923007"},{"product_id":"homme-a-lagneau-mangeur-de-pasteque-et-flutiste-by-pablo-picasso","title":"Homme à l'agneau, mangeur de pastèque et flûtiste by Pablo Picasso","description":"Pablo Picasso\u003cbr\u003e 1881-1973 | Spanish \u003cbr\u003e\u003cbr\u003e \u003cem\u003eHomme à l'agneau, mangeur de pastèque et flûtiste\u003cbr\u003e (Man with Lamb, Watermelon Eater and Flautist)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed, dated and numbered “Picasso \/ 3.2.67 \/ II” (upper right)\u003cbr\u003e Crayon on paper \u003cbr\u003e\u003cbr\u003e Hailed among the fathers of modern art, Pablo Picasso possessed a seemingly endless supply of creativity that allowed him to master nearly every genre and style. Though he constantly reinvented himself as an artist, his compositions are always distinctively “Picasso” with their playful lines and imaginative figures. \u003cem\u003eHomme à l'agneau, mangeur de pastèque et flûtiste\u003c\/em\u003e reflects his unique artistic signature; rendered in just a few sparing lines, his subjects nevertheless convey a myriad of themes and art historical references. It is this complexity and ingenious artistry that places Picasso among the most renowned masters in the whole of art history. \u003cbr\u003e\u003cbr\u003e Composed in 1967, \u003cem\u003eHomme à l'agneau, mangeur de pastèque et flûtiste\u003c\/em\u003e was part of a playful series of drawings on the subject of Bacchus and bacchanalian pursuits. Here, he captures the god Bacchus himself eating a watermelon with relish; the watermelon was a favored motif of the artist, first appearing in his seminal \u003cem\u003eDemoiselles d'Avignon\u003c\/em\u003e of 1907 (Museum of Modern Art) and frequently re-appearing as a symbol for summer, heat and sensuality. Bacchus himself recalls the artistic legacy of Caravaggio, revealing the depth of Picasso's link to the Spanish Baroque tradition. \u003cbr\u003e\u003cbr\u003e The influence of the brothers Le Nain is also felt in the work. The three brothers, who were active in Paris during the 1630s and 1640s, were renowned for their poignant images of peasants surrounded by farm animals and playing musical instruments such as the flute. Picasso is known to have owned at least one painting by the brothers, whose work he referenced frequently throughout his career. \u003cbr\u003e\u003cbr\u003e Born in 1881 in Málaga, Spain, Picasso spent his childhood studying drawing and painting under his father, Jose Ruíz, who taught at the local art school. Picasso spent a year at the Academy of Arts in Madrid before traveling to Paris in 1900. Landing in the center of the European art world, Picasso began to mingle in the company of other artists, quickly establishing himself as a critical figure in the thriving Parisian art scene. It was around 1907 that Picasso became very influenced by African masks and art that had begun making its way into Parisian museums following the expansion of the French Empire into Africa. The faces and simplified, angular planes of the women in Picasso’s \u003cem\u003eDemoiselles d’Avignon\u003c\/em\u003e clearly derive their style from African masks and sculptures, and this painting is often heralded as the beginning of Cubism. Pushing the boundaries of his own creativity throughout his long career, Picasso devoted himself to artistic production. The result was one of the richest and most important oeuvres in art history. \u003cbr\u003e\u003cbr\u003e This work is accompanied by a letter of authenticity signed by the artist’s son, Claude Ruiz-Picasso. \u003cbr\u003e\u003cbr\u003e Executed on 3 February 1967 \u003cbr\u003e\u003cbr\u003e Paper: 19\" high x 25\" wide\u003cbr\u003e Frame: 32\" high x 37 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galerie Louise Leiris, Paris\u003cbr\u003e Private Collection (acquired by the above in 1968; sale: Christie's, New York, 10th May 2001, lot 149)\u003cbr\u003e Sotheby's London: Thursday, June 25, 2009 [Lot 00169]\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e References:\u003cbr\u003e Charles Feld, \u003cem\u003ePicasso, Dessins 27.3.66-15.3.68,\u003c\/em\u003e Paris, 1969, no. 92 (illustrated) Christian Zervos, \u003cem\u003ePablo Picasso, Oeuvres de 1967 et 1968\u003c\/em\u003e, Paris, 1973, vol. XXVII, no. 435 (illustrated)\u003cbr\u003e The Picasso Project, \u003cem\u003ePicasso's Paintings, Watercolors, Drawings and Sculpture, the Sixties II 1964-1967\u003c\/em\u003e, San Francisco, 2002, no.67-041, (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44262229901447,"sku":"31-3820","price":648500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3820_1_2073e58e-8cf8-4eb8-868e-8a69111a3b4c.png?v=1774967264"},{"product_id":"taroudant-by-raphael-pinatel","title":"Taroudant by Raphaël Pinatel","description":"Raphaël (René) Pinatel\u003cbr\u003e 1875 - 1933 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eTaroudant\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed, inscribed and dated \"R. Pinatel \/ Taroudant \/ 1926\" (lower right)\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e A stunning ode to the Moroccan landscape, this oil on panel was composed by the French Orientalist painter Raphaël Pinatel, whose lively works adeptly translated the romanticism of the East for a Western audience. The present work, which captures a market in Taroudant, a city in southeastern Morocco, exemplifies the artist’s distinctive approach as he brilliantly translates the energy and atmosphere of the desert city. Pinatel’s style is impressionistic in his brushwork and handling of light and atmosphere. In the present work, he brilliantly captures the effects of the direct desert sun as it shines through the thatched roofs of the merchant’s booths onto the sand. Rendered in earth tones punctuated by jewel-like reds and blues, the palette itself has an exotic feel, as Pinatel perfectly renders the colors of the desert oasis.  \u003cbr\u003e\u003cbr\u003e While little is known of Pinatel, he did travel often to northern Africa, and his time in Morocco would have a lasting impact on his oeuvre. European public demand for Orientalist pictures was high in the late 19th and early 20th centuries, and Pinatel was a founding member of an artistic society called the Association of French Painters and Sculptors of Morocco created in 1922 in response to the recent successes of Orientalist exhibitions. The group, consisting of twelve artists, exhibited together frequently and enjoyed much popular and critical acclaim, satisfying the contemporary fervor for all things exotic. \u003cbr\u003e\u003cbr\u003e Painted 1926 \u003cbr\u003e\u003cbr\u003e Panel: 18\" high x 21 1\/2\" wide\u003cbr\u003e Frame: 22\" high x 25 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42578021122183,"sku":"31-3804","price":32500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3804_1.png?v=1746450319"},{"product_id":"apres-le-bain-by-pierre-auguste-renoir","title":"Après le bain by Pierre-Auguste Renoir","description":"Pierre-Auguste Renoir\u003cbr\u003e 1841-1919 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAprès le bain\u003cbr\u003e (After the bath)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Renoir” (lower left)\u003cbr\u003e Sanguine and white chalk on Western wove paper stretched over canvas \u003cbr\u003e\u003cbr\u003e For Pierre-Auguste Renoir, Impressionism's preeminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled \u003cem\u003eAprès le bain\u003c\/em\u003e presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. \u003cbr\u003e\u003cbr\u003e Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. \u003cem\u003eAprès le bain\u003c\/em\u003e conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. \u003cbr\u003e\u003cbr\u003e The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 \u003cem\u003eGabrielle with a Rose\u003c\/em\u003e (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers.  \u003cbr\u003e\u003cbr\u003e Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. \u003cbr\u003e\u003cbr\u003e Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. \u003cbr\u003e\u003cbr\u003e This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. \u003cbr\u003e\u003cbr\u003e Circa 1898 \u003cbr\u003e\u003cbr\u003e Canvas: 43 1\/2\" high x 35 1\/2\" wide (110.49 x 90.17 cm)\u003cbr\u003e Frame: 57 3\/4\" high x 49 1\/4\" wide (146.69 x 125.10 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-3793.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899)\u003cbr\u003e J. Pereire Collection, France (1966)\u003cbr\u003e Sam Salz, New York (before 1981)\u003cbr\u003e Claus Virch, Paris\u003cbr\u003e French Compagny, Inc., New York\u003cbr\u003e Larry Silverstein, New York (circa January 1987)\u003cbr\u003e Le Clos de Sierne Gallery, Geneva\u003cbr\u003e Galerie Heyram, Paris (October 1987)\u003cbr\u003e Francis Gross\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e B. Schneider, \u003cem\u003eRenoir\u003c\/em\u003e, Berlin, 1957, p. 95 (illustrated in color, p. 83)\u003cbr\u003e M. Gauthier, \u003cem\u003eRenoir\u003c\/em\u003e, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet')\u003cbr\u003e F. Fosca, \u003cem\u003eRenoir, L'homme et son obra\u003c\/em\u003e, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath')\u003cbr\u003e G.-P. and M. Dauberville, \u003cem\u003eRenoir, Catalog raisonné des tableaux, pastels, dessins et aquarelles\u003c\/em\u003e, Paris, 2010, vol. III, p. 515-516, no. 2597 (illustrated, p. 515) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Galerie Durand-Ruel, Paris, Watercolors, Pastels and Drawings by Renoir, April 1921, p. 3, no. 53 (erroneously dated '1906' and titled 'Baigneuse s'essuie').\u003cbr\u003e Kunsthalle, Basel, Meisterzeichnungen französischer Künstler von Ingres bis Cézanne , June-August 1935, p. 30, no. 223.\u003cbr\u003e Galerie des Beaux-Arts, Paris, Exhibition of “La Gazette des Beaux-Arts”, Renoir, The sculpted work, the engraved work, watercolors and drawings, October-November 1935, p. 30, no. 22.\u003cbr\u003e Musée national d'art moderne, Paris, From Impressionism to the present day , June 1958, no. 175 (illustrated, pl. 9).\u003cbr\u003e The Metropolitan Museum of Art, New York, 1966-1973.\u003cbr\u003e The Musée d'Orsay and the Morgan Library, \u003cem\u003eRenoir Drawings\u003c\/em\u003e, Oct 17 2025-Feb 8 2026, no. 179, p. 207; will travel to Musée d'Orsay, Mar 17-Jul 5, 2026","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050780487815,"sku":"31-3793","price":2450000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3793_1_ce85eb12-2496-439f-88b3-c8ab4bf2e8a3.png?v=1774967208"},{"product_id":"les-roses-dispahan-by-lucien-levy-dhurmer","title":"Les roses d'Ispahan by Lucien Lévy-Dhurmer","description":"Lucien Lévy-Dhurmer\u003cbr\u003e 1865-1953 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes roses d’Ispahan\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Lévy Dhurmer\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer into an imaginary journey of the senses. \u003cbr\u003e\u003cbr\u003e Partly obscured by a rose bush, the Persian city of Isfahan, in present-day Iran, forms the expansive vista. The painting's title is taken from the poem by Charles Leconte de Lisle, which was famously set to music by Gabriel Fauré in 1884. Lévy-Dhurmer's incredible brushwork and mastery of color bring the vista to life with thousands of feathery strokes, perfectly evoking the allure and mystery of this legendary city. \u003cbr\u003e\u003cbr\u003e Born in French Algeria in 1865, Lucien Lévy-Dhurmer studied drawing and sculpture in Paris as a child and began his artistic career as a decorative painter at a porcelain manufactory in Golfe-Juan. Throughout his long career, Lévy-Dhurmer experimented with different artistic styles and mediums, succeeding as a ceramicist, painter, pastelist and furniture designer. Perhaps his most celebrated work, the famed Wisteria Dining Room, which is now held in the Metropolitan Museum of Art, is a brilliant example of the artist’s remarkable range of skills in various media. \u003cbr\u003e\u003cbr\u003e His trip to Italy in 1895 would change the course of his life and interests. It was there that he discovered an interest in German and Florentine Renaissance—resulting in paintings that fit in nicely alongside those of the English Pre-Raphaelites. That same year, Lévy-Dhurmer officially began his painting career. In 1896, he held his first solo exhibition at the Galerie Georges Petit in Paris, where he appeared for the first time under the name Lévy-Dhurmer, adding to his surname Lévy part of his mother’s maiden name, Pauline-Amelie Goldhurmer. \u003cbr\u003e\u003cbr\u003e His unique blend of Academic detail with Impressionist color and technique garnered the artist considerable attention. He was drawn to the ideals of the Symbolist movement, which offered an intellectual alternative to the purely visual pursuits of the Impressionists. After 1900, Lévy-Dhurmer’s work explored the emotional and lyrical possibilities of landscape and atmosphere. Similar landscapes by Lévy-Dhurmer from this period reside in the Denver Art Museum and the Musée d’Orsay in Paris. \u003cbr\u003e\u003cbr\u003e Circa 1910 \u003cbr\u003e\u003cbr\u003e Canvas: 23 3\/4\" high x 32\" wide (60.33 x 81.28 cm)\u003cbr\u003e Frame: 30\" high x 38 1\/8\" wide x 2\" deep (76.20 x 96.84 x 5.08 cm) \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, London\u003cbr\u003e M.S. Rau, New Orleans\u003cbr\u003e Private collection, California\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44422079479943,"sku":"31-4730","price":228500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4730_1_544fb0d5-bcda-4765-9888-9062b04032a5.png?v=1775582534"},{"product_id":"young-girl-from-tetouan-morocco-by-charles-landelle","title":"Young Girl From Tetouan, Morocco by Charles Landelle","description":"Charles Landelle\u003cbr\u003e 1821-1908 | French \u003cbr\u003e\u003cbr\u003e Young girl from Tetouan, Morocco \u003cbr\u003e\u003cbr\u003e Signed (center right)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e In this important oil on canvas, French Orientalist painter Charles Landelle captures the engaging visage of a young Moroccan woman in a moment of tranquil contemplation. Seated on the floor of what is almost certainly an opulent \u003cem\u003eriad\u003c\/em\u003e, the young woman wears an intricately embroidered Moroccan kaftan and headdress. The sumptuous patterns on the floor and in the background lend an additional warmth to the strikingly vivid red hues which dominate the composition and are a hallmark of Landelle’s work. \u003cbr\u003e\u003cbr\u003e The symbol behind the young woman is the Islamic Seal of Solomon. Solomon is frequently mentioned in the Qur’an, with many descriptions of his esoteric knowledge granted by God. A talismanic scroll from the Islamic world bearing this symbol resides at the Metropolitan Museum of Art in New York. While Islam was the dominant religion in Morocco in the 19th century, there was also a large Jewish population. Though the woman’s faith is uncertain, there is no question about her transcendent, captivating beauty, which is one of the most remarkable features of this painting. \u003cbr\u003e\u003cbr\u003e Charles Landelle was born in 1821 in Laval, France. He studied under the supervision of the painters Paul Delaroche and Ary Scheffer at the School of Fine Arts in Paris and began exhibiting at the Paris Salon in 1841 with religious works and portraits that found great success among critics and visitors. Noticed by King Louis-Philippe, he won a third-class medal in 1842 and a first-class one in 1848. Four years later, Napoleon III purchased two pieces and appointed him Knight of the Légion of Honor. He also won a medal at the 1855’s Universal Exhibition and in Philadelphia in 1876. \u003cbr\u003e\u003cbr\u003e Landelle’s career took a turning point in 1866 with a trip to Morocco. Infatuation with the warm colors he encountered inspired the trend toward Orientalism in his work. Fascinated by these brand new landscapes, the artist traveled across Egypt and the Nile in 1875, then traveled to Algeria in 1880 with his son Georges, also a painter. From 1881 to 1892, he spent winters in Algeria, sharing his love for the country with Pierre-Auguste Renoir and Paul Leroy. An active member of the Society of French Orientalist Painters, he participated in the creation of the Fine Art Museum of Laval, thanks to his donation of some of his works as well as ancient paintings. At the peak of his fame, he opened the museum in 1895 alongside French president Félix Faure. \u003cbr\u003e\u003cbr\u003e Landelle’s works are well-represented in museums such as the Musée d’Orsay in Paris, the Palace of Versailles, and the Musée de Grenoble in Grenoble, France. A very similar painting by Landelle titled \u003cem\u003eAn Armenian Woman\u003c\/em\u003e resides at the Wallace Collection in London. \u003cbr\u003e\u003cbr\u003e Mid-to-late 19th century \u003cbr\u003e\u003cbr\u003e Canvas: 53 1\/4\" high x 39 1\/4\" wide\u003cbr\u003e Frame: 64 1\/4\" high x 51 1\/8\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Japan\u003cbr\u003e Private collection, France\u003cbr\u003e M.S. Rau, New Orleans \n","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672915673223,"sku":"31-4686","price":298500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-4686_1_0d5145a2-c3d3-4ed7-8bda-f4ed7868368e.png?v=1767201572"},{"product_id":"les-deux-soeurs-by-federico-zandomeneghi","title":"Les deux sœurs by Federico Zandomeneghi","description":"Federico Zandomeneghi\u003cbr\u003e 1841-1917 | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes deux sœurs\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(The two sisters)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"Zandomeneghi 95\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Two sisters enjoy a quiet moment in a rich green landscape in this intimate oil on canvas from Federico Zandomeneghi. An Italian painter by birth who became a fixture in the Parisian Impressionist scene, Zandomeneghi is best remembered for his sentimental and affectionate scenes of women in both domestic and public spheres.  \u003cbr\u003e\u003cbr\u003e Zandomeneghi’s creative and technical prowess in composition is highlighted in this painting. The artist deftly frames the young pair in the lower register of the canvas, imbuing the work with a remarkably observational feel. The girls pensively gaze off to the right, lost in thought; Zandomeneghi allows the viewer to witness a natural moment of discussion and contemplation shared among the sisters. The soft palette employed by the artist gives the whole scene an atmospheric glow, with dappled rays of sunshine breaking through the lush foliage. Though the girls remain in the shaded areas of the landscape, Zandomeneghi’s skillful application of paint allows a brightness to remain nevertheless. \u003cbr\u003e\u003cbr\u003e Federico Zandomeneghi was born in Venice to a long line of neoclassical sculptors. As if created to be an artist, Zandomeneghi began his artistic education early, enrolling in the Accademia di Belle Arti in Venice at just 15 years old before transferring to the Academy of Fine Arts in Milan. By 1862, the artist had arrived in Florence, where he became fast acquaintances with several Italian artists dedicated to executing landscape paintings \u003cem\u003een plein air\u003c\/em\u003e. Zandomeneghi embraced the spontaneity, seeking to bring unparalleled luminosity to his works. \u003cbr\u003e\u003cbr\u003e When Zandomeneghi arrived in Paris in 1874, he found kindred spirits among the French Impressionists shortly after their first exhibition, sharing a common style. His close friend and artistic great Edgar Degas invited him to participate in four of the Impressionists’ later exhibitions. In the meantime, “Zandò,” as his French friends called him, began to form a relationship with the famed Durand-Ruel gallery in Paris, which hosted a solo show of his work in 1893. The year he painted \u003cem\u003eLes deux sœurs\u003c\/em\u003e, the acclaimed art dealer executed a contract with Zandomeneghi to show his work across Europe and the United States.  \u003cbr\u003e\u003cbr\u003e Today, many artworks by this Italian Impressionist reside in museums, including the Galleria d’Arte Modern in Palermo and the Palazzo Te in Mantua. Beloved for his serene compositions and impressionistic palette, Zandomeneghi remains popular in the market among collectors. \u003cbr\u003e\u003cbr\u003e Dated 1895 \u003cbr\u003e\u003cbr\u003e Canvas: 19 1\/4“ high by 15 3\/8” wide\u003cbr\u003e Framed: 27 1\/4“ high by 23 1\/2“ wide by 2 3\/4\" deep \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-5730.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Durand-Ruel \u0026amp; Cie, Paris, 1895, no. 3608 (purchased from the artist on December 23, 1895)\u003cbr\u003e Durand-Ruel \u0026amp; Cie, New York, no. 1582\u003cbr\u003e D.S. Miller, (acquired from the above February 18, 1898)\u003cbr\u003e Jacqueline Stewart, California (since 1950s)\u003cbr\u003e Thence by descent\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050709577863,"sku":"31-5730","price":248500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5730_1_1b29d963-2265-4e74-992e-c3a068e88979.png?v=1774967043"},{"product_id":"la-loge-by-jean-gabriel-domergue","title":"La loge by Jean-Gabriel Domergue","description":"Jean-Gabriel Domergue\u003cbr\u003e 1889-1962 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa loge\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed (lower right)\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e Jean-Gabriel Domergue presents an elegantly seductive woman seated in a loge in this vibrantly-hued oil portrait. Depicted with her eyes gazing from beneath a gauzy polka-dot veil, his auburn-haired sitter embodies the youth, vitality and sophistication Domergue’s compositions are known for. The woman is exceedingly poised, focused on the performance, her brightly rouged lips parted in concentration. A well-heeled man sits beside her, peering into opera glasses. The slender, modern woman of \u003cem\u003eLa loge\u003c\/em\u003e exudes confidence and style, displaying the qualities of Domergue's work that earned him the reputation of “inventor of the pin-up.” \u003cbr\u003e\u003cbr\u003e Born in Bordeaux in 1889, Domergue studied at the École Nationale Supérieure des Beaux-Arts. He was only 17 years old when he exhibited at the Salon des Artistes Français for the first time, winning the Prix du Rome in 1911 and a gold medal in 1920. While landscapes dominated his early oeuvre, from the 1920s he changed his focus to what would become his trademark subject, \u003cem\u003ela belle Parisienne\u003c\/em\u003e. Domergue enjoyed a tremendously successful career. From 1955 until 1962 he was the curator of the Musée Jacquemart-André, organizing exhibitions of the works of van Gogh, Toulouse-Lautrec and Goya, among others. Domergue was appointed a Chevalier of the Légion d’Honneur and also served as a Fellow of the Academy of Fine Arts. \u003cbr\u003e\u003cbr\u003e Early 20th century \u003cbr\u003e\u003cbr\u003e Panel: 21 1\/2“ high x 18 1\/8” wide\u003cbr\u003e Frame: 28 1\/2\" high x 25\" wide x 1 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41779922763911,"sku":"31-5996","price":49850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5996_1_4586d4a5-e89d-4f34-a513-7c88b302d636.png?v=1728289500"},{"product_id":"bronze-of-amphitrite-after-michel-anguier","title":"Bronze of Amphitrite after Michel Anguier","description":"After Michel Anguier \u003cbr\u003e French | 1612-1686 \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAmphitrite\u003c\/em\u003e \u003cbr\u003e Bronze \u003cbr\u003e\u003cbr\u003e This remarkable bronze masterpiece was cast after a High Baroque masterwork by French sculptor Michel Anguier. After training under the famed masters Gian Lorenzo Bernini and Alessandro Algardi, Anguier developed a unique style that incorporated the theatricality of Bernini’s period-defining sculpture, balanced by Algardi’s somber realism. This bronze of Amphitrite, wife of Poseidon, comes from the sculptor's celebrated series depicting six gods and goddesses. \u003cbr\u003e\u003cbr\u003e Anguier's sculptures brought heightened emotion to the legendary myths of ancient Greece. The sculptor imbued his representation of Amphitrite with tranquility — a perfect fit for the goddess of the sea. Her pose and delicately draped fabrics emphasize her feminine form. A lobster perches on her arm, and she is accompanied by a dolphin at her feet, Poseidon’s favored creature and an important figure in her myth. \u003cbr\u003e\u003cbr\u003e The present work is cast in the same scale as the original mythological set conceived in 1652 by Anguier at a sizeable 26“ tall. The first recorded casting of this work is held in the Louvre in Paris, and a similar cast can be found at the Metropolitan Museum of Art in New York. \u003cbr\u003e\u003cbr\u003e 17th century \u003cbr\u003e\u003cbr\u003e 26\" high by 7 1\/8\" wide by 7 1\/8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41238992027783,"sku":"31-6065","price":78500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6065_1.png?v=1712741663"},{"product_id":"aoum-ii-by-auguste-herbin","title":"Aoum II by Auguste Herbin","description":"Auguste Herbin\u003cbr\u003e 1882-1960 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAoum II\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated 'herbin 1944' (lower right); titled \"aoum\" 2 (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This bold and vivid abstract oil on canvas was painted by French painter Auguste Herbin, a pioneer in popularizing Modernist abstraction. Over his expansive nearly 60-year career, Herbin rubbed shoulders with art history greats from Pablo Picasso to Georges Braque before honing his personal and innovative style. Entitled \u003cem\u003eAoum II\u003c\/em\u003e, the painting stands apart for its daring color palette and crisp composition. \u003cbr\u003e\u003cbr\u003e Painted in 1944, \u003cem\u003eAoum II\u003c\/em\u003e embodies Herbin’s fully-formed artistic aesthetic and stylistic tenets. Only two years prior to its creation, Herbin developed his “alphabet plastique,” a synergistic visual language of color and form that he described in detail in his published book \u003cem\u003eL’art non-figuratif non-objectif\u003c\/em\u003e. Though the artist was highly cerebral in his process of creating art, one does not need to perfectly understand his principles to feel \u003cem\u003eAoum II\u003c\/em\u003e's magnetism. The geometric shapes visible in the composition — primarily fragmented triangles and circles — are rendered in bold pinks, blues and yellows on a deep black background. His tiered application of color creates a natural three-register visual effect as if to tell a story from the apex of the form to its denouement. \u003cbr\u003e\u003cbr\u003e Auguste Herbin began his artistic training at the École des Beaux-Arts de Lille before moving to Paris in 1901. In the early years of his career, he experimented with a variety of styles, exhibiting Post-Impressionistic works at the Salon des Indépendants in 1906 and Fauvist paintings at the Salon d'Automne in 1907. After a brief Cubist period following his introduction to Pablo Picasso, Georges Braque and Otto Freundlich, Herbin co-founded his own artistic movement in the 1930s: Abstraction-Création group in Paris. Devoted to encouraging abstract art as a response to the representational tenets of the Surrealist movement, then led by André Breton, Herbin served as the publisher and author for the group's eponymous art journal. Today, Herbin’s work resides in prestigious private collections and museum institutions around the globe, including \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X0000001hoz\/iBnHTNX2syhv9UvZV2vzNOcS8EjC8l5pkrNeCD.i_RY\" target=\"_blank\"\u003ethe Tate Modern in London, the Museum of Modern Art in New York and the Centre Pompidou in Paris\u003c\/a\u003e, among others. \u003cbr\u003e\u003cbr\u003e Painted 1944 \u003cbr\u003e\u003cbr\u003e Canvas: 25\" high x 39\" wide\u003cbr\u003e Frame: 34 3\/8\" high x 48 1\/8\" wide x 2\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, Switzerland\u003cbr\u003e Private Collection, Belgium\u003cbr\u003e Galerie Von Bartha, Basel\u003cbr\u003e Sale: Tajan, Paris, November 30, 2004, lot 7\u003cbr\u003e Private collection\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e Geneviève Claisse, \u003cem\u003eHerbin, Catalogue raisonné de l'oeuvre peint\u003c\/em\u003e, Lausanne, 1993, no. 817, illustrated p. 424 \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e Brussels, Palais des Beaux-Arts, \u003cem\u003eHerbin Rétrospective\u003c\/em\u003e, 1956, no. 33\u003cbr\u003e Cologne, Galerie Bargera, \u003cem\u003eAbstraction-Création\u003c\/em\u003e, 1974, no. 22, illustrated in the catalogue","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42977434501255,"sku":"31-6584","price":134500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6584_1_96b853e9-6771-478d-b104-e87e7edf5600.png?v=1754004288"},{"product_id":"tigre-saissant-un-paon-by-antoine-louis-barye","title":"Tigre saissant un paon by Antoine-Louis Barye","description":"Antoine-Louis Barye\u003cbr\u003e 1795-1875 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eTigre saissant un paon\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eTiger seizing a peacock\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Bronze\u003cbr\u003e Signed “BARYE”  \u003cbr\u003e\u003cbr\u003e Modeled by famed French Romantic sculptor Antoine-Louis Barye, this rare and regal bronze sculpture, entitled \u003cem\u003eTigre saissant un paon\u003c\/em\u003e (\"\u003cem\u003eTiger seizing a peacock\u003c\/em\u003e\"), displays the remarkable realism for which the artist is best remembered. Barye's interpretation of the hungry tiger as it devours its prey captures the innate power and beauty of the natural world. With its intimidating subject crouched and snarling with a clawed paw on his prey's back, \u003cem\u003eTigre saissant un paon\u003c\/em\u003e is a poignant reminder of the frightening strength of the apex predator in the wild. \u003cbr\u003e\u003cbr\u003e Along with his friend and schoolmate, painter Eugène Delacroix, Barye became a primary figure in the Romantic Movement of the early 19th century. He began his career as a goldsmith, apprenticing under famous artists like Martin-Guillaume Biennais, a goldsmith to Napoleon. Often sketching lions and tigers at the \u003cem\u003eJardin des Plantes\u003c\/em\u003e in Paris, it is said that the sculptor's motto was \"Observe nature. What other professor do you need?\" In 1831, Barye exhibited his first animal sculpture at the Salon, earning him the reputation of an \u003cem\u003eanimalier\u003c\/em\u003e: an artist who renders animals. Though his ferocious artistic manner often shocked the classicists of the French Academy, Barye is also noted for the innovative techniques he developed as a bronze craftsman and is viewed as an important art historical link between French Romanticism and Realism. \u003cbr\u003e\u003cbr\u003e Other examples of \u003cem\u003eTigre saissant un paon\u003c\/em\u003e can be found in prestigious museum collections worldwide, including the de Young Museum in San Francisco and the Nelson-Atkins Museum of Art in Kansas City, MO. \u003cbr\u003e\u003cbr\u003e Circa 1880 \u003cbr\u003e\u003cbr\u003e 6 1\/4\" high x 7 1\/2\" wide x 18 1\/2\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316909179015,"sku":"31-6592","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6592_1_c5799932-6f0d-4774-8699-4448d2b8b5db.png?v=1762000727"},{"product_id":"la-terrasse-devant-la-mer-by-jean-pierre-cassigneul","title":"La terrasse devant la mer by Jean Pierre Cassigneul","description":"Jean-Pierre Cassigneul\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa terrasse devant la mer\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Terrace by the Sea\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Cassigneul” (lower left)\u003cbr\u003e Oil on canvas laid on panel \u003cbr\u003e\u003cbr\u003e This monumental, three-paneled oil painting is among the largest ever composed by the celebrated French painter Jean-Pierre Cassigneul. Capturing a woman in grey against a windswept seascape, the composition is classic Cassigneul, exuding a serenity and sophistication that is unique to his aesthetic. Triptychs are highly rare in the artist's oeuvre, and the panels can be displayed apart or attached. Renowned for his portraits that bring together brilliant pops of color with an atmosphere of elegance and tranquility, Cassigneul's upbringing in French fashion is keenly felt in the composition, as he brings the chic Parisian ideal to life. \u003cbr\u003e\u003cbr\u003e One of the most famous living French artists, Cassigneul is set apart by his unique ability to produce works that feel both dramatically contemporary and classic in style. \u003cem\u003eLa terrasse devant la mer\u003c\/em\u003e brings together two of his most common tropes: a sleepy-eyed beauty and a vibrantly hued landscape. The green colors of the sea and the dusky sky provide a sharp contrast to the central figure, whose large hat and billowing scarf exude a timeless fashion. With its vivid, rich palette and flat spatial planes, Cassigneul’s style follows in the tradition of the French Post-Impressionist group known as Les Nabis, which included celebrated French artists such as Pierre Bonnard, Edouard Vuillard and Maurice Denis. Expressionist painter Kees van Dongen was another important influence on the young Cassigneul, whose portraits resemble van Dongen’s elongated, sharply contoured female forms. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1935, Cassigneul's grandfather was the founder of the ground-breaking French fashion house Jean Dessès. Raised among the glamor and excitement of the Parisian fashion world, the young Cassigneul observed models, dressmakers and runway shows from a very young age. His interest in art also manifested early, and he painted his first landscape at Deauville at the young age of 12. He studied at the École des Beaux-Arts, holding his first one-man exhibition at just 17 years of age. Since that first show, his work has been widely exhibited worldwide, particularly in Western Europe, the United States and Japan, where he enjoys an especially devoted following. \u003cbr\u003e\u003cbr\u003e Painted 1975 \u003cbr\u003e\u003cbr\u003e Triptych: 51 1\/4\" high x 71” wide\u003cbr\u003e Panel: 51 1\/4” high x 23 1\/2” wide x 1 3\/8\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44555221205127,"sku":"31-6704","price":268500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-6704_1.png?v=1777663316"},{"product_id":"la-plage-a-pornichet-by-h-claude-pissarro","title":"La Plage à Pornichet by H. Claude Pissarro","description":"Hugues Claude Pissarro\u003cbr\u003e b.1935 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa plage à Pornichet\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(The beach at Pornichet)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “H. Claude Pissarro” (lower right)\u003cbr\u003e Pastel on card \u003cbr\u003e\u003cbr\u003e French artist H. Claude Pissarro utilizes his signature pastels to render the picturesque seaside of the beautiful French coastal town of Pornichet. Captured in a captivating variety of vivid pigments, Pissarro draws tall beach grasses, shady cabanas and casual beachgoers with red-roofed structures and the boundless coast in the distance. This sunny summertime seaside composition perfectly showcases Pissarro's incredible mastery over the medium of pastel and his unique and at times nostalgic artistic point of view. \u003cbr\u003e\u003cbr\u003e Hailing from a long lineage of artists, including Impressionist Camille Pissarro, Pissarro's artistic talents were cultivated at an early age. He exhibited his first works at the young age of 14 and later studied in Paris at the École du Louvre and École Normale Supérieure. A 1959 White House commission to paint the portrait of President Eisenhower cemented his reputation as an artist of renown, and his work has since been featured in important exhibitions throughout Europe and the United States. While his style has evolved throughout his career, he is best known for his energetic pastel compositions. H. Claude Pissarro’s works have been exhibited and collected throughout the world, and they remain highly coveted for their intimate size and relatable subject matter.  \u003cbr\u003e\u003cbr\u003e Card: 14\" high x 20\" wide\u003cbr\u003e Frame: 24 1\/2\" high x 29 1\/2\" wide x 1 1\/4\" deep","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43874438578311,"sku":"31-7114","price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7114_1.png?v=1772353836"},{"product_id":"portrait-of-a-mother-and-child-by-tsuguharu-foujita","title":"Portrait of a Mother and Child by Tsuguharu Foujita","description":"Tsuguharu Foujita\u003cbr\u003e 1886-1968 | Japanese-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePortrait of a Mother and Child\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Foujita \/ Paris” (lower left)\u003cbr\u003e Ink and watercolor on Japanese tissue \u003cbr\u003e\u003cbr\u003e An artistic luminary well ahead of his time, Tsuguharu Foujita burst onto the international art scene in the early 20th century as one of the most important artists in early Japanese modernism. \u003cem\u003ePortrait of a Mother and Child\u003c\/em\u003e hails from an important period in the artist’s later career following his conversion to Christianity. Foujita’s integration of Japanese techniques with European subjects forms a distinctive visual language that garnered the artist great renown in his lifetime.  \u003cbr\u003e\u003cbr\u003e Born and trained as an artist in Japan, Foujita fulfilled a lifelong dream of traveling to Paris in 1913, where his brilliance gained newfound direction in the avant-garde circles of Montparnasse. Surrounded by prominent figures of the era such as Pierre Bonnard, Henri Matisse, Georges Braques and others, Foujita quickly achieved acclaim and accomplishment for his artworks. On the opening night of Foujita’s first solo exhibition in Paris in 1917, Picasso himself was so enamored by Foujita's watercolors that he acquired as many as he could physically hold. \u003cbr\u003e\u003cbr\u003e Foujita positioned himself as a luminary of modernism by blending Japanese \u003cem\u003eukiyo-e\u003c\/em\u003e techniques with European subjects and mediums. This dual influence led Foujita to create his famed portraits of women, cats and perhaps most importantly, iconic renditions of the Virgin and Child. \u003cem\u003ePortrait of a Mother and Child\u003c\/em\u003e echoes the graceful figures painted by Renaissance masters Foujita viewed at the Louvre, while simultaneously drawing from the bold simplicity of his contemporaries, including Amedeo Modigliani. Foujita expertly renders the humanistic notion of maternal love in the Madonna’s expression and the languid stretch of her hands, evoking a protective cradle. The bold strokes of ink converge and contrast with the colorful and hazy watercolor hues of the mother and child’s clothing. The luminescence of their skin is achieved through Foujita’s signature pearly iridescent glaze, a highly secret blend of flaxseed oil, chalk and magnesium silicate that became a signature component of his oeuvre. \u003cbr\u003e\u003cbr\u003e A lifelong Francophile, Tsuguharu Foujita seamlessly immersed himself in the vibrant artistic community of Paris in 1913, rubbing shoulders with modernist icons before his departure in 1933. During the Second World War, Foujita served as a war artist in Japan. After the war, Foujita and his wife became French citizens, and later in 1957, the artist became an officer of the esteemed Legion of Honor. Foujita’s subsequent conversion to Catholicism offers a crucial lens into his complex understanding of faith, identity and belonging, with works like \u003cem\u003ePortrait of a Mother and Child\u003c\/em\u003e forming cornerstones of his later oeuvre. \u003cbr\u003e\u003cbr\u003e Foujita's works are held by prestigious institutions worldwide, such as the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC, the Musée d’Art Moderne de la Ville de Paris and the National Museum of Modern Art in Kyoto. Notably, the National Museum of Art, Kyoto has hosted two significant retrospectives of Foujita's oeuvre in 2006 and 2018. \u003cbr\u003e\u003cbr\u003e This artwork is accompanied by a certificate of authenticity from the Tobi Appraisal Institute. \u003cbr\u003e\u003cbr\u003e Circa 1957 \u003cbr\u003e\u003cbr\u003e Paper: 12 1\/4” high x 9 1\/4” wide (31.12 cm x 23.5 cm)\u003cbr\u003e Frame: 20 1\/2” high x 17 1\/8” wide x 2 1\/4” deep (52.07 cm x 43.50 cm x 5.72 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-7755.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Tokyo\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050797428871,"sku":"31-7755","price":285000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7755_1_f8f09389-bacc-49f5-aea3-1f7742dbfb0c.png?v=1774966076"},{"product_id":"la-dionee-dite-gobe-mouches-by-erte","title":"La dionée dite gobe-mouches by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dionée dite gobe-mouches\u003c\/em\u003e \u003cem\u003e(Venus Flytrap)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed #20 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Daring and mysterious, this original gouache from the creative mind of Erté features the sinuous figure of a woman wearing a unique ebony and sanguine body suit with a dramatic wing-like cape. Entitled \u003cem\u003e La dionée dite gobe-mouches\u003c\/em\u003e or \u003cem\u003eVenus Flytrap\u003c\/em\u003e, this work embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Inspired by the famed volume of poems from iconic French writer Charles Baudelaire, this ensemble showcases Erté’s sartorial interpretation of \u003cem\u003eLa Vampire\u003c\/em\u003e from Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e. This elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dionée dite gobe-mouches\u003c\/em\u003e showcases the breadth of Erté’s creativity and his design expertise. First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several specific poems to create original fashion sketches and designs. This dark and dramatic design plays upon the poem \u003cem\u003eLa Vampire\u003c\/em\u003e and Erté cleverly names his design after a carnivorous bloom. Marked by red piping sprawling out like plant roots — or arteries — the figure outstretches her arms to transform her black cape into a set of wings. A combination of high fashion and double entendre, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1917 \u003cbr\u003e\u003cbr\u003e Paper: 10 1\/2” high by 7” wide\u003cbr\u003e Frame: 17 1\/8” high by 14 1\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43332505305223,"sku":"31-7559","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7559_1.png?v=1762003128"},{"product_id":"laurore-boreale-by-erte","title":"L'Aurore boréale by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL'Aurore boréale\u003c\/em\u003e \u003cem\u003e(The Aurora Borealis)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed No. 15 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e In this colorful gouache, Erté draws an enticing and unique fashion design on his model’s elegantly elongated figure. Crowned by an elaborate headdress, the woman wears a daring gauzy caftan that drapes dangerously low, celebrating her nude form. Entitled \u003cem\u003eL'Aurore Boréale\"\u003c\/em\u003e or \u003cem\u003eThe Aurora Borealis\u003c\/em\u003e, this work embodies the Art Deco glamour for which the artist’s designs are so beloved. This ensemble was inspired by \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e, the famed volume of poems from iconic French writer Charles Baudelaire. As the name suggests, this creative design links the celebrated \"fleur\" orchids with one of nature's other great marvels, the Aurora Borealis. This refined piece of art radiates the essential luxury and theatricality that could only be accomplished by Erté, oft referred to as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches and designs. \u003cem\u003eL'Aurore Boréale\u003c\/em\u003e showcases the breadth of Erté’s creativity and his design expertise. The structural headpiece mimics the curing petals and elongated stamen of an orchid, while the sunburst of colors recalls the kaleidoscopic hues of the northern lights. The design is delicate yet erotic, harkening to the themes of Baudelaire's “Flowers of Evil.” Creative and bold, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1917 \u003cbr\u003e\u003cbr\u003e Paper: 10 5\/8” high by 7” wide\u003cbr\u003e Frame: 17 1\/4” high by 14 1\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316925759623,"sku":"31-7560","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7560_1_c99892d9-93ec-4fb7-aa87-61457d6ae5fe.png?v=1762000755"},{"product_id":"balthasar-by-erte","title":"Balthasar by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBalthasar\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 15 \/ Costume pour Balthasar \/ 1919\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Balthasar is said to have brought the gift of myrrh on his fateful trip to Bethlehem. Erté has carefully rendered the incense in each of the king’s hands, while his long braided beard nearly skims the floor. Customarily depicted as an African man in retellings of the tale of the Three Kings, Balthasar is costumed in patterns that appear to draw both on Orientalist depictions of North Africa and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Depictions of biblical figures like Balthasar melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 15 1\/4” high by 11 1\/8” wide\u003cbr\u003e Frame: 21 1\/8” high by 17 1\/4” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902559297671,"sku":"31-7563","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7563_1_5b4ad3a0-5511-4966-87c0-e3bbbd609d06.png?v=1730881140"},{"product_id":"les-fleurs-du-mal-by-erte","title":"Les fleurs du mal by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFleurs du Mal\u003c\/em\u003e \u003cem\u003e(The Flowers of Evil)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed 114.6 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Captivating and vibrant, this colorful gouache entitled Fleurs du Mal showcases Erté’s masterful creativity and keen eye. Inspired by \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches and designs. A celebration of the graceful female form, Erté ingeniously designs the garment to make the woman's rising torso appear to “blossom” from the parting red lips bustling from her hips. The design is delicate yet erotic, harkening to the themes of Baudelaire's “Flowers of Evil.” Creative and bold, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1940 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Millon \u0026amp; Associés\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41912049336455,"sku":"31-7631","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7631_1_2cd159a2-5ee9-4f70-b16b-087fbe087f19.png?v=1728289333"},{"product_id":"le-roi-mage-gaspard-by-erte","title":"Le Roi Mage Gaspard by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe Roi Mage Gaspard\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMage King Gaspard\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ N°3 \/ Roi Mage Gaspard \/ Date : 28 Février 1919 \/ No. 222\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e A testament to Erté's pioneering creativity, this elaborate costume design was created for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Gaspard or Gaspar (also known as Casper), was a legendary Magi who, alongside Melchior and Balthasar, paid homage to the baby Jesus. Gaspard is often depicted as an Indian king who brought frankincense as a gift to the Christ Child.  \u003cbr\u003e\u003cbr\u003e In this elaborate gouache, Erté paints Gaspard in voluminous robes sewn from royal blue and purple fabrics and accented by rich patterns, tassels and beading. Gaspard’s regal attire and strong forward pose emphasize his stately presence and biblical importance. Gaspard stands with arms outstretched with overflowing dishes of frankincense in each hand. Erté renders the nodules of frankincense resin-like long strings of pearls, adding a touch of Art Deco glamour to the ancient origin story. An elegant profusion of sumptuous color, detailed pattern, regal pageantry and theatrical glamour, this gouache draws on both Orientalist influences and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 12 1\/4” high x 7 7\/8\" wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 3\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621720711,"sku":"31-7564","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7564_1_01e6c6bd-42d7-4818-ad2c-212e64c7c3ed.png?v=1728289403"},{"product_id":"le-roi-de-lahore-by-erte","title":"Le roi de Lahore by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe roi de Lahore\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe King of Lahore\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 11 \/ Le Roi de Lahore \/ 28 février 1919 \/ No. 230\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. Erté carefully rendered this exquisitely detailed costume for \u003cem\u003eLe roi de Lahore\u003c\/em\u003e in vivid purple and red pigments. The king, ruler of Lahore in the Punjab region of modern India and Pakistan, displays all the trappings of royal wealth. Long strands of pearls hang from his clothing, while crimson gemstones adorn his headpiece and belt. Finished with a long curved sword, the costume synthesizes Orientalist imagery and Erté’s own Art Deco sensibilities. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 11” high x 7 5\/8\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621819015,"sku":"31-7565","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7565_1_4030dcd0-3c33-46ef-befb-076884d37ec2.png?v=1728289409"},{"product_id":"lesclave-porteuse-deventail-by-erte","title":"L'Esclave porteuse d'éventail by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL'Esclave porteuse d'éventail\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eThe fan-carrying slave\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ N°23 \/ L'Esclave porteuse d'éventail \/ No. 242\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e This unique costume design was created for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. This beautiful gouache painting features Erté's costume design for a character playing an enslaved person. Erté draws heavily from Orientalist influences to create this dramatic ensemble, dressing his figure in long flowing robes painted with exotic patterns and placing a highly decorative reed fan in the figure's hands. Erté signifies the character's status — one much different than the many kings who star in the production — by placing heavy bangles upon the figure's wrists and ankles. While the character is narratively shackled, Erté takes care to dignify the figure with highly adorned and beautiful sartorial trappings.  \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 10 7\/8” high x 8 1\/4\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 17 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621950087,"sku":"31-7568","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7568_1_9643b38a-15fc-4bf1-a2c1-0e8844c13c85.png?v=1728289543"},{"product_id":"le-fiance-by-erte","title":"Le fiancé by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe fiancé\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 13 \/ Le Fiancé \/ 28 février 1919 \/ No. 232\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e Titled \u003cem\u003eLe fiance,\u003c\/em\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. Erté carefully rendered the sumptuously patterned costume for \u003cem\u003eLe fiancé\u003c\/em\u003e in vivid red and orange hues. The design appears to draw both on Orientalist imagery and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcases Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 11” high x 7 5\/8\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902622376071,"sku":"31-7566","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7566_1_c26771a0-dc63-482c-af97-58ea37a3143f.png?v=1728289656"},{"product_id":"la-mere-loye-by-erte","title":"La Mère l'Oye by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa Mère l'Oye\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMother Goose\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed n°8596(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled \u003cem\u003eLa Mère l'Oye\u003c\/em\u003e or \u003cem\u003eMother Goose\u003c\/em\u003e embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Featuring a white tutu skirt, bold red accents and an elaborate headpiece, this dazzling ensemble showcases the oft-called Father of Art Deco’s sartorial genius and unique understanding of form and movement. \u003cbr\u003e\u003cbr\u003e Erté poses his model with outstretched arms, standing in a ballet-like fifth position. The elegant swags of red and gold fabric mimic the long craning neck of a swan and the stark white hue of the dress also recalls the avian animal. However, Erté only hints at the goose motif rather than rendering a fully bird-like costume. An over-the-top costume that showcases Erté‘s unique artistry, this beautiful red and white outfit was sure to turn heads and make a lasting impression on the stage. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1947 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4” high by 9 5\/8” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 7\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902626603143,"sku":"31-7641","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7641_1_7520015f-d989-4f01-886a-026ee0ec825d.png?v=1728289468"},{"product_id":"ivresse-griserie-by-erte","title":"Ivresse, Griserie by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eIvresse, Griserie\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(“Drunkenness, Tipsy”)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed 16390\/23 ZA (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A unique work in Erté’s illustrious oeuvre, this gouache composition entitled \u003cem\u003eIvresse, Griserie\u003c\/em\u003e or drunkenness or tipsy, features an abstracted figure rendered in a few spare lines seated at a dining table set with five filled champagne glasses. Erté paints this striking gouache against a deep black background, making the items arranged on the white tablecloth pop with intensity. This bold composition exudes the quintessential elegance and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. \u003cbr\u003e\u003cbr\u003e A playful composition celebrating revelry, this work was painted for Bal Tabarin, a prominent cabaret. As the title suggests, the lone diner at the table appears to have whetted his palette in excess, causing him to enter a hazy trance. The smoke rising from his cigarette appears to take the form of a woman — a sort of smoldering fairy taking flight from the swirling cloud. The table is punctuated by other apropos Art Deco accoutrements including etched tumbler glasses and a period candelabra crowned by winged angels. \u003cbr\u003e\u003cbr\u003e Founded in 1904 by musician Auguste Bosc, Bal Tabarin rose to prominence as one of the most popular Parisian cabarets of the Belle Époque era. Renowned for its extravagant entertainment offerings and bohemian clientele, the Bal Tabarin attracted luminary performances from the likes of Josephine Baker, Mistinguett, Maurice Chevalier. Beyond its live acts, the cabaret gained silver screen recognition and was featured in films like \"Moulin Rouge\" (1952) and \"Funny Face\" (1957). Although the Bal Tabarin shuttered its doors in 1967, its legacy endures as a cultural cornerstone in Paris’ lustrous creative scene.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1938 \u003cbr\u003e\u003cbr\u003e Paper: 7 3\/4” high by 7 1\/2” wide\u003cbr\u003e Frame: 13 1\/4” high by 12 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Erté’s collection, Boulogne 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902626734215,"sku":"31-7606","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7606_1_ca56d065-264b-4ab5-9d27-d016f58a46fa.png?v=1728289605"},{"product_id":"la-sophistiquee-by-erte","title":"La sophistiquée by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa sophistiquée\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Sophisticated\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"n°5670 \/ La Sophistiquée\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A dramatic profusion of bold shades of purple, magenta and red, this original design by Erté certainly embodies its sophisticated title. This gouache entitled \u003cem\u003eLa sophistiquée\u003c\/em\u003e showcases the Art Deco glamour and over-the-top drama for which the Erté’s designs are so beloved. Full of drama and movement, this daring chiffon gown underscores the sartorial genius and innate understanding of form and movement from the oft-called \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Punctuated by a beautiful ombré effect, Erté’s creation emphasizes the weightless wonder of its fabric. Gathered together at a sparkling triangular pendant at the waist, a rainbow of jewel-toned chiffon fans out to create a daring bodice with a three-dimensional collar. The skirt billows out with sensual and sophisticated movement. This chic and unique design embodies the dramatic flair and groundbreaking taste for which Erté’s fashions are revered today. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902628601991,"sku":"31-7615","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7615_1_6f65d8e8-1c8b-4b20-a0e6-533c7e479533.png?v=1728289456"},{"product_id":"acte-i-scene-4-macbeth-by-erte","title":"Acte I Scène 4, Macbeth by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eActe 1 Scéne IV, Macbeth\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 7604 \/ Macbeth \/ Acte I - Scène 4 \/ Palais de Forès\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This captivating gouache painting by Erté showcases the famed artist's genius as a set designer. A showcase of Erté's pioneering creativity and engagement with the traditions of theater, this striking set design for one of Shakespeare's darkest and most stirring plays, \u003cem\u003eMacbeth\u003c\/em\u003e, puts the spotlight on Erté's ability to capture high drama and intense grandeur with Deco flair. \u003cbr\u003e\u003cbr\u003e In Act 1, Scene 4 of \u003cem\u003eMacbeth\u003c\/em\u003e, King Duncan, accompanied by his nobles, arrives at Macbeth's castle to be warmly welcomed by Macbeth and Lady Macbeth. This scene highlights the contrast between their gracious hospitality and Macbeth's growing inner turmoil as he contemplates the consequences of his ambition and the witches' prophecies. \u003cbr\u003e\u003cbr\u003e In this gouache, Erté creates a striking and intense backdrop for Shakespeare’s Scottish play. Erté captures the grandeur of the court, rendering a stately throne flanked by a series of footmen. The proscenium is creatively crafted as two ravens appear to peel back the curtain of the scene. Created in an atypically stark palette for the illustrious designer, this unique set design reflects the intensity of the moment and the serious thrill of one of Shakespeare’s most storied plays. Unique and memorable, this gouache set design showcases the breadth of Erté‘s creativity and his ability to step into a multitude of stylistic languages to achieve the desired dramatic effect.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1945 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 17 1\/2\" wide\u003cbr\u003e Frame: 16 1\/4\" high x 23 1\/2\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902629355655,"sku":"31-7625","price":26850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7625_1_20a5701c-4772-4bb6-89dc-48eb666ea1d4.png?v=1730880811"},{"product_id":"premiere-dactylo-by-erte","title":"Première Dactylo by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePremière Dactylo\u003c\/em\u003e \u003cem\u003e(“First Typist”)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Stamped “Erté, Romain de Tirtoff” (en verso)\u003cbr\u003e Inscribed “Première Dactylo” N°5994(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled Première Dactylo embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Oft-called “Father of Art Deco,” this creative ensemble showcases Erté's clever imagination and fashion-forward sartorial genius.  \u003cbr\u003e\u003cbr\u003e An Art Deco commentary on the new working woman, Erté's Première Dactylo or “First Typist,” is first in class with her secretarial skills. Wearing a simple black strapless sheath with an elegant crossed sash crafted from individual typewriter keys, Erté punctuates the ensemble with voluminous billowing pink sleeves that gather tightly at the wrist and a large bow at the neck. Erté's elegant model is crowned by a small fascinator hat crafted from a piece of paper marked with a line of copy. Erté’s striking color palette and creative play on the typewriter underscore his dazzlingly clever point of view and elevated sense of style. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8\" wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902631977095,"sku":"31-7617","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7617_1_b8580ff4-d722-469c-bd40-d1dd92bd321a.png?v=1726259199"},{"product_id":"tete-de-mannequin-by-erte","title":"Tête de mannequin by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eTête de mannequin\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “No. 1744 \/ Deuxième aspect de la tête de mannequin # 1742\" (en verso)\u003cbr\u003e Silver and black pencil on paper \u003cbr\u003e\u003cbr\u003e Erté’s \u003cem\u003eTête de mannequin\u003c\/em\u003e offers a tantalizing glimpse of the artist's ability to push the boundaries of fashion through cosmetics. Erté renders the figure's multihued hair with a unique spotted pattern, accented by the metallic shine of his silver pencil. Quintessentially modern, Erté finishes the composition with bold strokes to accentuate the figure's eyes and eyebrows. \u003cbr\u003e\u003cbr\u003e Paris in the Art Deco era stood at the crossroads of tradition and modernity, establishing itself as a global epicenter of art, literature and intellectual thought. Amidst the echoes of World War I, avant-garde movements like Surrealism and Cubism intermingled with jazz melodies wafting through the city’s smoky salons. As cocktails flowed, intellectuals, writers and artists from around the world found themselves drawn to the cosmopolitan allure of Paris. Erté, with his revolutionary costuming and otherworldly sets, was perfectly poised to unleash his creativity. He worked with many of the city’s premier entertainment venues, and his striking visuals, full of bold patterns and vibrant colors, came to define the modernity of the era. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e Paper: 8\" high x 6 1\/2\" wide\u003cbr\u003e Frame: 17 1\/4\" high x 14\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902633484423,"sku":"31-7598","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7598_1_c5e9479e-9b43-4399-9126-65d9827b8fc9.png?v=1726274133"},{"product_id":"la-mariee-by-erte","title":"La mariée by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa mariée\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eThe bride\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed n°5999(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A quintessential ensemble from any clothing designer, Erté’s \u003cem\u003eLa mariée\u003c\/em\u003e paints the celebrated artist’s take on an Art Deco era bride. Free of a large ballgown skirt or tulle veil, Erté’s dramatic interpretation of bridal attire is anything but typical, showcasing the Art Deco glamour and over-the-top drama for which the Erté’s designs are so beloved. Short, sensual, detailed and daring, this matrimonial ensemble underscores the oft-called Father of Art Deco’s sartorial genius and groundbreaking knack for pushing the creative envelope. \u003cbr\u003e\u003cbr\u003e Erté’s creation features a long column-like buttoned bodice and high neckline, but appears entirely backless, exposing his model’s shoulders, arms and sides. The dress is punctuated by a short saucer-like skirt that features a profusion of beaded embellishments. The ensemble is capped off with a large white bow and a short cascading veil that comes together in dramatic angular pleats. This chic and unique design embodies the dramatic flair for which Erté’s fashions are revered today, showcasing his unique ability to reinterpret classic designs and silhouettes with groundbreaking modernity and whimsy. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902633779335,"sku":"31-7618","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7618_1_abbc6479-8395-4ca1-909a-b72a1b81aa2a.png?v=1728289470"},{"product_id":"poisson-volant-by-erte","title":"Poisson volant by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePoisson volant\u003c\/em\u003e \u003cem\u003e(Flying Fish)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Serge - voici un poisson non comestible\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Marked by striking vibrance, this original gouache from the creative mind of Erté entitled Poisson volant puts the spotlight on Erté’s tongue-in-cheek artistry. Oft-called “Father of Art Deco,” this clever and colorful work showcases the more whimsical side of Erté’s glamorous oeuvre.  \u003cbr\u003e\u003cbr\u003e Merging Art Deco fashion with the piscine form of a brightly-hued fish, this captivating design highlights Erté’s passion for groundbreaking design with his love for double entendre. Gifted to his trusted personal assistant Serge Leeman, the inscription on the back translates to \"Serge - here is an inedible fish.\" Marked by fluttering fin-like sleeves and a voluminous scalloped skirt, the figure in this marine-inspired dress appears to take flight, aptly embodying the composition’s clever title. Set against a deep black background, Erté’s precise lines and vivid color palette pop with dazzling intensity. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1970 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/2” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902638727303,"sku":"31-7685","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7685_1_77b2a62e-9280-4747-837c-b6d2a88966d5.png?v=1726265931"},{"product_id":"poisson-volant-flying-fish-by-erte","title":"Poisson volant (Flying Fish) by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePoisson volant\u003c\/em\u003e \u003cem\u003e(Flying Fish)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté”(lower right)\u003cbr\u003e Inscribed \"Serge - Voici un poisson choisi dans le menu d'un grand restaurant\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Marked by striking vibrance, this original gouache from the creative mind of Erté entitled Poisson volant puts the spotlight on Erté’s tongue-in-cheek artistry. Oft-called “Father of Art Deco,” this clever and colorful work showcases the more whimsical side of Erté’s glamorous oeuvre.  \u003cbr\u003e\u003cbr\u003e Merging Art Deco fashion with the piscine form of a brightly-hued fish, this captivating design highlights Erté’s passion for groundbreaking design with his love for double entendre. Gifted to his trusted personal assistant Serge Leeman, the inscription on the back translates to \"Serge - Here is a fish chosen from the menu of a great restaurant.\" While this work’s companion composition takes a more fashion-forward approach, dressing its figure in a skirt and bodice, this work skews more toward the aquatic side of the spectrum. Skirt pleats are traded in for a fishtail and scaly appliqué. Sleeves are traded in for fins that have a wing-like flare and this fish too appears to take flight, aptly embodying the composition’s clever title. Set against a deep black background, Erté’s precise lines and vivid color palette pop with dazzling intensity. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1970 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/2” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43408178282631,"sku":"31-7686","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7686_1.png?v=1762003132"},{"product_id":"les-perroquets-verts-by-erte","title":"Les perroquets verts by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes perroquets verts\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eGreen Parrots\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté adds a touch of his trademark whimsy to this alluring cabaret costume entitled \u003cem\u003eLes perroquets verts\u003c\/em\u003e. The model dons a fanned and feathered headpiece, while her hands hold effigies of the eponymous green parrots. Her seductive costume, showcasing a verdant green palette with bursts of crimson red, is framed by the long braids cascading from her head. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WD7QJRvBaao\" target=\"_blank\"\u003eCaptured on film in archival footage from the Bal Tabarin\u003c\/a\u003e, the bold and colorful design showcases Erté’s nature-inspired artistic visions. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8\" wide\u003cbr\u003e Frame: 17 5\/8\" high x 13 1\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Private collection, Paris, 2008 \u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902639317127,"sku":"31-7628","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7628_1_e3208de5-e532-402d-a9b4-9ff5ab48221c.png?v=1728289318"},{"product_id":"grand-ara-bleu-et-jaune-by-erte","title":"Grand ara bleu et jaune by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eGrand ara bleu et jaune\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eBlue and Yellow Great Macaw\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté adds a touch of his trademark whimsy to this alluring cabaret costume entitled \u003cem\u003eGrand ara bleu et jaune\u003c\/em\u003e. The model dons a fanned and feathered headpiece, while her hands hold effigies of the eponymous blue and yellow macaws. Her seductive costume, showcasing a sunny yellow palette with bursts of vibrant blue, is framed by the long braids cascading from her head. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WD7QJRvBaao\" target=\"_blank\"\u003eCaptured on film in archival footage from the Bal Tabarin\u003c\/a\u003e, the bold and colorful design showcases Erté’s nature-inspired artistic visions. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8\" wide\u003cbr\u003e Frame: 17 5\/8\" high x 13 1\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Private Collection, Paris, 2008\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902639546503,"sku":"31-7629","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7629_1_077c801a-8c13-42a1-8036-e5bfee57abee.png?v=1728289752"},{"product_id":"la-dame-de-trefle-by-erte","title":"La dame de trèfle by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dame de trèfle\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eLady of Clubs\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This costume designed by Erté encapsulates an important symbol in Giuseppe Verdi’s famed opera \u003cem\u003eLa Traviata\u003c\/em\u003e. In Act II, during a gambling scene, characters draw attention to several playing cards. They become catalysts for heated exchanges between the protagonists, serving as as a visual emblem of their ill-fated love affair’s destiny. For a 1948 performance of the classic opera, Erté melds traditional playing card imagery with modern stylized forms to fashion the costume. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dame de trèfle\u003c\/em\u003e, or Lady of Clubs, functions as a metaphorical motif symbolizing the juxtaposition between public appearances and private realities. Erté places the masked woman on a deep grey background, emphasizing the shadowy and unseen forces at play in the scene. Even so, the crowned lady exudes an enigmatic magnetism, holding a flower to her face in a gloved hand. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1948 \u003cbr\u003e\u003cbr\u003e Paper: 14 3\/8\" high x 10 3\/8\" wide\u003cbr\u003e Frame: 20 7\/8\" high x 16 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902728380551,"sku":"31-7644","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7644_1_a7ddcc3e-3957-4a78-ac60-e969d38958fc.png?v=1728289503"},{"product_id":"voiles-de-vienne-by-erte","title":"Voiles de Vienne by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVoiles de Vienne\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Sails of Vienna\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (middle right)\u003cbr\u003e Inscribed “Voiles de Vienne \/ Succession Erte \/ Romain de Tirtoff \/ Boulogne 1990” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This set design, entitled \u003cem\u003eVoiles de Vienne\u003c\/em\u003e, depicts a fashionable woman seated before a white pillar overlooking the Vienna skyline. She is adorned pink, as her fan of expansive pink feathers showcase her social standing. A would-be suitor makes a discreet appearance in the room, tipping his hat in a gesture that is both amiable and flirtatious. The palace itself is a testament to historical grandeur, embellished with intricate black and white crests, elaborate scrollwork and decorative ornamentation. Erté's design is further accentuated by two cherubs holding lit candelabras, adding a final touch of opulence to the scene. \u003cbr\u003e\u003cbr\u003e ​The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1980 \u003cbr\u003e\u003cbr\u003e Paper: 6 1\/2\" high x 8 1\/4\" wide\u003cbr\u003e Frame: 13\" high x 14 1\/2\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902740406407,"sku":"31-7714","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7714_1_c1511402-4acd-413c-a413-7885fa1ca0bc.png?v=1728288589"},{"product_id":"chez-les-nues-pour-roland-petit-i-by-erte","title":"Chez les nues pour Roland Petit I by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChez les nues\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eHome of the Nudes\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N°18.394 \/ Chez les Nues \/ Premier aspect du décor \/ Composition originale\" (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled \u003cem\u003eChez les nues\u003c\/em\u003e embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s works are so beloved. Created for Roland Petit, one of Erté’s closest confidants, this set design showcases the oft-called Father of Art Deco’s groundbreaking creativity.  \u003cbr\u003e\u003cbr\u003e Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage. In this gouache, Erté designs a backstage dressing room, complete with four nude performers sitting at mirrored vanities. Each figure appears totally nude with the exception of a large black feathered headpiece. Erté’s dramatic vision is realized in black, white, red and gold hues, adding to its captivating art deco allure. The tableau is completed by an apropos proscenium pediment—a fully nude gold bust that merges the classic beauty of the Venus-like form with the modernity of a Deco-era dress form. Artful and over-the-top, this dressing room design embodies the clever creativity and daring sensuality of Erté‘s oeuvre.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high by 12” wide\u003cbr\u003e Frame: 12 3\/4” high by 17 1\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist\u003cbr\u003e Collection Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902742536327,"sku":"31-7703","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7703_1_66a4bc1c-9dd9-4a99-9d5b-45b170ba006c.png?v=1730881640"},{"product_id":"chez-les-nues-pour-roland-petit-ii-by-erte","title":"Chez les nues pour Roland Petit II by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChez les nues II\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eHome of the Nudes\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N°18.396 \/ Chez le Nues \/ Deuxième aspect du décor \/ Composition originale\" (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e This original gouache painting, conceived by the imaginative Erté, bears the title \u003cem\u003eChez les nues\u003c\/em\u003e or \u003cem\u003eHome of the nudes\u003c\/em\u003e. It captures the essence of Art Deco glamour and the playful artistry that makes the artist's works so adored. This particular creation was crafted for Roland Petit, a trusted friend of Erté's, and it serves as a testament to the pioneering creativity of the man often referred to as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Roland Petit was a transformative figure in 20th-century ballet whose innovative choreography earned great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage. In this gouache, Erté designs a backstage dressing room, complete with four nude performers sitting at mirrored vanities. Each figure appears totally nude with the exception of a striking purple ombré feathered headpiece. Erté’s dramatic vision is realized in a myriad of purple hues, with feathered swags mimicking the colors of the dancer’s headpieces. The alluring Art Deco tableau is completed by an apropos proscenium pediment—a fully nude gold bust that merges the classic beauty of the Venus-like form with the modernity of a Deco-era dress form. Artful and over-the-top, this dressing room design embodies the clever creativity and daring sensuality of Erté’s oeuvre.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high by 12” wide\u003cbr\u003e Frame: 12 3\/4” high by 17 1\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist, Boulogne, 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902744895623,"sku":"31-7704","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7704_1_da3614ca-24d2-40b5-892f-8351ed13febb.png?v=1730881644"}],"url":"https:\/\/rauantiques.com\/collections\/french-fine-art.oembed?page=18","provider":"M.S. Rau","version":"1.0","type":"link"}