{"title":"More Fine Art Styles","description":"","products":[{"product_id":"red-rose-in-a-standing-vase-by-martin-johnson-heade","title":"Red Rose in a Standing Vase by Martin Johnson Heade","description":"Martin Johnson Heade\u003cbr\u003e 1819-1904 | American \u003cbr\u003e\u003cbr\u003e \u003cem\u003eRed Rose in a Standing Vase\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"M J Heade 1883\" (lower left)\u003cbr\u003e Oil on board \u003cbr\u003e\u003cbr\u003e This stunning oil on canvas represents the great Martin Johnson Heade's lifelong fascination with the natural world of flora and fauna. The celebrated landscape and still life painter devoted his career to capturing the beauty of nature on canvas, and his greatest achievements are his depictions of flowers such as this. Exactingly rendered with the precision of a naturalist, this still life of a rose with its crimson petals shows his mastery over texture and color. \u003cbr\u003e\u003cbr\u003e By the time this work was completed in 1883, Heade was well established as a painter of both landscapes and still lifes. It was also the year he married and moved to St. Augustine, Florida, where he experienced a period of renewed creativity and well being in his new tropical setting. The rose, with its illusions to romance, its intoxicating fragrance and its dramatic red hue, was the perfect subject for this stage in his life. Not only does he capture the bloom with a lush and sensuous beauty, but he also imbues the work a sense of mystery that is enhanced by the darkened setting. In its seeming simplicity, the still life reveals the subtle complexity of Heade's best works. \u003cbr\u003e\u003cbr\u003e Born in Pennsylvania in 1819, Heade received his earliest artistic training from the painter Edward Hicks. At the age of 19, he took his first trip abroad to live in Rome for two years. Upon his return in 1841, he exhibited for the first time at the Pennsylvania Academy of the Fine Arts in Philadelphia, and just two years later showed a portrait at New York's National Academy of Design. By the mid-1850s, Heade turned away from the portrait painting that dominated his early career, instead experimenting with landscape under the tutelage of Frederic Edwin Church. \u003cbr\u003e\u003cbr\u003e Not soon after, Heade also began his pursuit of still life painting, becoming the only artist of his generation to be proficient in both genres. By the 1880s, he was well established and had earned the patronage of Henry Morrison Flagler, a wealthy oil and railroad magnate who would purchase several dozen of his works over the next decades. Today, Heade's paintings can be found in important museum collections, including the Museum of Fine Arts (Boston), the Metropolitan Museum of Art (New York), the National Gallery of Art (Washington D.C.), the North Carolina Museum of Art, and many others. \u003cbr\u003e\u003cbr\u003e Dated 1883 \u003cbr\u003e\u003cbr\u003e Board: 16\" high x 8\" wide\u003cbr\u003e Frame: 27 3\/4\" high x 19 3\/4\" wide \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Berry-Hill Galleries, Inc., New York\u003cbr\u003e Acquired in 1977 from the above by Jay P. Altmayer, Palmetto Hall, Alabama\u003cbr\u003e Richard Greene Fine Paintings, London\u003cbr\u003e Private collection, New York\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e \u003cem\u003eThe Life and Works of Martin Johnson Heade\u003c\/em\u003e, New Haven, 1975, by T.E. Stebbins, p. 258, no. 234 (illustrated)\u003cbr\u003e \u003cem\u003eThe Life and Works of Martin Johnson Heade: A Critical Analysis and a Catalogue Raisonné\u003c\/em\u003e, New Haven and London, 2000, by T.E. Stebbins, pp. 155, 327, no. 511 (illustrated)","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44528169910407,"sku":"30-9149","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9149_1_516effe2-88bd-44a0-b2d8-13c90d639e2c.png?v=1777556602"},{"product_id":"italian-panel-of-orpheus-and-eurydice","title":"Italian Panel of Orpheus and Eurydice","description":"Greek mythology comes to life in this extraordinary gouache and oil on canvas. The exceptionally rare work likely depicts the tragic myth of Orpheus and Eurydice. Orpheus, a legendary great hero renowned for his musical skills, was the son of the Thracian king Oeagrus and the Muse Calliope, the patron of epic poetry. According to legend, Orpheus was gifted his first lyre by the god Apollo, who was impressed by his superhuman musical talents.\n\u003cbr\u003e\u003cbr\u003e\nThe tale for which Orpheus is best remembered, however, is the one likely depicted in this panel, wherein he rescued his wife, Eurydice, from the underworld. On the day of her wedding, Eurydice was set upon by a satyr, and in her efforts to escape, she was bitten by a snake. Overcome by grief, Orpheus traveled to the underworld with his lyre in order to appeal to Hades and Persephone to return his wife. Hearts softened by his song, they agreed to allow Eurydice to return to earth, on the condition that he not turn to look at her until they escaped the underworld. Tragically, Orpheus was unable to comply with this condition - he turned back to catch a glimpse of her, and his wife vanished forever.\n\u003cbr\u003e\u003cbr\u003e\nOne of the most popular of the Greek myths, Orpheus' story is brilliantly recreated in this gouache and oil on canvas, which captured the musician as he plays for the god and goddess of the underworld. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837390471,"sku":"30-9010","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9010_1_42c3eaca-8071-43c3-bdee-516c992787fa.png?v=1769761361"},{"product_id":"italian-panel-of-eurydice-with-naiads","title":"Italian Panel of Eurydice with Naiads","description":"A fascinating tale from Greek mythology is revealed in this extraordinary gouache and oil on canvas. The rare Italian painting is believed to depict a scene from the myth of Orpheus and Eurydice. One of the most tragic figures in Greek mythology, the nymph Eurydice was one of the daughters of the god Apollo. According to legend, she wed Orpheus, the legendary musician and hero who was the son of the Muse Calliope. She is captured here on the day of her wedding, joyfully dancing with the naiads in a vast field, though their severe expressions reveal the tragedy that is about to befall her.\n\u003cbr\u003e\u003cbr\u003e\nShortly after Eurydice's dance with the naiads, she was set upon by a satyr; in her efforts to escape, she was bitten on the foot by a poisonous snake and died. Overcome by grief, Orpheus traveled to the underworld with his lyre in order to appeal to Hades and Persephone to return his wife. Hearts softened by his song, they agreed to allow Eurydice to return to earth, on the condition that he not turn to look at her until they escaped the underworld. Tragically, Orpheus was unable to comply with this condition - he turned back to catch a glimpse of her, and his wife vanished forever.\n\u003cbr\u003e\u003cbr\u003e\nOne of the most popular of the Greek myths, Orpheus and Eurydice's story is brilliantly recreated in this gouache and oil on canvas. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837718151,"sku":"30-9079","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9079_1_02dd6ff8-363a-40cb-92e8-9d58b3056928.png?v=1769758608"},{"product_id":"italian-panel-with-satyr-and-nymphs","title":"Italian Panel with Satyr and Nymphs","description":"This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net.\n\u003cbr\u003e\u003cbr\u003e\nThe relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs were commonly found on ancient Greek pottery, which inspired later Italian revivals such as the present piece. A similar scene was also captured by the great William-Adolphe Bouguereau in his 1873 masterpiece \u003cem\u003eNymphs and Satyr\u003c\/em\u003e, wherein a group of nymphs is surprised by a lascivious satyr while bathing.\n\u003cbr\u003e\u003cbr\u003e\nAmong the most popular of the Greek mythological characters, the satyr and nymph are brilliantly recreated in this gouache and oil on canvas. Likely once displayed in the music room of an Italian villa, it is an exceptional example of its genre.\n\u003cbr\u003e\u003cbr\u003e\nCirca 1800\n\u003cbr\u003e\u003cbr\u003e\nCanvas: 31 1\/2\" high x 48\" wide\u003cbr\u003e\nFrame: 52 1\/4\" wide x 36\" high","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43672837816455,"sku":"30-9080","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-9080_1_b17db1e6-ef9e-4862-92da-dea817279415.png?v=1769758555"},{"product_id":"virgin-and-child-with-the-infant-saint-john-by-domenico-puligo","title":"Virgin and Child with the Infant Saint John by Domenico Puligo","description":"Domenico Puligo\u003cbr\u003e 1492-1527 | Italian \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVirgin and Child with the Infant Saint John\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on panel \u003cbr\u003e\u003cbr\u003e A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art in New York, Museo del Prado in Madrid, Palazzo Borghese in Rome and Palazzo Pitti in Florence, among many others. \u003cbr\u003e\u003cbr\u003e Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color are remarkable. The Virgin Mary’s crimson dress displays an impressive level of chiaroscuro, ranging from deep burgundy to vibrant pink. It is perfectly juxtaposed against the dark greens and purples of her mantle. Apart from the two holy children, the remainder of the painting offers a view of a vast landscape, executed in various shades of blues and greens. \u003cbr\u003e\u003cbr\u003e Puligo has perfected the soft sfumato effect; combined with his exaggerated, yet elegant distortion of his figures, his \u003cem\u003eVirgin and Child with the Infant Saint John\u003c\/em\u003e embodies the Mannerist idiom. The 16th-century art form emerged during the Late Renaissance. Whereas painters of the High Renaissance sought to achieve harmonious ideals and perfect proportions, the Mannerists created compositions that evoked drama through elongated limbs, strained poses, and vivid colors. Like other Mannerists of his generation, Puligo’s compositions are imbued with emotion and sentimentality rather than naturalism and perfect perspective. The style is well suited to the Virgin and Child trope, lending a motherly tenderness to Puligo’s devotional works. \u003cbr\u003e\u003cbr\u003e Domenico Puligo was born in Florence into a family of blacksmiths, though little else is known of his early life. He trained under Ridolfo Ghirlandaio, and briefly worked under Andrea del Sarto, who became a profound influence on the young painter. The majority of Puligo’s output was focused on medium-sized religious paintings such as the present work, which he composed as special commissions for his client’s private devotion. A small group of altarpieces and a number of commissioned portraits have also been attributed to the artist. His oeuvre, however, is small, as he died at the young age of 35 after contracting the plague. Today, the majority of his works are found only in museum collections. It is incredibly rare to come across such a fine example as this on the market. \u003cbr\u003e\u003cbr\u003e Circa 1515 \u003cbr\u003e\u003cbr\u003e Panel: 33 1\/2” high x 25” wide\u003cbr\u003e Frame: 50 1\/8\" high x 40 3\/8\" wide \n Provenance: Sotheby's London, Old Master Paintings Auction July 3, 1991, Lot #221 Private Collection, Turin, Italy","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43261604200583,"sku":"30-8679","price":345000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8679_1.png?v=1759512293"},{"product_id":"saint-cosmas-and-saint-damian-attributed-to-bonifacio-bembo","title":"Saint Cosmas and Saint Damian attributed to Bonifacio Bembo","description":"Attributed to Bonifacio Bembo\u003cbr\u003e 1420-1478 | Italy \u003cbr\u003e\u003cbr\u003e \u003cem\u003eSaint Cosmas and Saint Damian\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Tempera on panel \u003cbr\u003e\u003cbr\u003e These exceptionally rare early Renaissance panels of Saint Cosmas and Saint Damian are an extraordinary new discovery. Based on the research of art historians Marco Tanzi and Andrea de Marchi, it is believed that these represent the missing panels from the famed polyptych formerly displayed on the altar of the Chapel of San Nicola da Tolentino in the Church of Sant’Agostino in Cremona, Italy. To find two matching early Renaissance panels outside of a museum or church, particularly in such remarkable condition, is an extraordinary rarity. \u003cbr\u003e\u003cbr\u003e The central and left-sided panels of the original five-part polyptych are currently in the collection of the Museo Civico Ala Ponzone in Cremona. These panels have luckily remained intact, and respectively portray the\u003cem\u003e Madonna and Child Enthroned with Angels and Donor, Saint Nicholas of Tolentino\u003c\/em\u003e (the chapel’s namesake) and \u003cem\u003eSaint George\u003c\/em\u003e.  \u003cbr\u003e\u003cbr\u003e While the present panels have since been reduced, that they belong to the Cremonese altarpiece is confirmed by a number of stylistic elements. All five panels contain the same rich decorative arabesque pattern on their stamped gold background, while the figures’ knurled haloes are identical in both their fineness of line and use of perspective. The proportions of the figures coincide perfectly; Saints Cosmas and Damian would have originally also been depicted as full-length figures, fitting into the vertical, Gothic style of the altarpiece. \u003cbr\u003e\u003cbr\u003e According to the Christian religion, Saint Cosmas and Saint Damian were 3rd century physicians born in Arabia. Little is known about their lives except that they were reputedly twin brothers and that they were martyred in Syria during the persecution of Emperor Diocletian. It was believed that the saints were skilled in healing, and when their medicines failed, their faith and prayers could always perform miracles. Thus, the saints are often depicted with their medical equipment while wearing the traditional medieval doctor’s garb of crimson robes and distinctive round red hats. \u003cbr\u003e\u003cbr\u003e The saints are similarly depicted in the present panels, though considering the manner in which they have been cut, their medical tools are not immediately evident. The saints were highly popular as patrons of wealthy families during the Gothic and Renaissance eras, particularly the Medici, and thus they occur frequently in art from the era. The twins, for instance, are found in the famed San Marco Altarpiece by Fra Angelico in the San Marco Museum (Florence), as well as in a set of Medici panels crafted by Filippo Lippi currently in the collection of the National Gallery (London). \u003cbr\u003e\u003cbr\u003e Along with the remainder of the Cremonese altarpiece, these present panels have been attributed to the Northern Italian Renaissance painter Bonifacio Bembo. Active in Cremona throughout the 15th century, he would have been a natural choice for the construction of the altarpiece, which was to be part of a new chapel dedicated to San Nicola da Tolentina in the church of Sant'Agostino in Cremona. The Cavalcabò chapel, which is also in the Sant'Agostino, is similarly attributed to him. Several other of his works can be found in museums and churches throughout Italy and beyond, including the Pinacoteca di Brera (Milan), Denver Museum of Art, and the Musée des Arts Décoratifs (Paris), among others. \u003cbr\u003e\u003cbr\u003e Circa 1454-1458 \u003cbr\u003e\u003cbr\u003e Panel: 14 5\/8” high x 11 3\/8” wide (37.15 x 28.89 cm)\u003cbr\u003e Frame: 22 3\/4” high x 19 1\/2” wide x 2 1\/2\" deep (57.79 x 49.53 x 6.35 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_30-8695.pdf\" target=\"new\"\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This work was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private Collection, London\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050894815367,"sku":"30-8695","price":248500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/30-8695_1_e3932cdd-d2ed-4759-b626-be58a4b708f0.png?v=1774967625"},{"product_id":"dance-of-the-nymphs-by-paul-desire-trouillebert","title":"Dance of the Nymphs by Paul Désiré Trouillebert","description":"Paul Désiré Trouillebert\u003cbr\u003e 1829-1900 | French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eDance of the Nymphs\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed \"Trouillebert\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This lyrical landscape entitled \u003cem\u003eDance of the Nymphs\u003c\/em\u003e was composed by the French Barbizon painter Paul Désiré Trouillebert. A joyful scene of nymphs dancing the morning fog, the work closely resembles an important work by the great Camille Corot, which is now housed at the Musée d'Orsay (Paris). Renowned for his unique individuality that toed the line between the traditional and modern, Corot and his landscapes helped pave the way for an entire generation of Impressionists who followed him. Trouillebert perfectly captures the poetic atmosphere of Corot’s groundbreaking works, while also imbuing this scene with a freshness and character that is all his own. \u003cbr\u003e\u003cbr\u003e Trouillebert's oil on canvas is exemplary of the tradition of historical painting. The work perfectly combines a realistic depiction of the natural world with a spirited romanticism as his idealized nymph figures frolic playfully beneath a crisp morning sky. As a whole, it is a lovely composition executed with a level of skill and artistry that proves Trouillebert's exceptional talent in the arts. \u003cbr\u003e\u003cbr\u003e Born in Paris in 1829, Paul Désiré Trouillebert was a student of the academic painters Ernest Hébert and Charles Jalabert. Early in his career, he primarily produced portraits and genre scenes, exhibiting his first portrait at the Paris Salon in 1865. By the end of the decade, however, his interest in landscape painting blossomed, and in 1869, he exhibited his first landscape at the Salon to great acclaim. He went on to execute a number of landscapes that recall the mature style of Corot, including the present work, though they remain distinctly Trouillbert in their execution. Today, his paintings can be found in several important private collections, as well as the Lightner Museum (St. Augustine, Florida). \u003cbr\u003e\u003cbr\u003e Canvas: 38 3\/4\" high x 51 1\/2\" wide\u003cbr\u003e Frame: 50\" high x 62 3\/4\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913597657223,"sku":"31-1655","price":98500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-1655_1.png?v=1730881855"},{"product_id":"a-pompeian-lady-by-john-william-godward","title":"A Pompeian Lady by John William Godward","description":"John William Godward\u003cbr\u003e 1861-1922 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003eA Pompeian Lady\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"J.W. Godward 1904\" (lower right, partially covered by frame)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e One of the last and greatest Victorian neoclassical painters, John William Godward is celebrated for his flawlessly executed images of graceful women posed in idealized ancient settings. In this work, entitled \u003cem\u003eA Pompeian Lady\u003c\/em\u003e, a classical beauty is caught idling in a moment of quiet, solitary reflection. Godward's elegant subjects are depicted with a degree of technical mastery that remains unsurpassed, and the work's dramatic palette, luxurious fabrics and classical vision are all characteristics of his unique take on the neoclassical style. \u003cbr\u003e\u003cbr\u003e Godward was unmatched in terms of his technical skill and attention to detail. A master of contrasting textures, he paints a diaphanous gown draping against the model’s smooth, milky white skin, which sits against the painstakingly rendered individual hairs of a tiger’s pelt. Scintillating color permeates the canvas as well, energizing the otherwise static scene. Each element is given careful attention, and the overall effect is one of both immaculate technique and sensual tactility. \u003cbr\u003e\u003cbr\u003e Along with his contemporary and mentor, Sir Lawrence Alma-Tadema, Godward set the tone for the Victorian neoclassicist movement. He built his career upon creating images of idealized feminine beauty infused with a Greco-Roman-inspired style. Though greatly influenced by Alma-Tadema, Godward distinguished himself through his predilection for the solitary female figure. His fame rose dramatically in the first few years of the 20th century, when the present work was completed, due to the burgeoning strength of the British Empire and the Victorian society’s preoccupation with ancient Rome. To many of the newly affluent, Roman society was, as Iain Gale writes, “a flawless mirror of their own immaculate world.” The sensuality and mystery of Godward’s maidens, combined with his impressive antique backdrops, was a direct reflection of this pervasive view. \u003cbr\u003e\u003cbr\u003e Godward debuted at London’s Royal Academy exhibition in 1887 at the age of only 26. Having fallen under the influence of British Neoclassical Revivalists Sir Lawrence Alma-Tadema, Lord Frederic Leighton and Sir Edward John Poynter, Godward quickly adopted, if not rivaled, their style. He envisioned similar scenes of the ancient world, seamlessly blending antiquity and beauty in breathtaking compositions and attracting fans across Europe. In 1889, he was elected to the Royal Society of British Artists, and, ten years later, Godward debuted at the Paris Salon, where again he was heaped with critical praise. However, the 20th century brought rapid artistic change, and he was faced with the painful reality that the classical world he loved was being overshadowed by modern art movements. His devotion to the classics never waned, and he moved to Rome in 1912 to surround himself with the physical remnants of the classical world, where he stayed for the major part of his remaining career. \u003cbr\u003e\u003cbr\u003e Dated 1904 \u003cbr\u003e\u003cbr\u003e Canvas: 25“ diameter (63.5 cm)\u003cbr\u003e Frame: 45 3\/4” high x 44 3\/8” wide (116.21 x 112.71 cm) \u003cbr\u003e\u003cbr\u003e \u003ca href=\"https:\/\/rau-sfimages.s3.amazonaws.com\/dossier\/Dossier_31-3739.pdf%20target=\" new\u003e\u003cb\u003eView the Dossier\u003c\/b\u003e\u003c\/a\u003e \u003cbr\u003e\u003cbr\u003e This painting was exhibited at The European Fine Art Fair. \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Thomas McLean, art dealer, London, 1904\u003cbr\u003e Purchased by Sir Alfred Bird, Tudor Grange Solihull\u003cbr\u003e Cooling Galleries, London and Toronto, Canada\u003cbr\u003e The collection of Maurice and Louella Brown, Toronto and Calgary, Canada\u003cbr\u003e By descent to Keith C. Brown and L. Joan Brown, Calgary, Alberta, 1982\u003cbr\u003e Hodgin’s Art Auctions, Calgary\u003cbr\u003e Fred and Sherry Ross, New Vernon, New Jersey\u003cbr\u003e Sotheby’s, New York\u003cbr\u003e Private collection, New Orleans\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Literature:\u003cbr\u003e J.W. Godward: The Eclipse of Classicism, 2018, Vern Swanson, page 290, no.12 (illustrated) \u003cbr\u003e\u003cbr\u003e Exhibited:\u003cbr\u003e Thomas McLean Gallery, London, 1904","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":44050790613127,"sku":"31-3739","price":1250000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-3739_1_96367abf-d12d-4f22-9c18-fc2d4b326df3.png?v=1774967315"},{"product_id":"portrait-of-a-beauty-by-william-clarke-wontner","title":"Portrait of a Beauty by William Clarke Wontner","description":"William Clarke Wontner\u003cbr\u003e 1857-1930 | British \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePortrait of a Beauty\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed and dated \"W. Wontner 1918\" (lower left)\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e Classical beauty and technical precision define this painting by British Neoclassical artist William Clarke Wontner. Although his career was largely devoted to formal portraits, he is best celebrated today for his classical maidens idling before cool marble backdrops. The present work, with a singular focus on the sitter, showcases Wontner's talent as a portraitist as well as the classical vision for which he is renowned today. \u003cbr\u003e\u003cbr\u003e Entitled \u003cem\u003ePortrait of a Beauty\u003c\/em\u003e, this painting demonstrates Wontner at his most impressive. The artist is admired for his precision in rendering the surfaces of marble and the flowing movement of classical costumes. Within this perfectly composed world, Wontner heightens the inherent sensuality of his subject through a masterful use of contrast. The vivid, jewel-like tones of her flowing tunic and veil seem especially rich as they fall over her tanned skin and sit against the smooth, veined marble structure.  \u003cbr\u003e\u003cbr\u003e Wontner, along with John William Godward, is considered among the top British Neoclassical artists of his time, and in fact, the two painters enjoyed a friendship and working relationship. They became acquainted after Godward apprenticed under Wontner’s father, noted architect William Hoff Wontner, who taught him architectural rendering. William Clarke Wontner studied under Godward for a time, and his influence is easily noticed in Wontner’s Neoclassical works. \u003cbr\u003e\u003cbr\u003e Wontner exhibited his work at the Royal Academy, the Society of British Artists and the Royal Institute of Painters in Water Colours. Today, his works reside in the collections of museums such as the \u003ca href=\"https:\/\/rauantiques.my.salesforce.com\/sfc\/p\/A0000000JY02\/a\/8X000000Mnqq\/cvLbUpnWoYJZe3lo0HCdZEBKb9j75Am6ZYyt0EX4Cvk\" target=\"_blank\"\u003eNational Portrait Gallery (London) and the Harris Museum (Preston, UK)\u003c\/a\u003e. \u003cbr\u003e\u003cbr\u003e Dated 1918 \u003cbr\u003e\u003cbr\u003e Canvas: 25\" high x 21\" wide\u003cbr\u003e Frame: 36\" high x 32\" wide","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":42578025513095,"sku":"31-5487","price":198500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-5487_1.png?v=1746450329"},{"product_id":"portrait-of-dr-frederick-a-cook-by-albert-operti-1","title":"Portrait of Dr. Frederick A. Cook by Albert Operti","description":"Albert Ludwig Operti\u003cbr\u003e 1852-1927 | Italian-American \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePortrait of Dr. Frederick Albert Cook\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Oil on canvas \u003cbr\u003e\u003cbr\u003e This highly rare portrait of the important Polar explorer, Dr. Frederick Albert Cook, is the work of American artist Albert Ludwig Operti. Renowned in the late 19th and early 20th centuries for his paintings of exploration, namely Arctic scenes, Operti was the only artist to accompany Robert Peary on his historic 1896 expedition to the North Pole. His works seldom find their way out of private collections, the largest of which can be found at the Explorers Club in New York, which was founded by Cook. \u003cbr\u003e\u003cbr\u003e In this contemplative oil painting, Operti captures Dr. Frederick A. Cook studying and dissecting a native bird during Robert Peary’s famed 1891-92 expedition of the Arctic in search of the North Pole. Depicted here in a fur hat and coat to protect against the frigid polar air, Cook served as the surgeon on several of Peary’s explorations. He befriended famed explorer Roald Amundsen and was a seasoned explorer in his own right. Both Cook and Peary claimed to have reached the North Pole first, and the debate about their divergent claims is still waged today. \u003cbr\u003e\u003cbr\u003e Albert Operti was born in Italy and educated in Britain. While part of Peary's expedition through Greenland in 1896, the artist executed hundreds of sketches and studies that would serve as the basis for many of his future works. He painted several special commissions for the New York Explorers Club, which was a primary patron of Operti until his death in 1927. Operti’s works are not often seen or exhibited, making this a rare opportunity to acquire both a stirring painting and an important piece of history. \u003cbr\u003e\u003cbr\u003e The painting was featured on the cover and discussed in \u003cem\u003ePolar Priorities\u003c\/em\u003e, the annual journal of the Frederick A. Cook Society, in the December 2006 edition, Volume 26. \u003cbr\u003e\u003cbr\u003e Circa 1900 \u003cbr\u003e\u003cbr\u003e Canvas: 43 1\/2” high x 34 1\/8” wide\u003cbr\u003e Frame: 51 1\/2” high x 42” wide ","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41913655558279,"sku":"31-7460","price":88500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7460_1.png?v=1726259673"},{"product_id":"la-dionee-dite-gobe-mouches-by-erte","title":"La dionée dite gobe-mouches by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dionée dite gobe-mouches\u003c\/em\u003e \u003cem\u003e(Venus Flytrap)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed #20 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Daring and mysterious, this original gouache from the creative mind of Erté features the sinuous figure of a woman wearing a unique ebony and sanguine body suit with a dramatic wing-like cape. Entitled \u003cem\u003e La dionée dite gobe-mouches\u003c\/em\u003e or \u003cem\u003eVenus Flytrap\u003c\/em\u003e, this work embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Inspired by the famed volume of poems from iconic French writer Charles Baudelaire, this ensemble showcases Erté’s sartorial interpretation of \u003cem\u003eLa Vampire\u003c\/em\u003e from Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e. This elegant composition exudes the quintessential opulence and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dionée dite gobe-mouches\u003c\/em\u003e showcases the breadth of Erté’s creativity and his design expertise. First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several specific poems to create original fashion sketches and designs. This dark and dramatic design plays upon the poem \u003cem\u003eLa Vampire\u003c\/em\u003e and Erté cleverly names his design after a carnivorous bloom. Marked by red piping sprawling out like plant roots — or arteries — the figure outstretches her arms to transform her black cape into a set of wings. A combination of high fashion and double entendre, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1917 \u003cbr\u003e\u003cbr\u003e Paper: 10 1\/2” high by 7” wide\u003cbr\u003e Frame: 17 1\/8” high by 14 1\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43332505305223,"sku":"31-7559","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7559_1.png?v=1762003128"},{"product_id":"laurore-boreale-by-erte","title":"L'Aurore boréale by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL'Aurore boréale\u003c\/em\u003e \u003cem\u003e(The Aurora Borealis)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed No. 15 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e In this colorful gouache, Erté draws an enticing and unique fashion design on his model’s elegantly elongated figure. Crowned by an elaborate headdress, the woman wears a daring gauzy caftan that drapes dangerously low, celebrating her nude form. Entitled \u003cem\u003eL'Aurore Boréale\"\u003c\/em\u003e or \u003cem\u003eThe Aurora Borealis\u003c\/em\u003e, this work embodies the Art Deco glamour for which the artist’s designs are so beloved. This ensemble was inspired by \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e, the famed volume of poems from iconic French writer Charles Baudelaire. As the name suggests, this creative design links the celebrated \"fleur\" orchids with one of nature's other great marvels, the Aurora Borealis. This refined piece of art radiates the essential luxury and theatricality that could only be accomplished by Erté, oft referred to as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches and designs. \u003cem\u003eL'Aurore Boréale\u003c\/em\u003e showcases the breadth of Erté’s creativity and his design expertise. The structural headpiece mimics the curing petals and elongated stamen of an orchid, while the sunburst of colors recalls the kaleidoscopic hues of the northern lights. The design is delicate yet erotic, harkening to the themes of Baudelaire's “Flowers of Evil.” Creative and bold, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1917 \u003cbr\u003e\u003cbr\u003e Paper: 10 5\/8” high by 7” wide\u003cbr\u003e Frame: 17 1\/4” high by 14 1\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43316925759623,"sku":"31-7560","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7560_1_c99892d9-93ec-4fb7-aa87-61457d6ae5fe.png?v=1762000755"},{"product_id":"balthasar-by-erte","title":"Balthasar by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBalthasar\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 15 \/ Costume pour Balthasar \/ 1919\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Balthasar is said to have brought the gift of myrrh on his fateful trip to Bethlehem. Erté has carefully rendered the incense in each of the king’s hands, while his long braided beard nearly skims the floor. Customarily depicted as an African man in retellings of the tale of the Three Kings, Balthasar is costumed in patterns that appear to draw both on Orientalist depictions of North Africa and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Depictions of biblical figures like Balthasar melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 15 1\/4” high by 11 1\/8” wide\u003cbr\u003e Frame: 21 1\/8” high by 17 1\/4” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902559297671,"sku":"31-7563","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7563_1_5b4ad3a0-5511-4966-87c0-e3bbbd609d06.png?v=1730881140"},{"product_id":"les-fleurs-du-mal-by-erte","title":"Les fleurs du mal by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eFleurs du Mal\u003c\/em\u003e \u003cem\u003e(The Flowers of Evil)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed 114.6 (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Captivating and vibrant, this colorful gouache entitled Fleurs du Mal showcases Erté’s masterful creativity and keen eye. Inspired by \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e, the famed volume of poems by French writer Charles Baudelaire, this ensemble marries light purple and green floral motifs with the suggestive form of red lips poised for a smooch. This daring yet feminine appearance encapsulates the Art Deco allure for which the artist's creations are cherished. The sophisticated arrangement emanates the fundamental richness and theatricality that can only be accomplished by Erté, often hailed as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e First published in 1857, Baudelaire’s \u003cem\u003eLes Fleurs du mal\u003c\/em\u003e was controversial for its suggestive content and themes of decadence and eroticism. The volume provided a wealth of inspiration for Erté and he drew from several themes to create original fashion sketches and designs. A celebration of the graceful female form, Erté ingeniously designs the garment to make the woman's rising torso appear to “blossom” from the parting red lips bustling from her hips. The design is delicate yet erotic, harkening to the themes of Baudelaire's “Flowers of Evil.” Creative and bold, Erté’s artistic interpretations of Baudelaire’s words showcase his clever imagination and sophisticated point of view. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1940 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Millon \u0026amp; Associés\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41912049336455,"sku":"31-7631","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7631_1_2cd159a2-5ee9-4f70-b16b-087fbe087f19.png?v=1728289333"},{"product_id":"le-roi-mage-gaspard-by-erte","title":"Le Roi Mage Gaspard by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe Roi Mage Gaspard\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMage King Gaspard\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ N°3 \/ Roi Mage Gaspard \/ Date : 28 Février 1919 \/ No. 222\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e A testament to Erté's pioneering creativity, this elaborate costume design was created for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. One of the three Magi, Gaspard or Gaspar (also known as Casper), was a legendary Magi who, alongside Melchior and Balthasar, paid homage to the baby Jesus. Gaspard is often depicted as an Indian king who brought frankincense as a gift to the Christ Child.  \u003cbr\u003e\u003cbr\u003e In this elaborate gouache, Erté paints Gaspard in voluminous robes sewn from royal blue and purple fabrics and accented by rich patterns, tassels and beading. Gaspard’s regal attire and strong forward pose emphasize his stately presence and biblical importance. Gaspard stands with arms outstretched with overflowing dishes of frankincense in each hand. Erté renders the nodules of frankincense resin-like long strings of pearls, adding a touch of Art Deco glamour to the ancient origin story. An elegant profusion of sumptuous color, detailed pattern, regal pageantry and theatrical glamour, this gouache draws on both Orientalist influences and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 12 1\/4” high x 7 7\/8\" wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 3\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621720711,"sku":"31-7564","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7564_1_01e6c6bd-42d7-4818-ad2c-212e64c7c3ed.png?v=1728289403"},{"product_id":"le-roi-de-lahore-by-erte","title":"Le roi de Lahore by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe roi de Lahore\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe King of Lahore\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 11 \/ Le Roi de Lahore \/ 28 février 1919 \/ No. 230\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. Erté carefully rendered this exquisitely detailed costume for \u003cem\u003eLe roi de Lahore\u003c\/em\u003e in vivid purple and red pigments. The king, ruler of Lahore in the Punjab region of modern India and Pakistan, displays all the trappings of royal wealth. Long strands of pearls hang from his clothing, while crimson gemstones adorn his headpiece and belt. Finished with a long curved sword, the costume synthesizes Orientalist imagery and Erté’s own Art Deco sensibilities. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 11” high x 7 5\/8\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621819015,"sku":"31-7565","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7565_1_4030dcd0-3c33-46ef-befb-076884d37ec2.png?v=1728289409"},{"product_id":"lesclave-porteuse-deventail-by-erte","title":"L'Esclave porteuse d'éventail by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eL'Esclave porteuse d'éventail\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eThe fan-carrying slave\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ N°23 \/ L'Esclave porteuse d'éventail \/ No. 242\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e This unique costume design was created for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. This beautiful gouache painting features Erté's costume design for a character playing an enslaved person. Erté draws heavily from Orientalist influences to create this dramatic ensemble, dressing his figure in long flowing robes painted with exotic patterns and placing a highly decorative reed fan in the figure's hands. Erté signifies the character's status — one much different than the many kings who star in the production — by placing heavy bangles upon the figure's wrists and ankles. While the character is narratively shackled, Erté takes care to dignify the figure with highly adorned and beautiful sartorial trappings.  \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 10 7\/8” high x 8 1\/4\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 17 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902621950087,"sku":"31-7568","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7568_1_9643b38a-15fc-4bf1-a2c1-0e8844c13c85.png?v=1728289543"},{"product_id":"le-fiance-by-erte","title":"Le fiancé by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe fiancé\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Les Rois des Légendes \/ No. 13 \/ Le Fiancé \/ 28 février 1919 \/ No. 232\" (en verso)\u003cbr\u003e Ink and gouache on paper \u003cbr\u003e\u003cbr\u003e Titled \u003cem\u003eLe fiance,\u003c\/em\u003e Erté designed this costume for a 1919 production of \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e, a performance that showcased a variety of legendary kings from throughout history. Erté carefully rendered the sumptuously patterned costume for \u003cem\u003eLe fiancé\u003c\/em\u003e in vivid red and orange hues. The design appears to draw both on Orientalist imagery and Erté’s own Art Deco geometries. \u003cbr\u003e\u003cbr\u003e Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcases Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like \u003cem\u003eLes Rois des Légendes\u003c\/em\u003e melded Orientalist aesthetics into Paris' artistic output in a new way. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1919 \u003cbr\u003e\u003cbr\u003e Paper: 11” high x 7 5\/8\" wide\u003cbr\u003e Frame: 17 1\/8\" high x 14 1\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902622376071,"sku":"31-7566","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7566_1_c26771a0-dc63-482c-af97-58ea37a3143f.png?v=1728289656"},{"product_id":"la-mere-loye-by-erte","title":"La Mère l'Oye by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa Mère l'Oye\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eMother Goose\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed n°8596(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled \u003cem\u003eLa Mère l'Oye\u003c\/em\u003e or \u003cem\u003eMother Goose\u003c\/em\u003e embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Featuring a white tutu skirt, bold red accents and an elaborate headpiece, this dazzling ensemble showcases the oft-called Father of Art Deco’s sartorial genius and unique understanding of form and movement. \u003cbr\u003e\u003cbr\u003e Erté poses his model with outstretched arms, standing in a ballet-like fifth position. The elegant swags of red and gold fabric mimic the long craning neck of a swan and the stark white hue of the dress also recalls the avian animal. However, Erté only hints at the goose motif rather than rendering a fully bird-like costume. An over-the-top costume that showcases Erté‘s unique artistry, this beautiful red and white outfit was sure to turn heads and make a lasting impression on the stage. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1947 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4” high by 9 5\/8” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 7\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902626603143,"sku":"31-7641","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7641_1_7520015f-d989-4f01-886a-026ee0ec825d.png?v=1728289468"},{"product_id":"ivresse-griserie-by-erte","title":"Ivresse, Griserie by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eIvresse, Griserie\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(“Drunkenness, Tipsy”)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed 16390\/23 ZA (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A unique work in Erté’s illustrious oeuvre, this gouache composition entitled \u003cem\u003eIvresse, Griserie\u003c\/em\u003e or drunkenness or tipsy, features an abstracted figure rendered in a few spare lines seated at a dining table set with five filled champagne glasses. Erté paints this striking gouache against a deep black background, making the items arranged on the white tablecloth pop with intensity. This bold composition exudes the quintessential elegance and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. \u003cbr\u003e\u003cbr\u003e A playful composition celebrating revelry, this work was painted for Bal Tabarin, a prominent cabaret. As the title suggests, the lone diner at the table appears to have whetted his palette in excess, causing him to enter a hazy trance. The smoke rising from his cigarette appears to take the form of a woman — a sort of smoldering fairy taking flight from the swirling cloud. The table is punctuated by other apropos Art Deco accoutrements including etched tumbler glasses and a period candelabra crowned by winged angels. \u003cbr\u003e\u003cbr\u003e Founded in 1904 by musician Auguste Bosc, Bal Tabarin rose to prominence as one of the most popular Parisian cabarets of the Belle Époque era. Renowned for its extravagant entertainment offerings and bohemian clientele, the Bal Tabarin attracted luminary performances from the likes of Josephine Baker, Mistinguett, Maurice Chevalier. Beyond its live acts, the cabaret gained silver screen recognition and was featured in films like \"Moulin Rouge\" (1952) and \"Funny Face\" (1957). Although the Bal Tabarin shuttered its doors in 1967, its legacy endures as a cultural cornerstone in Paris’ lustrous creative scene.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1938 \u003cbr\u003e\u003cbr\u003e Paper: 7 3\/4” high by 7 1\/2” wide\u003cbr\u003e Frame: 13 1\/4” high by 12 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Erté’s collection, Boulogne 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902626734215,"sku":"31-7606","price":14500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7606_1_ca56d065-264b-4ab5-9d27-d016f58a46fa.png?v=1728289605"},{"product_id":"la-sophistiquee-by-erte","title":"La sophistiquée by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa sophistiquée\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Sophisticated\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"n°5670 \/ La Sophistiquée\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A dramatic profusion of bold shades of purple, magenta and red, this original design by Erté certainly embodies its sophisticated title. This gouache entitled \u003cem\u003eLa sophistiquée\u003c\/em\u003e showcases the Art Deco glamour and over-the-top drama for which the Erté’s designs are so beloved. Full of drama and movement, this daring chiffon gown underscores the sartorial genius and innate understanding of form and movement from the oft-called \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Punctuated by a beautiful ombré effect, Erté’s creation emphasizes the weightless wonder of its fabric. Gathered together at a sparkling triangular pendant at the waist, a rainbow of jewel-toned chiffon fans out to create a daring bodice with a three-dimensional collar. The skirt billows out with sensual and sophisticated movement. This chic and unique design embodies the dramatic flair and groundbreaking taste for which Erté’s fashions are revered today. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902628601991,"sku":"31-7615","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7615_1_6f65d8e8-1c8b-4b20-a0e6-533c7e479533.png?v=1728289456"},{"product_id":"acte-i-scene-4-macbeth-by-erte","title":"Acte I Scène 4, Macbeth by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eActe 1 Scéne IV, Macbeth\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 7604 \/ Macbeth \/ Acte I - Scène 4 \/ Palais de Forès\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This captivating gouache painting by Erté showcases the famed artist's genius as a set designer. A showcase of Erté's pioneering creativity and engagement with the traditions of theater, this striking set design for one of Shakespeare's darkest and most stirring plays, \u003cem\u003eMacbeth\u003c\/em\u003e, puts the spotlight on Erté's ability to capture high drama and intense grandeur with Deco flair. \u003cbr\u003e\u003cbr\u003e In Act 1, Scene 4 of \u003cem\u003eMacbeth\u003c\/em\u003e, King Duncan, accompanied by his nobles, arrives at Macbeth's castle to be warmly welcomed by Macbeth and Lady Macbeth. This scene highlights the contrast between their gracious hospitality and Macbeth's growing inner turmoil as he contemplates the consequences of his ambition and the witches' prophecies. \u003cbr\u003e\u003cbr\u003e In this gouache, Erté creates a striking and intense backdrop for Shakespeare’s Scottish play. Erté captures the grandeur of the court, rendering a stately throne flanked by a series of footmen. The proscenium is creatively crafted as two ravens appear to peel back the curtain of the scene. Created in an atypically stark palette for the illustrious designer, this unique set design reflects the intensity of the moment and the serious thrill of one of Shakespeare’s most storied plays. Unique and memorable, this gouache set design showcases the breadth of Erté‘s creativity and his ability to step into a multitude of stylistic languages to achieve the desired dramatic effect.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1945 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 17 1\/2\" wide\u003cbr\u003e Frame: 16 1\/4\" high x 23 1\/2\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902629355655,"sku":"31-7625","price":26850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7625_1_20a5701c-4772-4bb6-89dc-48eb666ea1d4.png?v=1730880811"},{"product_id":"premiere-dactylo-by-erte","title":"Première Dactylo by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePremière Dactylo\u003c\/em\u003e \u003cem\u003e(“First Typist”)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Stamped “Erté, Romain de Tirtoff” (en verso)\u003cbr\u003e Inscribed “Première Dactylo” N°5994(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled Première Dactylo embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s designs are so beloved. Oft-called “Father of Art Deco,” this creative ensemble showcases Erté's clever imagination and fashion-forward sartorial genius.  \u003cbr\u003e\u003cbr\u003e An Art Deco commentary on the new working woman, Erté's Première Dactylo or “First Typist,” is first in class with her secretarial skills. Wearing a simple black strapless sheath with an elegant crossed sash crafted from individual typewriter keys, Erté punctuates the ensemble with voluminous billowing pink sleeves that gather tightly at the wrist and a large bow at the neck. Erté's elegant model is crowned by a small fascinator hat crafted from a piece of paper marked with a line of copy. Erté’s striking color palette and creative play on the typewriter underscore his dazzlingly clever point of view and elevated sense of style. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8\" wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902631977095,"sku":"31-7617","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7617_1_b8580ff4-d722-469c-bd40-d1dd92bd321a.png?v=1726259199"},{"product_id":"tete-de-mannequin-by-erte","title":"Tête de mannequin by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eTête de mannequin\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “No. 1744 \/ Deuxième aspect de la tête de mannequin # 1742\" (en verso)\u003cbr\u003e Silver and black pencil on paper \u003cbr\u003e\u003cbr\u003e Erté’s \u003cem\u003eTête de mannequin\u003c\/em\u003e offers a tantalizing glimpse of the artist's ability to push the boundaries of fashion through cosmetics. Erté renders the figure's multihued hair with a unique spotted pattern, accented by the metallic shine of his silver pencil. Quintessentially modern, Erté finishes the composition with bold strokes to accentuate the figure's eyes and eyebrows. \u003cbr\u003e\u003cbr\u003e Paris in the Art Deco era stood at the crossroads of tradition and modernity, establishing itself as a global epicenter of art, literature and intellectual thought. Amidst the echoes of World War I, avant-garde movements like Surrealism and Cubism intermingled with jazz melodies wafting through the city’s smoky salons. As cocktails flowed, intellectuals, writers and artists from around the world found themselves drawn to the cosmopolitan allure of Paris. Erté, with his revolutionary costuming and otherworldly sets, was perfectly poised to unleash his creativity. He worked with many of the city’s premier entertainment venues, and his striking visuals, full of bold patterns and vibrant colors, came to define the modernity of the era. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1930 \u003cbr\u003e\u003cbr\u003e Paper: 8\" high x 6 1\/2\" wide\u003cbr\u003e Frame: 17 1\/4\" high x 14\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902633484423,"sku":"31-7598","price":14850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7598_1_c5e9479e-9b43-4399-9126-65d9827b8fc9.png?v=1726274133"},{"product_id":"la-mariee-by-erte","title":"La mariée by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa mariée\u003c\/em\u003e\u003cbr\u003e \u003cem\u003eThe bride\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed n°5999(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e A quintessential ensemble from any clothing designer, Erté’s \u003cem\u003eLa mariée\u003c\/em\u003e paints the celebrated artist’s take on an Art Deco era bride. Free of a large ballgown skirt or tulle veil, Erté’s dramatic interpretation of bridal attire is anything but typical, showcasing the Art Deco glamour and over-the-top drama for which the Erté’s designs are so beloved. Short, sensual, detailed and daring, this matrimonial ensemble underscores the oft-called Father of Art Deco’s sartorial genius and groundbreaking knack for pushing the creative envelope. \u003cbr\u003e\u003cbr\u003e Erté’s creation features a long column-like buttoned bodice and high neckline, but appears entirely backless, exposing his model’s shoulders, arms and sides. The dress is punctuated by a short saucer-like skirt that features a profusion of beaded embellishments. The ensemble is capped off with a large white bow and a short cascading veil that comes together in dramatic angular pleats. This chic and unique design embodies the dramatic flair for which Erté’s fashions are revered today, showcasing his unique ability to reinterpret classic designs and silhouettes with groundbreaking modernity and whimsy. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1941 \u003cbr\u003e\u003cbr\u003e Paper: 14” high by 10” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902633779335,"sku":"31-7618","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7618_1_abbc6479-8395-4ca1-909a-b72a1b81aa2a.png?v=1728289470"},{"product_id":"poisson-volant-by-erte","title":"Poisson volant by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePoisson volant\u003c\/em\u003e \u003cem\u003e(Flying Fish)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"Serge - voici un poisson non comestible\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Marked by striking vibrance, this original gouache from the creative mind of Erté entitled Poisson volant puts the spotlight on Erté’s tongue-in-cheek artistry. Oft-called “Father of Art Deco,” this clever and colorful work showcases the more whimsical side of Erté’s glamorous oeuvre.  \u003cbr\u003e\u003cbr\u003e Merging Art Deco fashion with the piscine form of a brightly-hued fish, this captivating design highlights Erté’s passion for groundbreaking design with his love for double entendre. Gifted to his trusted personal assistant Serge Leeman, the inscription on the back translates to \"Serge - here is an inedible fish.\" Marked by fluttering fin-like sleeves and a voluminous scalloped skirt, the figure in this marine-inspired dress appears to take flight, aptly embodying the composition’s clever title. Set against a deep black background, Erté’s precise lines and vivid color palette pop with dazzling intensity. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1970 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/2” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902638727303,"sku":"31-7685","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7685_1_77b2a62e-9280-4747-837c-b6d2a88966d5.png?v=1726265931"},{"product_id":"poisson-volant-flying-fish-by-erte","title":"Poisson volant (Flying Fish) by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePoisson volant\u003c\/em\u003e \u003cem\u003e(Flying Fish)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté”(lower right)\u003cbr\u003e Inscribed \"Serge - Voici un poisson choisi dans le menu d'un grand restaurant\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Marked by striking vibrance, this original gouache from the creative mind of Erté entitled Poisson volant puts the spotlight on Erté’s tongue-in-cheek artistry. Oft-called “Father of Art Deco,” this clever and colorful work showcases the more whimsical side of Erté’s glamorous oeuvre.  \u003cbr\u003e\u003cbr\u003e Merging Art Deco fashion with the piscine form of a brightly-hued fish, this captivating design highlights Erté’s passion for groundbreaking design with his love for double entendre. Gifted to his trusted personal assistant Serge Leeman, the inscription on the back translates to \"Serge - Here is a fish chosen from the menu of a great restaurant.\" While this work’s companion composition takes a more fashion-forward approach, dressing its figure in a skirt and bodice, this work skews more toward the aquatic side of the spectrum. Skirt pleats are traded in for a fishtail and scaly appliqué. Sleeves are traded in for fins that have a wing-like flare and this fish too appears to take flight, aptly embodying the composition’s clever title. Set against a deep black background, Erté’s precise lines and vivid color palette pop with dazzling intensity. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1970 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/2” high by 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Serge Leeman, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":43408178282631,"sku":"31-7686","price":34500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7686_1.png?v=1762003132"},{"product_id":"les-perroquets-verts-by-erte","title":"Les perroquets verts by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes perroquets verts\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eGreen Parrots\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté adds a touch of his trademark whimsy to this alluring cabaret costume entitled \u003cem\u003eLes perroquets verts\u003c\/em\u003e. The model dons a fanned and feathered headpiece, while her hands hold effigies of the eponymous green parrots. Her seductive costume, showcasing a verdant green palette with bursts of crimson red, is framed by the long braids cascading from her head. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WD7QJRvBaao\" target=\"_blank\"\u003eCaptured on film in archival footage from the Bal Tabarin\u003c\/a\u003e, the bold and colorful design showcases Erté’s nature-inspired artistic visions. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8\" wide\u003cbr\u003e Frame: 17 5\/8\" high x 13 1\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Private collection, Paris, 2008 \u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902639317127,"sku":"31-7628","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7628_1_e3208de5-e532-402d-a9b4-9ff5ab48221c.png?v=1728289318"},{"product_id":"grand-ara-bleu-et-jaune-by-erte","title":"Grand ara bleu et jaune by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eGrand ara bleu et jaune\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eBlue and Yellow Great Macaw\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté adds a touch of his trademark whimsy to this alluring cabaret costume entitled \u003cem\u003eGrand ara bleu et jaune\u003c\/em\u003e. The model dons a fanned and feathered headpiece, while her hands hold effigies of the eponymous blue and yellow macaws. Her seductive costume, showcasing a sunny yellow palette with bursts of vibrant blue, is framed by the long braids cascading from her head. \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WD7QJRvBaao\" target=\"_blank\"\u003eCaptured on film in archival footage from the Bal Tabarin\u003c\/a\u003e, the bold and colorful design showcases Erté’s nature-inspired artistic visions. \u003cbr\u003e\u003cbr\u003e The nightlife of the Art Deco period was a bold expression of the times, synthesizing time-honored entertainment traditions with a new modernist spirit in a dazzling dance of light, sound and movement. Paris’ cabarets, particularly in the Montmartre and Montparnasse districts, hosted spirited performances, with establishments like the Folies Bergère and the Bal Tabarin setting global standards for entertainment. The city’s vibrant cultural scene also provided an ideal backdrop for the popularization of jazz music, which quickly became the soundtrack of the era. Erté worked with many of the city’s premier entertainment venues, and his striking visuals—full of bold patterns, vibrant colors and otherworldly designs—came to define the modernity of the city. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1948 \u003cbr\u003e\u003cbr\u003e Paper: 12\" high x 8\" wide\u003cbr\u003e Frame: 17 5\/8\" high x 13 1\/4\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Private Collection, Paris, 2008\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902639546503,"sku":"31-7629","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7629_1_077c801a-8c13-42a1-8036-e5bfee57abee.png?v=1728289752"},{"product_id":"la-dame-de-trefle-by-erte","title":"La dame de trèfle by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dame de trèfle\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eLady of Clubs\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This costume designed by Erté encapsulates an important symbol in Giuseppe Verdi’s famed opera \u003cem\u003eLa Traviata\u003c\/em\u003e. In Act II, during a gambling scene, characters draw attention to several playing cards. They become catalysts for heated exchanges between the protagonists, serving as as a visual emblem of their ill-fated love affair’s destiny. For a 1948 performance of the classic opera, Erté melds traditional playing card imagery with modern stylized forms to fashion the costume. \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa dame de trèfle\u003c\/em\u003e, or Lady of Clubs, functions as a metaphorical motif symbolizing the juxtaposition between public appearances and private realities. Erté places the masked woman on a deep grey background, emphasizing the shadowy and unseen forces at play in the scene. Even so, the crowned lady exudes an enigmatic magnetism, holding a flower to her face in a gloved hand. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1948 \u003cbr\u003e\u003cbr\u003e Paper: 14 3\/8\" high x 10 3\/8\" wide\u003cbr\u003e Frame: 20 7\/8\" high x 16 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902728380551,"sku":"31-7644","price":22850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7644_1_a7ddcc3e-3957-4a78-ac60-e969d38958fc.png?v=1728289503"},{"product_id":"voiles-de-vienne-by-erte","title":"Voiles de Vienne by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eVoiles de Vienne\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Sails of Vienna\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (middle right)\u003cbr\u003e Inscribed “Voiles de Vienne \/ Succession Erte \/ Romain de Tirtoff \/ Boulogne 1990” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This set design, entitled \u003cem\u003eVoiles de Vienne\u003c\/em\u003e, depicts a fashionable woman seated before a white pillar overlooking the Vienna skyline. She is adorned pink, as her fan of expansive pink feathers showcase her social standing. A would-be suitor makes a discreet appearance in the room, tipping his hat in a gesture that is both amiable and flirtatious. The palace itself is a testament to historical grandeur, embellished with intricate black and white crests, elaborate scrollwork and decorative ornamentation. Erté's design is further accentuated by two cherubs holding lit candelabras, adding a final touch of opulence to the scene. \u003cbr\u003e\u003cbr\u003e ​The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1980 \u003cbr\u003e\u003cbr\u003e Paper: 6 1\/2\" high x 8 1\/4\" wide\u003cbr\u003e Frame: 13\" high x 14 1\/2\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902740406407,"sku":"31-7714","price":19850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7714_1_c1511402-4acd-413c-a413-7885fa1ca0bc.png?v=1728288589"},{"product_id":"chez-les-nues-pour-roland-petit-i-by-erte","title":"Chez les nues pour Roland Petit I by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChez les nues\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eHome of the Nudes\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N°18.394 \/ Chez les Nues \/ Premier aspect du décor \/ Composition originale\" (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled \u003cem\u003eChez les nues\u003c\/em\u003e embodies the Art Deco glamour and tongue-in-cheek artistry for which the artist’s works are so beloved. Created for Roland Petit, one of Erté’s closest confidants, this set design showcases the oft-called Father of Art Deco’s groundbreaking creativity.  \u003cbr\u003e\u003cbr\u003e Roland Petit was a transformative figure in 20th-century ballet, known for infusing contemporary and theatrical elements into classical ballet traditions. His innovative choreographies brought the visionary great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage. In this gouache, Erté designs a backstage dressing room, complete with four nude performers sitting at mirrored vanities. Each figure appears totally nude with the exception of a large black feathered headpiece. Erté’s dramatic vision is realized in black, white, red and gold hues, adding to its captivating art deco allure. The tableau is completed by an apropos proscenium pediment—a fully nude gold bust that merges the classic beauty of the Venus-like form with the modernity of a Deco-era dress form. Artful and over-the-top, this dressing room design embodies the clever creativity and daring sensuality of Erté‘s oeuvre.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high by 12” wide\u003cbr\u003e Frame: 12 3\/4” high by 17 1\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist\u003cbr\u003e Collection Serge Leeman\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902742536327,"sku":"31-7703","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7703_1_66a4bc1c-9dd9-4a99-9d5b-45b170ba006c.png?v=1730881640"},{"product_id":"chez-les-nues-pour-roland-petit-ii-by-erte","title":"Chez les nues pour Roland Petit II by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChez les nues II\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eHome of the Nudes\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N°18.396 \/ Chez le Nues \/ Deuxième aspect du décor \/ Composition originale\" (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e This original gouache painting, conceived by the imaginative Erté, bears the title \u003cem\u003eChez les nues\u003c\/em\u003e or \u003cem\u003eHome of the nudes\u003c\/em\u003e. It captures the essence of Art Deco glamour and the playful artistry that makes the artist's works so adored. This particular creation was crafted for Roland Petit, a trusted friend of Erté's, and it serves as a testament to the pioneering creativity of the man often referred to as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Roland Petit was a transformative figure in 20th-century ballet whose innovative choreography earned great renown and celebrity. Erté’s creations for Petit made the performances even more transcendent, adding greater visual spectacle to the dancers onstage. In this gouache, Erté designs a backstage dressing room, complete with four nude performers sitting at mirrored vanities. Each figure appears totally nude with the exception of a striking purple ombré feathered headpiece. Erté’s dramatic vision is realized in a myriad of purple hues, with feathered swags mimicking the colors of the dancer’s headpieces. The alluring Art Deco tableau is completed by an apropos proscenium pediment—a fully nude gold bust that merges the classic beauty of the Venus-like form with the modernity of a Deco-era dress form. Artful and over-the-top, this dressing room design embodies the clever creativity and daring sensuality of Erté’s oeuvre.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high by 12” wide\u003cbr\u003e Frame: 12 3\/4” high by 17 1\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist, Boulogne, 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902744895623,"sku":"31-7704","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7704_1_da3614ca-24d2-40b5-892f-8351ed13febb.png?v=1730881644"},{"product_id":"le-chien-qui-fume-by-erte","title":"Le chien qui fume by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe chien qui fume\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eThe Smoking Dog\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This set design by Erté, entitled \u003cem\u003eLe chien qui fume\u003c\/em\u003e, pays homage to a renowned Parisian restaurant, an iconic establishment since its inception in 1740. A 1950s menu from the venerable venue advertised dine-and-dance evenings, featuring an illustration of a stylish Parisian couple seated at a table in their evening attire. The menu interior proclaims, \"This is the rendezvous for everyone who loves gaiety, good food, old wines and champagne,\" before noting that the orchestra ceases its performance at 6am — a testament to the restaurant's lively atmosphere. \u003cbr\u003e\u003cbr\u003e In Erté's theatrical rendition of the interior, he portrays three couples within the restaurant's historic brick and stone walls. The men wear military garb, while the women don elegant evening gowns. All are captured in the act of toasting to the occasion. Waitstaff are depicted serving meals to the diners, and the entire scene is suffused with warm red and purple hues that contribute to the venue's romantic and delightful ambiance. \u003cbr\u003e\u003cbr\u003e ​The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1980 \u003cbr\u003e\u003cbr\u003e Paper: 9 1\/2“ high x 13 1\/2” wide\u003cbr\u003e Frame: 15\" high x 19 1\/4\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902745288839,"sku":"31-7713","price":28500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7713_1_a8b3f3e7-229c-4d18-b8ce-77204ffe9964.png?v=1728289659"},{"product_id":"tableau-d-enfer-by-erte","title":"Tableau d’enfer by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eTableau d’enfer\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Created for the Opéra de Lyon’s 1961 production of the opera Castor et Pollux, this costume titled \u003cem\u003eTableau d’enfer\u003c\/em\u003e or \u003cem\u003eA Hellish Scene\u003c\/em\u003e was designed for Act 3 of the opera. Castor et Pollux, an 18th-century French tragic opera, draws from the ancient myth of Castor and Pollux, the origin of the Gemini Twins constellation. The narrative centers on Pollux, bestowed with immortality, and his mortal twin, Castor. Castor's demise catalyzes a pivotal moment: Pollux elects to share his own immortality, reawakening his brother while embracing his own mortality. To rescue Castor, Pollux embarks on an underworld odyssey, battling demons and displaying profound love. This ensemble captures the opera's intense emotions, epitomizing themes of sacrifice, affection and the interplay between mortality and immortality. \u003cbr\u003e\u003cbr\u003e Adorned with a headpiece resembling a bat and serpents coiling around her arms, this demon’s attire conjures a hellish realm with spectacular fashion. Featuring a corset embellished with gleaming eyes, a skirt of ebony feathers and boots crowned with serpent motifs, all in fiery red harmony with the gloves, this ensemble seamlessly blend classical and contemporary allure. This costume masterfully unites age-old sensibilities with a modern twist, invoking both the ancient and the avant-garde. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1961 \u003cbr\u003e\u003cbr\u003e Paper: 19 1\/2“ high x 15” wide\u003cbr\u003e Frame: 25 1\/8 high x 20 3\/4\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902733328519,"sku":"31-7677","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7677_1_8f81430c-473d-4a43-b441-36c1e36f2c8d.png?v=1728289107"},{"product_id":"les-travestis-by-erte","title":"Les travestis by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes travestis\u003c\/em\u003e (\u003cem\u003eThe Transvestites\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 18.363 \/ Moi, j'aime le music-hall \/ Les Travestis\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté’s costume for \u003cem\u003eLes travestis\u003c\/em\u003e is indicative of the ever-modernizing social fabric of Paris. The city’s reputation as a haven for free thinkers and artists attracted people from all walks of life, including those with non-conventional gender expressions. Crossdressing in theater and cabaret performances of the early 20th century challenged the rigidity of gender norms, paving the way for later advancements in equality. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1974 \u003cbr\u003e\u003cbr\u003e Paper: 14 3\/4\" high x 10 5\/8\" wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Roland Petit and Zizi Jeanmaire, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902739456135,"sku":"31-7694","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7694_1_0bbaa25d-ba5c-4516-ab7b-075dbfc21c1e.png?v=1728289304"},{"product_id":"le-tumulte-du-jazz-by-erte","title":"Le tumulte du jazz by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe tumulte du jazz\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 4.494 \/ Tumultes \/ Le Tumulte du Jazz\"(en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed this exceptionally moody set as an ode to jazz for Roland Petit’s show \u003cem\u003eTumultes\u003c\/em\u003e. Jazz’s energetic rhythms, improvisational nature and evocative melodies quickly became the music of the times and the ever-present rhythm of Parisian nightlife in the early 20th century. Erté renders the surrealist scene in monochromatic shades of black and white, evoking the feeling of sitting in one of the city’s famous jazz clubs after dark. \u003cbr\u003e\u003cbr\u003e Paris in the Art Deco era stood at the crossroads of tradition and modernity, establishing itself as a global epicenter of art, literature, and intellectual thought. Amidst the echoes of World War I, the city became a vibrant tapestry where avant-garde movements like Surrealism and Cubism intermingled with the rhythmic beats of jazz and the allure of cinema. Intellectuals, writers and artists from around the world, drawn to the city’s cosmopolitan allure, transformed its cafes, salons and studios into dynamic spaces of creativity and discourse. The era witnessed Parisian culture boldly redefining itself, pushing boundaries and shaping modern sensibilities that would resonate throughout the 20th century and beyond. Erté, with his groundbreaking costuming and otherworldly sets, was perfectly poised to unleash his creativity. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1938 \u003cbr\u003e\u003cbr\u003e Paper: 11” high x 7 1\/2” wide\u003cbr\u003e Frame: 17 1\/8\" high x 14\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Erté’s collection, Boulogne 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902634958983,"sku":"31-7605","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7605_1_5771e2ca-aae1-4815-a5f7-6b07ad7ac83d.png?v=1728289389"},{"product_id":"le-petit-cardinal-noir-by-erte","title":"Le petit cardinal noir by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe petit cardinal noir\u003c\/em\u003e \u003cem\u003e(“The Little Black Cardinal”)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e This original gouache from the creative mind of Erté entitled Le petit cardinal noir puts the spotlight on Erté’s tongue-in-cheek artistry. Oft-called “Father of Art Deco,” this clever and somewhat irreverent work showcases the more whimsical side of Erté’s glamorous oeuvre.  \u003cbr\u003e\u003cbr\u003e Merging Art Deco fashion with the iconography of the Catholic Church, Erté dresses his “cardinal” in an all-black ensemble, daring to envision the attire in a dark hue rather than the traditional red color. Complete with the traditional small “zucchetto” hat, Erté’s outfit includes the layered alb robes and cloak and tied ascot. Erté transforms the traditional garb into a high fashion ensemble, painting the cloaks with dramatic structural collars and pleats and pairing the robes with cropped shorts, pointed high heels and a luxurious white fur muff. Erté’s precise lines and striking black-and-white color palette pop with dazzling intensity. This elegant gouache on paper underscores Erté’s clever imagination, sophisticated point of view and unimpeachable sartorial genius. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted Circa 1970 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/2” high by 10” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 1\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902733590663,"sku":"31-7684","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7684_1_ea4a4d95-6832-4d59-a27d-a326d44267fc.png?v=1728289412"},{"product_id":"ballet-espagnol-by-erte","title":"Ballet espagnol by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eBallet espagnol\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 9871 \/ La Traviata \/ Acte III \/ Scene 2 \/ Ballet Espagnol\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. Erté’s set design for the \u003cem\u003eBallet espagnol\u003c\/em\u003e in Act III Scene VII of the timeless production allowed audiences to be transported to Paris of the early 19th century. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Circa 1951 \u003cbr\u003e\u003cbr\u003e Paper: 5 1\/8\" high x 7 3\/8\" wide\u003cbr\u003e Frame: 10 1\/2\" high x 12 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection of Roland Petit and Zizi Jeanmaire, Paris\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902745878663,"sku":"31-7955","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7955_1_0336e745-d16d-414e-9072-79b984a9496b.png?v=1730881139"},{"product_id":"acte-ii-scene-iv-pour-la-traviata-by-erte","title":"Acte II Scène IV pour La Traviata by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eActe II Scène IV pour La Traviata\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 4099 \/ La Traviata \/ Acte II \/ Scène IV \/ Composition originale\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. This 1937 set design for Act II Scène IV of the timeless production allowed audiences to be transported to Paris of the early 19th century. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1937 \u003cbr\u003e\u003cbr\u003e Paper: 5 1\/8\" high x 7 3\/8\" wide\u003cbr\u003e Frame: 10 1\/2\" high x 12 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902746239111,"sku":"31-7956","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7956_1_75067465-33f1-4f88-822a-a3fe0dffe27c.png?v=1730880817"},{"product_id":"pung-by-erte","title":"Pung by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003ePung\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “Mah-Jongg \/ Tommy 2 \/ No. 344” (en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e Erté renders a stylish gold and white costume titled \u003cem\u003ePung\u003c\/em\u003e, for a character in the 1925 production of \u003cem\u003eMah-Jongg.\u003c\/em\u003e Resembling a traditional Chinese acrobatic, the charming figure wears a tightly fitted cap and a white vest adorned with graceful swirling motifs. The costume's arms and legs are adorned with flowing golden fabric, complementing the character's pointed feet and spade-shaped hands. The character's name, \u003cem\u003ePung\u003c\/em\u003e, is drawn from a tile in the eponymous game of mahjong. Originating in China in the 19th century, the pastime combines skill, strategy and luck, and quickly grew in popularity worldwide. \u003cbr\u003e\u003cbr\u003e Thanks to the breadth of the artist’s cultural experiences in his youth, Erté’s visionary Art Deco style looked to both the glory of the ancient world and the allure of Eastern artistic traditions. Erté melded the iconic motifs of ancient Greece and Rome with modern sensuality and style in his costuming and set design, particularly for the performances of ancient tales like Helen of Sparta and Hercules. The artist also prominently showcased Asian-inspired designs and a growing appreciation for non-Western aesthetics. The allure of the so-called \"Orient\" found resonance within the geometric precision emblematic of the Art Deco style. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e A nearly identical version of this design can be found in the permanent collection of the Metropolitan Museum of Art in New York. \u003cbr\u003e\u003cbr\u003e Painted 1925 \u003cbr\u003e\u003cbr\u003e Paper: 14\" high x 9 3\/8” wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 7\/8\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902626177159,"sku":"31-7578","price":16850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7578_1_61df6a34-5ecc-4081-8fa4-9176113e9df9.png?v=1726257859"},{"product_id":"raspoutine-by-erte","title":"Raspoutine by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChanteur\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed “No. 18.281” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté created this stylish white costume for a singer in the production of \u003cem\u003eRaspoutine,\u003c\/em\u003e named after the eponymous Russian mystic and friend of the famed Romanov family. The male performer's attire, reminiscent of the vestments of a Renaissance cavalier, is complete with knee-high boots and a regal one-shoulder cape trimmed in black. An elegant black rope extends from the cape, terminating in a tassel. The shirt features a plunging neckline accentuated by a tall collar, which directs attention to the figure's slicked-back hair. Skillfully blending historical military uniforms with the modernity and camp of the modern stage, Erté's showcases his ability to craft something both timeless and fresh. \u003cbr\u003e\u003cbr\u003e The captivating alliance between the Erté and the flourishing performing arts scene of Paris transported audiences to new realms throughout the early 20th century. Erté quickly forged relationships with luminaries of the performing arts world — including Zizi Jeanmaire, Roland Petit and Misinguett — and leant his distinctive Art Deco vision to operatic and theater productions. These collaborations rose above mere aesthetic embellishments, penetrating to the core of performances and adding greater depth to the narratives on display. The artist possessed a great range of vision and was equally adept at capturing Rococo decadence in the sets of \u003cem\u003eCosi Fan Tutti\u003c\/em\u003e as he was in creating supernatural, moody interiors for \u003cem\u003eLes Mamelles de Tirésias\u003c\/em\u003e. His Art Deco stylings brought both a fantasy and modernity to the stage that has rarely been matched since. Parrying the spectacle of these fantastical productions, fashion grew more opulent, with luxury canes, pocketwatches and compacts becoming essentials for a modern Parisian. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1972 \u003cbr\u003e\u003cbr\u003e Paper: 14 1\/4\" high x 10 1\/2” wide\u003cbr\u003e Frame: 20 3\/4\" high x 16 7\/8\" wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902734344327,"sku":"31-7683","price":16500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7683_1_51e67d24-271f-4dd7-bb8a-97a40fb07b08.png?v=1726262759"},{"product_id":"le-souper-by-erte","title":"Le souper by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLe souper\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 4095 \/ La Traviata \/ Acte I \/ Scene II \/ Le Souper \/ Composition originale\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. This 1937 set design for the \u003cem\u003eLe souper\u003c\/em\u003e in Act I Scene II of the timeless production allowed audiences to be transported to Paris of the early 19th century. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1937 \u003cbr\u003e\u003cbr\u003e Paper: 5 1\/8\" high x 7 3\/8\" wide\u003cbr\u003e Frame: 10 1\/2\" high x 12 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902747353223,"sku":"31-7959","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7959_1_40816ccc-64f5-439b-bce8-0d0d1e3c42b6.png?v=1728289406"},{"product_id":"chez-les-nues-by-erte","title":"Chez les nues by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eChez les nues\u003c\/em\u003e\u003cbr\u003e (\u003cem\u003eHome of the Nudes\u003c\/em\u003e) \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N°18.398 \/ Chez les Nues \/ 3e aspect du décor \/ Composition originale\"(en verso)\u003cbr\u003e Gouache and gold on paper \u003cbr\u003e\u003cbr\u003e This original gouache painting, conceived by the imaginative Erté, bears the title \u003cem\u003eChez les nues\u003c\/em\u003e or \u003cem\u003eHome of the nudes\u003c\/em\u003e. It captures the quintessential essence of Art Deco glamour and the whimsical artistry that endears the artist's works to admirers. This particular masterpiece was specially crafted for Roland Petit, a cherished confidant of Erté, and stands as a testament to the pioneering creativity of the man often hailed as the \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Roland Petit stands as a transformative figure in 20th-century ballet, renowned for his groundbreaking choreography that earned him widespread acclaim and celebrity status. Erté's artistic creations for Petit enhanced the performances, infusing them with even more transcendent beauty and adding a mesmerizing visual spectacle to the dancers gracing the stage. In this gouache, Erté designs a backstage dressing room, complete with four nude performers sitting at mirrored vanities. Each figure appears totally nude with the exception of a dazzling diamond-encrusted headpiece. Erté’s dramatic vision includes further bejeweled details and the mirrors and wallpaper and vanities each drip with art deco diamonds. \u003cbr\u003e\u003cbr\u003e The alluring Art Deco tableau is completed by an apropos proscenium pediment—a fully nude gold bust that merges the classic beauty of the Venus-like form with the modernity of a Deco-era dress form. Artful and over-the-top, this dressing room design embodies the clever creativity and daring sensuality of Erté’s oeuvre.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7 1\/4” high by 12” wide\u003cbr\u003e Frame: 12 3\/4” high by 17 1\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Estate of the artist, Boulogne, 1990\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902743814279,"sku":"31-7705","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7705_1_c3e655f5-6991-455e-8dd0-856f916d57f9.png?v=1730881640"},{"product_id":"ailerons-de-requin-by-erte","title":"Ailerons de requin by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eAilerons de requin\u003c\/em\u003e\u003cbr\u003e \u003cem\u003e(Shark Fins)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Inscribed “n°1.491 \/ Aladin \/ Ailerons de Requin” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e In 1928, Erté undertook the creation of stage designs and costumes for \u003cem\u003eAladin\u003c\/em\u003e, a theatrical production that drew inspiration from the enchanting tales of Arabian Nights. Staged at the renowned Folies Bergère, this production marked a convergence of Erté's vision with Eastern artistic influence. This gouache on paper entitled \u003cem\u003eAilerons de requin\u003c\/em\u003e captures the pivotal narrative moment when Aladin transforms, at least partially and temporarily, into a shark. Statuesque in its presence and representative of the Art Deco periods's bold patterns and natural influences, this creation by the “Father of Art Deco” himself is an exceptional example of Erté's finest work.  \u003cbr\u003e\u003cbr\u003e Thanks to the breadth of the artist’s cultural experiences in his youth, Erté’s visionary Art Deco style looked to both the glory of the ancient world and the allure of Eastern artistic traditions. Erté melded the iconic motifs of ancient Greece and Rome with modern sensuality and style in his costuming and set design, particularly for the performances of ancient tales like Helen of Sparta and Hercules. The artist also prominently showcased Asian-inspired designs and a growing appreciation for non-Western aesthetics. The allure of the so-called \"Orient\" found resonance within the geometric precision emblematic of the Art Deco style, as stories like \u003cem\u003eAladin\u003c\/em\u003e were reinterpreted for French audiences. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1929 \u003cbr\u003e\u003cbr\u003e Paper: 11“ high x 9” wide\u003cbr\u003e Frame: 17 1\/4“ high x 14 1\/4” wide x 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902625882247,"sku":"31-7593","price":18850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7593_1_fc343c1f-438b-4eb2-8b33-989e1911e41b.png?v=1730880835"},{"product_id":"homme-de-la-suite-daladin-by-erte","title":"Homme de la suite d'Aladin by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eHomme de la suite d'Aladin, cortège nuptial\u003c\/em\u003e \u003cem\u003e(Man from Aladdin's entourage, wedding procession)\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Inscribed “n°1.513 \/ Aladin \/ Homme de la suite d'Aladin \/ (Cortège Nuptial)” (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté designed exquisite sets and costumes for the 1929 theatrical production of \u003cem\u003eAladin\u003c\/em\u003e, drawing rich inspiration from the mesmerizing tales of the Arabian Nights. Performed at the illustrious Folies Bergère, the endeavor married Erté's distinctive artistic flair with his interest in Eastern narratives and artistic traditions. Entitled \u003cem\u003eHomme de la suite d'Aladin\u003c\/em\u003e, this exquisite gouache on paper showcases a standout costume. The figure, draped in a resplendent gold and blue robe adorned with cascading sleeves, sports an long mustache and beard. His unique horn-like headpiece elevates the sage's aura of wisdom and importance. Embodying the Art Deco era's signature bold patterns and opulent flair, the design stands as a testament to the genius of Erté, the oft-called \"Father of Art Deco.\" \u003cbr\u003e\u003cbr\u003e Thanks to the breadth of the artist’s cultural experiences in his youth, Erté’s visionary Art Deco style looked to both the glory of the ancient world and the allure of Eastern artistic traditions. Erté melded the iconic motifs of ancient Greece and Rome with modern sensuality and style in his costuming and set design, particularly for the performances of ancient tales like Helen of Sparta and Hercules. The artist also prominently showcased Asian-inspired designs and a growing appreciation for non-Western aesthetics. The allure of the so-called \"Orient\" found resonance within the geometric precision emblematic of the Art Deco style, as stories like \u003cem\u003eAladin\u003c\/em\u003e were reinterpreted for French audiences. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Painted 1929 \u003cbr\u003e\u003cbr\u003e Paper: 11 1\/8“ high x 9” wide\u003cbr\u003e Frame: 17 1\/4“ high x 14 1\/8” wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902633287815,"sku":"31-7595","price":18500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7595_1_4d357f2b-40cb-4a1a-b314-8fdb3e8b4862.png?v=1728289912"},{"product_id":"la-valse-by-erte","title":"La valse by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLa valse\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 4096 \/ La Traviata \/ Acte I \/ Scenes II et IV \/ La Valse \/ Composition originale\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. Entitled \u003cem\u003eLa valse\u003c\/em\u003e, this 1937 set design for Act I Scenes II and IV of the timeless production allowed audiences to be transported to Paris of the early 19th century. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1937 \u003cbr\u003e\u003cbr\u003e Paper: 5 1\/8\" high x 7 3\/8\" wide\u003cbr\u003e Frame: 10 1\/2\" high x 12 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902746599559,"sku":"31-7957","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7957_1_4f99b131-5bfb-4f5d-907f-c21a1686bfbd.png?v=1728289444"},{"product_id":"acte-iii-scene-vii-pour-la-traviata-by-erte","title":"Acte III Scène VII pour La Traviata by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eActe III Scène VII pour La Traviatar\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"No. 4103 \/ La Traviata \/ Acte trois \/ Scene 7\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Erté served as set designer for two renditions of \u003cem\u003eLa Traviata\u003c\/em\u003e, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. This 1937 set design for Acte III Scene VII of the timeless production allowed audiences to be transported to Paris of the early 19th century. \u003cbr\u003e\u003cbr\u003e The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period. \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of \u003cem\u003eHarper’s Bazaar\u003c\/em\u003e, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including \u003cem\u003eBen Hur\u003c\/em\u003e and \u003cem\u003eLa Bohème\u003c\/em\u003e, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art. \u003cbr\u003e\u003cbr\u003e Painted 1937 \u003cbr\u003e\u003cbr\u003e Paper: 5 1\/8\" high x 7 3\/8\" wide\u003cbr\u003e Frame: 10 1\/2\" high x 12 7\/8\" wide x 5\/8\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902746828935,"sku":"31-7958","price":9850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7958_1_6774ec9e-1db6-4ccb-a8a7-d3e9ef1a8330.png?v=1730880819"},{"product_id":"les-electriciens-by-erte","title":"Les électriciens by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eLes électriciens, 3e aspect du décor \u003c\/em\u003e\u003cbr\u003e \u003cem\u003eSet design for the electricians in Les Machinistes\/em\u0026gt; \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed: No. 18.403 \/ Les Machinistes, 3e aspect du décor \/ Les électriciens \/ Composition originale (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e  A showcase of Erté's pioneering creativity and engagement with the traditions of theater, this beautiful set design for \u003cem\u003e Les Machinistes\u003c\/em\u003e epitomizes the creative grandeur of the man often hailed as the \"Father of Art Deco.\" This gouache features an elaborately illuminated net, recalling the subject of the scene, electricians. A series of four columns stand illuminated by an ombre of warm colors and string lights rain down to the stage. Erté creates abstracted illuminated figures, crafting his own Deco version of a parade of electric light-illuminated characters. Artful and over-the-top, this set design showcases how the Art Deco master embraced the industries of progress.  \u003cbr\u003e\u003cbr\u003e This particular set design captured the eye of one of the most famous performers in history, Freddie Mercury. The iconic Queen frontman once held an almost identical gouache of this set design in his prestigious collection.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Circa 1974 \u003cbr\u003e\u003cbr\u003e Paper: 7” high by 11 1\/2” wide\u003cbr\u003e Frame: 13 1\/8” high by 17 3\/4” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Exhibitions:\u003cbr\u003e M.S. Rau, New Orleans, \u003cem\u003eErté and the Era of Art Deco\u003c\/em\u003e, October 14, 2023 - January 3, 2024 \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Sale, Sotheby’s Arcade, 1994\u003cbr\u003e Private collection, Paris\u003cbr\u003e M.S. Rau, New Orleans\u003c\/em\u003e","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902742929543,"sku":"31-7707","price":26850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7707_1_a369f4c7-bb01-44cb-91ea-5dade3e0b677.png?v=1728289341"},{"product_id":"yes-sir-by-erte","title":"Yes Sir by Erté","description":"Erté (Romain de Tirtoff)\u003cbr\u003e 1892-1990 | Russian-French \u003cbr\u003e\u003cbr\u003e \u003cem\u003eYes Sir\u003c\/em\u003e \u003cbr\u003e\u003cbr\u003e Signed “Erté” (lower right)\u003cbr\u003e Inscribed \"N° 18366\" (en verso)\u003cbr\u003e Gouache on paper \u003cbr\u003e\u003cbr\u003e Cheekily titled \u003cem\u003eYes Sir\u003c\/em\u003e, this colorful gouache embodies the Art Deco glamour and risqué intrigue for which the Erté’s designs are so beloved. A costume design for famed French ballet dancer, actress and singer Zizi Jeanmaire, this striking pink ensemble showcases Erté’s sartorial genius, exuding the opulence and drama that only Erté, the oft-called “Father of Art Deco,” could achieve. \u003cbr\u003e\u003cbr\u003e In this captivating composition, Erté renders Jeanmaire with her signature jet-black short-cropped hair, dramatic smoky eyes and bold rouged lips. She wears a shocking pink bodice with an elaborate bow-shaped bustle, intricate corset detailing and ebony rosettes. Her elegant long legs are emphasized by the costume's daringly short length and a set of sheer black tights. Sensually puffing on a long cigarette, Erté paints a meandering plume of smoke dancing above the crown of Jeanmaire’s head. \u003cbr\u003e\u003cbr\u003e Married to choreographer Roland Petit, Zizi Jeanmaire was among the most famous performers in post-war Paris, mingling with creatives from Yves Saint Laurent to Jean Cocteau. Erté developed a close relationship with the couple, designing them clothing and costumes alike. This Erté costume was designed for Jeanmaire to wear for a performance at the famed Casino de Paris, a renowned music hall with a rich history dating back to the 18th century. Following the First World War, the Casino de Paris emerged as one of Paris' most beloved music halls, graced by performances from luminaries such as Josephine Baker, Edith Piaf and Marlene Dietrich, and through the following decades it has remained an iconic hub for rich nightlife, music and entertainment.  \u003cbr\u003e\u003cbr\u003e Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria \u0026amp; Albert Museum in London and the Los Angeles County Museum of Art.  \u003cbr\u003e\u003cbr\u003e Dated 1974 \u003cbr\u003e\u003cbr\u003e Paper: 15” high by 11” wide\u003cbr\u003e Frame: 20 3\/4” high by 16 7\/8” wide by 3\/4\" deep \u003cbr\u003e\u003cbr\u003e Provenance:\u003cbr\u003e Private collection, Paris\u003cbr\u003e Artcurial Sale, 2015\u003cbr\u003e Private Collection\u003cbr\u003e M.S. Rau, New Orleans","brand":"M.S. Rau","offers":[{"title":"Default Title","offer_id":41902741028999,"sku":"31-7695","price":24500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/files\/31-7695_1_71e68833-9b76-4fb6-ad94-75fcc2210a3b.png?v=1728288687"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0083\/2471\/0466\/collections\/8-25-23MoreStylesHeader.jpg?v=1778863844","url":"https:\/\/rauantiques.com\/collections\/more-fine-art-styles.oembed?page=16","provider":"M.S. Rau","version":"1.0","type":"link"}