M.S. Rau is committed to offering fine art of the highest caliber and we seek paintings and sculpture by historically renowned artists, often with impressive provenance. The large majority of our works of art come from private. . .
At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn MoreNu tenant un miroir by Pablo Picasso
- This drawing is from Picasso's Rose Period, one of the most iconic bodies of work in history
- With fluid grace, Picasso creates a masterful composition featuring Fernande Olivier
- Elegant and precise, this work is a rare embodiment of his Rose Period style
- Similar drawings from this pivotal period belong to prestigious collections, including the National Gallery of Art
- Get complete item description here
To speak to one of our experts, call 1-888-711-8084
1881-1973 | Spanish
Nu tenant un miroir
(Nude holding a mirror)
Signed "Picasso" (lower right)
Pen and ink on paper
Pablo Picasso's Rose Period is among the most iconic bodies of work in art history. This beautiful drawing, entitled Nu tenant un miroir, exemplifies the refined elegance and simplicity that characterized this pivotal period and laid the foundation for his visionary career. Picasso's Rose Period works are highly rare and. . .
1881-1973 | Spanish
Nu tenant un miroir
(Nude holding a mirror)
Signed "Picasso" (lower right)
Pen and ink on paper
Pablo Picasso's Rose Period is among the most iconic bodies of work in art history. This beautiful drawing, entitled Nu tenant un miroir, exemplifies the refined elegance and simplicity that characterized this pivotal period and laid the foundation for his visionary career. Picasso's Rose Period works are highly rare and coveted by collectors, making this ink drawing an extraordinary treasure of modern art.
Created in 1906, Nu tenant un miroir captures the artist's companion Fernande Olivier with remarkable minimalism, demonstrating Picasso's extraordinary ability to convey form and emotion through a few precise, self-assured gestures. This drawing served as the foundation for Picasso's monumental oil painting, La Toilette, now in the permanent collection of the Buffalo AKG Museum. In the drawing, Picasso synthesizes the dual vision of Fernande's personality—combining the nude figure and the mirror holder into one person, which he would later split in two in the final painting.
Nu tenant un miroir also reveals Picasso's growing interest in classical antiquity, with unmistakable references to Roman and Egyptian artistic traditions. The figure exists in an undefined space, creating a sense of timelessness and eternity. Through masterful restraint, Picasso achieves a composition that is simultaneously ancient and thoroughly modern, balancing naturalistic representation with elements of abstraction.
The summer of 1906 marked a transformative period in Picasso's artistic development. Having relocated from his native Spain to Paris in 1904, Picasso and Fernande temporarily retreated to the remote Spanish village of Gósol in the Pyrenees. This rural sojourn provided Picasso with the solitude and focus to refine his artistic direction, resulting in works of remarkable clarity and purpose such as this one.
Born in 1881 in Málaga, Spain, Picasso spent his childhood studying drawing and painting under his father, Jose Ruíz, who taught at the local art school. Picasso spent a year at the Academy of Arts in Madrid before traveling to Paris in 1900. Landing in the epicenter of the European art world, Picasso began to mingle in the company of other artists, quickly establishing himself as a critical figure in the thriving Parisian art scene. Works from his pivotal Rose Period are especially prized by collectors and institutions for their historical significance and aesthetic sophistication. Comparable drawings from this critical year can be found in prestigious collections worldwide, including the Musée Picasso in Paris, the Metropolitan Museum of Art in New York and the National Gallery of Art in Washington, D.C.
Created 1906
Canvas: 9 3/4" high x 6 1/2" wide (24.77 x 16.51 cm)
Framed: 21 1/2" high x 17 3/8" wide x 1 3/4" deep (54.61 x 44.01 x 4.45 cm)
Provenance:
Gustave & Leon Bollag Collection, Zurich
Sale, Galerie Bollag, Zurich, 3rd April 1925, lot 167
Constance Charlotte Bailward, United Kingdom, acquired during the 1920s
Thence by descent
Private Collection, California
Literature:
Pierre Daix, Picasso 1900-1906: Catalogue raisonne l'oeuvre peint, Paris, 1966, no. XV.29, illustrated p. 300
Christian Zervos, Pablo Picasso, Supplement aux annees de 1903-1906, Paris, 1970, vol. XXII, no. 430, illustrated p. 151
Alberto Moravia, L'opera completa di Picasso blu e rosa, Milano, 1979, no. 270A, illustrated p. 109
Joseph Palau i Fabre, Picasso Vivo (1881-1907), Barcelona, 1980, no. 1242, illustrated p. 448
Le miroir noir, Picasso, sources photographiques 1900-1928 (exhibition catalogue), Musée Picasso, Paris, 1997, fig. 45, illustrated p. 58

Maker: | Picasso, Pablo |
Period: | 1816-1918 |
Origin: | France |
Type: | Drawings |
Style: | Modernism |
Depth: | 1.75 in. (4.45 cm) |
Width: | 17.33 in. (44.01 cm) |
Height: | 21.5 in. (54.61 cm) |
Canvas Width: | 6.500 in. (16.51 cm) |
Canvas Height: | 9.750 in. (24.77 cm) |

Picasso, Pablo
One could argue that Pablo Picasso was the most influential artist to have ever lived. He was certainly one of the most diverse, creating works of art in a dizzying array of styles and media...
Read More
10 Things You Didn't Know About Pablo Picasso
More than any other artist, Pablo Picasso defined Modern Art of the 20th century. During his lifetime, he was adored by the French public and the art establishment, reaching celebrity status in his later...
Read MoreAt M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn More