Meissen porcelain is considered to be the first European porcelain ever to be created. Developed in the early 18th century by Johann Friedrich Böttger, this new hard-paste porcelain attracted artists and artisans from all over Europe to establish the first Staatliche Porzellan-Manufaktur Meissen, considered to be one of the most refined porcelain factories in the western world. Meissen porcelain is perhaps most noted for its allegorical figurines which are often delicately adorned with colorful floral decoration and intricate details. Each piece of Meissen porcelain is unique and often has an interesting story behind it.
We recently acquired one of Meissen’s more curious pieces. This fascinating porcelain statue entitled, "Count Brühl's Tailor on a Goat," is considered to be one of Meissen’s greatest works. This particular piece was crafted by Johann-Joachim Kaendler, considered to be the most famous sculptor at the Meissen factory. As you can see, this piece features exceptional artistry and detail, from the tailor's jauntily-cocked tricorn hat, bright floral jacket and slightly askew spectacles, to the shears hanging from the goat's horn. Not only is this piece fascinating in detail, but the story behind it is perhaps even more interesting than the piece itself.
During the early 18th century, Count Brühl, Chief Administrator to the King, was considered the best- dressed man in Saxony (now Germany). With this being said, Count Brühl’s tailor considered himself extremely important since he felt that he was equally responsible for that title. The tailor became very conceited and allowed his new ‘title’ to get the best of him. He politely requested that the Count reward him of his craft by allowing him to dine at Court with the King. Count Brühl, who dared not make such a request to the King, came up with a clever plan that he hoped would fulfill the tailor's wishes. He commissioned Kaendler to create a centerpiece depicting the tailor for the King’s dining room table, thus fulfilling the tailor’s wishes of dining with the King and avoiding any embarrassment. Kaendler, with his creative mind and clever sense of humor, took advantage of this comical situation and crafted an over-the-top satirical caricature of the tailor dressed in an ostentatious jacket astride an equally extravagant billy goat. Needless to say, Kaendler’s satirical statue of the self-important tailor became a hilarious novelty piece at the King’s Court dinners.