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Ahoy! The Golden Age of Pirates and Maritime Art


The golden age of pirates—a period most commonly identified as the late 17th and early 18th centuries—has long captivated imaginations and scholarly interest alike. This era is most vividly resurrected through art, which serves as both a visual feast and a historical record. Join us as we dive into the role of maritime art and pirates, but only if you’re craving adventure.

Pirates and Their Maritime Impact

The Golden Age of Piracy, spanning roughly from the late 17th to the early 18th centuries, represents a captivating era in maritime history marked by a surge in piracy and privateering activities. A confluence of geopolitical upheavals, economic shifts and maritime advancements provided fertile ground for the proliferation of pirates across the world's oceans. Drawn by the allure of uncharted territories, untold riches and the promise of unbridled freedom, the Golden Age of Piracy saw the rise of formidable buccaneers who challenged the established order on the high seas.

Trade Routes and Merchant Ships
Louis XIV Royal Presentation Sword.


Louis XIV Royal Presentation Sword. M.S. Rau, New Orleans (Sold).


Privateering was a strategic response by European governments, including Great Britain, France and Spain, to the geopolitical challenges of the 17th and 18th centuries. The governments, facing the financial strains of prolonged conflicts, utilized privateers as a cost-effective means to bolster their naval capabilities. Privateers operated on a quasi-entrepreneurial basis and received a letter of marque from their sponsoring government that granted them legal authority to engage in acts of piracy against enemy vessels. They disrupted enemy trade routes, seized merchant vessels and weakened the economic backbone of rival nations.

Privateers were also typically outfitted with ships and armed by their employing state. In return, these privateers were entitled to a significant share of the spoils, which often included confiscated cargoes and the vessels themselves. The allure of wealth, coupled with the legitimacy conferred by state commissions, attracted a diverse array of captains to the privateering trade, contributing to the exponential growth of privateer fleets during this period.

In a salient example, the presentation sword above was gifted by Louis XIV to Alain Porée, Captain of the Corsairs, for his role in defending Saint-Malo against the English in 1693. Though they were not considered official naval personnel, corsairs were authorized to raid the ships of any nation at war with France, all in the name of the French monarchs. Seized cargo, which was then sold at auction, was a lucrative business for the corsairs and the French monarchs, and the most successful corsairs were highly prized by their Kings. The guard of this sword, adorned on one side with the King’s portrait and the other with the visage of Porée, illustrates the regard in which Louis XIV held his faithful subject.

Even still, the line between privateers and outright pirates during the Golden Age of Piracy was often blurred. Motivated by profit and operating within the confines of state-sanctioned warfare, privateers occasionally veered into illicit activities. The transition from sanctioned privateering to unbridled piracy could be driven by the conclusion of hostilities, the expiration of letters of marque or the allure of unregulated pillaging.

As a consequence, some privateers evolved into notorious pirates, exploiting their knowledge of maritime trade routes and naval tactics to continue their ventures outside the bounds of official endorsement. This complex interplay of state-regulated privateering and the subsequent emergence of renegade pirates remains a distinctive feature of the maritime history of the Golden Age of Piracy.

The Role of Women Pirates

Anne Bonny, as pictured in Charles Johnson’s 1724 book A General History of the Robberies and Murders of the most notorious Pyrates.


Anne Bonny, as pictured in Charles Johnson’s 1724 book A General History of the Robberies and Murders of the most notorious Pyrates. Source.


While piracy has been traditionally portrayed as a male-dominated pursuit, historical evidence suggests that women actively participated in piratical activities during various periods. In the Golden Age of Piracy, from the late 17th to the early 18th centuries, the presence of women in pirate crews became more pronounced. Anne Bonny and Mary Read are two notable examples of women who defied societal norms and navigated the perilous waters of piracy alongside their male counterparts. Their inclusion in pirate crews challenged prevailing gender roles and added a layer of complexity to the maritime lore of the era.

The motivations for women to join pirate crews were as diverse as those of their male counterparts. Some, like Anne Bonny and Mary Read, disguised themselves as men to gain access to the adventurous and lucrative world of piracy. Their ability to conceal their gender allowed them to operate freely within the confines of a pirate ship, participating in raids, engaging in combat, and earning the respect of their fellow crew members. The reasons for adopting a pirate's life were multifaceted, often stemming from a desire for economic independence, a rejection of societal constraints, or a quest for personal freedom in an era when opportunities for women were limited.

The meeting of Grace O’Malley and Queen Elizabeth I. Etching from Anthologia Hibernica, vol. 11, 1793.


The meeting of Grace O’Malley and Queen Elizabeth I. Etching from Anthologia Hibernica, vol. 11, 1793. Source.


However, the presence of women in piracy was not exclusive to the Golden Age, as historical records indicate instances of female pirates dating back to earlier periods. The likes of Grace O'Malley in the 16th century and Ching Shih in the early 19th century further exemplify the diverse roles that women played in the world of piracy. O'Malley, the Irish "Sea Queen," commanded her own fleet and engaged in both trade and piracy, while Ching Shih, a Chinese pirate queen, led one of the most formidable pirate confederacies in history. These women not only defied societal expectations but also demonstrated exceptional leadership skills, challenging conventional notions of gender roles in maritime activities.

The Pioneers of Piracy

As the 18th century harkened the zenith of swashbuckling adventures on the high seas, legendary figures emerged who would etch their names into seafaring lore.

Bartholomew Roberts

Bartholomew Roberts, often referred to as the "Black Bart," emerged as a highly successful pirate captain during the early 18th century. Roberts earned notoriety for capturing over 400 vessels and amassing substantial wealth. Unlike many of his contemporaries, he eschewed violence when possible, preferring to intimidate his targets into surrender. Roberts' strategic brilliance and his adherence to a pirate code contributed to his reputation as one of the most successful pirates of his time.

Calico Jack Rackham & Charles Vane

The Golden Age of Piracy saw the rise of infamous partnerships, none more iconic than that of Calico Jack Rackham and Charles Vane. These pirates, operating in the early 18th century, terrorized the seas and became synonymous with the audacity and flamboyance of the era. Their exploits in attacking Spanish merchant ships and challenging the might of the Royal Navy marked a turning point in the history of piracy.

Henry Morgan

Henry Morgan, a British privateer turned pirate, rose to prominence as a cunning strategist and a master of raiding Spanish colonies. Born circa 1635 in Wales, Morgan's early life remains relatively obscure, with scant historical records providing details about his upbringing. His maritime career began as a privateer, authorized by English authorities to harass Spanish colonies and shipping interests in the Caribbean during a period marked by geopolitical tensions between England and Spain. His exploits in the plunder of Port Royal and the attack on Spanish merchant ships contributed to the era’s rich folklore and became the stuff of legends.

Edward Teach

No discussion of the Golden Age of Piracy would be complete without the mention of the infamous Edward Teach, better known as Blackbeard. His fearsome appearance struck terror into the hearts of those unlucky enough to cross his path. Blackbeard's career reached its zenith between 1716 and 1718, during which he commanded a formidable pirate fleet, terrorizing merchant vessels and colonial settlements alike. His flagship, the Queen Anne's Revenge, was a commandeered French slave ship heavily armed for piracy. Blackbeard's strategic brilliance was evidenced in his use of intimidation tactics, including tying slow-burning fuses into his beard during battle to create an aura of demonic ferocity. His exploits in the Indian Oceans and the Caribbean further solidified the era's reputation as a time of audacious buccaneering.

Pirates in Maritime Art

Smugglers by Charles Napier Hemy

Smugglers by Charles Napier Hemy. M.S. Rau, New Orleans (Sold).


Maritime art, with its vast canvases depicting the ebb and flow of the world's oceans, has long been a captivating genre. Within this rich tapestry of seafaring imagery, pirates emerge as iconic figures, immortalized by artists across centuries. From the Golden Age of Piracy to the romanticized depictions of buccaneers, maritime art serves as a vivid portal into the thrilling world of pirates, where the clash of cutlasses and the billowing sails of pirate ships come alive on canvas.

Artists of the Golden Age of Piracy, inspired by the allure and terror of pirates, captured these maritime outlaws in vivid detail. Edward Teach and Calico Jack Rackham became popular subjects. The works of artists like Howard Pyle and N.C. Wyeth brought the swashbuckling tales of the high seas to life, portraying pirates as both ruthless villains and charismatic antiheroes.

Henry Morgan's Ship off Gorgona in the Pacific by Montague Dawson


Henry Morgan's Ship off Gorgona in the Pacific by Montague Dawson. 20th century. Source.


As the centuries passed, the image of pirates evolved from feared marauders to romanticized adventurers, inspiring a wave of artistic interpretations. The 19th-century Romantic movement, in particular, saw an infusion of emotion and idealism into maritime art. Paintings such as the one above by famed marine artist Montague Dawson embraced the romanticized notions of piracy, depicting pirates as rugged individualists challenging the constraints of society.

Pirates continue to embody the spirit of adventure, rebellion and the untamed seas. As we gaze upon these captivating canvases, we are transported into a world where the Jolly Roger flutters in the wind, and the promise of hidden treasure lingers on the horizon—a testament to our timeless fascination with piracy.

Explore our collections of maritime art and ships in art to be transported to the high seas.


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