While art is typically considered a single, original work, that is not always the case. Some artists create multiple versions of their work, and each, while nearly identical, is its own unique work. This grouping of works is called an edition, and they are often enthusiastically acquired alongside one-of-a-kind artworks by savvy art collectors. Read on to learn more about editions in art and how artists use them.
What is an Art Edition?
An edition is a reproduction of an original image, designed as a group or multiples and produced under its original artist. Bronze castings, photographs, prints, etchings, lithographs and other works on paper are some of the most common types of works in editions. Because each piece in an edition is produced separately, each is unique. While editions are produced as a set, each is treated as an original artwork because each is created individually by an artist, making them a special case in the art market.Open vs. Limited Editions
The number of pieces in an edition can vary greatly, and it is usually up to the artist to decide how many versions they wish to produce. There are typically two approaches to editioning: limited edition and open edition.
M.S. Rau

Black crayon, India ink and collage on paper
Completed in 1912
M.S. Rau
National Gallery of Art, Washington, D.C.
Edition vs. Reproduction
It is important to reiterate that an edition is not a copy in the conventional sense. Rather, they are sets of unique pieces created after an original work, which function together with the original work. On the other hand, a reproduction is a copy, usually produced in a different medium than the usual work and typically does not involve the original artist. Reproductions are often done digitally and can be made strictly for commercial purposes. One of the most familiar examples of reproductions is the poster, which uses digital technology to recreate a famous scene or image. These works are not included in the artist’s edition and are merely copies.Editions Across Media
Etchings
Etchings are perhaps one of the most common types of editioning in art. This print-making process involves incising a metal plate with an image. These incised areas hold the ink, which, once applied, can be transferred onto another surface, leaving the image behind. Etchings were one of the first techniques for replicating images, dating to the 16 century. Although he is most famously remembered as a painter, Rembrandt van Rijn was also a career printmaker. Throughout his career, he produced over three hundred etchings, which are still around today. This highly-detailed religious work recounts a biblical tale in which Joseph, son of Jacob, tells his brothers about his prophetic dreams.
Woodblock Prints
Another common type of editioning in art is the woodblock printing technique. This technique involves drawing onto a thin type of paper, which is then glued to a plank of wood. The image is then chiseled into wood, leaving the outlines of the image in a “stamp.” Ink can then be applied to the wood block, and multiples of the image are able to be created. The woodblock printing technique began as a way to spread texts, but it was widely adopted in Japan during the Edo period as an art form. More advanced printmakers could produce incredibly intricate, multi-colored prints, called ukiyo-e. The widely popular Great Wave off Kanagawa by Katsushika Hokusai is one such Edo woodblock print. From a series of thirty-six prints, this image has spread and grown in popularity throughout the ages.
The Metropolitan Museum of Art, New York City
Photographs
Photographs are another medium commonly printed in editions. Because the same negative can be reused many times, photographers often produce multiples of one photograph. For instance, director and author Lawrence Schiller famously photographed a series of Marilyn Monroe, and he printed each image in limited editions of 75. This image of Marilyn by the pool is numbered 19 of 75, and it comprises a larger set of other iconic photographs of the actress.
M.S. Rau
Bronzes
Bronzes are particularly apt for editioning, as these sculptures are created from a series of molds. Using a “lost wax” technique, the artist pours molten bronze into their mold, which cools and forms into a sculpture. This technique was often repeated, and thus, bronzes sometimes come in editions. For instance, this delicate ballerina bronze by Edgar Degas was cast posthumously after the original molds were rediscovered. It is marked “Degas / 6|G / 1998 / CIRE C.VALSUANI PERDUE”, thus indicating it is an edition after Degas’ original. ![]() |
M.S. Rau