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Les roses d'Ispahan by Lucien Lévy-Dhurmer
- Lévy-Dhurmer was one of the leading Symbolist and Art Nouveau artists at the turn of the century
- This work is an exceptional example of his ability to transport the viewer into a sensory journey
- His work is held by important museums including the Met in New York and the Musée d'Orsay in Paris
- Get complete item description here
$228,500
Item No.
31-4730
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Description
Lucien Lévy-Dhurmer
1865-1953 | French
Les roses d’Ispahan
Signed "Lévy Dhurmer" (lower left)
Oil on canvas
French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer. . .
1865-1953 | French
Les roses d’Ispahan
Signed "Lévy Dhurmer" (lower left)
Oil on canvas
French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer. . .
Read More
Lucien Lévy-Dhurmer
1865-1953 | French
Les roses d’Ispahan
Signed "Lévy Dhurmer" (lower left)
Oil on canvas
French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer into an imaginary journey of the senses.
Partly obscured by a rose bush, the Persian city of Isfahan, in present-day Iran, forms the expansive vista. The painting's title is taken from the poem by Charles Leconte de Lisle, which was famously set to music by Gabriel Fauré in 1884. Lévy-Dhurmer's incredible brushwork and mastery of color bring the vista to life with thousands of feathery strokes, perfectly evoking the allure and mystery of this legendary city.
Born in French Algeria in 1865, Lucien Lévy-Dhurmer studied drawing and sculpture in Paris as a child and began his artistic career as a decorative painter at a porcelain manufactory in Golfe-Juan. Throughout his long career, Lévy-Dhurmer experimented with different artistic styles and mediums, succeeding as a ceramicist, painter, pastelist and furniture designer. Perhaps his most celebrated work, the famed Wisteria Dining Room, which is now held in the Metropolitan Museum of Art, is a brilliant example of the artist’s remarkable range of skills in various media.
His trip to Italy in 1895 would change the course of his life and interests. It was there that he discovered an interest in German and Florentine Renaissance—resulting in paintings that fit in nicely alongside those of the English Pre-Raphaelites. That same year, Lévy-Dhurmer officially began his painting career. In 1896, he held his first solo exhibition at the Galerie Georges Petit in Paris, where he appeared for the first time under the name Lévy-Dhurmer, adding to his surname Lévy part of his mother’s maiden name, Pauline-Amelie Goldhurmer.
His unique blend of Academic detail with Impressionist color and technique garnered the artist considerable attention. He was drawn to the ideals of the Symbolist movement, which offered an intellectual alternative to the purely visual pursuits of the Impressionists. After 1900, Lévy-Dhurmer’s work explored the emotional and lyrical possibilities of landscape and atmosphere. Similar landscapes by Lévy-Dhurmer from this period reside in the Denver Art Museum and the Musée d’Orsay in Paris.
Circa 1910
Canvas: 23 3/4" high x 32" wide (60.33 x 81.28 cm)
Frame: 30" high x 38 1/8" wide x 2" deep (76.20 x 96.84 x 5.08 cm)
Provenance:
Private collection, London
M.S. Rau, New Orleans
Private collection, California
M.S. Rau, New Orleans
1865-1953 | French
Les roses d’Ispahan
Signed "Lévy Dhurmer" (lower left)
Oil on canvas
French painter Lucien Lévy-Dhurmer was one of the leading artists of the Symbolist and Art Nouveau movements at the turn of the century. This stunning oil on canvas is imbued with a misty, hazy romanticism that characterizes many of his landscapes and portraits, and it is an exceptional example of Lévy-Dhurmer’s ability to transport the viewer into an imaginary journey of the senses.
Partly obscured by a rose bush, the Persian city of Isfahan, in present-day Iran, forms the expansive vista. The painting's title is taken from the poem by Charles Leconte de Lisle, which was famously set to music by Gabriel Fauré in 1884. Lévy-Dhurmer's incredible brushwork and mastery of color bring the vista to life with thousands of feathery strokes, perfectly evoking the allure and mystery of this legendary city.
Born in French Algeria in 1865, Lucien Lévy-Dhurmer studied drawing and sculpture in Paris as a child and began his artistic career as a decorative painter at a porcelain manufactory in Golfe-Juan. Throughout his long career, Lévy-Dhurmer experimented with different artistic styles and mediums, succeeding as a ceramicist, painter, pastelist and furniture designer. Perhaps his most celebrated work, the famed Wisteria Dining Room, which is now held in the Metropolitan Museum of Art, is a brilliant example of the artist’s remarkable range of skills in various media.
His trip to Italy in 1895 would change the course of his life and interests. It was there that he discovered an interest in German and Florentine Renaissance—resulting in paintings that fit in nicely alongside those of the English Pre-Raphaelites. That same year, Lévy-Dhurmer officially began his painting career. In 1896, he held his first solo exhibition at the Galerie Georges Petit in Paris, where he appeared for the first time under the name Lévy-Dhurmer, adding to his surname Lévy part of his mother’s maiden name, Pauline-Amelie Goldhurmer.
His unique blend of Academic detail with Impressionist color and technique garnered the artist considerable attention. He was drawn to the ideals of the Symbolist movement, which offered an intellectual alternative to the purely visual pursuits of the Impressionists. After 1900, Lévy-Dhurmer’s work explored the emotional and lyrical possibilities of landscape and atmosphere. Similar landscapes by Lévy-Dhurmer from this period reside in the Denver Art Museum and the Musée d’Orsay in Paris.
Circa 1910
Canvas: 23 3/4" high x 32" wide (60.33 x 81.28 cm)
Frame: 30" high x 38 1/8" wide x 2" deep (76.20 x 96.84 x 5.08 cm)
Provenance:
Private collection, London
M.S. Rau, New Orleans
Private collection, California
M.S. Rau, New Orleans
Read Less
Specifications
| Maker: | Lévy-Dhurmer, Lucien |
| Period: | 1816-1918 |
| Origin: | France |
| Type: | Paintings |
| Style: | Post-Impressionism |
| Depth: | 2.0 in. (5.08 cm) |
| Width: | 38.13 in. (96.84 cm) |
| Height: | 30.0 in. (76.2 cm) |
| Canvas Width: | 32.000 in. (81.28 cm) |
| Canvas Height: | 23.750 in. (60.33 cm) |
Buy With Confidence
For over a century, we've placed important art, rare jewels and exceptional objects with more than 14,000 collectors worldwide, and have been recognized by trusted publications including Robb Report, The New York Times, Wall Street Journal and more.
On Approval
Examine select works in person before you commit
125% Guarantee
Full credit plus 5% annual appreciation for five years
Trusted Expertise
Over two centuries of combined experience across our specialists
