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Learn MoreActe II Scène IV pour La Traviata by Erté
- Erté served as set designer for two renditions of Verdi's La Traviata
- The alliance between Erté and the vibrant performing arts scene of Paris was powerful
- This 1937 set design allowed audiences to be transported to the play's setting
- Erté is remembered as the "Father of Art Deco" for his incomparable impact on the period
- Get complete item description here
$9,850
Item No.
31-7956
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Description
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Acte II Scène IV pour La Traviata
Signed “Erté” (lower right)
Inscribed "No. 4099 / La Traviata / Acte II / Scène IV / Composition originale" (en verso)
Gouache on paper
Erté served as set designer for two renditions of La Traviata, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given. . .
1892-1990 | Russian-French
Acte II Scène IV pour La Traviata
Signed “Erté” (lower right)
Inscribed "No. 4099 / La Traviata / Acte II / Scène IV / Composition originale" (en verso)
Gouache on paper
Erté served as set designer for two renditions of La Traviata, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given. . .
Read More
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Acte II Scène IV pour La Traviata
Signed “Erté” (lower right)
Inscribed "No. 4099 / La Traviata / Acte II / Scène IV / Composition originale" (en verso)
Gouache on paper
Erté served as set designer for two renditions of La Traviata, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. This 1937 set design for Act II Scène IV of the timeless production allowed audiences to be transported to Paris of the early 19th century.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Painted 1937
Paper: 5 1/8" high x 7 3/8" wide
Frame: 10 1/2" high x 12 7/8" wide x 5/8" deep
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
1892-1990 | Russian-French
Acte II Scène IV pour La Traviata
Signed “Erté” (lower right)
Inscribed "No. 4099 / La Traviata / Acte II / Scène IV / Composition originale" (en verso)
Gouache on paper
Erté served as set designer for two renditions of La Traviata, an opera in three acts by Giuseppe Verdi that first premiered in 1853 and remained a staple in the European operatic repertoire. Given the era’s burgeoning modernism and political upheaval, the opera’s narrative of love, sacrifice and societal conventions resonated differently, offering solace and escapism. This 1937 set design for Act II Scène IV of the timeless production allowed audiences to be transported to Paris of the early 19th century.
The alliance between Erté and the vibrant performing arts scene of Paris transported audiences to new heights throughout the early 20th century. Erté emerged as an unmatched and emblematic creative force whose visionary designs were imbued with an otherworldly appeal. His mesmerizing costume and set designs left an indelible imprint on operatic and theater productions of the period.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Painted 1937
Paper: 5 1/8" high x 7 3/8" wide
Frame: 10 1/2" high x 12 7/8" wide x 5/8" deep
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
Exhibitions:
M.S. Rau, New Orleans, Erté and the Era of Art Deco, October 14, 2023 - January 3, 2024
Read Less
Specifications
| Maker: | Erté |
| Period: | 1919-Present |
| Origin: | France |
| Type: | Paintings |
| Style: | Art Deco |
| Depth: | 0.63 in. (1.59 cm) |
| Width: | 12.88 in. (32.7 cm) |
| Height: | 10.5 in. (26.67 cm) |
| Canvas Width: | 7.375 in. (18.73 cm) |
| Canvas Height: | 5.125 in. (13.02 cm) |
Buy with Confidence
At M.S. Rau, we are committed to building a long-term, rewarding relationship with each and every client. That’s why your purchase is backed by our 125% guarantee.
Learn More
