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Vue des quais by Jean Metzinger
- This atmospheric harbor scene was painted circa 1904 by French artist Jean Metzinger
- The painting exemplifies Metzinger's Neo-Impressionist style before his contributions to Cubism
- Metzinger's palette of blues, greens and violets captures the tranquility of a quiet waterfront
- Metzinger helped establish Cubism’s theoretical foundations through his influential writings
- Get complete item description here
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1883–1965 | French
Vue des quais
(View of the Quays)
Initialed ‘M’ (lower left)
Oil on canvas
French artist Jean Metzinger's Vue des quais captures a pivotal moment in the artistic development of one of Cubism's most influential figures. Painted circa 1904, the work's delicate palette and atmospheric composition offer a compelling example of Metzinger's Neo-Impressionist style, before he would transform modern art.
Beneath a cloud-filled sky, a quiet. . .
1883–1965 | French
Vue des quais
(View of the Quays)
Initialed ‘M’ (lower left)
Oil on canvas
French artist Jean Metzinger's Vue des quais captures a pivotal moment in the artistic development of one of Cubism's most influential figures. Painted circa 1904, the work's delicate palette and atmospheric composition offer a compelling example of Metzinger's Neo-Impressionist style, before he would transform modern art.
Beneath a cloud-filled sky, a quiet harbor unfolds in delicate shades of blue, green and violet. Sailboats rest peacefully along the quay, their masts rising against the distant buildings that line the waterfront. Subtle variations of color create a harmonious atmosphere, while occasional touches of red punctuate the predominantly cool palette. Metzinger's brushstrokes capture the subdued light of the overcast day, lending the composition a quiet, contemplative quality.
Metzinger moved to Paris in 1903, where he became immersed in the city's vibrant artistic community. Influenced by Georges Seurat and the Neo-Impressionists, he developed a distinctive approach to painting based on the juxtaposition of individual touches of color. His artistic investigations eventually led him toward Cubism, and in 1912, he collaborated with Albert Gleizes on Du Cubisme, the first major theoretical treatise devoted to the movement. As a central figure in the influential Section d'Or, a group of French avant-garde artists active primarily between 1911 and 1914, Metzinger helped establish the foundations of one of the twentieth century's most revolutionary artistic movements. His paintings are represented in prestigious institutions including the Peggy Guggenheim Collection in Venice, the Museum of Fine Arts, Boston, and the Tate in London.
Circa 1904
Canvas: 17 1/2" high × 23 1/2" wide (44.45 × 59.69 cm)
Frame: 23 1/4" high × 29 5/16" wide × 1 1/2" deep (59.06 × 74.49 × 3.81 cm)

| Maker: | Metzinger, Jean |
| Period: | 1816-1918 |
| Origin: | France |
| Type: | Paintings |
| Style: | Modernism |
| Depth: | 1.5 in. (3.81 cm) |
| Width: | 29.33 in. (74.49 cm) |
| Height: | 23.25 in. (59.06 cm) |
| Canvas Width: | 23.500 in. (59.69 cm) |
| Canvas Height: | 17.500 in. (44.45 cm) |
Buy With Confidence
For over a century, we've placed important art, rare jewels and exceptional objects with more than 14,000 collectors worldwide, and have been recognized by trusted publications including Robb Report, The New York Times, Wall Street Journal and more.

On Approval
Examine select works in person before you commit

125% Guarantee
Full credit plus 5% annual appreciation for five years

Trusted Expertise
Over two centuries of combined experience across our specialists